🎦 The Pianist full movie HD download (Roman Polanski) - Drama, Biography, History, War. 🎬
The Pianist
UK, Germany, France, Poland
Drama, Biography, History, War
IMDB rating:
Roman Polanski
Adrien Brody as Wladyslaw Szpilman
Thomas Kretschmann as Captain Wilm Hosenfeld
Frank Finlay as Father
Maureen Lipman as Mother
Emilia Fox as Dorota
Ed Stoppard as Henryk
Julia Rayner as Regina
Wanja Mues as SS Slapping Father
Richard Ridings as Mr. Lipa
Nomi Sharron as Feather Woman
Anthony Milner as Man Waiting to Cross
Lucy Skeaping as Street Musician
Roddy Skeaping as Street Musician
Ben Harlan as Street Musician
Storyline: A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1080 px 10815 Mb h264 128 Kbps mkv Download
HQ DVD-rip 720x480 px 515 Mb mpeg4 483 Kbps mp4 Download
"That's what we have to believe"
The Pianist is a movie that often gets bundled together with Schindler's List as being "about" the holocaust. But this is a misunderstanding, a simplification even, of this picture (and of Schindler's List). It relates to the holocaust, but it is not the story of the holocaust – it's the story of one man. Władisław Szpilman was an artist, with great talent in his hands and his mind, and in him is represented something very precious in humanity. He also appears, as many such people really are, someone to whom the music mattered far more than current affairs. As such, he provides a unusual view on atrocity, that of someone who, rather than actively fight against it, for the most part tried simply to exist in spite of it.

This somewhat passive yet dignified stance is ably reflected in Roman Polanski's direction, which has always been characterised by an excruciating intimacy with his subjects and a certain detachment from the world in which they inhabit. Here we see Szpilman glimpsing the war through windows and doorways, yet often himself or his hands in close-up. But Polanski's boldest strokes of genius are in his creation and presentation of the ghetto and its inhabitants, especially as regards how he draws our attention. The soldiers giving a cigarette to an elderly Jewish man and the couple fighting over a can of stew are foregrounded. Seconds later, a corpse lies innocuously in the background. When Władek's father is accosted by two Germans, we see a couple of Polish women hastily get out of the way. When the shot changes to reveal the officer's back, the focus is suddenly on his gun holster – it draws our attention to things that give a little extra breadth and context to a scene.

Central to The Pianist is Adrien Brody's portrayal of the title character. It's an incredibly sedate performance, with everything below the surface, utterly commanding of our attention despite its understatement. His emotions seem muted – when reunited with a friend the merest ghost of a smile plays across his lips, but by now we know the character and understand that this is a deep and sincere expression. Brody virtually carries the movie alone, and one of the unfortunate things about The Pianist is that not one other performance stands out at all, and the inadequacy of some of the supporting players does hurt the earlier scenes a little.

But perhaps the greatest thing about The Pianist is in the fine construction of its story. Although most of it is based incredibly faithfully on Szpilman's own memoir, the adaptation by Ronald Harwood gives it a certain dramatic course. There is one intensely poignant scene, and one of the few entirely fictionalised episodes, in which Szpilman is being sheltered by Dorota, wakes to the sound of her cello-playing and, just for a moment, he can imagine what life would be like if she had been his wife. Finally, the scene where Hosenfeld asks Szpilman to play for him seems to be the key to the whole thing. It's as if every moment, every narrative line, points towards that scene. We've seen Germans forcing Jews to dance for their entertainment, which makes us first question Hosenfeld's motives. We've seen Szpilman's desperation to be reunited with a piano, his fingers making keystrokes in the air. In retrospect, this all seems a set-up for that encounter. In effect, The Pianist becomes a tale of a harrowing time, filtered through the beauty of a musical performance.
10 out of 10
The Pianist is an account of the true life experience of a Polish pianist during WW2, in the context of the deportation of the Jewish community to the Ghetto of Warsaw, a setting virtually absent from all films inspired on WW2.

