🎦 To Kill a Mockingbird full movie HD download (Robert Mulligan) - Crime, Drama, Mystery. 🎬
To Kill a Mockingbird
Year:
1962
Country:
USA
Genre:
Crime, Drama, Mystery
IMDB rating:
8.4
Director:
Robert Mulligan
Gregory Peck as Atticus Finch
John Megna as Charles Baker 'Dill' Harris
Frank Overton as Sheriff Heck Tate
Rosemary Murphy as Maudie Atkinson
Ruth White as Mrs. Dubose
Brock Peters as Tom Robinson
Estelle Evans as Calpurnia
Paul Fix as Judge Taylor
Collin Wilcox Paxton as Mayella Violet Ewell
James Anderson as Robert E. Lee 'Bob' Ewell
Alice Ghostley as Aunt Stephanie Crawford
Robert Duvall as Arthur 'Boo' Radley
William Windom as Mr. Gilmer, Prosecutor
Crahan Denton as Walter Cunningham Sr.
Storyline: Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ?
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Reviews
Every bit as good as they say (B&W). Still POWERFUL. 10/10. Spoilers.
Horton Foote's Oscar-winning screenplay is so good, it really supplants the 1960 Harper Lee book. I've recently re-read the novel, and it seemed weighed down and paced with backwoods vernacular and situations right out of the 1930s, that are shockingly removed from the 21st century. My goodness. I hope it doesn't strike others so, because the book is a gem too. It's just in need of ...updating perhaps, which is what the 1962 movie excels at; it translates the Depression Era for us. The characters (played, eg by Gregory Peck and Brock Peters in their signature roles) seem so much better-depicted on screen than merely in my own imagination from having read the book!

Only Arthur/'Boo' Radley (a peroxided Robert Duvall) seems at first a jarring casting choice to me; but in the end all seem terrific.

Now THESE child actors, Mary Badham ('Scout'), Philip Alford ('Jem'), and John Megna (as 'Dill'), should've won Oscars. I'm sure they're all better than Haley Joel Osment, who strikes me as 'studied'. These kids are just natural, completely oblivious of the camera. Unbelievable. Actually, I wonder what genius DID do the casting, because the film gives no casting credit. I guess in 1962 the CSA didn't exist yet... That casting director deserves an Oscar too.

This is what great filmmaking is all about; when several areas of perfection are jointly present a film that reaches into your heart and yanks you up and down. Those were real acting jobs, not the cretinous drivel passing for 'work' these days. The reason we don't see too many better movies than Das Experiment is because post-modernism has long encamped in Hollywood (it set up a Starbuck's years ago).

The first scene instantly captures Scout's world. She's learning fast at the shoulder of her loving widower lawyer father that she shouldn't embarrass people who are even poorer than they are; and Jem is tantrumming up a tree because he can't brag about his dad's non-existent cool to his friends. Jem demands Atticus play football(!) for the Mets, or more uproariously as Scout tells it, for `the Methodists', hahahaha. (Can we picture Methodists in a sackrace? How many Methodists does it take to change a lightbulb?)

The Boo Radley story arc is much better paced in the movie than the book; but because I want to focus on the race-relations arc, I will only make passing comment on Boo: he is gently painted in both the book and movie as another previously dismissed but highly virtuous person, who deserves to be analogized with the fragile, hopeful beauty of the mockingbird.

The harrowing exploration of entrenched injustice through various acts of racist violence are adult themes that really couldn't be explored well in a book constrained by the first person narrative of a 7-yr-old little girl. The movie is able to show the Tom Robinson court case much more objectively. Robert Mulligan's direction quickly telegraphs Bob Ewell's shifty creepiness with the scene of his slovenly leering at Atticus' children in the car. Collin Wilcox is also heartrending as Mayella, the ignorant, uneducated and abused daughter of Bob Ewell. Inexplicably, Gregory Peck's cross-examination scene is not quite as sensitive as Atticus is in the book; Peck never reveals that flash of pain at having to destroy Mayella's false testimony.

