馃帵 WALL路E full movie HD download (Andrew Stanton) - Adventure, Sci-Fi, Romance, Family, Animation. 馃幀
Adventure, Sci-Fi, Romance, Family, Animation
IMDB rating:
Andrew Stanton
Ben Burtt as WALL路E
Jeff Garlin as Captain McCrea
Fred Willard as Shelby Forthright - BnL CEO
MacInTalk as AUTO
Kathy Najimy as Mary
Sigourney Weaver as Ship's Computer
Kim Kopf as Hoverchair Mother
Teddy Newton as Steward Bots (voice)
Lori Alan as Additional Voices (voice)
Bob Bergen as Additional Voices (voice)
Paul Eiding as Additional Voices (voice)
Donald Fullilove as Additional voices (voice) (as Don Fullilove)
Teresa Ganzel as Additional Voices (voice)
John Cygan as Additional Voices (voice)
Storyline: In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...
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A Wasted Opportunity
After half an hour of almost meditative atmospheric silent comedy build-up, complete with perfect use of sound effects, the plot kicks in and we're left with one of PIXARs least captivating story lines this side of "Cars".

The computer-generated images are crystal-clear and marvelous to behold, but, compared to, say, "Ratatouille" somewhat distancing, while the sledgehammer delivery of the eco-friendly message with all the obese robot-controlled ex-earthlings tends to overstay its welcome. Especially the second half with all the chasing and hiding suffers from lazy script-writing.

Still, as with all PIXAR works, an enjoyable movie.

6 out of 10 "Hello, Dolly!" songs
Eve of love
Wall-E starts off unusually enough with little dialogue but show tunes from a Barbara Streisand film. A lone garbage compacting robot in a desolate, waste ridden earth of the future until one day a ship lands and unleashes a female robot, Eve who leaves him smitten. In fact the film makes it plain repeatedly that Wall-E is in love.

There is another story of a ship on a centuries old journey where the humans have evolved to be obese and rather lazy. These are the descendants of the people who escaped from the rubbish strewn planet, the ship has a nominal captain but most of the real work is done by a computer.

The film although coming in from another angle of a robot wanting, even needing affection and finding it which leads him to a journey in space then falls for some dependable Disney/Pixar plot points. There has to be a villain with a hidden agenda, there will be some pulsating but humorous chase scenes.

Also if the humans spend all their time on those hover chairs drinking fizzy drink all day, who was the person having the time to have babies because we get the impression that these people were too busy or empty to have personal relationships.

The animation is of a very high standard but the start might be deemed to be slow and the film looks flawed if you examine it too carefully. Also the film ends up paying a homage to 2001:A space odyssey.
Pixar's still producing the best movies out there
We went to the San Francisco Film Institute's first public screening at their campus in Emeryville. Everyone's sworn to secrecy, but for a film with little dialog, it carries more of an emotional punch and has a richer story than any live-action movie this year. The tone and style of the film is completely different for Pixar, and Disney haven't tried to override the darker thematic elements at all, making the story surprisingly three-dimensional.

This will end up being the animated film of the year and I had the same 'wow' feeling as after seeing Ratatouille. Considering that animated films have always played second-fiddle to live-action, and have been aimed at kids, it's ironic that once again Pixar produces a film that rivals any live action on every level. Bravo!
Creative Vision with Predictable Plot = Not Entirely Satisfying
The stunning virtual world of Wall.E shows Pixar at the top of their creative graphic powers. Going over the beautiful CGI in my head, I'm still in awe of how the designers portrayed Wall.E's integrated world and their attention to detail will serve as a benchmark for years. That said, I'm less impressed by the simple and very predictable plot. Pixar/Disney married state-of-the-art visuals with a worn plot line from an early childhood fairy tale. I'm guessing the target audience for this movie is somewhere around 6th graders. Great summer family fare but not a great movie if you want something more substantial in terms of plot and character development.
A Most Endearing Love Story In Space...And Back
Over the years I've become quite a sucker for Pixar movies and just love each and every one of them. While there are the states of the art animation and sound effects, the stories have heart. The characters are adorable yet real. It reminds one of those charming movies Disney used to make but Pixar films are very much a unique cinematic experience.

'WALL-E' is quite unusual compared to the previous Pixar movies. There's hardly any dialogue between the two protagonists other than saying each other's name. In fact, barely a word is spoken in the entire first half hour but WALL-E and Eve's silent and playful love story is such a joy to watch. Even though of few words, both characters have strong personalities and the character development is wonderfully done.

