馃帵 WALL路E full movie HD download (Andrew Stanton) - Adventure, Sci-Fi, Romance, Family, Animation. 馃幀
Adventure, Sci-Fi, Romance, Family, Animation
IMDB rating:
Andrew Stanton
Ben Burtt as WALL路E
Jeff Garlin as Captain McCrea
Fred Willard as Shelby Forthright - BnL CEO
MacInTalk as AUTO
Kathy Najimy as Mary
Sigourney Weaver as Ship's Computer
Kim Kopf as Hoverchair Mother
Teddy Newton as Steward Bots (voice)
Lori Alan as Additional Voices (voice)
Bob Bergen as Additional Voices (voice)
Paul Eiding as Additional Voices (voice)
Donald Fullilove as Additional voices (voice) (as Don Fullilove)
Teresa Ganzel as Additional Voices (voice)
John Cygan as Additional Voices (voice)
Storyline: In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...
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Essentially a sweet and very involving robot love story where the two robots have the task of getting humans back to Earth that they've left behind temporarily
First things first – to be accurate, the film's pronounced 'Woll.Ee' not 'Wally', like the red-and-white stripy shirt boy and his dog that you were endlessly searching for on your telly screen and in the books as a kid in primary school …

The voice acting is really good. Wall.E, himself isn't completely silent – he does vocalise some few words(like 'Eve-a!'), while others are bleeps. EVE( a vegetation evaluator), who he loves, talks in a computerised robot voice which sounds really effective. The Captain on board the ship, and some other humans the little robot meets all have natural delivery in terms of their voices.

Pacing/Plot: Quite simply the plot is: Earth's been overtaken by our own produced rubbish that's piled up really tall over the years, so all humans have fled to space but they've left behind the title robot to clear up after humankind have abandoned the planet – and he's only got a cockroach for company. He's later joined and falls for a female shiny white robot then tries to rescue her when she's taken back into space on board a vast space cruise line. It seems inspired by old sci-fi films when Wall.E later ends up in space on board the vast cruiseliner and the film here turns softly but effectively satirical. Maybe quite anti-consumerist I'd say, especially when you get to see the appearance of the humans in space. Yes, it has a green message but it's not of the preachy heavy-handed kind Happy Feet had towards it's ending, in my opinion, and it's set in a realistic context for the film – 700 years in the future! It constantly engages by scenes with even just with the lonely Wall.E and his cockroach being funny and sweet, due to his clumsiness, so there's a fair bit of slapstick and clever sight gags. Adventure, romance and a critique on our society and lifestyle all blend together well.

Animation: Wow! Wonderfully realised visually – standout scenes for me is when Wall.E's followed into space and we see Saturn's rings and the Sun, goodness! The character design of our robot hero isn't original as it's a lot like Short Circuit's Johnny Five meets a robotic E.T. but even so he's still lovable all the same. EVE's egg-shape and general shiny white design is very good. Backgrounds are also detailed and I like the subtle way their personalities are shown just by their nuances in movement.

Music: I love the score and the use of songs from Wall.E's favourite film in his lair: Hello Dolly.

Overall: A dazzling animated story with a welcome subtlety done green message at it's core, and a lovably sweet robot. What sets this apart from loads of other CGI films released from other companies is it feels as if a lot of passion and inspiration created this and the film truly has a heart too, as big as it's own binoculars-head hero. This matches or even surpasses Pixar's own high standard laid down by the studio since their 90s output, in my opinion. I also loved the hilariously funny Presto short with the Magician and his rabbit before the film.
What a cartoon!
I have never thought that a cartoon , done in a classic ,e.g.-Disneyan way, by using the armada of talented artists and their drawing ,sketching etc. hand skills ,or , all these on the rows of computers , could be more humanistic that a non-animated product , a feature film , but , what Disney - the Pixar geniuses have achieved with this , is simply, beyond words ,and I have to reiterate here that what stands out is the basic building block of any work of art , that is the need to tell , describe , warn ,where talent simply lashes out ,and as is the case with Wall-E ,where the story carries everything, and the perfect digital animation ,voice characterization ( the main computer's voice is no other than Madame S.Weaver's ,and the same goes for her as for Mr . C.Eastwood , namely , the 'older' she is ,the better she is !), musical scenes are all fused into this cinematic evergreen ! Yes, as an adult and a sort of a movie buff , I simply cannot believe what kind of satisfaction and personal hopes of a better world in the middle of an interpersonal , financial and moral crisis this cartoon has reignited in me , again stressing the most basic cosmic and religious rule that love is possible ,that a better world is possible , that peace is possible ! And , what more can you wish for !
So What is Wall-E All About?
Many are complaining about the hypocritical message that Disney/Pixar is offering by making a movie about the evils of commercialism and capitalism and then marketing it and its products. On that point they've missed the mark because it's not about the evils of commercialism and capitalism, it's about gluttony and what can happen when you stop paying attention. I think the movie itself is a representation of this, don't get distracted by Wall-E's charm, Eve's streamlined features, and the ever mesmerizing animation. Instead pause and remember the film is trying to offer you something besides entertainment. If you just sit there and let the film wash over you, you've only had a pleasurable experience (not unlike a smooth hover chair ride). But if you engage with Wall-E, Eve, the captain and their struggles you can take away more from the theatre, you'll need to get out of your hover chair to do it though and actually take a good look at the stars outside.