Little Scout's key scene, where she embarrasses the lynch mob (collectively no better than Tom Ewell alone) just with her amiable child's chatter, is EVERY BIT as powerful and stressful as in the book. Probably more, because body language is a much better form of expression for a scene like this.

Brock Peters' Tom Robinson is the archetypal decent black man who, YES, felt sorry for a brutalized white woman, as we all ought to. Don't bother debating `what if he was guilty', because TKAM is not a whodunnit; it's an expose of what used to happen WHEN a black man was innocent. The heartbreaking destruction of Tom Robinson's proverbial mockingbird is our collective shame, even now, because similar dismissive laziness still happens. It's every person's character that matters, not whether they're `Methodists'.

We do construct our identities as part of various groups. But no group membership, or belief about it, makes any person categorically virtuous. That still hinges on a person's strengths, and crucially, their weaknesses. A person's bad character will overwhelm whatever beliefs they hold; their good character will enhance them. We are all free to act better, or worse, than our beliefs; we're NOT powerless over them, so no-one should ever die over a belief. Cooler thinking than mere violence must rule, or else objective justice will never materialize. And it's only justice if the judgement is accurate; but accuracy requires the abolition of the sort of intellectual/societal laziness that regularly befalls the weakest subgroups of society. Well, we all saw the intellectual rigour of that lynch mob. Would you trust them to tell the time? You might not feel happy trusting even the sheriff (Frank Overton), testifying in court but no better than a hick himself: `Oh, I guess that would make it her LEFT'. Those powerful imbeciles stood in judgement over some societally fragile people, like Tom, and yes, like Mayella.

It's still powerful how Tom's hammering as sarcastic legal argument by the prosecutor (William Windom) served to bring home Tom's societal fragility; and we're humbled at the quiet dignity of the entire black population who soberingly stood in the rafters to honor Atticus' failed attempt. The movie was made in 1961, some 7 years before the martyrdom of Martin Luther King Jr, yet in the light of recent gang-related violence, it's clear there are still many who think their group belonging excuses/masks their brutality as people. It does not. And the brutality came first.

This movie needs to be seen by the young, to open their hearts to humanity, and their standards for their own personal character, for the rest of their lives. 10/10.
2002-10-20
Sense and Sentiment
There are two highlights of this film: One is, as could be expected, Gregory Peck's portrayal of Atticus Finch as the rock of his family, the law, and even the entire Maycomb County. The other is the sharp, focused direction by Robert Mulligan.

Hopefully, every movie-lover has seen at least one or two films in which every single camera angle is perfectly done. This film is one of them for anyone who has seen it. The silences and long pauses (almost Ingmar Bergman-esque in their magnitude) accompanied with some of the sharpest b & w photography in American Cinema make this a film that sears its images into your brain.

The story, as anyone who has read Harper Lee's novel can say, is both sentimental and powerful. The screenplay by Horton Foote is good, but only as long as it follows Lee's clearly stated boundaries.

To Kill a Mockingbird is a film with a brilliant lead performance, sensible, savvy directing which, when mixed with Lee's touching, fulfilling story of American values, is not going to be forgotten for a long time after the initial viewing.
2004-06-17
"To Kill a Mackingbird" -- Memorable Because of What It Doesn't Purport to Being
After forty-three years, "To Kill a Mockingbird" (TKAM) remains one of the most effective testimonials to the ravages of ignorance and prejudice ever recorded on film. Asking myself why this gracefully paced narrative has left such an indelible impression on so many, I've concluded it's because the film isn't about what most of its supporters and detractors claim it's about. Not about race or prejudice? . . . No. At its core, TKAM is about "neighbors" and "community", which concept forms the basis for the gravity of its message in the matter of Tom Robinson.

