🎦 The Treasure of the Sierra Madre full movie HD download (John Huston) - Drama, Action, Adventure, Western. 🎬
The Treasure of the Sierra Madre
Drama, Action, Adventure, Western
IMDB rating:
John Huston
Walter Huston as Howard
Tim Holt as Curtin
Barton MacLane as McCormick (as Barton Mac Lane)
Alfonso Bedoya as Gold Hat
Arturo Soto Rangel as Presidente (as A. Soto Rangel)
Manuel Dondé as El Jefe (as Manuel Donde)
José Torvay as Pablo (as Jose Torvay)
Margarito Luna as Pancho
Storyline: Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster.
Type Resolution File Size Codec Bitrate Format
DVD-rip 720x544 px 700 Mb mpeg4 760 Kbps avi Download
"The Treasure" of American Cinema ...
A brutal and uncompromising portrayal of greed's effects on the human spirit and an exhilarating quest of the Mexican El Dorado, the Treasure of the Sierra Madre. You'll be thrilled by John Huston's masterpiece, a genuine monument that would catch by surprise, even the most skeptical viewers when it comes to 'old' movies.

The "Sierra Madre" was the first major studios films set outside Hollywood, in Mexico, when even the most acclaimed masterpieces didn't raise such a level of authenticity in their exotic setting, like in "Casablanca" when Captain Renault refers to the titular town as the middle of the desert. The geography in Huston's film is crucial as it provides the obligatory escapism for any adventure film, with a unique flavor. In "Sierra Madre" we get the same authentic feeling that probably inspired Clouzot's "Wages of Fear", with the proverbial financial struggle of the white men in South America. There's almost the same criticism of capitalism that prevailed in B. Travel's novel, as these men have been purely and totally exploited by the capitalistic majors that literally raped Mexico from its precious resources.

Huston's movie is less politically loaded, but it portrayed capitalism in a negative light through the downfall and total disintegration of its main character, Humphrey Bogart as Fred C. Dobbs. Bogie, after having been a gangster, a private eye, a cynical, detached, and sometimes romantic lead, probably gives one of his best performances as a big s.o.b. And how he didn't get a nomination is unbelievable. His evolution from a decent man who wants a job and some money to the cold-blooded paranoid lunatic who tries to keep the gold for himself is not only fascinating but also mirrors the evolution of the film from a light-hearted mood, made of some comedic running gags like the encounters with Huston as the rich man in a white suit, to a heart-pounding thriller.

And on that very level, the differences between the characters set the perfect circumstances for tension, despite the many signs of camaraderie displayed in the beginning. Curtin, Tim Holt in a remarkable performance, is younger and exudes a certain idealistic naiveté that counterbalances Dobbs' growing cynicism. Howard, the old-time prospector, an unforgettable Walter Huston, knows everything about prospecting, with enough experience to foresee the psychological changes on people when gold is at stakes. Of course, the movie is also remembered for the famous 'Gold Hat', Alfonso Bedoya with his unforgettable "stinking badges" line but more than an exotic villain, Bedoya foreshadows with a sort of charming charisma the evolution of Dobbs as a similar bastard.

Indeed, one never knows how gold would transform us, and one must have the guts to work alone without falling into madness. During their journey guided by Howard, Dobbs and Curtin discover the true meaning of the word 'value' as measurable through the efforts you spend, days and nights, to find the treasure. Walter Huston deservedly won the Oscar for best supporting character, but he's as central as Vito Corleone in "The Godfather". Whatever Howard says, we know it's the truth, when he's reluctant, we understand it's a bad premonition. And when Howard esteems that the best would be to split the share when it becomes money, Dobbs, already showing signs of suspicion, recommends that each one takes care of his own share. Howard is experimented enough to resign, with all the wisdom of a man who doesn't want trouble.

Dobbs' gradual descent into paranoid madness is highlighted in the episode when a gila monster gets stuck under the rock that covered his share while he suspects Curtin to have come for another reason. The paranoia grows and contaminates the whole team when another American named Cody, joins them and proposes his help. He's obviously smarter than them and doesn't deny that murdering him is an option they would consider. The way the team handled his proposal says a lot about the conservative instinct that could govern so called 'civilized' hearts, and again, doesn't speak in favor of the monopolistic systems regulated by capitalism. The alienation that grows within the team erodes all the camaraderie built during these months of labor, to a point even the word 'partner' loses its humanistic meaning.

