🎦 The Shining full movie HD download (Stanley Kubrick) - Drama, Thriller, Mystery, Horror. 🎬
The Shining
Drama, Thriller, Mystery, Horror
IMDB rating:
Stanley Kubrick
Jack Nicholson as Jack Torrance
Shelley Duvall as Wendy Torrance
Danny Lloyd as Danny Torrance
Scatman Crothers as Dick Hallorann
Barry Nelson as Stuart Ullman
Philip Stone as Delbert Grady
Joe Turkel as Lloyd the Bartender
Anne Jackson as Doctor
Tony Burton as Larry Durkin
Lia Beldam as Old Woman in Bath
Billie Gibson as Old Woman in Bath
Barry Dennen as Bill Watson
David Baxt as Forest Ranger #1
Manning Redwood as Forest Ranger #2
Storyline: Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1072 px 12796 Mb h264 1536 Kbps mkv Download
HQ DVD-rip 720x400 px 2147 Mb mpeg4 263 Kbps avi Download
Kubrick does Horror !!!
Kubrick was exceptional at making every film that he made feel like a 'Kubrick film' irrespective of what the source material might be. 'The Shining' is a Kubrick film through and through even though it is based on a Stephen King novel, who himself has a singular, unique voice. Visually, the film has all the Kubrickian elements like the use of wide angle lenses, the use of deep focus, the use of one point perspective, the extensive use of tracking shots, characters doing the Kubrick stare, precise use of the zoom, etc. Particularly the score in the film By Wendy Carlos is just phenomenal. The music and the score is essential and indispensable in creating the dread that Kubrick is looking for. But tonally too, the film has Kubrick written all over it, since unlike King's novel, the movie is relentlessly inhuman and pessimistic.

In the book, Jack Torrance is a recovering alcoholic who genuinely loves his family, but ends up falling prey to the lure of the evil that is the Overlook Hotel. But there certainly is a humanity to him. In Kubrick's film, Jack Torrance never comes across as anything other than an unsettling character. Casting Jack Nicholson for this role had to have been a specific choice. Jack Torrance in the film is a creepy, unlikable man who seems like someone who was always on the verge of slipping into complete madness and the foreboding isolation of the Overlook Hotel only acts as a catalyst in that process.

While the novel has clear supernatural mystical elements, the film retains a sense of ambiguity throughout its running time. Kubrick constantly juggles elements of the supernatural with the question that maybe all this happening in the minds of the characters and maybe, just maybe, we are watching the events from the POV of unreliable narrators.

'The Shining' is a horror film, but not in the sense that it is very scary. I don't think the film is very scary, at least not in the conventional sense of the term. I think 'The Shining' is an example of film that expertly uses a bone chilling sense of dread along with visceral imagery to unsettle and disturb the viewer instead of merely scaring him/her. The film opens up its scope towards the end and especially with the last shot to suggest the historical and cyclical nature of violence, evil and human vileness which is quintessential Kubrick, but at the heart of it, 'The Shining' is a story about a family with a deeply flawed masculine figure with a death wish. His violence against his wife and his child is unsettling because it's the kind of horror that is too real and too familiar in our world.
Probably the most overrated movie of all times
This is probably the most overrated movie of all times. I'm not a huge horror fan and I get scared very easily, but this movie actually made me laugh or sigh in despair about the lengthiness of the scenes and the predictability of the plot. I read the novel when I was a teen and it beat the crap out of me, I still am afraid of bath tubs in hotel rooms (embarrassing but true). The novel is an all time favourite of me and when I read all the great reviews about Kubick's Shining I was really looking forward to see the movie. What a mistake. For all lovers of the book, this is not a book adaptation, Kubick made his own story...unfortunately. Not only does Dick Hallorann get murdered by Jack - the fact he survives in the novel was one of the reasons I loved the book so much, it has after all somewhat of a happy ending -, but even worse, Kubick turned the whole story around and twisted it to an extend where the original plot is hard to recognize. Jack Torrance is very obviously a mad man right from the beginning who very openly hates his wife and kid, so as others have pointed out before, why didn't he leave his family or killed them before. The whole point of the novel, the normal guy and loving father with a hang to alcohol who gradually gets brainwashed by appearances in the hotel, gets totally lost. One might wonder why the movie even needs the whole hotel plot if Torrance is already mad as a hatter from the very beginning. Apart from this, I guess, had I not read the novel I would probably not understand one bit of what was going on with the characters. But unfortunately that's not all. Also the performances of Nicholson and Duvall were so lousy, it really crept me out. I've never seen Jack Nicholson perform so badly, he seemed like a parody of himself and don't get me started on Shelley Duvall. Periodically I thought I watched some amateur actor in a school play. Her adaptation of Wendy Torrance was so annoying I was staggered between the wish of seeing her chopped to pieces and the wish to see her survive and protect her little boy. The character Wendy in the novel is a strong, resourceful person, the Wendy in the movie is a whiny, weak, and extremely stupid person. The fact that she lays down and sleeps while she is trapped with her 'sick' son and a mad man in a hotel with no contact to the outside world is beneath me. The ending is probably the worst part of the entire movie, on the one hand it's ecstasy as the film draws to an end on the other hand it is as far from the original plot as can be which in this case is an extremely bad thing. The only actor that impressed me was Danny Lloyd, apart from the fact that Kubick partly tried to turn him into a parody of Regan MacNeil I think he did a fantastic job for the little six year old boy he was to that time. He seemed like the only natural actor on the scene.