Other films have followed on the familiar theme of racial bigotry and its well-documented devastations. These films have been consistently less effective because we are not asked to think so much, or to connect the history depicted with the histories of our own lives and our own communities.

I've performed in two stage versions of TKAM, neither of which benefited from the brilliant input of screenwriter, Horton Foote. Both plays focus, almost exclusively, on the racial element of the story. They, like so many films of later years, come off as "heavy-handed" or "in-your-face" regarding this element. Well . . . "If you think this way -- you're bad." End of story. In TKAM (the film), we see a community of poor, unique, and apparently respectable people helping one another through a Depression. In stark contrast (and beautifully prepared by the film's creators) the injustices meted out to Tom Robinson and his family represent a dramatic anachronism of unthinkable proportions. And, it's as routine, in this gentle Southern community, as a child's fear of a mysterious neighbor, or a shy but happy exchange of hickory nuts for legal services rendered. Memorable? Most emphatically. Think about it. It's what director Mulligan wants us to do.
2005-12-21
My Father, This Hero...
I wasn't yet the movie fan I am today but the first time I saw the American Film Institute's Top 100 heroes and villains, I could recognize almost every name, I expected a few exceptions but certainly not the number one hero: Atticus Finch, played by Gregory Peck, in the adaptation of Harper Lee's Pulitzer-winning "To Kill a Mockingbird". Seriously, who was that dork who had the nerve to be a worthier of the first spot than Indiana Jones or James Bond and that I even didn't know?

And "To Kill a Mockingbird" kept popping up in every AFI list and even on IMDb Top 250, so it was an emergency case in my watch-list of fresh new movie fan. So, I saw the film and could see what was so heroic about this noble-hearted white knight of the South, who dared to question racism at a time where it was common banality. And he was played by the noblest of all actors: Gregory Peck. I often criticized his acting as wooden but perhaps this is the one instance where it did fit the character and his Oscar wasn't stolen although O'Toole as Lawrence of Arabia, Lemmon in "Days of Wine and Roses" and Lancaster as "Birdman of Alcatraz" had more complex personalities to play with.

But there was something crowd-pleasing in the story of Atticus Finch, something that exceeded the expectations of cinema and satisfied the Hollywood conscience, it was still a time of relative innocence where the problem of racism could only be displayed through a white people centered story. Not that it's a bad thing but I wish the film had kept its original tone, as a story seen from the perspective of a growing precocious tomboy named Scout (Mary Badham), whose perception of her lawyer of a father and of the world of adults is influenced by one of the cases he must handle. "To Kill a Mockingbird" is a childhood story, inspired from Lee's memories the tired Southern town of Maycomb, but the film carries a child-like innocence that doesn't fit the case.

Scout is a girl spending time jumping, climbing hills and trees with her brother Jem and their friend Dill, inspired by her childhood friend Truman Capote, and she sees her widowed father as a super-figure who has an answer for every question. And it seems that the film has somewhat embraced this creed and made Atticus Finch the hero of this picture, which is puzzling because he's not the focus for the whole first act. But we're supposed to embrace his nobility and optimism because it is obvious the case he must defend is a sham, and it doesn't even take courage but common sense. It's not much Atticus who's noble but the other people who are downright bigots and hateful. It's an insult to intelligence that Robinson is declared guilty despite Finch' invitation for humanism and empathy, but the real heroism would have been to convert them. But Finch's aura is one of a preacher, powerful, symbolic but eventually, useless.

I actually enjoyed the film and it's never as good as when it plunges you in the universe of children, their interpretation of spooky local stories, Scout is like a little sponge trying to understand and appreciate the world as it comes to her eyes, learning from her father, the meaning of words like 'empathy', and the subplot also involves the identity of Boo Radley, which highlights one of these aspects of childhood when you tend to believe the adults, until you realize that they're somewhat corrupted and unworthy of trust. But when Atticus learns the news about the death of Robinson, I couldn't believe he believed he tried to escape. That the film doesn't even exploit the event and makes it look as it really happened that way, that the Black people would just be a sort of passive observers with no capability for action and when the town drunk, evil Ewell, spits on Finch' face, he doesn't flinch, I thought the whole sanctification of Finch was overplayed. A preacher, he might be, but a saint, he wasn't. Maybe in the eyes of her daughter, but at that point, the film was told from the adult perspective, not only it didn't work, but it didn't even fit the character.

