🎦 The Good, the Bad and the Ugly full movie HD download (Sergio Leone) - Action, Adventure, Western. 🎬
The Good, the Bad and the Ugly
Year:
1966
Country:
USA, Italy, Spain, West Germany
Genre:
Action, Adventure, Western
IMDB rating:
8.9
Director:
Sergio Leone
Eli Wallach as Tuco
Lee Van Cleef as Sentenza
Aldo Giuffrè as Alcoholic Union Captain
Luigi Pistilli as Father Pablo Ramirez
Enzo Petito as Storekeeper
Claudio Scarchilli as Mexican peon
John Bartha as Sheriff (as John Bartho)
Antonio Casale as Jackson / Bill Carson
Sandro Scarchilli as Mexican peon
Benito Stefanelli as Member of Angel Eyes' Gang
Angelo Novi as Monk
Storyline: Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...
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Reviews
One of the Best Westerns Ever Made...
'Buono, il brutto, il cattivo, Il' was at its release in 1966 a very unconventional Western epic that follows the travails of three gunfighters looking for $200,000 in stolen Confederate gold.

Also known as 'The Good, the Bad and the Ugly', it was Italian-born (Rome, 3 January 1929) Sergio Leone's third so-called spaghetti Western after 'Per un pugno di dollari', aka 'For a Fistful of Dollars' (1964) and 'Per qualche dollaro in più', aka 'For a Few Dollars More' (1965).

It is generally considered one of the best films of its kind ever made, a masterpiece, one that almost inexplicably continues to get better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in its realistic portrayal that sometimes, crime DOES pay, at least in the short term, and sometimes good DOES go unrewarded.

This film ushered in a new concept of a previously all too oft told Western story, probably tolling the death knell for the traditional American-made, Good guy/ Bad guy, White hat/ Black hat Western that was so prevalent before it.

The three main characters of the film are as powerful as Leone's brilliant vision of the Civil War era America, he used as their backdrop. Lee Van Cleef ('The Bad') is evil in the flesh. Beedy-eyed and totally ruthless, he believes it only takes one thing to be successful: whatever is necessary.

Clint Eastwood ('The Good') is the now legendary 'Man With No Name', but 'good' only in a Western concept of non-traditional good. He has a sometimes detectable and occasionally observable sense of honor that motivates his behavior and conduct from time to time.

Eli Wallach ('The Ugly') is Tuco, and he's easily the most colorful character in the film. Impulsive and full of barely suppressible rage, Tuco gyrates wildly throughout the movie, stealing, lying, pretending to be a best friend in one scene, trying to kill in another. Tuco truly represents 'the ugly' side of human behavior.

At two hours and forty-one minutes, the movie was lengthy for its day, but there's neither a single scene that seems unnecessary, nor does the film seem lengthy while viewing it. The film unfolds with a charismatic style and grace, slowly revealing more and more about each character and the film's story. The pace of the film expertly captures the flavor of the time, giving the viewer a rare peek into a page of American history come alive on film.

Director Sergio Leone (who contributed to another epic of note: 'Ben-Hur' as an uncredited second unit director in 1959) manages to build a lot of sometimes unsettling tension in the film, thus preventing the longer than usual movie from ever getting uncomfortable or predictable. Every typical Western cliché possibly imaginable is either given a unique twist or utterly destroyed by Leone's masterful storytelling. Of special honorable mention is Ennio Morricone's original music score, which is about as masterful and complementary as it gets, culminating in the climatic gunfight in the cemetery at the end of the film. The music is so rich and powerful it easily stands on its own merits, and is one of the biggest selling original movie soundtracks to date. It is impossible to imagine the film without it.

'Unforgiven' may well have been the sequel to 'The Good, the Bad and the Ugly', the story of what eventually happened to the 'Man With No Name', and won Oscars for Best Picture and Best Director, and the nomination for Best Actor for Eastwood in 1992 (the film also was nominated in six other categories and won in three of those). Eastwood dedicated this movie to Sergio Leone who died 30 April 1989 in Rome, and who had believed in him early in his career.

Call it 'Buono, il brutto, il cattivo, Il' or call it 'The Good, the Bad and the Ugly', but after seeing it you'll call this movie absolutely brilliant at MANY levels, including the one mentioned above by Kitchener.

