🎦 The Godfather: Part II full movie HD download (Francis Ford Coppola) - Crime, Drama, Thriller. 🎬
The Godfather: Part II
Year:
1974
Country:
USA
Genre:
Crime, Drama, Thriller
IMDB rating:
9.0
Director:
Francis Ford Coppola
Al Pacino as Don Michael Corleone
Robert Duvall as Tom Hagen
Diane Keaton as Kay Adams Michelson
Robert De Niro as Vito Corleone
John Cazale as Fredo Corleone
Talia Shire as Connie Corleone Rizzi
Lee Strasberg as Hyman Roth
Michael V. Gazzo as Frankie Pentangeli
G.D. Spradlin as Senator Pat Geary
Richard Bright as Al Neri
Gastone Moschin as Don Fanucci
Tom Rosqui as Rocco Lampone
Bruno Kirby as Young Peter Clemenza
Frank Sivero as Genco Abbandando
Storyline: The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.
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1080p 1920x1080 px 20591 Mb h264 128 Kbps mkv Download
HQ DVD-rip 852x480 px 2378 Mb h.264 1500 Kbps flv Download
Reviews
The Continuation of the Corleone Family Saga of Ambition,Ruthlessness and Amorality Is Once Again A Masterpiece
The saga of the Corleone family continues from "The Godfather" in this classic film directed by Francis Ford Coppola entitled "The Godfather Part II" that was released two years after the original film was released.

This movie that stars Al Pacino and Robert De Niro,who portrays Michael Corleone and the young Vito Corleone respectively,together with Robert Duvall,Diane Keaton,John Cazale,G.D Spradlin, and Method acting teacher Lee Strasberg,tells the parallel story of the expansion of Corleone crime family headed by Don Michael during the 1950's and the rise to power of the young Don Vito during the 1920's.

No question that the themes of corruption,ruthlessness,amorality and ambition continues in this film as both Michael and the young Vito continues to pursue their respective American dreams in this parallel story being told when both father-and-son were at the same age.We get to see Michael expands the family's gambling operations in Cuba and his pursuit to making the Corleone family legitimate while dealing with rival mobsters who intend to eliminate him like Frank Pentangeli and Jew mobster Hyman Roth.It also tells the story of how he dealt with the federal indictment by the U.S.Senate.As for the young Vito,we get to witness from how his family got killed by the local mafia chieftain Don Ciccio in Corleone,Italy and how he migrated to New York a young age.Then,it narrates how he started as an ordinary worker and then rose into stature and power after dealing with the area's extortionist,Don Fannucci and killing Don Ciccio to strengthen his family's power in both the United States and in Italy.

This was definitely one great film just like the original.It definitely would compare to the first film as we get to witness two great parallel stories of ambition and rise to power.In addition to that,we also get to see how much the characters of Vito and Michael deteriorated into becoming ruthless,corrupt and amoral as their power and stature increased.

Aside from great stories,we also get to see great performances from its lead stars - Al Pacino and Robert De Niro - wherein the latter won an Oscar for his portrayal the young Vito.Added to that,we also get to see great performances from the other members of the cast such as Lee Strasberg,who got nominated for an Oscar as the Jew mobster, and Diane Keaton as Kay,the embittered wife of Michael.

After more than 43 years since it was initially released in the theaters while this review is currently written,it would still be a fun to watch and it will hold up.Just like what I have stated in my review of the first film "The Godfather",I also would say that this film that tells the story of amorality,ruthlessness and ambition "The Godfather Part II" is truly a masterpiece.
2017-08-30
Over ambitious over long and over rated.
At the time of its release, many claimed this to be a finer film than the original. However, the passage of time has been less kind to this than that iconic movie.

Much of the problem stems from the decision to make this both the sequel and prequel to the first film at the same time. So we have the back story of Vito Corleone and the ongoing adventures of his son Michael inter-cut throughout. This adds to the films inordinate length, which would have been long enough if Michael's story alone was told, but here is stretched to almost 4 hours.