The animation is colourful and vivid. Sound effect is amazing. The robot characters are cute and charming. The score deserve special mention as it's mesmerizing and beautiful. Andrew Stanton has done a terrific job as director and co-writer. The portrayal of WALL-E's loneliness and need for love is very well done and then the change that is brought within after the entrance of Eve and his eventual determination to rescue her is effectively shown. There are many genuinely funny and creative moments and it manages to stay away from being 'just plain silly'. The story is rich with humour, action, drama and adventure.

Ben Burtt and Elissa Knight do a fabulous job with the voice acting for WALL-E and Eve. John Ratzenberger, Kathy Najimy and Sigourney Weaver lend great support. While 'WALL-E' tells a magnificent love story it reminds us that Earth is our home and nothing can replace it. It's a joyous magical experience and another sure winner from Pixar.
Define dancing…Wall-E
Robots falling in love. There is a lot to like about the new Pixar film Wall-E. The animation goes without saying—better than anything out there. The glares, the environments, everything is rendered spectacularly, right down to the flame of a Zippo lighter. As for the story, leave it to these wizards for creating a tale that hits on a gut level, letting our simplest emotions come to the surface in order speak to our hearts and souls. With fewer words than Arnold Swartzenegger had to speak in Terminator 2, this movie relies on its visuals and on the movements and actions of the characters. It is appropriate that we are shown clips from older musicals to show humanity before Earth was abandoned. If we harken back to them for the joys of people, why not go to silent era style in order to portray communication between beings that cannot speak? Wall-E, his crush EVE, and all the other robots involved can say little than their name, however, we understand exactly what they mean throughout. The entire film speaks on a level that most people might have forgotten. In an age of Hollywood spoon-feeding the masses by having actors preach the obvious, Pixar has shown their originality again by getting an audience to partake in a film that makes them pay attention and work a little; something that the message of the piece is trying to have come across for humanity in general.

I credit the filmmakers for showcasing a world that has been left unlivable due to pollution and excess, yet never stooping to the level of liberal propaganda to soapbox an environmental agenda. No, the idea of "going green" or "stop global warming" never comes out blatantly, but instead we are shown the message of how technology is making us gluttons and sloths, reliant for everything and unable to even see what is going on right in front of our faces. Humanity, drifting on a space station for 700 years being waited on hand and foot, has become a giant mass of inactive waste. Watching their awakening at the hands of a little waste removal machine, seeing love, life, and beauty as if for the first time ever is a wonderful thing. Sure the homage to 2001: A Space Odyssey is fantastic, but these moments work on another level altogether—that of truth. Consumer culture and materialism has destroyed our society to the point that social status depends on the car you drive and the trinkets you can collect rather than the job you do and the work you put in. To see the Captain of the vessel, housing what has become of the human race, slowly open his eyes to what could be is mind-blowingly simple, yet also so necessary for children these days to see what burying their heads in the computer and cell phone is doing to the societal structure of the world. We need to stop being lemmings, droning along without purpose. There is a reason for life, things to strive for and love is one of them, something very prevalent here.

The robots themselves become more human than the humans, showing the emotion and compassion that people have left by the wayside. Curiosity takes center stage as Wall-E finds treasures amongst the trash he has been programmed to clean up for a return of life to Earth. Stacking his compacted boxes of refuse into skyscrapers taller than those left behind, he finds shelter in an abandoned tractor where he keeps spare parts and objects to play with during his solitude. Never expecting a visitor, or the impact that finding a small sapling of greenery could cause, a sophisticated robot named EVE arrives and changes his world forever. Not only does she become the woman of his dreams, but she also causes him to leave Earth and discover the spaceship, which has been trying to find his home for way too long.

Maybe it is funny to say, but the chemistry between these two machines is quite palpable and real, as they discover feelings that they shouldn't have due to programming and such, but they have evolved into sentient creatures. They fight for freedom against the spaceship's auto-pilot and take a stand to end the tyranny that has been subtly and effectively beating the humans into submission. Of course they may not be doing it for the humans per se, there is a matter of needing to go back for spare parts, but you'll understand once you see. Sure the Captain does his part to see the hero that Wall-E becomes to his stagnant race and being voiced by the hilarious Jeff Garlin definitely helps. When he starts viewing the history of Earth and just exudes wonderment and joy, you really enjoy the ride as he attempts to reverse his sloth and actually stand on his two legs for possibly the first time ever.