It is a classic like no other, and is easily one of the best Westerns and films of its kind ever made.
2006-03-26
Westerns don't get any better than this.
This is the third,and arguably the best, of the so-called "spaghetti western" trilogy. It is ironic that, at the time the three Sergio Leone westerns were released, they were largely panned by critics as being poor and even laughable imitations of American-made westerns. The fact that they were filmed in Italy and Spain resulted in them receiving their amusing nickname which was intended to degrade them at the time.

Somehow, over the quarter century or so since their release, the critics have tended to change their opinions, and now these movies are generally regarded as classics. Perhaps this is because Clint Eastwood was principally known only as the second banana, Rowdy Yates, in the television series "Rawhide" when the films were produced but since then has achieved superstardom. But I also think it goes beyond that. I believe the critics decided to take another look at these films and realized that they had been premature in writing them off. Actually, I believe the three films were considerably better than most of what Hollywood produced. In fact, I think that TGTBATU ranks among the best westerns ever produced bringing to mind the magnificent films of John Ford, the undisputed master of that genre, and his protege, the incomparable John Wayne.

I have nothing but praise for this film. In fact, I rank it as one of my favorite films of all time. I could write volumes of what is good about this film. But since its qualities have been oft repeated in other viewer reviews, I will focus on what others didn't like about it. Most of the IMDb reviews had only one major complaint: the film is too long. I disagree. In fact, in spite of its nearly three hour length, I was disappointed that it ended. I was so absorbed in the film that I was disheartened to have to return to reality. The combination of story, cinematography, acting and musical score left nothing to be desired other than more of the same! The sequences that seemed to drag on in the opinion of other reviewers were necessary to fully create moods and to drive home important points. For example, the opening sequence might be regarded as needlessly long as Angel Eyes taunts a hapless man over a leisurely meal. But to me, scenes like that are what makes the movie great! The time allows the viewer to fully appreciate the amazing replication of the primitive home and the pitiful life of its dirt-poor inhabitants. I felt as though I was sitting there at the table; I was half tempted to reach for a bowl and spoon to partake of the meal. And all the while the suspense was building towards the inevitable climax. You know it's coming but not when and the length of the scene drives you crazy but makes it all the more satisfying when it does happen.

Another example is when Tuco punishes Joe by forcing him to walk through the desert. This is possibly the only time that one might become bored with the film. But again, I think the time for the scene was justified in that we are able to receive the full impact of that experience and enjoy the haunting music at the same time. Joe's subsequent predicament might not have had much credibility had this sequence been abbreviated.

In my opinion, one of the essential elements of a great film is creating moods that absorb our attention. This often takes time, lots of time. For example, many of the scenes in the magnificent film "Dr. Zhivago" were almost painfully long but they were necessary to create those startling surrealistic moods, and the film would not have been great without them. In many ways, TGTBATU has this same sort of greatness. It is a sweeping epic with very compelling characters and magnificent settings that draws the viewer in and doesn't release him until the closing credits begin to roll. When it's over, you feel that you've been on a long and exciting journey. Such a journey takes time.

In summary, if you haven't seen this film, buy it right away. Don't rent it because you will not want to part with it once you've seen it.

Then curl up with it on a cold, rainy Sunday afternoon when you are in no hurry to do anything.
2004-08-16
Timeless
Varying opinions on this film posted, but for me its a top quality, ground breaking film that is timeless. This is the ultimate test of a great film. It stands up with any modern classic, it has humour, twists, stylised violence, and its just a top film.It wasn't the first spaghetti western i know, but i think its by far the best. I just wish they had done a sequel to this. Some how i don't think Tuco was a man to take this lying down .... or hanging around.

"Hey, Blond ... You know what you are? Just a dirty son of a-bi ....."

Tuco now had all the money he could wish for, but no one double crosses Tuco and lives . . .
2008-01-16
Sergio Leone's penultimate Italian-western; a film that gets better with each passing year...
...and though those last several words could also be attributed to Leone's "Once Upon a Time" films (West and America) as well as the other pieces in his trilogy of films with Clint Eastwood- Fistful of Dollars and For a Few More Dollars- arguably this is the most ambitious and spellbinding one of the bunch, and one that has inspired (i.e. Quentin Tarantino, Sam Raimi, Robert Rodriguez) and will most likely continue to inspire filmmakers and fans into the 21st century. There's something in The Good, the Bad, and the Ugly that's nearly (or perhaps is) mythical in it's craft, certain scenes come off as being more than relevant and exquisite for that scene/sequence- it transcends into aspects of humanity.