Bogart perfectly embodied the metamorphosis of a man alienated by his own greed, where the value of his share of gold, exceeded, every kind of principle that made him a decent man. As it's almost impossible to break free from a gila's bite, Dobbs became that gila with paranoia as a venomous poison, too mistrustful to go, to let go or to be reasoned. When Curtin says he protected Howard's money as he would have done for Dobbs, Dobbs uses the same reasoning in a reverse way, pushing cynicism to its paroxysm : betraying before being betrayed. And in an ironic anticlimactic twist, Dobbs is killed by bandits, 15 minutes before the end of the film as to highlight the pointlessness of this entire struggle. After all, what's the point of earning money if you lose principles?

Failure is a recurrent theme in Huston's films with this double dimension of cynical denunciation, generally driven by an impeccable script, and this entertaining dimension that pleases the crowds as much as the more sophisticated audience, both who, matured enough by World War II, accepted a story about greed and deception, but maybe not Bogie so far from his usual character, playing such an unsavory bastard. I don't know, if like some said, this is why the film's flopped. One thing for sure, after 60 years, it remains as one of the most enduring classics ever, that beautifully earned a father and a son three deserved Oscars.

And any other consideration is as pointless as crying over the loss of the Treasure of the Sierra Madre, and the only reaction it deserves is the unique loud and hysterical, jig-driven, maniacal laugh of Walter Huston …
A timeless adventure classic
Despite being almost 70 years old, the influence and lasting legacy of legendary director John Huston's The Treasure of the Sierra Madre can't be underestimated.

A driving force behind Paul Thomas Anderson's oil opus There Will Be Blood, a winner of 3 Oscars at the 1949 Academy Awards and perhaps most telling of all, a ranking in the top 120 best films of all time on the constantly fluctuating IMDb Top 250, Huston's gold hunting adventure film that also marks itself with some truly memorable dark comedic moments, may've aged in areas over the years but there's little denying the power at the heart of this cautionary tale.

Following the exploits of a trio of desperate yet determined Americans, we are joined together with Humphrey Bogart's cold hearted Dobbs, Tim Holt's good natured Curtain and Walter (John's father) Huston's experienced gold prospector Howard (a turn that garnered the legendary actor a Best Supporting Actor Oscar) as the men work together and work out each other for fear of betrayal as they prospect deep in the barren landscape of the Mexican countryside, with nothing more than the potential of great gains driving them forward on their quest.

Huston and his team of fine performers perfectly capture the uneasy friendship of such a fools dream as the group delve further and further into their venture, fighting off bandits, the elements and most tellingly, their internal demons that could potentially drive them over the edge at any given moment.

It's not hard to see where a filmmaker such as Paul Thomas Anderson would've got his inspiration for There Will Be Blood from.

Day Lewis's legendary turn as oil baron Daniel Plainview is clearly cut from the same cloth as Bogart's Dobbs, the two sharing an uneasy nature, an ambition to strike it rich no matter the personal or external cost and watching Bogart quietly work his performance from beginning to memorable end is quite the treat, as one of Hollywood's greats delivers one of his most fully formed acting turns.

The performances are one of the ageless joys of Huston's film and while not everything in the film stands the test of time, such as some questionable dialogue and character choices, Sierra Madre is one of those rare films of an early Hollywood vintage that could doubtfully be done better be it made today.

This fact can only but be seen as further proof of the longstanding notion that John Huston is and will always be one of cinema's finest ever directors.

Final Say –

Filmed on some stunning sets and captured with wonderfully attuned black and white cinematography, John Huston's quintessential treasure hunting adventure, that portrays a relevant story of greed and the ever present madness of it is a must watch golden era classic that overcomes its slight age flaws to still be a film worthy of it's standing as one of cinema's all-time great events.

4 ½ bags of gold out of 5
Yet another hugely overrated John Huston film: plays like a comic-book.
The first hour-and-a-half are not without faults here and there, but quite entertaining nonetheless. But once the trio decides to quit digging, the film deteriorates rapidly; from then on far-fetched and annoying plot-devices abound. For example, the little episode where Huston Sr. heals a Mexican boy; this entire scene was shot with too much pomp: the superior white man cures the savage child, while the entire village looks on, with the village lights shimmering with a divine glow - all this accompanied by glorious Hollywood music. Silly.