Secondly environmentalism, capitalism, commercialism, monopolies, and so forth were not the only topics addressed in this film. I felt undercurrents of both self-discovery and appreciation for others uniqueness. Wall-E apparently already wasn't quite like other robots. He's curious, inventive, and protective. However Wall-E doesn't learn what he's really made of until he takes his journey into space to "save" Eve. There he proves that he's not only loyal and creative but also courageous, tenacious, and friendly. This rounds out his character as a hero and one that changes over the course of the story even though he was designed with a single purpose.

Eve is purposeful, career-oriented, and a little bit dangerous. She does her job well and defines herself by her directives. Through her journey she expands her programming by learning what friends can and will do for one another. She learns other things are sometimes more important than carry out your duties. No more clearly does she learn this lesson then at the end of the film when the Wall-Eness of Wall-E seems to have disappeared. I feel this is also the point in the film that drives home the message of self-discovery and individuality. Without that certain spark, Wall-E is just like all the other Wall-Es around him.

Finally there is the captain. No one knows how he got his position on the ship but however it happened his position merely has the illusion of power. From the trailers I thought the captain was going to be the villain of the story, but he is a good guy and he too goes on a journey of growth and exploration. It seems he is just like the other humans, but instead he proves himself to be capable of bettering himself through self-starting education and changing the way he functions on a daily basis. Though he remains somewhat a bumbling character throughout the film he does the right thing and passes his newfound knowledge and hope onto the other humans.

On that note stick around until the credits start scrolling on black. The story doesn't end when the computer animation does. This story was told mostly without words so when the other sound effects leave the screen don't assume the message ends. At that point the purest form of film is left: story through images. I think the negative reviewers forgot that too.
WALL-E: Turning Hearts To Liquid, Bursting Preconceptions To Dust
My reaction to the early TV trailers for WALL-E was "ok, another Pixar movie. No biggie." Consider, though I've seen almost every Pixar movie (girlfriend renting them on DVD) my reactions ranged from "mildly amused" to "cute, but mostly CGI eye-candy". Of course, as a thirty-something male, I never assumed Pixar movies were targeted to my demographic in the first place. "Pixar is for kids", after all, right? Then one day a 5-minute sneak peak was shown on TV featuring WALL-E and Eve (scene where he gets stuck in space capsule with plant). During those 5 minutes, the essence of WALL-E's character took hold and never let go. My girlfriend and I decided we wouldn't be able to wait any longer than opening day to see it. Embarrassing to admit, but I go the theater twice in a year at most, and yet I actually bought our WALL-E tickets 2 weeks in advance.

Having seen the movie today, he's honestly no less than the most adorable and brilliant animated character of all time. His personality and mannerisms spread themselves like sunlight - turning even the coldest of hearts to liquid, and bursting preconceptions to dust. Until now, no character (fictional or otherwise) ever managed to awaken the kid in me with the old notion "I wish this character was real so I could take it home with me".

The way this movie ends is the same way it begins: at the core it's all about WALL-E and the things we recognize in him as inherently human: his funny personality, his compulsion toward the good, his child-like curiosity and naivety, his sense of loneliness that he tries (and fails) at anesthetizing with psychological comforts and companion place-holders. All of the film's characters other than WALL-E are really just props, like arrows pointing your attention back at him, and always when it's the last thing he would want. His plant also seems symbolic of him (and that will make sense after you've seen the movie).

All that aside, the graphics are brilliant, especially the WALL-E character, in that it looks like a real physical robot shot on film. Great care was taken on subtleties like focus/defocus and depth perception to make him look real-world, all *within* a real-world (especially the scenes during which he's alone on earth).

