🎦 The Good, the Bad and the Ugly full movie HD download (Sergio Leone) - Action, Adventure, Western. 🎬
The Good, the Bad and the Ugly
Year:
1966
Country:
USA, Italy, Spain, West Germany
Genre:
Action, Adventure, Western
IMDB rating:
8.9
Director:
Sergio Leone
Eli Wallach as Tuco
Lee Van Cleef as Sentenza
Aldo Giuffrè as Alcoholic Union Captain
Luigi Pistilli as Father Pablo Ramirez
Enzo Petito as Storekeeper
Claudio Scarchilli as Mexican peon
John Bartha as Sheriff (as John Bartho)
Antonio Casale as Jackson / Bill Carson
Sandro Scarchilli as Mexican peon
Benito Stefanelli as Member of Angel Eyes' Gang
Angelo Novi as Monk
Storyline: Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...
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Reviews
Brutal, brilliant, and one of the best Westerns ever made
A sprawling Western epic that follows the adventures of three gunfighters looking for $200,000 in stolen gold, Sergio Leone's `The Good, the Bad, and the Ugly' is a masterpiece, one that continues to get better and better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in a realistic manner. Sometimes, crime does pay, at least in the short term, and sometimes good does go unrewarded. This film probably signaled the death knell of the traditional John Wayne `White Hat/Black Hat' Western.

The three main characters make the film. Lee Van Cleef (`The Bad') is evil personified. Totally ruthless, he'll do whatever it takes to get what he wants. Clint Eastwood (`The Good') is the Man With No Name, not really `good' in a traditional sense . . . but he has a certain sense of honor and tries to do the right thing. (Watch the scene when he gives a dying Confederate soldier a puff of his cigar - powerful, and it sums up everything that the Man With No Name is all about, without saying a single word.) Eli Wallach (`The Ugly') is Tuco, and he's easily the most complex - if not the best - character in the film. All impulse and rage, Tuco spins wildly throughout the movie, stealing, lying, pretending to be Clint Eastwood's best friend in one scene, trying to kill him in another - Tuco truly represents `the ugly' side of people.

The movie is long, but there's not a wasted scene in the film. Each one slowly lets the film unfold with a certain style and grace, revealing more about each character and what's going on. The pacing is incredible, as is the direction - Sergio Leone manages to build a lot of uncomfortable tension in the film, keeping the film from ever getting predictable. Any typical Western cliché that you can possibly think of is either given a unique twist or utterly destroyed by Leone's masterful storytelling. Of special mention is Ennio Morricone's score, which is absolutely perfect. Two scenes - one in a Union prison camp, one in the climatic gunfight in the cemetery at the end of the film - are amazing on their own, but they become absolutely astonishing with combined with Morricone's powerful score.

This movie is absolutely brilliant. If you haven't seen it yet, I strongly urge to do so. Immediately. (And then, go watch `Unforgiven' . . . in a way, I think that `Unforgiven' is the sequel to `The Good, the Bad, and the Ugly - it's the story of what eventually happened to the Man With No Name.) `The Good, the Bad, and the Ugly' is easily one of the best Westerns ever made. A++
2001-04-16
The Good the Bad and the BEST
This is the closest thing to perfection, with pure great action, pure story telling and pure acting from visionary director Sergio Leone who has directed the two prequels to The Good The Bad and The Ugly, they are a fistful of Dollars and For a Few Dollars More. With Clint EastWood once again at the helm of the leading role delivers massive knockout performances as '' Blondie'' others in the supporting acting roles are Eli Wallach in the role of Tuco and the late Lee Van Cleef acting Angel Eyes. All of this though wouldn't have been possible without Sergio Leone, the man who set alight the Western frontier of films. Clint EastWood who has also been seen as one of the greatest Western actors of all time.