Then Huston is forced to stay with the villagers as their "thanks" for curing the boy; John Huston uses an old cliché of natives threatening to use force when their wishes for hospitality aren't met. (A plot-device I'd use only in a comic-book.) A little later Bogart makes it crystal-clear that he: a) has gone crazy, and b) will kill Holt to get all the gold. Holt, in spite of this overwhelming evidence, takes no other measure to deal with this dire situation other than to take Bogart's bullets away from him. Eventually Holt falls asleep and Bogart injures him, thinking he had killed him. Now, I don't care how noble Holt's character is supposed to be in this Tinseltown fairy-tale, but there is no way in hell that Aany reasonable person would have not bumped off Bogart, or at least tied him up, or something like that.

The film presents us with three gold-diggers whose characterizations aren't bad, but one of them is insane and evil, while the other two are good and nice; there is no in-between, no grey area, just movie (or comic-book) stereotypes. Black and white. Huston, Sr. is far too understanding and patient; he gives his wise-old-man speeches on a regular basis, but this is forgivable. However, what isn't forgivable is the ease with which he takes the news that Bogart tried to kill Holt and took all the gold. Huston, Sr. even shows UNDERSTANDING for why Bogart acted this way! Again: Aany reasonable person would have been very upset, to say the least - even the old man with his I've-seen-it-all-before attitude. Makes one wonder who is more insane: Bogart or the goodie-two-shoes Holt and Huston, Sr? At the end, when no one gets the gold (how very symbolic...), Huston, Sr. even laughs at the idea that they lost all of it! To make things even more annoying, Holt joins in, after staring at the old geezer in bewilderment.

I find it ridiculous that the Mexican bandits who killed Bogart didn't recognize the gold; they mistook it for sand and threw it away. But why would anyone carry dozens of bags of sand in the middle of a desert?! Huston would have us believe that Mexicans (or Mexican bandits) are this dumb. Not very PC...

The kind of nonsense that takes place in the latter parts of this movie would never be tolerated in a modern movie by any critic, good or bad. But old movies are like little children: they get away with almost anything.

I like Bogart much better when he isn't playing gangsters or detectives. However, his portrayal of insanity is not without typical 30s and 40s touches of naivety; this may be the director's fault, not Bogart's, especially in view of the fact that it was Huston who wrote (or adapted) those monologues that Bogart has when contemplating his next moves; these scenes come off very comic-book-like, with the difference that movies don't have balloons so Bogart had to speak his thoughts out loud. Holt is the most convincing in the cast. Huston, Sr. is a motor-mouth actor who could have challenged even Cagney to a duel to find out who the fastest mouth in the West was. There were moments where I wished that Huston's machine-gun-fire line-deliveries had been subtitled. He is likable enough, but occasionally acts in the sort of semi-silly manner, typical of the 30s, 40s and 50s.

The worst acting came from the character, early in the film, who didn't want to pay Bogart and Holt. Which brings me to the fight these three had in a bar: this is one of the most strangely choreographed fight-scenes I've ever seen. The fight looks totally unconvincing and lacks "logic". But Huston is known for that; just check out the silly fights in "Across the Pacific".

Perhaps Huston's overblown reputation has something to do with his larger-than-life persona. People say he looked and talked like God, commanded respect. Unlike his movies, that elicit unintentional laughs.

If you're interested in reading my "biographies" of Bogart, Huston, and other Hollywood people, contact me by e-mail.
John and Walter Huston Strike Gold
The opening says it's Valentine's Day, 1925 in hot Tampico, Mexico. Down-on-his-luck and disorderly American drifter Humphrey Bogart (as Fred C. Dobbs) teams up with likewise poor, but fair-minded Tim Holt (as Bob Curtin) for some part-time construction work. Cheated out of their wages, Mr. Bogart and Mr. Holt meet wizened old prospector Walter Huston (as Howard) in a flophouse and are intrigued by his stories. After Bogart buys a winning lottery ticket from pushy young Robert Blake (as a Mexican teenager), the three men head out to the Sierra Mountains and find a fortune in gold. In order to survive and make it out with their claim, the trio must survive Mexican bandits, Native South American Indians and good old-fashioned greed...

