🎦 The Shining full movie HD download (Stanley Kubrick) - Drama, Thriller, Mystery, Horror. 🎬
The Shining
Year:
1980
Country:
USA, UK
Genre:
Drama, Thriller, Mystery, Horror
IMDB rating:
8.4
Director:
Stanley Kubrick
Jack Nicholson as Jack Torrance
Shelley Duvall as Wendy Torrance
Danny Lloyd as Danny Torrance
Scatman Crothers as Dick Hallorann
Barry Nelson as Stuart Ullman
Philip Stone as Delbert Grady
Joe Turkel as Lloyd the Bartender
Anne Jackson as Doctor
Tony Burton as Larry Durkin
Lia Beldam as Old Woman in Bath
Billie Gibson as Old Woman in Bath
Barry Dennen as Bill Watson
David Baxt as Forest Ranger #1
Manning Redwood as Forest Ranger #2
Storyline: Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1072 px 12796 Mb h264 1536 Kbps mkv Download
HQ DVD-rip 720x400 px 2147 Mb mpeg4 263 Kbps avi Download
DVD-rip 512x384 px 699 Mb msmpeg4 869 Kbps avi Download
iPhone 320x178 px 261 Mb h264 254 Kbps mp4 Download
Reviews
The Shining
I am not a person that gets concerned with book-to-screen adaptations. It's not that I am not a reader, I enjoy literature and read a great deal in my free time. I recognize, however, that books and films are two different mediums, therefore, have storytelling devices unique to the manner in which they work with a narrative. Stephen King's vocal and vehement opposition to the 1980 film by Stanley Kubrick means quite little to me. He may be right, the work originated with him, obviously, but films are different than books and should be appreciated as a separate entity rather than an extension of one another. I also wouldn't classify myself as a fan of Stanley Kubrick. That's not to say I don't think he's made some wonderful films---he has, I just don't list him among my favorites which make me an ideal candidate to speak evenly about his film and King's book. Kubrick's film starring Jack Nicholson and Shelley Duvall tell the tale of a writer and his family who become caretakers of a hotel with a dark history on a secluded mountain in Colorado. The Torrence family is in for a lot more than a quiet winter once they finally settle in. Kubrick really outdoes himself with his visually stunning version of The Shining. The staggering cinematography creates the immense isolation the leads succumb to, keeping audiences glued to the screen until the final minute.

Jack Torrance (Jack Nicholson) signs a contract to be the caretaker for the Overlook Hotel. Since the hotel will be empty while in Jack's care, he sees this as a perfect opportunity to work on his next novel. Just as he is signing the paperwork, he is warned that through the hotel's long history, there was a former caretaker that killed his family with an ax before shooting himself to death. Jack is unfazed by the news still focused on the opportunity to get a great deal of writing done during his time there. When he brings his wife Wendy (Shelley Duvall) and son Danny (Danny Lloyd) to settle in, things are alright for awhile, until Danny's gift of being able to see things from the past and the future, referred to as "the shining" begins to warn him about the hotel, and hints at something sinister taking place in room 237. When Danny meets the head chef who also has "the shining", who is preparing to leave the hotel for the winter, they speak about the sinister history surrounding the events that took place in room 237. The longer the Torrence family stays at the hotel, the more visions Danny has, and the deeper Jack surrenders to the insanity of such extreme isolation. When Jack starts becoming aggressive, Wendy and Danny begin to fear for their lives, thinking they may become the next victims of the Overlook Hotel.

I'm a total cinephile, but I have few "film traditions". I enjoy seeing new-to-me films as often as possible, so I partake in very few re-watches. The Shining, however, is a film I watch every year on Halloween as a double bill with Alfred Hitchcock's Psycho. I've always been one of those people far more afraid of the darkest sides of human beings than an unhinged slasher. Despite watching The Shining every year, there hasn't been a viewing yet where I haven't sat in complete awe while watching it. I am completely immersed in the world Kubrick creates in The Shining, and that's solely due to his genius in portraying the subject matter. The sound design is extraordinary and creeps into the heads of those in the audience as subtly yet profoundly as Jack's isolation creeps into his head. I practically have to clean up the drool from the floor over the tracking shots Kubrick utilizes in the film. One of the best tracking shot in cinema history takes place in The Shining. Of course, I'm talking about the shot of Danny on his big wheel riding through the hallways of the hotel until being confronted by the horrors tucked away in the hotel's history. The brilliance and exquisite beauty of the tracking shots and long takes Kubrick uses to tell the story are fascinating, and never lose their luster no matter how many times you see The Shining. I've heard the criticisms of Nicholson, but I personally think that he was perfect for the role, and can't imagine anyone else playing the part of Jack Torrence. He was over the top at times, but the role calls for it the further he descends into madness. I also found Shelly Duvall's monotone agreeable attitude perfectly suited for her role of Wendy, as well. The camera work, direction, sound design, and performances come together in a magnificent sweeping package to create a piece of cinema that cements Kubrick's notion that film is an artwork, and should be repeatedly appreciated as such.
2017-04-13
Heeeeere's Rubbish!
Having just seen the doco about Kubrick, and then taken the plunge with Eyes Wide Shut after being warned against it by everyone I know, I expected wonderful things from this film. After all, Jack Nicholson, One Flew Over The Cuckoo's Nest! This was gonna be amazing!