For example, in the first part of the film (this is after the extraordinary introductions to Tuco, played by Eli Wallach, Sentenza or 'Angel Eyes', played by Lee Van Cleef, and as Blondie by a 35/36 year old Clint), Joe gets Tuco out of a hanging, which is something of a regular practice for them, but Joe decides to leave his 'buddy' out in the desert to walk the rest of the way back into town. A little later, the situation gets reversed, as Tuco has a horse and water and Joe doesn't, and they both go to cross the desert. Leone decides to not follow Tuco coming back to town as much as he follows in earnest Tuco and Joe going across that desert, as Joe starts to burn and dry up, going towards a story that will soon unfold. There is something to these scenes that I can barely describe, that they're executed in the mind-set of a Western, but in the abstract Leone lets the audience know this is a story that is bold and bigger than life.

What makes much of the Good, the Bad, and the Ugly such a huge success is the trust Leone had in his own style he spun into his own after the first two westerns, his trust in his collaborators, and in his leading players as well. I, for one, had to mistakenly figure out that it is near depressing to watch this film on a regular VCR tape due to the pan & scan process. There is such a clear, distinct visual scope that Leone and camera director Tonino Delli Colli achieve that it's practically a must to get the DVD (preferably the extended version, which was Leone's original cut more or less). The editing, too, is unique in many sequences (the climax is the most noted and memorable). The score, with usual collaborator Ennio Morricone, is one of the landmark movie scores, and themes, of not just in the western genre but in all movie history. And the three main players who take on the screen have their own chops to show off: Eastwood, technically, was playing a Joe that took place before Fistful of Dollars, yet by this film had it down to a T (it's still my favorite performance from him, despite having few words and reactions); Cleef's cold, cunning Angel Eyes steals the scenes he's in; ditto for Wallach, who gets under the skin of his co-patriots as much as he sometimes does under the viewer's.

Overall, The Good, the Bad and Ugly, is an entirely satisfying western, at least one of my five favorites ever made, and it's an endearing bravo to all who were involved. A++
2004-01-01
"If you're gonna shoot, shoot; don't talk."
I'm going to start this review by saying this: there is not western that can compare to this, hell, there may not even be any movie that can compare to this. Only a handful come to my mind, and it's a very small handful at that.

Sergio Leone's classic western provides the perfect ensemble of cinematography, direction, acting, story, and last, but not least, music. Leone's film about three greedy men in the search for 500,000 in gold exemplifies the dirty west. This is not your typical American western, where the sun-drenched west is romanticized. No, it's dirty and rough, just like the west was. If anyone wanted to watch the film that is the antithesis the "chick-flick," I would recommend The Good, the Bad, and the Ugly.

Clint Eastwood reprises his iconic Man With No Name in this final film in the Dollars Trilogy. Lee Van Cleef returns from A Few Dollars More; however, he plays a different (much different) character. The actor who steals the show has to be Eli Wallach. Wallach, a western veteran, plays Tuco with great viciousness and humor, making him likable and unlikeable at the same time; he truly is "ugly." Leone and his cinematographer Tonino Delli Colli pack the film with great shots of the west, from the tired sands of the desert, to the endless graves of a cemetery (which was actually located in Spain). Ennio Morricone combines Colli's lush cinematography with the greatest score ever put onto film. From the easily recognizable theme, to the sad Story of a Soldier, to the excitement of Ecstacy of Gold, this soundtrack has it all.

What more can I say? If you haven't seen The Good, the Bad, and the Ugly, see it now! I can not press you more. This is one of those films that could be considered perfect, or the closest to perfection. A classic that shall never be forgotten; a classic that shall always be admired.
2006-07-07
One the greatest, most impressive, interesting, breathtaking, and groundbreaking films of all time
The Good, the Bad, and the Ugly is one of those movies that everyone has heard of but not enough people have seen. It pushed itself rather boldly into pop culture and 44 years after it first hit theaters in Italy, it still gains respect and admiration in the United States.

It's the third part of the Man With No Name Trilogy, and was preceded by Fistful of Dollars and For a Few Dollars More, both of which are very commendable films themselves. All three movies revolve around the titular man, who goes by a different alias in each film, this time being called Blondie. The Good, The Bad, and the Ugly is a prequel to the first two movies, meaning that it is not required to watch them first and this film stands alone fine.