Nothing could be greater and more pure than to have a top of the world actor and a great visionary director. I just cant get over the acting from Clint and the breath taking action set pieces. In one sentence: Truly worth watching!!!
2007-04-22
"The Good, The Bad, And The Ugly" is far from being ugly
I was never really a fan of westerns until I saw The Good, the Bad, and the Ugly. This is one of the greatest movies ever. Sergio Leone is a master director, who has also made Once Upon a Time in America, and Once Upon a Time in the West. He is probably the best visual director of all time. He films the cowboys like they are a part of the vast western landscape themselves. His pacing is patient, which works very well in his films. Some criticize his movies for moving too slow, but that allows for much build-up and some scenes and sequences that you will never forget. Clint Eastwood is the ultimate western gangster in this movie. This is where he first truly showcased his brilliance as an actor. If you have not seen this film for some strange reason, get up and watch this masterpiece before you die. Did I mention the score? It is in the same league as the score for Jaws. Intense. Powerful. Mesmerizing. Beautiful.
2005-07-05
not for me
I'm not a fan of westerns, but feel I've shoved myself in a sci fi horror orientated corner of ignorance so am slowly working my way through the IMDb top 250 in an attempt to broaden my horizons (and possibly catch that rare film that blows u away without expecting it) I did REALLY appreciate the level of accomplishment this film expressed. For its time the cinematic atmosphere of comedy, emotion and gritty drama was clearly above average for even now, and the acting skills were brilliant and really added personality.

however (and i don't think its cuz I'm a girl) this film just wasn't for me. it was very slowly paced and i didn't manage to follow or care much for the characters stories.

that said, i would definitely recommend watching it as its surely one of those films that depends heavily on personal tastes, and judging it as a western just doesn't give it the respect it warrants.
2011-03-22
Visual Literature
Sergio Leone is an underappreciated talent. His skill, in most cases, exceeds what he actually puts on the screen. This is, by far, his crowning achievement and the culmination of both his work and Clint Eastwood's career. After this, it is only pushing the plateau without success.

The primary focus of this movie is not the characters, the story winds up being the least of Leone's concerns. Instead, he is concerned about the camera and the music. Ennio Morricone, a genius in his own right, was seriously ignored by the Academy for his compilation here--certainly one of the Top 10 ever. He understands the crude editing of the mid-60s and exploits everything he can from the vision onscreen. If Leone was dissatisfied with the Ennio's final product, something MUST have been wrong with him.

The camera is another element that never lies. Modern filmmakers should study this before they try emulating MTV next time. With Leone's grandeur and a cast that understands that they aren't the real focus, how can he lose?

The story, while it isn't the greatest, is better delivered than such works as The Wild Bunch. Perhaps only High Noon understands the value of pacing and what to reveal/not reveal to the audience. Then again, Fred Zinnemann is an entirely different director. The character interaction here is certainly better than what Gary Cooper has to offer, not to mention the dialog includes some uncanny deliver by Eli Wallach.

Overall, a classic. This is a definer of the unconventional Western and visual literature. 4.5 out of 5 stars. A must see.
2003-08-10
One the greatest, most impressive, interesting, breathtaking, and groundbreaking films of all time
The Good, the Bad, and the Ugly is one of those movies that everyone has heard of but not enough people have seen. It pushed itself rather boldly into pop culture and 44 years after it first hit theaters in Italy, it still gains respect and admiration in the United States.

It's the third part of the Man With No Name Trilogy, and was preceded by Fistful of Dollars and For a Few Dollars More, both of which are very commendable films themselves. All three movies revolve around the titular man, who goes by a different alias in each film, this time being called Blondie. The Good, The Bad, and the Ugly is a prequel to the first two movies, meaning that it is not required to watch them first and this film stands alone fine.

The story begins by introducing us to our three central characters: the violent but childish Tuco (the ugly), the heartless mercenary Angel Eyes (the bad), and the mysterious bounty hunter Blondie (the good). While traveling through the desert, Blondie and Tuco come across a dying man who knows the location of a huge deposit of gold buried in a cemetery. Tuco hears the name of the cemetery and Blondie hears the name of the grave, but neither will tell the other for fear of being double-crossed so they are forced to work together. As they embark on an incredibly journey through 1860s Southern America as it is torn apart by the Civil War, they encounter various obstacles including but not limited to the involvement of Angle Eyes, who also wants the money. The whole thing ends with a heart-pounding standoff at the center of the cemetery in which all three men put their lives on the line.