JNNNNNNNNNNNNNNN! WRONG!

Quite simply one of the worst films I've ever seen. The editing alone was a travesty. What amateur crud! Could this be the same mind that gave us Easy Rider, Dr Strangelove and 2001? Clearly our Stanley had a rather nasty turn prior to making this film, that or it ran way over budget and the studio employed some lacky fresh out of 'make your own home movies in 24 hours'to whack it together overnight. Then there's the music, the Bartok was perfect, but all the original synth stuff was absolute rubbish. I really think I must be missing something critical here - or was he trying to make a statement about how pathetic horror movies are, cos that rang out loud and clear.

Well, look, if you want to see a plot that is full of holes, if you want to see the helicopter shadow in the overhead shots at the start and catch some awful, sad and pathetic acting from Shelly Duval and then be left wondering why Stan even bothered beating this dead horse of a C movie - sure, rush down to the movie store, I emplore you. Do it. Do it now.

Seriously, I love Stan when he puts his heart into it, but I teach editing and I have people who come in with no knowledge cutting up better narratives in their first day just by letting them play with MS Movie Maker. That just makes me sad.

I should also temper this with some context. 1. I can prove by simple logical argument that Stephen King is a hack, chiefly because he writes like a three year old. 2. I love being challenged and having something to think about. 3. Why oh why can't our Clairvoyant friend or his 'Shine' brother foresee his untimely and really badly played out, plot-killing, anitclimatic death?
2004-11-14
Chilling and Memorable
'The Shining' is often named as one of the greatest horror films ever made. And while I do agree that it is in the top five in the horror genre, its not exactly a perfect film. It has its superb moments and its lackluster moments, in my opinion.

As far as the good points go, Jack Nicholson is one of the obvious ones. Nicholson is a very talented actor and his role in this film is a display of his brilliance. He has the ability to turn almost every role he plays into a one-man show (for example, his iconic role as The Joker in 1989's Batman). He makes his character, also ironically named Jack, dimensional. He's menacing, conflicted, witty, and eventually psychotic. Danny Lloyd, also playing a character of the same name, also does a great job with his role as the little boy who "sees all". The film in itself, based on the infamous Stephen King's novel, has a disturbing atmosphere to it. A few of the famous scenes ("Redrum", the twins in the hallway, "Here's Johnny!") definitely leave an impression on the viewer.

As far as the negative goes, one big problem I had with the film was the casting of Shelley Duvall. She is, at least in my opinion, a horrible actress. Or shall I say over-actress. But, to her credit, I'm not sure if it was her acting or if her character was actually written to be shrill and stupid. Either way, she was distractingly bad and unintentionally funny in most of her scenes. Also, the running length does go a little long. It clocks in it at over 2 1/2 hours. I can watch a film that long if the story keeps moving and developing. There are a handful of certain scenes that feel too drawn out and prolonged, dragging the pace of the film unnecessarily. I understand King's novel was very lengthy, but the film could've been just as effective if cut down about 30 or 40 minutes.

That being said, this film is still breath-taking and much better than some of these 'slasher' flicks that have come out in the last decade or so. But, it does have its flaws at the same time.
2008-07-16
The Funniest Comedy of 1980
I shall never, ever be able to understand the phenomenon known as Stanley Kubrick. When he was on, as with DR STRANGELOVE, he was brilliant. But when he was bad, he was awful.

I saw THE SHINING in its first release in a packed movie house in New York City. I had read and loved Stephen King's novel; I am widely read in the horror genre and do not scare easily, but that book gave me the creeps for weeks.

Well for all the people who have been raving what a masterpiece this film is, I can only tell you this. The crowd in the theatre started giggling the minute Jack Nicholson appeared on film, and by the time he chased Shelley Duvall up the stairs, the whole crowd was literally in stitches. And I was laughing right along with them. Maybe New York audiences are just jaded; I don't know.

Not that this movie does not have some scary moments. Shelley Duvall is rather good when she is away from Nicholson and it starts to dawn on her that something evil is taking over her family and her life. Unfortunately, Miss Duvall plays Wendy Torrance, a strong, intelligent, and resourceful woman in the novel, as a pathetic, whiny ninny most of the time, and by the time Nicholson had her trapped in the bathroom, I am sure plenty of us were screaming for her head. It must be said that this is not the fault of Miss Duvall, a talented and intelligent actress who according to reports fought bitterly with Kubrick over his interpretation of Wendy.