Finch was genuinely furious during his trial statement, he expected to save his client but he was shot dead in what seems to be obvious lynching, instead of prosecuting the case and serving the cause to the fullest, he accepts the outcome and when he's confronted to Ewell, he takes the spit like Jesus would take a slap. Robsinson was dead at that time, was Finch so perfect that he couldn't even give the guy the punch he deserved, what was to lose anyway? Couldn't one of the black guys do it? No, it had to be the hand of God through the providential Boo Radley (a youngish Robert Duvall) to punish the bad guy as to mystify the whole thing again, and creates some deep symbolism between a sordid case of rape and the local village idiot. An unpunished crime to avenge the first, too much religious symbolism for what should have been a tale from a child's eye.

In the movie "Capote", when commenting about the success of the book, Capote says "I don't know what the fuss is all about". Speaking for myself, I can understand why the film is such a celebrated classic, but it doesn't hold up very well in today's context while the masterpiece from Capote "In Cold Blood" says as much as human nature and vileness as the book and is still relevant today. "To Kill a Mockingbird" is a classic, no doubt about that, but not all classics are supposed to be perfect. Maybe I will find in the book, these missing elements of 'perfections', though I trust Capote's opinion on it.
2017-05-30
Simply Beautiful.
I wanted to be a lawyer after I saw this movie. Gregory Peck was astounding ;now that is acting, letting your face, body language, silences and actions speak the entire gamut.

I followed the stories here through three different generations, the older generation Atticus Finch's set; watching him try to be a good example to his children while integrating himself into their lives, teaching them values unconsciously while setting standards and boundaries for discipline is a delight to watch. Miss Crawford and the old lady who was dying and Jem had to visit her, these bring an extended family element.

The middle set : Boo Radley, whose eyes and vision is what follows the children round the neighbourhood ; living his dreams through them and bearing their heartaches as well.

And the children ; Scout Finch is a most poignant storyteller; she relates the most significant things with colour and life. When they find the wax dolls in trees, the importance they attach to it, the feeling that Boo is watching and when she gets to meet Boo, she isn't at all scared, it's been so long that the anticipation of meeting him turns into respect. We grow with Scout at Atticus' knee, with Calpurnia, with Aunt Alexandra, with Jem & Dill, and finally in that epiphany scene with Boo (when she walks him home), she ages and time stands still and even when she returns to the present, she has become an adult in many ways; love, honour, sacrifice and selflessness all hold new meaning for her. She was never going to see the world through a child's perspective again.

Boo was supposed to be scary, I'm thoroughly thrilled to know that it was a very young Robert Duvall.

The storyline is simple but gripping, racism & prejudice burn long and slow and it takes the honour and faith of men like Atticus Finch and the sheriff to diffuse this or deal with it. When Boo kills Jem's Attacker Tom Ewell, the sheriff fabricates a story to protect Boo's privacy and the fact that he acted in defence of the children. As Miss Crawford says "it's a sin to shoot a mockingbird as they sing all day and give us sweet music" there are two mockingbirds; Tom Robinson and Boo Radley who have done nothing but try to co-exist and bring peace to their little world.

The language belongs to the era; the settings are stark depicting the harshness, simplicity and "beauty" of those times. The themes of racism, superiority/inferiority complexes, sacrifice, respect, integrity and honour all resound strongly. It is a lesson in morals but a picture; a signpost for the future!!