All in all this movie was by far the biggest disappointment I've seen for a long time. Save your time, better read the book.
One of the scariest movies ever---8/10
I was never a big fan of horror movies. They usually try cheap tricks to scare their audiences like loud noises and creepy children. They usually lack originality and contain overacting galore. The only horror movie i like was Stir of Echoes with Kevin Bacon. It was well-acted, and had a great story. But it has been joined and maybe even surpassed by Stanley Kubrick's The Shining, quite possibly the scariest movie ever.

The movie follows a writer (Jack Nicholson) and his family who agree to watch over a hotel while it is closed for the winter. There were rumors of the place being haunted and the last resident went crazy and murdered his family. But Jack is convinced it will be OK and he can use the quiet to overcome his writer's block. After months of solitude and silence however, Jack becomes a grumpy and later violent. Is it cabin fever or is there something in the hotel that is driving him mad?

One of the creepiest parts about the movie is the feeling of isolation that Kubrick makes. The hotel is very silent, and the rooms are huge, yet always empty. It is also eerily calm when Jack's son is riding his bike through the barren hallways. Jack Nicholson's performance is also one of his very best, scaring the hell out of me and making me sure to get out once in awhile. My favorite scene is when he is talking to a ghost from inside a walk-in refrigerator.

The Shining is tops for horror movies in my opinion, beating the snot out of crap like the Ring and The Blair Witch Project. It may be a oldie, but is definitely a goodie. 8/10
Excellent Film. Stanley Kubrick was a master. Jack Nicholson and Shelley Duvall are great. Must see film.
I've seen the Shining a few times in the past and I just sat through it again last night, after watching a bunch of below par even zero films. I will discuss those later. The Shining is a master film. I don't believe it's perfect. I have not read the book, so I cannot comment on differences with the film. I have read other Stephen King books and I know he's very visual and in-depth with his characters. Films don't have the luxury of time to describe and show everything. If you want to see the best movie ever, first acquire some imagination. Then read the book.

Here's what I saw in the film: It is professionally made. Incredible cinematography from beginning credits to the end. Great scenes. Great dialogue. Great acting. Nicholson is incredible. Maybe a little too much in areas but that's OK. Shelley Duvall was also incredible. Some people said she was a weak character. I did not see that. I saw a woman who was trying to protect her son and to deal with an angry loser husband and not trying to make things worse. And she stood up to him and even knock him out and protected herself. And the terror Duvall showed I have not seen in too many other movies. It got to be a bit too much with too many similar scenes and that I believe is in the director's hands, some of those scenes were apparently cut out of the European version. The music was mostly great. But there was a scene nearing the end where there was a droning annoying sound which was way too loud. Again, maybe they can remaster that volume down. Danny Lloyd as the kid was great. He showed some great terror and his dialogue and delivery was all beautiful. The redrum murder dialogue was a bit silly. It went nowhere. Barry Nelson was also great as the hotel manager. Scatman Crothers was good as the cook. He was essential in his death scene. Great stuff. But they should have cut some of the scenes where he's traveling back to the hotel. All that slows the pace and detracts rather than adds to the suspense.