The kid talking to his finger is another idiotic and unintentionally hilarious bit of business that was not in the original novel. Why Kubrick thought this was a good idea is beyond me.

But let's get down to the real problem: Jack Nicholson. In the right role, he can be very good, though he has never been among my top ten. Jack Torrance is totally the wrong role for him; for one thing, he does not look ordinary enough. But the worst thing is that Stephen King's story was about a man being SLOWLY AND INEXORABLY driven out of his mind. Nicholson goes nuts so early in the film that there is literally nowhere for him to take the character. And Kubrick was either in awe of Nicholson, who was still riding the post-Oscar high from CUCKOO'S NEST, or he just didn't care, or he thought it was scary when it was actually funny. I don't know.

As if all this were not bad enough, the whole mess drags on for two hours and twenty-two minutes; this movie practically cries out for a pair of scissors.

Some people will feel that I have spat on an icon, I suppose, and they have that right. But Stephen King himself was not happy with this film, and when he finally got the opportunity to re-do it as a television miniseries in 1997, the results were much better. For the one thing that is missing in Kubrick's version is a heart.

Anne Rivers Siddons, in discussing her excellent horror novel THE HOUSE NEXT DOOR, writes that the thing about horror is that it smashes people and relationships. Thus the best horror stories are at bottom also very sad (Brian De Palma's CARRIE gets this; Kubrick's film does not). And whatever your feelings about the miniseries format may be, the Torrance family created in 1997 were people you could care about. Director Mick Garris understands King better than Kubrick did, and Rebecca De Mornay, in particular, redeems the Wendy character in a spectacular tour-de-force towards the end. In 1980 the Torrances were figures of fun. Rather like the barbaric Victorian custom of laughing at the lunatics in Bedlam.

Awful, awful, awful.
2010-05-11
I waited for this?
After reading previews about this maybe being the scariest movie of all time, I was extremely disappointed at this laughable excuse for a horror movie. Jack really was a dull boy in this mis-hyped, miscast feature. Granted, King's novels don't always translate into good movies,but even his TV movies put this piece of trash to shame.
2003-01-30
A Horror Masterpiece of slow personality change, seeks Jack Torrance to go crazy.
When the picture first came out many hated it. Saying it was off from the book, not scary, and so on. Decades later "The Shining" has grown on the overall consensus as a masterpiece. Stanley Kubrick's meticulous direction shines through. In the picture Danny, battles with the change silently shifting out of the normality of home training. From Jack Nicholson to the dog in the sexual scene, every actor delivers amazing performances that will span millennium.
2017-10-01
Absolutely awful, awful stuff
This entire movie could have been viewed with subtitles and everything on fast forward. Low on dialogue and storytelling, and sky-high on Kubrik-Hype, his God-awful long shots were as deadly as Jack Nicholson's axe... they killed the movie and any suspense it attempted to create.

I literally watched the last part of this movie on fast forward. The Kubrik-esquire long shots are an absolute drag, and the producers should have worked more on the script to let people understand the story more.

Try watching a few scenes on fast forward, and you'll get the joke. Absolutely unacceptable. The story is not served in any way by watching a well-acted freak with an axe limp across a half-mile hallway or an old black guy walk, 6-inch stride by 6-inch stride across the same bloody hallway for five minutes.

All movie adaptations worthy to be mentioned should have enough material within the contents of the movie for people who have NOT read the book to understand ENOUGH so as to get the general story right. This adaptation does not do anything of the sort.

Unacceptable script-writing and unacceptable direction. I forgave Kubrik on 2001: A Space Odyssey, but after watching The Shining, in hindsight, his clichéd long shots and his awful storytelling puts him in one of the directors whose work I consistently do not enjoy.
2005-02-12
"A tremendous sense of Isolation"
After his greatest achievement in the sumptuous period drama Barry Lyndon, Stanley Kubrick moved on to make his statement on the horror genre. A massive shift in focus, but perhaps not such a surprise since there were elements of horror in 2001: A Space Odyssey and A Clockwork Orange.

Kubrick's greatest strength is probably in that he always followed his own muse, regardless of what was going on in cinema at any one time. Of course, he was sometimes influenced by his contemporaries, but he never followed a trend. The Shining is at once bold and innovative, yet also nostalgic and old-fashioned. In a way this mimics the story's theme of history repeating itself and the overlapping of past and present events – a typically Kubrick-esquire mixing of style and content.