Polanski (himself a child survivor of the Krakow and Warsaw ghettos) could have described in more detail the legendary, desperate fighting of the Jewish resistance in the ghetto of Warsaw, or the horrific mass extermination in concentration camps. Instead, the film gains in intensity by displaying the war from the pianist's own point of view (through windows, half-opened doors, holes in the walls - with big emphasis on the use of "point of view shooting" by the cameraman). One cannot help feeling disturbed by the most enthralling scenes of the film, as the isolated pianist tries to ensure his survival in the ghetto and ruins of Warsaw, hiding and fleeing, moving from one bombed house to the next, gradually becoming a shadow of his former self, hungry and afraid (merit largely attributed to the extraordinary performance by Adrien Brody, who visibly loses half of his weight throughout the film).

Does the pianist raise any sympathy from the audience? Not immediately, in my view. The pianist is more than often a drifting character, almost a witness of other people's and his own horrors. He seems to float and drift along the film like a lost feather, with people quickly appearing and disappearing from his life, some helping generously, others taking advantage of his quiet despair, always maintaining an almost blank, dispassionate demeanour. One may even wonder why we should care in the least about this character. But we do care. That is, I believe, the secret to this film's poetry.

In one of the strongest scenes, towards the end, a German officer forces the pianist to play for his life, in an episode that suddenly brings a much lighter, beautifully poetic shade to the film (this German officer will be probably compared to Schindler, although his philanthropy does not quite share the same basis).

This is also a wonderful tribute to Polish artists, through Chopin's music, with the concert at the very end of the film and the opening performance by the pianist at the local radio station (with the sound of bomb explosions in the background) forming an harmonious link between the beginning and end of the film (following Polanski's usual story-frame).

Overall, The Pianist is one of the most detailed and shocking accounts of the treatment of the Jews by the Nazis, with the atmosphere in Warsaw well captured and believable. Quite possibly, The Pianist will remain in the history of film-making as the most touching and realistic portraits of the holocaust ever made.

Polanski's film deserves a strong presence in the 2003 Oscar nominations, including a nomination for Adrien Brody's amazing performance, Polanski's sublime direction, best adapted screenplay and, obviously, best picture. This could be, at last, Polanski's long awaited, triumphal comeback to the high and mighty Hollywood.
One of the Best of This Decade-BRAVO!!!
All you see these days are mainstream films that were made for 2 things, entertainment and money. It seems that Hollywood has ran out of ideas in making a beautiful film that will stay in your mind,forever.The Pianist is not just a movie, it is an experience.

The Pianist is a story about a young Jewish musician named Wladyslaw Szpilman,a brilliant pianist and composer,probably the most acclaimed of his time until the World War II made him give up his career.This powerful,triumphant film will leave you breathless.It follows Szpilman's journey for survival during the Holocaust with the help of a sympathetic Nazi Officer.He lost his family and was separated from his friends but that made him stronger.Survival was his masterpiece.

It is both depressing and uplifting.The film was nominated for 7 Oscar in 2003 and won 3 including Best Actor for Adrien Brody's greatest performance is his career.I haven't seen Schindler's List before, but this film might be the greatest Holocaust film ever made.Bravo to Roman Polanski.This is what artistic film should be like!!!
Brilliantly Narrated, Visually Stunning!
Polanski has depicted the gory details of the holocaust without much restraint. But, the most wonderful aspect of the film is that the director has not lost focus of his story and instead of focusing too much on the holocaust horror he has weaved the true-life narrative of survival around devillish happenings.

Every single act of escapade Szpilman goes through is depicted like a drop of water on a barren desert. However, the Oasis in the driest desert comes in the end and it is here that Polanski captures the essence of human emotion. I had this very strong urge of jumping into the theater screen and magically adopting a character in the movie and doing something about the helplesness portrayed so convincingly.

Overall, Polanski has given a stunning visual narrative of the cold war. Survival indeed is a privilege though it is taken for granted today. Performances by Brody, Kretschmann deserve applause.

Pawel Edelman's camera work is moving and he has brilliantly captured the dark sadness in the visual canvas in an effective way. The lighting is amazing. Pre-dawn shooting schedule could have helped a great deal.