Where I do have a problem with the film is the pacing. Yes, I know there is very little dialogue—and I whole-heartedly praise the film for it—but the beginning does have a tendency to drag. Maybe some of that has to do with it being an extended version of the trailer, but it just gets a little tedious as we wait for EVE to arrive and end the cute monotony of Wall-E playing with his finds in ways they aren't supposed to be used for, we've seen it before in The Little Mermaid. Even once they are on the ship, the cat and mouse game gets a little prolonged to pad the runtime a bit. The story here isn't very complex and I just wish there had been more to it, or at least a bit faster paced of a plot progression. Otherwise, though, this is another solid film from Pixar, showing that they definitely have the creativity and storytelling ability to infuse heart back into cinema and try new things rather than regurgitate for a big paycheck.
Pure Genius
I very rarely give ten out of ten to a movie, but I have no hesitation in giving that perfect score to WALL-E. It is sublime. Not just the best animation I've seen in a long time, but simply one of the best movies I've seen in many months in terms of coherent and effective story-telling and seamless editing. It's extremely well put together. The animation is in a class of its own. My only slightly negative comment might be that clearly this isn't a movie aimed at little kids, and perhaps the marketing strategy is showing too much of the 'cute funnies' and not enough of the sheer artistry of Pixar's vision. This is not a bright, sunny view of the world where everyone lives happily ever after, but quite clearly a message movie; if you agree with the message, you will love this film.

Disney may own Pixar these days, but there is an artistic divide between the two production styles. If you want predictable sentimentality watch Disney. I loved Disney's older classics but some of their later offerings – with the exception of Beauty and the Beast which was very good - made me wince when I took my kids along. But in contrast I have loved every single film that Pixar have made since Toy Story in 1995, and if you want something more wry, but still possessing humour and heart, then Pixar is probably going to be your choice.

The story is simple enough. It's the year 2700 and the earth has become uninhabitable, not through some terrible cataclysmic event, but by a slow accumulation of suffocating junk. It's a wasteland devoid of living things. As the opening shots pan in, we see that the skyscrapers are actually tall mounds of compressed trash, and that the compressing is being done by WALL-E (Waste Allocation Load Lifter – Earth class), a small, solitary robot which keeps itself going by scavenging parts from all his clapped out siblings. WALL-E's only companion is a cockroach, and he fills in the time in his trailer home during long dust storms by watching an old video of Hello Dolly. WALL-E is an unlikely hero, rusty but trusty. I hesitate to use the word cute, endearing works better. One day he finds a single plant growing. He doesn't appreciate its significance but takes it home anyway where he squirrels it away with his other treasures such as a Rubic's Cube, a lighter and a trash can lid.

Then a space ship lands and EVE emerges (Extraterrestrial Vegetation Evaluator). Eve is in a whole different class to WALL-E. She can fly, he is earth bound, she is sleek, dangerous and single minded while he is bumbling and rather dowdy. They communicate with beeps and eye twitches, and WALL-E is hooked. When WALL-E gives EVE the plant he has found, she recognizes that her directive – to find evidence of photosynthesis on earth – is fulfilled and shuts down. The ship comes back to pick her up and WALL-E clings on, desperate not to lose her. Arriving at the mother ship, we find the last remaining humans (apparently all American!) who have fled the earth at the behest of the CEO of Buy N Large, a conglomerate who ended up running everything. The humans are pretty much big, obese babies, who have lost the use of their legs and are spoon fed artificial food and platitudinous slogans in equal measure. The rest of the movie involves a plot by the auto pilot to take over the ship and keep it on course away from earth, while the captain tries to take it home, aided by WALL-E and an entertaining array of quirky malfunctioning robots let loose from the repair bay.

Some of the best moments are to be found in WALL-E's interaction with everyday objects; a fire extinguisher for example, enables him to zip around in space in a balletic dance with EVE, he uses a lid as a hat to imitate the dancers he sees on his video screen. The humans are not presented as wicked or evil, just unthinking, and the movie ends on a positive and upbeat note, when they recover the use of their legs and return to earth to reclaim it as their home. There are nods to many classic sci-fi movies, Pixar's ubiquitous pizza truck is there near the beginning, and they are not beyond a little self criticism; there's a discarded iPod among WALL-E's accumulated junk.