To Kill A Mockingbird reverberates with hope, while there is injustice, there will be those who believe in justice. Racism may always exist but there also those who believe in free will and equal; opportunities. At times all it takes is the simple voice of a child to remind us who we are.!!

10/10
2006-06-29
Great Movie
I loved this movie! Often times people say that the movies never compare to the book its base off of but I thought that this movie was great! I thought that the acting was great, and perhaps the best acting done by kids ever and the picture in a physical sense was so clear. I really enjoyed the scene when Scout, Jem and Dale sneak over to Boo Radleys in the beginning of the movie and as they are running away Jem gets his overalls hook on the wire and has to leave them behind and run back in his underwear! I also thought the music throughout the film was great and fit very well with each scene. Gregory Peck was definitely the right choice for playing Atticus Finch, his calm and caring demeanor contributed to sympathizing with Tom Robinson in the court room scene and throughout the movie.
2016-12-06
Heartwarming Production
Heartwarming production is a loving recreation of Harper Lee's novel concerning wicked racial prejudice in a small southern town in the early 30's. It's easy to see that both director Robert Mulligan and screenwriter Horton Foote were much taken by the original source.

Having said this, the pair do allow the film too much time to get started and so it outstays its welcome just a touch. Most of the time though it's lighthearted good fun and strong human drama.

The children bring us a great deal of laughter in this film, however it was Gregory Peck who was the Oscar winner as the small town lawyer who must defend an African-American against a trumped up charge in a very "white" trial. Peck is assuredly solid as the single father who must explain the ways of the world to his children while trying to ensure justice is served.

The winning combination of Mr. Peck's showing and Mr. Foote's Academy Award winning screenplay make "To Kill a Mockingbird" a most enjoyable picture.

Sunday, November 1, 1998 - Astor Theatre
2010-03-08
Our Greatest Film Hero
When the American Film Institute polled its members and they selected Gregory Peck as Atticus Finch as the greatest hero on film ever, the selection was met with very few dissenters. I'm sure not going to argue the merits of the choice. But I do have a theory as to why.

Gregory Peck for the most part played decent honorable thinking men in his films. A few films like Duel in the Sun and The Boys from Brazil have him as a villain, but the public never accepted him really in those parts.

Few of us in our lives can be Horatio Hornblower or spike the Guns of Navarone or command a submarine as in On the Beach. But Atticus Finch in To Kill a Mockingbird is well within our grasp. He's a small town lawyer, raising his children as a single parent and most of all trying to lead them by example. The performances of Mary Badham and Philip Alford show the kids have learned it very well as does the uncredited narration of Kim Stanley as the grown-up Scout.

Atticus Finch is a very attainable ideal. It is I believe the secret of the popularity of both the book and the film.

To Kill a Mockingbird is the story of Atticus Finch and his family during the Thirties in rural Alabama. The action takes place over several months of a given year. The most important part of the film deals with Finch defending a black man for allegedly raping a white woman.

It's a thankless task and Finch knows it, because he knows the attitudes of the people there, those who would make up an all white jury. Still he proceeds with courage and determination. His summation to the jury is a film classic and Peck's innate decency is nicely counterbalanced by William Windom's prosecutor who smirks through out the trial knowing he just has to play the race card to win.

Other outstanding performances are Brock Peters as the man Peck is defending, James Anderson as the father of the girl he's accused of violating, and Frank Overton as the county sheriff.

This film was the debut of Robert Duvall in the part of Boo Radley who plays the autistic neighbor of the Finches. No dialog at all for Duvall who conveys great and pained emotion with a series of expressions that are unforgettable. Duvall played a similar role in another Peck film, Captain Newman, MD.

Gregory Peck got the Best Actor Award for 1962. He was up against some very stiff competition that year. Peck beat out Jack Lemmon for Days of Wine and Roses, Burt Lancaster for Birdman of Alcatraz, Peter O'Toole for Lawrence of Arabia and Marcello Mastroianni for Divorce Italian style.