I wish it would've been longer, but only because like all great rides, it went by fast and eventually had to have an end. Can't wait to see it again.
The only problem is suspension of disbelief
Once again, Pixar has created a masterpiece in terms of animation, character development, fine details, and humor. As always, the plot is hardly original, but feels like it is. The musical score isn't as good as in Cars, but what would be? Sufficient to say that I was mesmerized by this movie and couldn't help but watching it over and over again. So why 6 and not 10, like any other Pixar movie to date (except Finding Nemo, which is simply too sad for a review)? Here's my problem: A plot can suggest anything, no matter how weird, but whatever happens, it must be internally consistent. There is nothing unbelievable about toys that come to life, or a world of cars or monsters or sentient bugs - those are legitimate concepts in the context of their respective movies. But here we have a world much like our own, which was destroyed by garbage, of all things. Why is it not self-consistent? Because we are presented with a civilization, which, despite its flaws (commercially oriented, monopoly-ruled), have achieved unimaginable technological wonders in terms of efficiency and reliability. Forget the hyper-drive, hover-cars, and blasters - those are sci-fi banalities. But here we have a ship, built for a five-year mission, but lasted centuries without any major malfunction. We have a robot the size of a child that flies with supersonic speeds, hovers constantly (even in a dormant state), and has a firepower of a large 20th century battleship. And she doesn't even need to recharge! Obviously she has an incredibly efficient but very small power source. And I mean very small, because we know she's almost entirely hollow inside! WALL-E himself is even more amazing - he's capable of fast motion and heavy lifting, not to mention a laser-like cutter, and his processor is powerful enough to sustain intelligence. But to power all that he has only a square foot worth of solar panel. Even if the panel is 100% efficient, its maximum output can't be greater than a 100 watts. But it only takes a few seconds to charge the batteries for many hours, if not days. That implies power requirements that a single AA battery can easily provide! And remember that those batteries are 700 years old! But the most amazing item is the fact that there is a lot of garbage on the ship, and it's constantly being ejected into space along with the air in the ejection chamber. At this rate, over the course of 700 years, the amount of ejected garbage would be many times the total mass of the ship, and the air would be completely gone long before that. Obviously, there is some sort of a matter-energy converter on board that keeps producing new raw materials, new air, and so on, and this production is easier and cheaper than garbage recycling, otherwise why dump it? The bottom line is that a civilization having such a technology shouldn't even produce any garbage, but even if it does, then with the resources which allow to send the entire Earth's population (and a very large one, considering the amounts of garbage we see) to luxury space cruises, it will not, can not meet its downfall because of garbage. In fact it could easily reconstruct the entire Earth's ecology from scratch. It would even make more sense to stuff the BNL fleet with this garbage and dump it all into the Sun. It would be enormously cheaper and safer to construct underground or domed cities, if the population was indeed interfering with the cleanup (and why would it?). An army of EVEs could melt all the garbage in a matter of days. And so on. But the best they could come up with was a bunch of tiny garbage picking robots? Give me a break! No, the very basis of the plot is too weak to make sense. Worse yet, unlike the characters, the plot is severely undeveloped. Where are all the other ships? What about the government? It's like the humanity was intentionally "simplified" to make life easy for the writers. But the second half of the movie is based on the most simplistic concept ever - put object A into object B (the plant into a detector in this case), and all the problems will be magically and instantly solved, with no additional effort. Such primitivism can work only once - and so it did in "Lord of the Rings", but enough is enough. Finally, the movie is plagued with silly and totally unnecessary astrophysical mistakes (too many to mention here). Carl Sagan was right when he suggested that every sci-fi film should have at least a graduate physics student as a consultant. The Galaxy is only a billion miles wide? People fall down in space? Microgravity!? Come on! Given all that, a 6 is more than this movie deserves. But it does deserve at least that - it's a wonderful, magical, emotional movie with an appropriate happy ending. It's just that it's based on a very poor script.
Destined to be a classic
The odd title is actually an acronym: Waste Allocation Lift Loader, Earth-Class. This little robot unit is the last of a series originally intended to clean up a massively polluted Earth while humankind left the planet for a temporary five years which, after the failure of the project, has resulted in an absence of 700 years. The pacing and atmosphere of the movie would be remarkable for any work, let alone one of animation, with a long opening scene with little action and no dialogue. Even when another robot EVE arrives from outer space and a technical romance ensues, the dialogue is minimalist but the action accelerates at a exciting and satisfying pace.