I found myself caring far more about the animated characters in WALL-E than the supposedly human ones in many 'regular' movies. Director Andrew Stanton and everyone at Pixar deserve huge credit for this movie and I hope it is an enormous financial hit for them. I also hope it gets an Oscar nomination, not for best animated feature, but for best film.
Glorious animation with heart outclasses everything this year.
From Curious George to E.T. and right on down to the present day, cinema-goers have always had a strong affinity towards, for lack of a better term, "curious little critters", small animals, aliens or other beings who are simultaneously inquisitive and clueless about the ways of Earth, and are preferably also quite clumsy, and Wall-E, as a character and as a movie, delivers in spades. Taking a pratfall as effortlessly as Keaton, and doing a terrified double take better than the most racist of cinema servitude, the sentient being, whose job it is to pick up and compact trash on a desolate future Earth, is equally fascinated by the inner workings of lightbulbs, Twinkies, garbage can lids and iPods, but can't seem to cover his head, as countless manner of things continually seem to be crashing down upon it. This mundane existence is shattered by a mysterious craft that deploys a scanning probe, another sentient being, this time with an infectious giggle and an itchy trigger finger, named Eve.

Pixar has an uncanny knack for turning familiarity into universiality. Case in point: the love story presented in "WALL-E" is a story that doesn't take a single turn that hasn't been preordained by 80 years of cinema history, but Pixar still manages to turn it on its ear: The love story here is between robots, and our protagonists, despite only having model numbers and call signs for names, and literally knowing four words between them (two, discounting their own names), are more human than any couple seen on the silver screen in some time, and when life and responsibility intervene, there's a sense of heartbreak and loss seldom possible with flesh and blood.

The second act takes us as far in the other direction as possible, as Eve is picked back up by her ship, and Wall-E hitches a ride on the side, desperate for his only love. The scenes of travel here function as both a sort of montage, a transition between acts, but also serve to provide the audience with what may be the most awe-inspiring presentation of space seen since "2001", which also gets an immediately recognizable character nod that could work as a gap to that film when they're older. What he finds when the ship arrives is a completely autonomous society, co-existing between morbidly obese humans on floating chairs, no longer required to do anything of effort, even communicating on viewscreens directly across from each other, coexisting with all manner of robotic denizens, who have far more of the human experience than their living counterparts, including frustrated custodians, tough-as-nails security officers and even a mental health ward.

I won't take the time to explain the particulars of the humans' situation, or any more of the plot, because part of the fun is exploring for yourself. Pixar has never been one to skimp on the details, and every inch of the screen is filled with glorious colors, wondrous intricacies and charming touches that just add to the amazing glory unfolding before you. The fact that you know what's going to happen is less of a detriment and more of a comfort, much like watching a old video of your favorite sports' team's greatest triumph: You may know all the ups and down, but on screen, it's always happening for the first time, and damnit, it feels that way too, a testament to the skill, expertise and above all HEART, something Pixar has always seemed to possess just a little bit more of than everybody else, like they discovered some hidden secret on how to entertain everybody, to transcend labels like "children's movie", "animated movie" or even "family movie", to where all you have to say is "Pixar", and the inference is there: You're going to love it, and Pixar has stepped up to say, "Don't give up on 2008 just yet." As for "WALL-E", the message is clear: All you need is love (All together now!). All you need is love (Everybody!). All you need is love, love...

Love is all you need.

{Grade: 9.5/10 (A) / #1 (of 53) of 2008 / #187 of all time}
A beautiful love story...
WALL-E is a robot left on Earth to clean it up while the human race waits in space. Despite being a robot, however, WALL-E has developed a consciousness - he is curious and innocent as a child. Of course, being what seems like the only operational robot left, he also longs for companionship (...someone besides his pet cockroach).

That's where EVE comes in, a robot probe sent from the humans in space to check whether or not Earth is again inhabitable. Once WALL-E sees EVE, he becomes smitten and will literally follower her anywhere on Earth... or even space.

One can empathize with WALL-E, as he has been alone for what seems like the greater part of 700 years, toiling away at work with nothing but the comforts of his makeshift home to give him some small pleasures and distractions in life (although his morning sluggishness is due to his depleted power, we can't help but relate with those mornings WALL-E finds hard to get out of bed). When he sees the sleek, powerful EVE, it's quite understandable that he is captivated by her.

EVE, on the other hand, is completely focused on work (her "directive"). While we can see her personality come through when she enjoys the freedom of flying around upon her arrival, she is determined to fulfill her mission.