The story begins by introducing us to our three central characters: the violent but childish Tuco (the ugly), the heartless mercenary Angel Eyes (the bad), and the mysterious bounty hunter Blondie (the good). While traveling through the desert, Blondie and Tuco come across a dying man who knows the location of a huge deposit of gold buried in a cemetery. Tuco hears the name of the cemetery and Blondie hears the name of the grave, but neither will tell the other for fear of being double-crossed so they are forced to work together. As they embark on an incredibly journey through 1860s Southern America as it is torn apart by the Civil War, they encounter various obstacles including but not limited to the involvement of Angle Eyes, who also wants the money. The whole thing ends with a heart-pounding standoff at the center of the cemetery in which all three men put their lives on the line.

The story is gripping and genuinely interesting, the actors all put forth outstanding performances, the cinematography is as good as it gets, the music has to be heard to be believed, and the climax is one of the most intense events ever recorded on film. There's no such thing as a perfect movie, but this one comes as close as any will likely get.
2010-04-15
The west as a piece of art...
The Good, the Bad and the Ugly has a very basic storyline - 3 cowboys trying to collect a fortune in gold. Sergio Leone then set this story against a backdrop of the American civil war. It is visually stunning, and has enough action for 10 films, let alone 1. Okay, so its not geographically or historically correct, but seriously, if you care about those things so much that you don't like the film, then you are just plain sad. The 3 main characters are excellent; Clint Eastwood as the laid back hero, Eli Wallach as his dirty Mexican partner and Lee van Cleef as the evil gunman who kills for a living. The whole film is like a work of art, leading up to the final gunfight in a stadium like cemetery, 1 of the best scenes in film history. The Good, the Bad and the Ugly isn't one of those films that is thought provoking, but it is one of the best simply because for 3 hours it is very entertaining, and a thing of beauty.
2007-02-28
The Ecstasy of Music is far higher than the ecstasy of gold
This movie is not only sheer entertainment, it has the most profound music in the number 'ecstasy of gold' by Ennio Morricone. Although there is no comparison in the quality of one musical piece with another, but I would rate 'ecstasy of gold' as the best orchestral piece ever - simply a masterpiece from Morricone, who has produced the best music for western genre films. The theme music is also superb.

The mood of the film transports you to that time and world and gives a feeling of that time and places were everyone was desperate, adventurous, daring, even reckless for the most coveted thing - gold. It has been called the yellow fever - a state in which people were willing to die or commit massacres for gold.

This is the theme, and although it is a sad and haunting picture of man turning into wild beast - more savage than the so called savages, the action, the plot and the acting turns it into an ecstasy. Not to be missed.
2012-07-22
The good, the bad and the ugly
Upon release of this movie the critics were not so mild with there comments, but this is in my opinion the best western ever made! Everything in this movie is well balanced. It shows how the west really was in my opinion. The director Sergio Leone takes his time to tell the story. He uses different types of camera angles, extreme close ups etc. This makes The Good The Bad And The Ugly a feast for your eyes! Also the actors are well casted. Eastwood plays his part with excellence as do the other two actors. Especially Eli Wallach is perfect in his role of Tuco. The music of Ennio Morricone is also the best! The openings-tune is known all over the world.It's a movie I can watch over and over again. And every time I do so, I discover new things.
2007-11-23
My review is superfluous...
... but i still want to jostle in with more than half of a thousand other reviews just to type: this is undoubtedly THE best Western movie ever and easily one of the best masterpieces of all time. Even the most noble adjectives preserved particularly for art praising found in Merriam- Webster are too mundane to captivate its greatness.

Please watch this classic before you die.

R.I.P Leone and thank you for blessing your fellow humans such a great gift.

P.S: Eli Wallach + Lee Van Cleef + Clint Eastwood = the most bad-ass narrow- eyes gang in Hollywood.
2010-07-17
📹 The Good, the Bad and the Ugly full movie HD download 1966 - Eli Wallach, Clint Eastwood, Lee Van Cleef, Aldo Giuffrè, Luigi Pistilli, Rada Rassimov, Enzo Petito, Claudio Scarchilli, John Bartha, Livio Lorenzon, Antonio Casale, Sandro Scarchilli, Benito Stefanelli, Angelo Novi, Antonio Casas - USA, Italy, Spain, West Germany. 📀
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