The story is gripping and genuinely interesting, the actors all put forth outstanding performances, the cinematography is as good as it gets, the music has to be heard to be believed, and the climax is one of the most intense events ever recorded on film. There's no such thing as a perfect movie, but this one comes as close as any will likely get.
2010-04-15
Spaghetti Masterpiece
The Good, The Bad and The Ugly has become a metaphor for the relentless and ruthless pursuit of wealth (the pot of gold at the end of the rainbow) and the victims and victors (mostly victims) it produces along the way. The beauty of this film is that it does not take itself too seriously, it is a precursor to movies like "Sin City" , "Natural Born Killers" and "No Country for Old Men" that have a comedic and "matter of fact" feel to the graphic violence. Plus the musical score and cinematography are excellent. Who would of thought that a "spaghetti western" would become such an honoured classic movie masterpiece? Clint Eastwood, Eli Wallach and Lee Van Cleef all play characters that are right out of a Greek tragedy who represent different aspects of society. Watch, enjoy, and don't take the movie too seriously, that's how I believe the director wanted the audience to watch it.
2012-08-19
Not the Best Spaghetti Western
The Good......it is one of those "New", groundbreaking, and completely different Movies that was quite influential, broke Taboos, and in the midst of a Decade of change was an announcement from a Director that said..."take this, you Western Movies", and the Western Movies did and never looked back......The Cinematography expanses and lingering affection for landscapes brought the John Ford aesthetic to a new Generation and to a new level of opulence. There are some other Camera Tricks here that are playfully fresh (for 1966) and it was without doubt, Psychedelia before it was fashionable......The Soundtrack that is now an indelible part of Pop Culture and reminds us Today of how different it really was.

The Bad......Endless Closeups of squinting eyes. A tendency to elaborate on already elongated Scenes to add to the already established Suspense......The Character Tuco becomes relentlessly obnoxious, overbearing, irritating, and unlikeable immediately and this keeps up for almost 3 Hours. It is an overacted Performance that makes the Movie less engaging......The length seems padded and indulgent.

The Ugly......All the Characters, their Personalities and the Makeup. This is truly a Panorama of Ugliness throughout and given its length, a bit too much to bare......There is for your viewing pleasure...flies, filthy Faces (almost always in close up) chewing little cigars and sporting blood, pus, scabs, and other assorted flavors like food being shoveled into salivating mouths with Technicolor glee......Ugly could be a word that would describe this Movie. Another would be overrated.

In conclusion......The best Spaghetti Western is from the same Director...Once Upon a Time in the West (1968).
2013-07-09
Classic
Rather than a review of a 30 year old movie, here is my recollection of a 30 year old movie. When was the first time you saw this movie? I remember the first time I saw this movie. Back in the '70s, one night there was 2 things on TV to choose from, this movie or a baseball game. How do I remember a baseball game, it was the night Hank Aaron was going after Babe Ruth's homerun record. Baseball or a movie. Tuned into the the baseball game, flipped to the movie -a western, cool. 'Uh, what is this no one is talking it makes no sense'. After what seemed like an eternity somebody finally spoke, Lee van Cleef. The rest is Movie History. Since then I have seen this movie well over 25 times. Numerous lines that have been etched into my memory. Forget whatever minor flaws this movie has. Put yourself in the movie. Sergio Leon, John Ford these are the people that defined "The Western". On a scale of 1-10, The Good, The Bad, and The Ugly is nothing less than a 10. Plop the tape into the VCR, sit back and experience a classic.
1998-09-28
📹 The Good, the Bad and the Ugly full movie HD download 1966 - Eli Wallach, Clint Eastwood, Lee Van Cleef, Aldo Giuffrè, Luigi Pistilli, Rada Rassimov, Enzo Petito, Claudio Scarchilli, John Bartha, Livio Lorenzon, Antonio Casale, Sandro Scarchilli, Benito Stefanelli, Angelo Novi, Antonio Casas - USA, Italy, Spain, West Germany. 📀
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