The real love story starts to kick in here. The scenes of WALL-E trying to gain EVE's affection are both lovable and laughable. And when WALL-E brings EVE to his home to shelter the storm, he shows EVE all of the various things he collected, much like how a child would show another companion his playthings. EVE's sense of humor comes to light, and we start to see a connection between WALL-E and EVE.

Still, when WALL-E shows EVE a plant he picked up, she realizes that her mission is accomplished, so she then "hibernates" and beacons the spaceship to pick her up. WALL-E, though, doesn't realize what she has done when she shuts herself down - he is confused, and thinking that she's solar-powered like himself, he brings her outside to the sunlight. His concern and care for her in the rainstorms shine through, and he also dresses her up in lights when he shows her the beautiful sunset she can't see.

When the spaceship picks up EVE, WALL-E follows suit, wanting to protect her but still not realizing what is going on. Once they dock on the AXIOM ship, WALL-E gets into more trouble, being a fish out of water.

EVE initially looks down on WALL-E - he's, of course, an older model who's job is just a trash compactor. Her attitudes can be seen on Earth where she initially ignores his attempts to gain her attention. Her desire to protect WALL-E arises not from love but more from a sense of noblesse oblige - even though WALL-E would follow EVE anywhere, she tries to make WALL-E understand that he has to go back to Earth alone, echoing WALL-E's interaction with his ever-present pet cockroach back on Earth.

When WALL-E is locked in a space capsule that is set to explode, EVE again tries to save WALL-E. Luckily, he was able to get out of the situation himself, and they meet in space. WALL-E used what he learned of a fire extinguisher on Earth (a hilarious scene) to propel him - here, we see EVE and WALL-E as equals in a beautiful dance of flight around the spaceship.

More and more, we see EVE start to care deeply for EVE, and it's not only because he's cute and funny but also because he is unselfish and caring. When the captain asks EVE to show recordings of her time on Earth in order to see the state the planet is in, the recording is left on, and EVE then sees the care WALL-E has taken of her during her hibernation. Also, WALL-E risks his life to protect the plant, not because he cares so much the plant but because he knows how much fulfilling her directive means to EVE. He would do anything for EVE, and, in turn, EVE starts to develop the same feelings towards WALL-E.

The two endure various calamity to help the spaceship return to Earth, but WALL-E becomes a casualty in the process. EVE finds replacement parts and fixes WALL-E, but he is not the same - he is only focused on his work, a reversal of roles from the beginning of the film. However, EVE holds WALL-E's hands and "kisses" him with a spark, and his memory awakens.


It's just amazing to me how all of this is conveyed in the storytelling. The characters' expressions and actions are limited to their eyes and gestures of their hands, yet that seems to be more than enough for the artists of the film to express the character's emotions in a visual manner. Each robot can't but say each other's names, yet their bond comes through without any dialogue - in fact, just the tone of their voice when calling each other's names gives all of the information about their intent or feelings at that moment.

In any love story, it's not a trivial task to express both sides - oftentimes, unrequited love 'magically' becomes true love after a single event, when the object of the affection suddenly has their eyes opened. On the other hand, WALL-E provides the viewer with a believable love story where both characters come alive and whisk you away in their universe. It's nothing short of extraordinary.


Of course, to say that "WALL-E" is a perfect love story is a miscategorization, as it offers a perfect blend of comedy, action, and suspense, along with so many other interwoven messages and jewels - it's just a perfect story, period.
Great science fiction, great storyline, just great overall
The movie Wall-E is a touching work of science fiction that manages to bridge the gap between child and adult. Wall-E is left abandoned on a decrepit planet Earth, with the directive of compacting and organizing the leftover trash. Having been alone for a great amount of time, his entire reality and purpose going to change.

Bringing into perspective moral conflicts of consumerism and big business, the film displays an ominous conclusion for the Earth we live in today. All this stands in stark contrast to the robot himself, who demonstrates a loving personality and emotions such as curiosity, empathy, and loneliness. It is hard not to be drawn in to Wall-E's charm.

Viewers will undoubtedly be taken by the stunning graphics, amazingly detailed scenery, and creative characters. But for those looking for more, you will find a thought-provoking story that brings into question our behavior and responsibility on this planet. Definitely recommended for young and old alike...
馃摴 WALL路E full movie HD download 2008 - Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard, MacInTalk, John Ratzenberger, Kathy Najimy, Sigourney Weaver, Kim Kopf, Teddy Newton, Lori Alan, Bob Bergen, Paul Eiding, Donald Fullilove, Teresa Ganzel, John Cygan, Pete Docter - USA. 馃搥