My biggest complaint is they spent too much time on Duvall's terror, it became repetitive. And they spent too much time on the cooks return to the hotel, all boring nonsense. There was a few other scenes where Duvall and the cook called the cops on the radio, that should have definitely been shortened. I also found it odd that here's a family with a school age boy that's not going to school or there is no home schooling. They should have made a comment or a scene where the kid was being home schooled rather than always trying to find something to play with. There was also the talk with the kid and the cook that they both had this power of the "Shining" which was not explored further. Only in that the cook knew that there was a problem. They should have also gone into how the hotel being built on top of an old Indian burial ground related to the murders, and what's up with all the ghosts and how they relate to the caregiver. There also should have been a few more scenes showing Jack gradually losing his mind. So, this is definitely not a perfect movie. There are plot holes. I only listed the ones that I found. I'm sure others can find another 100 other problems. However, unless someone has an unlimited budget and time maybe they can make a more perfect movie, we have to balance the good with the bad.

So, I believe I will take my own advice and read the book.

I know nothing about the best horror movie ever nonsense that people keep throwing around on IMDb. I just viewed for the first and last time Rosemarie's Baby. People love this crap and say it's the best horror or even the best movie ever. That's a perverted joke. It's not even a good movie. The best part is they had the budget to hire real actors. The story, the packing, the dialogue, the music, ALL CRAP. Just a plain BORING nonsense of a movie. Now, others say Alien is the best Sc-Fi movie ever. It's not. What it is is an excuse to show expensive dolls and props. Again, worst acting, the story is garbage (a bunch of dirtbags in charge of a space ship, smoking cigarettes, rerouted to capture a deadly alien. Maybe the company should have sent a professional military team rather than these idiots. But then it would have turned into another Stallone/Schwarzenegger/Wills movie). Now there's a special hatred I have for a movie called Suspiria, by Dario Argento. People love this garbage. On the contemporary front of loser films, we have the grand loser of them all the so called Star Wars VII, The Farce Awakens. These are not films, but simply a copy/paste cheap comic book dumb cartoon movies. They're all the same. Don't think too much. Once someone pays the ticket price that should be enough, they shouldn't have to spend anymore brain cells to think about what is going on on screen, everything is spelled out, and nothing is left to the imagination. A bunch of jumpy action scenes, a roller coaster ride to nowhere.

Well, at least we have The Shining. Grade B+, 8 stars.
A masterpiece of psychological horror
Stephen King may have said the master director knew nothing about horror, but that simply is not true. That is a too biased opinion for anyone to go on given that he wrote the book, which Kubrick based his wonderful film ever so loosely on. And at any rate, faithful or not, KUBRICK's Shining-the BEST crafted genre film of the 80's- performs it's duty as a fright flick, and then some.

There are appropriately no words strong enough to convey the haunting beauty of the visuals showcased throughout the movie, from the drive to the Overlook to the final chase in the hedgemaze the movie is a feast for the eyes as it is for the mind. And it IS a feast for the mind as The Shining is as psychological as horror gets, toying relentlessly, and expertly with your emotions and expectations(some could even say SADISTICALLY), throwing something in that's completely out of left field and never, ever letting you catch your breath between the now classic shocks as the movie speeds toward it's memorable conclusion in the last half hour.

Kudos are in order for Kubrick, a director of the old school style, who builds an eerie atmosphere by exercising total control over the filmic environment, manipulating everything down to the tiniest detail to suit the needs of the picture, yet filming with a coldly detatched, objective eye, as though Kubrick were making a documentary about these events. This would account for the dialouge, which-thankfully-is not the typical phoney balloney Hollywood banter (Kubrick detractors/King purists usually bitch about this the most, having been weaned on the phony nature of 'Hollywood talk', which is usually nothing at all like real talk. Many of us speak 'on the nose', and do not try to convey subtext through use of carefully chosen words that articulate our state of being without being direct.) In this light, Shelley Duvall must be commended for her performance which is very naturalistic. It does not seem like acting at all. She is not concerned with glamour, nor does she clutter her performance with typical acting chops, but rather she is solely focussed on hitting the emotional highpoints of her character as 'Wendy' gradually comes to realize that her husband is a madman. And let's face it folks, how many of us would like a million bucks when placed in a situation like that? Who does NOT look like a blubbering idiot when they are hysterical? That's what I thought, so what did you expect? She was great. To say nothing of the rest of the cast.
"I think a lot of things happened right here in this particular hotel over the years & not all of them good." A great horror film.
The Shining starts with Jack Torrance (Jack Nicholson) driving to an isolated hotel named the 'Overlook' situated high in the Colorado mountains for an interview with it's manager Stuart Ullman (Barry Nelson) about becoming the Winter caretaker. Ullman tells Jack that he will be responsible for the basic upkeep of the hotel but will be almost totally isolated from the rest of the world for six months as the harsh Winter sets in. Together with his wife Wendy (Shelley Duvall) & young son Danny (Danny Lloyd) Jack moves into the hotel & at first everything seems fine, it's a beautiful hotel, absolutely huge & whatever they need is at their disposal. However the Overlook hotel has a murky past with a previous caretaker murdering his entire family before committing suicide & Danny has the ability to 'shine' which means he has psychic powers that let him see & hear things 'ordinary' people can't. As the days, weeks & months begin to pass Jack become more & more insane, Danny keeps 'seeing' things & people while Wendy becomes frantic as she doesn't have a clue what's happening to her family, as a heavy snowstorm leaves them trapped Jack finally loses it...