Pixar have here given us outstanding work and Andrew Stanton, who conceived the story and directed the film, deserves special praise. The film is entertaining with action, humour and great visuals, but its is also subtly instructive with clear messages about the damage to the planet and to our bodies from our adoration of consumerism, making it appealing to children and adults alike. Many science fiction classics - from "2001" to "Silent Running" - are referenced, but the treatment is so original that "WALL·E" itself is destined to be a classic.
inconsistent animation vision
This is a different type of review. For those of us who enjoy the art, itself, as much as the overall movie. When WallE starts out, there is a certain type of animation - you know you're in an animation, but there is a lot of work that went into it - there is lots of detail, it is truly a pleasure to watch. But the other part of the movie, that takes place on the spaceship, is as if it was done by a completely different animation team, as if you were suddenly catapulted into The Incredibles in terms of picture style. They are two very different, very incompatible styles of cartoon. One for those who care for the aesthetics, another for children's animations. From a visual standpoint, it is a major fail. Whoever oversaw this, shame on you.
The best computer-animated movie I've ever seen.
I could not wait to see this movie when it was coming out. I was never so excited to see a movie before, and well I saw it opening day and.... I LOVED IT! This movie has so much charm, humor, excitement, adventure, and most importantly, heart. I can not recommend this movie more, it has got to be the best computer-animated movie I've ever seen. Also, this movie is for adults too since it had a deep plot about the end of the world. So to tell you the truth, I think parents and other grown-ups might enjoy it more than regular kids, but of course kids will enjoy it as well. If you enjoyed all of Pixar's other films, you will no doubt enjoy this heartwarming adventure about love and betrayal.
WALL-E: A Wonderful Achievement
When it comes to animated films, Pixar are masters of the craft. Ever since their feature film debut, the magnificent 'Toy Story', the animation studio have brought us such instant classics as 'Monsters Inc.', 'The Incredibles' and 'Finding Nemo', a film which remains as one of the biggest selling DVDs of all time. Surely it's about time that they delivered us a bad film? Well, sorry to disappoint, but Pixar's 'WALL-E' is among not only their greatest work, but among the greatest animations ever produced.

The film opens with some astonishing shots of a desolate, rubbish-laden, polluted Earth; a boldly dark opening for a family oriented feature. It is amidst these dystopian surroundings, however, that our hero - arguably more adorable than a basket full of puppies and kittens - is first introduced to us. WALL-E is a character of genius; combining elements of Johnny 5, Charlie Chaplin and Mr. Bean, Andrew Stanton (Director) and crew have created something that will no doubt go down in history with R2-D2 as one as the screen's most memorable machines.

It is the 22nd Century, and mankind have left Earth in giant Space Cruisers waiting for the surface of their planet to finally become habitable again. 700 years have past, and WALL-E (Waste Allocation Load Lifter Earth-Class), is the last of a group of robots left to clean up the planet. In a disturbing sequence, our hero ventures home through trash heaps laden with 'dead' WALL-E's... another sign that this is not the usually Pixar fare, but something more meaningful, more bold, more... adult in theme. And this is what the first act of the film is. WALL-E, accompanied by his pet cockroach (who, as a testament to Pixar's genius, we grow to care for just as much as the metal man himself), goes about his daily routine. It is in this mostly silent section of the film that we grow to love WALL-E. As he rumages through human garbage, finding interest in things that seem mundane to us, we discover that after all these years, this little robot has developed something that makes him seem more to us than an animated clunk of cogs and rust... a personality. His incredibly curious nature make for some of the most adorable moments depicted in film (including moments such as WALL-E meets car keys and WALL-E meets... bra). We delve further into this intriguing personality when we invited into the little guy's 'house', a storage space for all his collected junk. Whilst WALL-E watches a VCR of the musical 'Hello, Dolly!", we see from his large, emotional eyes and clasping hands that he is, heartbreakingly, all alone on this immense world.

Then, the following day, as WALL-E goes about his trash-cube-making business, something extraordinary, both to us and WALL-E, occurs. A space ship touches down on the surface, holding within it EVE, a futuristic, Ipod-resembling droid here to scout the earth for plant-life... and WALL-E's one true love (aww).

This love story eventually leaps from Earth into space and onto The Axiom, an immense Space Ship on which a large number of the American population - depicted as lazy, obese, consumerist slobs - go about the same mundane routine day in, day out. Message heavy, but never preachy. In the end, through WALL-E, everyone learns the true meanings of life: Love and the relationships with those around us. Oh, and to take care of the planet, of course.

Beautiful visuals, astonishing characterisation and a sequence with WALL-E and EVE floating through space that is more romantic than anything your likely to see this year, make 'WALL-E' an outstanding achievement that proudly stands among Pixar's finest work. WALL-E is a completely realised character, and one which I am sure we have not seen the last of. Although, some would argue, not as accessible as other films in the genre (some children may grow resteless during the film's earlier, dialogue-free sequences), 'WALL-E' will leave a lasting impression on cinema goers of all ages.

And that is the genius of Pixar. The only studio ever to create films that are, truly, 'for all the family'.

-Dan Henry, 20th July 2008
馃摴 WALL路E full movie HD download 2008 - Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard, MacInTalk, John Ratzenberger, Kathy Najimy, Sigourney Weaver, Kim Kopf, Teddy Newton, Lori Alan, Bob Bergen, Paul Eiding, Donald Fullilove, Teresa Ganzel, John Cygan, Pete Docter - USA. 馃搥