The atmosphere of The Shining is created through use of space and place. Kubrick shows us two kinds of space at the Overlook Hotel. There are vast, empty spaces such as the grand hall and the gold room, generally revealed to us in slow zooms. Jack is more often shown in these rooms, and they represent his growing isolation from his family and his detachment from reality. Then there are the winding passages like the corridors and the maze, which Kubrick's camera explores with steady tracking shots. More often than not it is Wendy and Tommy whom the camera follows through these passages, and this gives us the sense of confinement and helplessness of their situation.

In terms of place, The Shining is in a way a Heart-of-Darkness style journey into hostile territory. The opening credit sequence tells us this right at the start, as we see Jack's car travelling higher and higher into the mountains, a tiny dot from the helicopter shot. The Overlook Hotel resembles its mountainous surroundings, both in shape and colour. Kubrick's construction of space and place combine to create the nightmare situation – a place which is in itself massive and spacious, but which is also a prison, cut off from the outside world.

Kubrick is perhaps best known for bucking trends, and rejecting by-the-book approaches, and The Shining does go against the horror grain in several respects. Perhaps most notable is the light. Whereas virtually every horror film prior to this had exploited the darkness, The Shining (as its title suggests) is filled with light and brightness. It's also something of a return to the early days of horror, largely favouring creepy atmospherics over slasher shocks. In fact, there is a very direct and obvious reference to DW Griffith's Broken Blossoms (not actually a horror, but it's still got the axe moment) and even Shelley Duvall's performance towards the end slips into wonderful Lillian Gish-style melodramatics.

The Shining is tightly constructed, and it certainly stands out from its contemporaries in the genre, but like many of Kubrick's films it is seriously overrated. For all its supposed sophistication some of the horror moments are terribly camp and corny – for example the old woman in the bathtub does the most ridiculous zombie lurch I've seen outside of B-horror. Those quick zooms and that snare thing on the soundtrack that accompany every shock moment are massively overused and soon become tedious. For my money the supernatural horror elements do not really work – he just doesn't get the creepiness right. It's only the real-life, psycho-killer aspects that have any impact here, and this is mainly down to the intensity of the acting performances. I'm risking flak by saying this, but maybe the film would have been better if Kubrick left out all the ghosts and just told a story about a man's journey into murderous insanity.
2007-03-25
One of the few films that impressed beyond my best expectations
Besides the fact that my list of favorite movie makers is: 1)Stanley Kubrick 2)God Allmighty 3)the rest... this movie actually is better than the book (and the TV miniseries though this is an easy feat, considering the director). The flawless filming stile, the acting and (Kubrick's all time number one skill) the music - make it THE masterpiece of horror. I watched the TV miniseries a few years ago and liked the story and I had my hopes about this when I got a hold of it. IT BLEW ME AWAY!!! It is far better than I ever imagined it. It starts slow (Kubrick trademark) and has a lot of downtime that builds up the suspense. The intro scene is a classic by all means and I watched it about 20 times just for the shear atmosphere it induces to the whole film. Also the film doesn't offer a lot of gore (it has just enough and it is by no means tasteless) a trend that I hate in recent day horror films. Just watch it!
2007-01-22
What to say....
Don't get me wrong, the originality of the story is great, mainly because it was done before all of those abandoned but "haunted" hotels, motels, houses, whatever kind of building scenario. But I thought the movie moved at a time dragging pace, the whole shot of Danny Torrence rolling around on his tricycle left me wondering..."What was the director thinking?" A lot of the things that happened in the movie made no sense to me really. The book I thought was much more clear and less abstract on the transformation of Jack Torrence. I also thought the betrayal of Jack Torrence's character was wrong. We essentially knew nothing about him or his family, other than Danny was having bad dreams, then it starts with the Torrence's taking over of the hotel for the winter and Jack has lost his mind.

I loved how it was done in the book, you got a good feel for who Jack was and where he had come from and you felt good about him. When they go to the hotel the symptoms Jack experienced where eye widening. He was chewing on the aspirin, losing his temper and getting major headaches, all conclusive to when he was drinking, but he wasn't. I thought the movie missed a little on that. The movie by itself however seemed to want to breath a life of it's own rather than paying homage to the novel it came from. I guess when it came down to it, I really had no care for the wife and child. Danny walking around saying redrum was really one of the most annoying things I have ever had to watch. But because the film was so slow to progress that when the climax finally showed up it failed to make up for lost time and attention.

All in all, an O.K. movie, but I really don't see what the hype was all about in the this other than the famous "Here's JOHNNY!" line. Watch it if you wish, obviously it has a 8.5 on IMDb for a reason...
2008-03-31
📹 The Shining full movie HD download 1980 - Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Lia Beldam, Billie Gibson, Barry Dennen, David Baxt, Manning Redwood, Lisa Burns - USA, UK. 📀
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