Hervé de Luze's editing work has ensured that the narrative does not slip away from focus. Most notable is the scene where the human bodies are lit on fire and the camera raises to show the smoke. The darkness of the smoke is enhanced and is used effectively to fade the scene out.

The scene where Brody's fingers move as he rests his hands on the bars of the tram handle only goes to show the brilliance of Polanski as a film-maker.

Great film that will be in the running for this year's Oscars. I will give it a 9 Out of 10.
The best of it's kind, and the best of Roman Polanski
They say that the best story you can tell is a true story, and considering World War 2 is one of the greatest historic devastations of man kind, you can understand why there have been so many instalments about this tragic, dark time in human society. Until now, I always thought 'Schindler's List' (by Steven Spielberg) to be the best of the WWII films, but then I came across 'The Pianist', directed by the highly acclaimed Roman Polanksi. The creator of 'Chinatown' and 'Rosemary's Baby' has truly out done himself with this incredibly powerful, visually compelling piece about the Jewish ghetto in Warshaw.

The Pianist follows the story of piano player Wlad Spielzman and his constant struggle for survival in the German occupied city of Warshaw, which I have already mentioned. What started out as few new rules (the wearing of arm bands, the saluting of passing German officers on the sidewalk), became a vast series of evacuation orders, transporting, herding, and holding Jewish people as if they were animals. After managing to escape the latest ship out, Spielzman flees to the dead, empty roads and streets of Warshaw, living off only the kindness of strangers.

One of the great things about this movie is that the main lead is neither a hero, or a blood thirsty rebel our for revenge, he's an ordinary man who's just trying to stay alive. This I think allows the viewers to really relate to him in some way, making them really care about what happens to him as he wanders the streets of Warshaw desperately look for means of support, food and shelter. It also adds a sense of realism, because when I think about it, if I was in that same position, which I'm very thankful that I wasn't, I wouldn't speak out, or stand up against those who clearly have the power over my life. I would remain silent and still, because under these conditions, being brave is just another word for being stupid.

Adrien Brody's portrayal of a man who had his freedom, his livelihood, almost his whole life stolen away from him is so heart- breaking to watch, I'm very glad that he received an Academy Award for that performance (I was a little surprised when I found out that Adrien was the youngest person ever to receive an Academy Award, I mean 27 isn't that young is it?) Roman Polanksi's images of war do not focus as much on the spilling of blood as you may see in other modern war movies, however there were a few scenes of grittiness that added some dramatic effect. I personally enjoyed the pointless shooting of Jewish randoms, where they line up every marching Jew and take a bullet to the heads of a selection of those unlucky bunch. Steven Spielberg showed the same thing in "Schindler's List" and it had a considerably powerful essence to it. But back to my earlier point. "The Pianist" does not focus on bloody, visually enhanced images of war, but rather on the depriving treatment of the Jewish community. The insulting of not being able to sit on public benches, the demeaning humiliation forced by German soldiers for amusement, all add to the heartbreaking sense of helplessness which also creates more dramatic effect.

One of my most favourite parts of the movie is the end, or close to it anyway. The scene when the German soldier finds Spielzman in an abandoned house trying to open a can of pickles. After explaining his story and finding out that he is a pianist the soldier asks him to play something, just at top of his head. After a considerably long silence and a beautiful piano solo, the soldier spares his life and hides him in the attic, secretly supplying bread and jam to him. The most enjoyable thing about this scene is that it really reflects the symbolism of the pianist's extraordinary musical gift, because in a dark time such as this, music is the only pure thing that still remains, and in the end it is the thing that saves the pianist's life.

This is arguably the greatest of the WWII films. It's intelligent direction and efficiently powerful images are very hard to match and Adrien Brody made history with his wonderful portrayal of the deeply effecting piano player, Wlad Spielzman.
JAHM (Just Another Holocaust Movie). It shows nothing new, it is no more realistic in its portrayal than many other movies (and nothing like as good as Schindler's list). It shed no new light on the subject and compared to Schindler's list is dull, tedious, mediocre and plain boring.