This English production was co-written, co-produced & directed by Stanley Kubrick & is a fine horror film. It appears that The Shining is another film that exists in two distinct different versions & the one I will be commenting on is the shorter European cut that runs just under 2 hours in length. The script by Kubrick & Diane Johnson, is based on the novel by Stephen King which I have not read so I can't compare them, goes for psychological horror rather than visual with only one murder during the entire film. There are very few character's in The Shining with Jack, Wendy & Danny the only ones that really matter, since the film concentrates on them almost exclusively you care for them, become involved with them & what they go through. The pace is somewhat slow but this is one film that didn't feel that long & keeps you interested throughout. On the negative side I don't think the reasoning behind Jack going crazy & wanting to kill his family was strong enough to convince me, the fact that Jack escapes from the freezer without any explanation bugs me & I don't know if I missed something but that ending didn't make any sense to me whatsoever, I'm still trying to work out what that picture is all about! There is very little in the way of violence or gore, a couple of rotten zombie ghosts & someone is killed with an axe but The Shining is a horror film that doesn't need to rely on blood & special effects as it has a gripping story. With a budget of about $19,000,000 The Shining is technically flawless as you would expect from an obsessive filmmaker such as Kubrick, the cinematography is brilliant with some fantastic free-flowing & smooth steadicam shots as the camera effortlessly follows the character's around the maze of corridors, the sets look absolutely real & instead of clichéd old haunted house themes like dark corners, basements & cobwebs Kubrick brings things right up-to-date with brightly lit corridors, massive open expansive spaces & a modern decor (well 80's modern, just check that red toilet out!). The acting is good from everyone involved although as usual in horror films the little kid is highly annoying & Nicholson seems crazy from the very start. The Shining is an absorbing film that I enjoyed watching although I'm not sure I'd watch it again anytime soon. For those looking for explosions & fancy special effects you will be disappointed, for those looking for a good haunted house type horror with a strong story I definitely think The Shining is for you, well worth a watch in my humble opinion.
The Shining Review
The movie is very interesting and perplexing, you need to see it at least twice and look at different reviews to see The Shining with a different perspective and other interpretation, because once you see it you think that is just a horror movie that talks about a writer that goes to a isolate place to refresh his mind, have an inspiration, and instead of this he gets crazy and tries to kill his family, but actually the movie has a lot of hidden things or "Easter eggs" mostly about the First Natives genocide caused by the Europeans that first came here, and other things like incest, that you don't realize without seeing the movie more than one time. I can affirm that this movie is a classic and everybody should see it, because it's a blow mind and of course there are some parts that you want too close your eyes because it's scary.
Defines "suspense".
I saw this film in a theater then it was released, and it was one of my more memorable movie experiences. A rather longish movie, I thought it was moving a bit slow. Watchable, interesting, but not very scary. But, without actually realizing it, the tension was slowly building, building, building. Why do I say this? Because with about a half hour left of the movie, I suddenly realized I was literally sitting on the edge of my seat. I don't think this has ever happened to me before or since, with the possible exception of "The Exorcist" or "The Omen". That, my friends, is a sign of a very good film indeed: it accomplished what it set out to accomplish, which was to jangle thoroughly jangle the viewer's nerves.