"The Treasure of the Sierra Madre" is deservedly famously for two very big reasons. First, the starring presence of Bogart, one of Hollywood's greatest golden age stars. Second, the teaming of director John Huston with his acting father Walter Huston. The amazing father/son team attracted immense critical acclaim and won most of the industry's "Best Director" and "Supporting Actor" awards for the year. The overlooked third man, Tim Holt, also performed exceptionally...

Director Huston's attention is not always on Holt. At times, he is merely told where to walk and stand in the film's frame. One of Holt's stumbles warrants no re-take. Yet, when he acts, Holt is equal or greater to his more illustrious co-stars. The film peaks after Holt's village visit. It unravels with Dobbs' sanity, which may be appropriate. Yet, with no warning, the senior Huston miraculously becomes a highly-skilled doctor. And, we are led to believe indigenous bandits mistake gold grains for ordinary sand being bagged to make animal hides heavier for sale to locals. Still, from the nighttime campsite appearance of interloper Bruce Bennett (as James Cody) to the reading of his wife's letter, "The Treasure of the Sierra Madre" is sheer gold.

******** The Treasure of the Sierra Madre (1/24/48) John Huston ~ Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett
The seeds of mistrust are sown
IMDb Top 250: 71

Wow. After seeing The Maltese Falcon, an earlier Huston film, I was a little nervous going into this one because I hated The Maltese Falcon. I was in for a surprise: The Treasure of the Sierra Madre is fantastic.

Two Americans in Mexico work with an aged prospector to find gold in the 20's. That's the short. They fight the elements, bandits, other Americans and even each other to try and make their fortune. This is a plot-focused film, a true adventure. But it steps beyond that: it becomes a character analysis, with themes of greed, betrayal, and suspicion: all in the desert of Mexico. It starts strong, ends strong, and is a bull the whole way through.

Like Sunset Blvd., a film from 1950, 'Treasure' is made during the transition period between 'old' and 'new' cinema. There are more cuts and the film feels more dynamic. The film is extraordinarily well made, and is visually fantastic being filmed on location in Mexico, a first. The imposing musical score is also great.

I think this is the best Humphrey Bogart film; both in his performance and the overall film. My view of him was turned upside down in this film. The Rick Blaine/ Philip Marlowe character is gone, replaced by a bearded, rugged, unclean bum who asks for money from tourists, and has a really, really creepy laugh. Dobbs. His development is incredible, showing his doubts and delusions without making us have to infer anything. The other two in the treasure hunting trio hold their own next to Dobbsy. Howard (Walter Huston) is an eccentric old-timer, and we are never quite sure what his agenda is, or if he even has one. Curtin (Tim Holt) is the straight man of the three, but is just as grey as them. Together there are three great performances of three great characters in a great scenario. Although I have to say the head bandit is a tad too comical.

The plot makes for a great film, treasure hunters in Mexico. There's great dialogue, scenery, fights (fistfights still from the old film era though), and suspense. This western noir has a great pace. There's a lot of character foreshadowing, and then it wraps up with a quietly brilliant ending, though it might not be so astounding today.

The Treasure of the Sierra Madre was much better than I could have expected- it's a strong, constantly engaging film. The plot is solid and well told, with developed ideas and characters. And a very, very memorable Humphrey Bogart. 8.9/10
Gold Fever and Greedy Fools
In 1925 Tampico, a destitute American, stiffed by his ne'er-do-well employer, wins a small lottery and teams up with an honest co-worker and a wily prospector to pan for gold in the Sierra Madre mountains. Writer-director John Huston, faithfully adapting B. Traven's novel, opens the film with a wry flourish, which peaks with a justified fist-fight in the local bar; the second and third acts are less satisfying, with the arc of Humphrey Bogart's Fred C. Dobbs character oddly (and improbably) turning from humble protagonist to mad-dog killer (without any preparation from the filmmaker). The melodramatic or sympathetic turns of the plot don't match up with the initial 30 minutes, which have a sarcastic or mocking tone, although the film is forceful throughout, well-produced and immensely watchable. Not a commercial success in 1948, "Sierra Madre" now holds a reputation as a classic, mostly due to Walter Huston's juicy, Oscar-winning supporting performance as the razor-sharp old coot. John Huston, father of Walter, also won statues for both his direction and screenplay. *** from ****
Music score
Max Steiner score is excellent, particularly the guitars on the San Joaquin Valley bit as Tim Holt recalls his youth, and later when Walter Huston suggests that Tim go and visit Cody's widow.