It's redeeming features? Good acting, reasonable characterization and a few snatches of beautiful music. If you have never seen a holocaust movie then it will probably appear quite powerful and moving, but set against the best of them, it offers little.

One of the most overrated movies of 2002 and I am quite peeved I wasted my money on it.

terrific movie, if relentlessly gritty and realistic
I remember seeing "Schindler's list" about ten years ago, and I remember how weird I felt for being almost completely unmoved by it. Although it showed the horrors of holocaust quite realistically, somehow it all seemed just a bit too fake and exaggerated. Characters were a bit off (I still can't decide who was more over the top, Schindler or Goeth), fake sentimentalism was all over the place, . While it was a work of art and an important reminder of true events that shouldn't be forgotten, on emotional level it just somehow failed to deliver.

Enter "The Pianist". With no Spielberg around to put his trademark sappy material, we finally have a movie that shows the true horror and tragedy of Jewish people in World War II. The story is told through the eyes of one man - Wladislaw Szpielman, Jewish pianist who works in a radio station in Warsaw during the German occupation of Poland. Together with him we watch his world getting torn apart, witness his family being taken away, his existence being reduced to bare essentials. Brody gives a subtle yet spectacular performance, his best work yet. And never once are we reminded that we are watching a movie. Everything is shown from Szpielman's point of view, and it is all very gritty and realistic. While Spielberg's rendition of German atrocities always had a slightly staged feel to augment their dramatic purpose, here they are so true to life there impact is much greater - you watch and are being reminded in horror that this things actually happened.

While being very hard to watch sometimes, this is a movie that "Schindler's List" was supposed to be. This movie doesn't judge anybody, or tries to explain anything - it shows historical events as a reflection of one man's fate, making a powerful testimony that stays with you long after the beautiful last shot and the end credits are over.
Thanks to Roman Polanski for such a great movie. There are certain films where words not enough to describe how great they are. Certainly this one is one of those. The Pianist is one of the moving films I have ever seen recently. One can find almost anything in this movie. Love, death, torture, hope, faith, misery, passion and more. I am not yet sure what my true feelings are for this movie. It is not that kind of film where you can say you enjoyed watching it. But, definitely gives you a kind of shiver that touches the very deep part of your heart. Imagine having a rough journey of four years during the WWII where you experience both emotional and psychological tension.This is the part where the main character, Szpilman, becomes to shine. His true love of music is the only passion that keeps him alive. I admired him greatly. Such a hero with a profound human spirit. 10 out of 10.
A common story told in a different way than usual
I usually don't cry when I watch movies. This movie left me in tears, I sobbed and I could relate to the main character - not exactly in the same way, but how it feels to not being seen as a part of society (apartheid and other issues of today). I didn't pause for one minute. I felt a lot of mixed emotions. This movie is so beautifully made, one part of it - when the SS soldier saves the main character - shows that there is hope for humanity, and that people have the ability to avoid their racial views and save each other when they truly feel sorry for one another. I truly recommend The Pianist, you won't be disappointed.
I gave the DVD to a friend after watching...
It is a few years since I saw this movie in the cinema and I remembered how powerful I thought it was. Well at the second viewing on DVD it was still as powerful and haunting - however I say this with a great deal of respect to Polanski - I will never watch this movie again.

You know the feeling you have when you just had an awful day at work, had some horrible news from a friend and there is reports about a natural disaster that have devastated the life of thousands on the news. All you want to do is get a bit of escape from reality with a nice movie in the evening. A word of advice - Do not watch the Pianist.

Yes is is a masterpiece - but oh so depressing. If however you are in need of some historical realism and a good cry - well I did warn you.

This movie made me realize that I like comedies....
See Also
📹 The Pianist full movie HD download 2002 - Adrien Brody, Thomas Kretschmann, Frank Finlay, Maureen Lipman, Emilia Fox, Ed Stoppard, Julia Rayner, Jessica Kate Meyer, Michal Zebrowski, Wanja Mues, Richard Ridings, Nomi Sharron, Anthony Milner, Lucy Skeaping, Roddy Skeaping, Ben Harlan - UK, Germany, France, Poland. 📀