All play and no work makes Jack (Nicholson) a VERY dull boy. . .
It's certainly not a new complaint in relation to this film, but I must register it anyway: Jack Nicholson's acting here is all wrong for the material. Instead of a slow buildup from banality to insanity - which, given the movie's otherwise brilliant creepiness of tone and style - could have been truly horrific to watch, we get Jack Torrance as the nutjob Big Bad Wolf right from the very beginning. It's weird: it's as if Kubrick is indeed making the ultimate horror film, and Nicholson is sabotaging it every step of the way by enacting the ultimate horror film *parody*. Each on its own terms is immensely enjoyable, but they effectively cancel each other out. I've never seen the styles of director and star diverge so emphatically (A minor comparison would be the first "Fletch" movie, where Michael Ritchie's taut direction is appropriate to a gritty crime thriller, but where star Chevy Chase waltzes through the vehicle glibly throwing darts into every dramatic setup).

However, there's no point in blaming Nicholson for the mess - this was clearly the way Kubrick wanted the part to be played. Perfectionist and control freak that he was, you don't believe for a minute that any inch of a Kubrick film isn't exactly how he wanted it; he certainly wouldn't allow a mere *actor* to steamroll his well-laid plans, not even one as forceful and magnetic as Jack Nicholson. Still, this movie - together with Batman, and even One Flew Over the Cuckoo's Nest - soured me on Jack for a long time; I found in him an actor far too willing to coast on his personality and to ham it up mercilessly, rather than bother to actually create a recognizable human being. Such a technique is fine, even commendable, for farceurs like Jim Carrey or Paul Reubens (either one of which would probably have been just as effective as Nicholson is here at being Jack Torrance) but we should expect more from our so-called Dramatic Actors. It wasn't until I saw some of his more restrained, nuanced work in such films as Ironweed, Wolf, The King of Marvin's Gardens, and even (amazingly) Easy Rider that I realized what a truly fine performer Nicholson can be when he is forced to, as it were, paint in between the lines (by the way, no complaints from me about his Oscar for As Good As It Gets - he's the only actor alive who could have made that part work the way it did). It's just too bad Kubrick didn't decide to use him this way; watching Jack Torrance go from a diffident, restrained man (watch the first part of Wolf to see how surprisingly well Nicholson can play such a character) to a rampaging lunatic would have been truly frightening (even with the extra bit of campiness Nicholson throws in - "Heeere's Johnny!", etc). It would have been as if the Overlook Hotel unleashed some primordial demon from the depths of an essentially decent man. The way it plays now, Jack's evil and insanity are loudly telegraphed from the very beginning (those dancing eyebrows of his NEVER stop!) - all that's left is to go through the motions.

Of course, there are some pretty startling motions to go through in this movie; Kubrick's technical brilliance and his ability to create an engrossing mise en scene ensure that the film can never be seen as a total failure. In fact, when Nicholson is offscreen, the goosebump factor here is actually pretty high. The long tracking shots of Danny riding his Big Wheel through the winding hotel corridors are justly famous, as is the very design of the Overlook's wide open - yet paradoxically oppressive - map room (where Jack does his "writing"): these sequences effectively make the Overlook into a character itself. The isolation of it, its stillness and quiet, and most importantly its labyrinthian hugeness serve to overwhelm the tiny family and break down whatever bond they may have (which, again, would have been so much more effective if we felt this family was ever bonded in the first place). Kubrick ingeniously avoids shock devices, for the most part, and creates his spooky atmosphere through an almost inhuman stillness and quiet - which effectively creates an undertow of dread and expectation in the viewer. Quite simply, there are images and flash-cuts in this movie that will get under your skin and that you will never be able to shake - they will haunt your subconscience forever (deliciously). None more so than the truly classic moment where Wendy, the wife, finally discovers what it is Jack has been "writing" all this time: I can think of few movie moments in history that are so gut-bustingly hilarious and at one and the same time so bone-chillingly frightening and perverse. For this one moment alone, the film demands a viewing.

It's simply too bad that Kubrick felt the need to invade the sanctity of his gothic cathedral like setting with the over the top rantings and ravings of the town lunatic. Not that that lunatic is not one devil of a fun guy to hiss and laugh at, it's just that he belongs in a different movie - the Evil Dead flicks, maybe, or one of Freddy Krueger's opuses. This conflict in styles between star and director ultimately make The Shining, for me at least, a frustrating experience: I keep wishing one of them would just get out of the other's way. The Shining could have been one of the hammiest and most enjoyable grand guignol horror experiences ever, or it could have been perhaps the most finely crafted and subtly shaded psychological thriller of all time. Alas, it cannot be both - and in trying to do so, it effectively undermines itself at every turn.
The greatest horror movie of all time.
Okay, okay, maybe not THE greatest. I mean, The Exorcist and Psycho and a few others are hard to pass up, but The Shining is way up there. It is, however, by far the best Stephen King story that has been made into a movie. It's better than The Stand, better than Pet Sematary (if not quite as scary), better than Cujo, better than The Green Mile, better the Dolores Claiborne, better than Stand By Me (just barely, though), and yes, it's better than The Shawshank Redemption (shut up, it's better), I don't care WHAT the IMDb Top 250 says.