But I really liked the Mexican music, mariachi and folk, in the beginning of the film.

I've tried for years to find/track down the mariachi music used in the background when Bogart gets out of the barber chair. Anyone have a clue to the name of this tune?

And the song that is played as Holt and Bogart enter the Oso Negro, the flop-house where they meet Walter Huston.
Although John Huston's directing is absolutely equal to the screenplay, winning Oscars for both, it is the performance level of the actors that makes "Treasure of The Sierra Madre" the classic film that it is. Beginning and ending with Walter Huston's award winning role of the worn-out old miner who is looking for one last big score, Humphrey Bogart and Tim Holt are equal to the task and draw us in to this tale of need and greed. So convincing is Walter's portrayal of the seasoned old prospector, we come to believe that he is a gold digger by trade who only acts in movies so that he can dig and pan for gold again and again. His knowledge of mining and the lifestyle it demands and forces upon those who partake, is so thorough that Bogart and Holt seem like school kids in awe of a new hero. Of course, we know that his son John, did much research in preparation for writing the screenplay; but we are nevertheless plunged into a sure belief that this old miner must surely have been there age upon age, mine upon mine, and has therefore, a thousand tales to tell.

When, in the course of the story, Walter is taken away, somewhat without choice, to work the magic of a healer for a Mexican village, we are again convinced that he is a medical doctor hiding out as a prospector. This is the acting craft in full bloom. Walter becomes whatever is called for in the story. However, if one views his other films, the effect is the same. He is one of Hollywood's most under rated actors of all time. Those who have not seen this film have a joyous experience awaiting them. Great story, great screenplay, great acting. This is why we love movies the way we do.
One of the best Treasure Hunt films.
Dobbs, a young man is jobless and searching for a way out. He tries his best ways to earn some money. He meets a friend Bob Curtin, who is in the similar situation. They come across an old man Howard talking about the treasure (gold) on the mountain of Sierra Madre. The three team up and decides to on a treasure hunt. But, it was not as easy as find the gold, pack it up and take to the bank. They start mining. But, troubles start when their treasure piles up. Greed, jealous and distrust pile up along with their treasure.

This film was one of the most expensive films made those times. Did not perform well at the box office at the initial release. Yet, the movie is a masterpiece.

Nominated for 4 Oscars, but won 3 of them. Father and Son received the Oscars in this movie. Father was the Best Actor in a Supporting Role (Walter Huston) and son for the Best Director (John Huston). Director also makes his cameo appearance in the beginning of the movie. He is the same person that hero asks for arms three times.

A must watch for movie maniacs. Highly recommend.

A Tale of Greed, With Outstanding Direction and Performance of the Cast
In 1925, in Mexico, Fred C. Dobbs (Humphrey Bogart) is an American begging for food and trying to get any job. He meets Bob Curtin (Tim Holt), another American in horrible economical situation and also looking for job, and the former gold prospector Howard (Walter Huston), and together they go to the Mexican mountains seek for gold. After ten months of hard and tense work, including confrontation with bandits, each one of them gets a small fortune in gold. Meanwhile, their personalities are disclosed, and Dobbs shows himself a man obsessed by greed. The end of their journey is ironic and tragic. This movie is a masterpiece. Having an outstanding direction of John Huston, an astounding performance of Humphrey Bogart, Walter Huston and Tim Holt and supported by a fantastic screenplay, it is certainly one of the best movies ever, highly recommended for any audience. Walter Huston and Humphrey Bogart are really stupendous in their roles. My vote is ten.

Title (Brazil): `O Tesouro de Sierra Madre' (`The Treasure of the Sierra Madre')
See Also
Ray & Liz
Ray & Liz
UK ‘2018
The Mustang
The Mustang
USA, France ‘2019
📹 The Treasure of the Sierra Madre full movie HD download 1948 - Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett, Barton MacLane, Alfonso Bedoya, Arturo Soto Rangel, Manuel Dondé, José Torvay, Margarito Luna - USA. 📀