No doubt sentiment did play a part in the final award. Lemmon and Lancaster had already gotten Oscars and O'Toole and Mastroianni were relative newcomers. But I sure think the Academy selection that year has stood the test of time.

This film has sure stood the same test.
2006-01-27
A Remarkably Simple and Simply Remarkable Masterpiece!
Very rarely, it happens that movies are made that are very simple in expression but possess monumental appeals and significant life lessons in a style only of the kind of their own that, we can't expect even. This fact is truthfully exemplified in this movie. It's not just a movie or even just a promising story in general, but all it portray's is "Innocence". A girl's recollection of her childhood days which are still at their full bloom in her mind, depicting the innocence of juvenile as well as as adult minds, a period where mostly immature minds become curious to the racial bigotry and sometimes mature minds become its prey and a time when harsh realities of life like intolerance, hatreds, prejudice and adversities of society gradually dawn upon them.

Atticus Finch ( Gregory Peck ) is an absolutely Gentleman Lawyer whose wife has passed away and he has a son and a daughter. A Black man Tom Robinson is wrongly alleged of raping a poor white woman. In fact, he a victim of white woman's effort to hide her guilt by targeting his innocence and utilizing favors of racial attitude of unsocial society towards Negros. Finch decides to defend him on his principles realizing that the narrow minded society will turn against him and so it happened and townspeople started making his life agonizing. The whole story is masterfully out shined by the ingenuousness, purity and innocence of his children with with a unique inspirational interaction with their father.

Boo Readly who lives in the town is mentally retarded and is sidelined by the society. He is a mark of fear and curiosity for children because he is different from others. But he is the one who marks the ultimate climax of this emotionally crafted masterpiece.

It's a must see movie for all ages in all times because it gives many priceless emotional and touching lessons for those who are sincere and perceptive.

A Remarkably Simple and Simply Remarkanble Masterpiece!!!
2005-03-07
A must-watch classic!
"To Kill a Mockingbird" centers mainly around three characters: Scout, Jem and their father Atticus, who raises his children to the best of his ability while defending a black man accused of raping a white women.

I first saw "To Kill a Mockingbird" shortly after reading the book in my high school English class. Being born less than 20 years ago I'd lie if I said I was not slightly put off by it being in black and white; how stupid was I. The book itself was great and to my surprise the movie portrayed Harper Lee's story excellently. To those still wondering whether to watch this 1962 classic, do it! The cinematography is excellent, but what really makes this movie is the performance put on by Gregory Peck; our hero in this movie and perhaps the greatest film hero ever!

There are some powerful scenes which showcases Atticus's moral outlook on life and the story of how he defends a black man whose fate has already been sealed is sad yet inspiring. One line that stuck to me from the novel is Miss Maudie telling Scout after the trial had been lost: "I thought, Atticus Finch won't win, he can't win, but he's the only man in these parts who can keep a jury out so long on a case like that." This pretty much sums up Atticus's determination to give Tom Robinson a fair trial despite what the rest of the community may think.

The child acting was impressive and the characters of Scout and Jem were portrayed as children should. They were naive and silly, doing stupid things and disobeying their father time and time again. But during the three year time spine in which this movie plays off you see them growing, taking more of Atticus's advice in along the way. Scout is of course our main protagonist and she and her brother were highly relatable and contributed to the success of this movie.

Conclusion:

I recommend this to almost everyone. Young lawyers, movie-lovers and most importantly to all the fans of the novel who haven't seen this film: You won't be disappointed!

www.250moviereviews.wordpress.com
2014-06-13
📹 To Kill a Mockingbird full movie HD download 1962 - Gregory Peck, John Megna, Frank Overton, Rosemary Murphy, Ruth White, Brock Peters, Estelle Evans, Paul Fix, Collin Wilcox Paxton, James Anderson, Alice Ghostley, Robert Duvall, William Windom, Crahan Denton, Richard Hale - USA. 📀
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