I read that, a couple of decades ago, Stanley Kubrick was sorting through novels at his home trying to find one that might make a good movie, and from the other room, his wife would hear a pounding noise every half hour or so as he threw books against the wall in frustration. Finally, she didn't hear any noise for almost two hours, and when she went to check and see if he had died in his chair or something (I tell this with all due respect, of course), she found him concentrating on a book that he had in his hand, and the book was The Shining. And thank God, too, because he went on to convert that book into one of the best horror films ever.

Stephen King can be thanked for the complexity of the story, about a man who takes his wife and son up to a remote hotel to oversee it during the extremely isolated winter as he works on his writing. Jack Nicholson can be thanked for his dead-on performance as Jack Torrance (how many movies has Jack been in where he plays a character named Jack?), as well as his flawless delivery of several now-famous lines (`Heeeeeere's Johnny!!'). Shelley Duvall can be thanked for giving a performance that allows the audience to relate to Jack's desires to kill her. Stanley Kubrick can be thanked for giving this excellent story his very recognizable touch, and whoever the casting director was can be thanked for scrounging up the creepiest twins on the planet to play the part of the murdered girls.

One of the most significant aspects of this movie, necessary for the story as a whole to have its most significant effect, is the isolation, and it's presents flawlessly. The film starts off with a lengthy scene following Jack as he drives up to the old hotel for his interview for the job of the caretaker for the winter. This is soon followed by the same thing following Jack and his family as they drive up the windy mountain road to the hotel. This time the scene is intermixed with shots of Jack, Wendy, and Danny talking in the car, in which Kubrick managed to sneak in a quick suggestion about the evils of TV, as Wendy voices her concern about talking about cannibalism in front of Danny, who says that it's okay because he's already seen it on TV (`See? It's okay, he saw it on the television.').

The hotel itself is the perfect setting for a story like this to take place, and it's bloody past is made much more frightening by the huge, echoing rooms and the long hallways. These rooms with their echoes constantly emphasize the emptiness of the hotel, but it is the hallways that really created most of the scariness of this movie, and Kubrick's traditional tracking shots give the hallways a creepy three-dimensional feel. Early in the film, there is a famous tracking shot that follows Danny in a large circle as he rides around the halls on his Big Wheel (is that what those are called?), and his relative speed (as well as the clunking made by the wheels as he goes back and forth from the hardwood floors to the throw rugs) gives the feeling of not knowing what is around the corner. And being a Stephen King story, you EXPECT something to jump out at you. I think that the best scene in the halls (as well as one of the scariest in the film) is when Danny is playing on the floor, and a ball rolls slowly up to him. He looks up and sees the long empty hallway, and because the ball is something of a child's toy, you expect that it must have been those horrendously creepy twins that rolled it to him. Anyway, you get the point. The Shining is a damn scary movie.

Besides having the rare quality of being a horror film that doesn't suck, The Shining has a very in depth story that really keeps you guessing and leaves you with a feeling that there was something that you missed. HAD Jack always been there, like Mr. Grady told him in the men's room? Was he really at that ball in 1921, or is that just someone who looks exactly like him? If he has always been the caretaker, as Mr. Grady also said, does that mean that it was HIM that went crazy and killed his wife and twin daughters, and not Mr. Grady, after all? It's one thing for a film to leave loose ends that should have been tied, that's just mediocre filmmaking. For example, The Amityville Horror, which obviously copied much of The Shining as far as its subject matter, did this. But it is entirely different when a film is presented in a way that really makes you think (as mostly all of Kubrick's movies are). One more thing that we can all thank Stanley Kubrick for, and we SHOULD thank him for, is for not throwing this book against the wall. That one toss would have been cinematic tragedy.
📹 The Shining full movie HD download 1980 - Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Lia Beldam, Billie Gibson, Barry Dennen, David Baxt, Manning Redwood, Lisa Burns - USA, UK. 📀