Details in both stories fail to convince, the Vito back story most of all. It is scarcely believable that a well meaning outsider could so easily take over the underworld in the manner portrayed. As played by De Niro, he is a Robin Hood 'feared by the bad, loved by the good' but why he is so universally feared not plausible. He could have easily been taken out. The real Vito Corleone would have had to have been much nastier and been prepared to deal with his opponents brutally. His character is whitewashed for Hollywood consumption. And there is some cack handed attempts at humour during, for instance, the slum landlord scene.

There is, of course much fine acting from all, especially in Michael's story arc. This differs from Vito's since while Vito's is very simple, Michael's is very very complex. Too complex perhap. Various well known events from the 50s merely are stuck together to form the backdrop. The Mafia involvement with pre-revolutionary Cuba; congressional hearings; plus a few subtle hints at the Kennedy assassination. The narrative is exceptionally loose and meandering. The writing is surprisingly unsubtle, with clinking plot points being underlined again and again.

The female characters are under-used but make the most of their meagre parts. Talia Shire's impassioned plea to her brother sticks in the mind, but elsewhere she barely speaks a word. Diane Keen has a better role and sinks her teeth into it with gusto.

The film belongs to Al Pacino who dominates this in the way that Hamlet does in Shakespeare's play. Its an accomplished performance as would be expected. There is certainly enough here to make it worth watching, but it could have been much better.
2010-06-12
Considered by some
Critics to be better than the original artistically at least. I am still not sure myself but they may be right. It continues the legacy of the Corleone Family and digs into the roots of their criminal empire. There are a series of flashbacks and that could be confusing to some and to be honest I'm not sure that was positive for the flow of the picture but who am I to criticize that. There is more violence here than in the first Godfather and several scenes, like the original, feature real life events. I personally like the first one better probably because of Brando but I will watch both without reservation. Pacino shines here as brightly as in the first one and DeNiro gives it some much needed weight to replace or more accurately continue Brando's character. It is also much sadder than the first in my opinion and shows the misery and depravity of young Vito's life and why he was what he was. It is a true masterpiece.
2005-07-02
Parts of the Book That Were Left Out in Part One...
...are included in Part II. This movie gives you the backstory of Vito Corleone's rise to power, from the time his father is murdered in Sicily until he "makes his bones" and creates his own empire in the United States. Robert DeNiro is very convincing as young Vito Corleone in what was, if memory serves correctly, is his big screen debut. I was almost convinced he was somehow related to Marlon Brando, he had the voice, the looks, the mannerisms, everything. Couple this with another story not included in the book of betrayal within the family while Michael tries to make a move in pre-Castro Cuba and you have a sequel that is every bit as good as the original. Michael has been stripped of all his humanity in this story, and he comes across as being a cold and heartless human being, one who would even have his own brother killed to preserve his nefarious empire. The ending is heartbreaking because he realizes that he lost his family trying to save it. And the soundtrack in this movie is even better than the original GODFATHER soundtrack. For the third time, I'm going to give a perfect 10 to this movie.
2007-01-14
Great ensemble acting, great story, greatest sequel ever made.
The Godfather Part 2 is the finest sequel ever made and is arguably a finer film than the original Godfather. The film is divided into two main parts - the story of a young Vito Corleone (flawlessly acted by Robert De Niro and a worthy Oscar winner) and the rise to power of Michael as the head of the family. Francis Coppola recollaborated with many of the crew members of the first film and again achieves a quite superb period piece thanks to the cinematography of Gordon Willis and set design of Dean Tavoularis. The acting performances are outstanding, hence three supporting oscar nominations for acting guru Lee Strasberg (Hyman Roth), Michael Gazzo (Frank Pentangeli) and Robert De Niro (young Vito Corleone). Duvall, Keaton, Cazale and Shire all provided first rate performances but it is the performance of Al Pacino which steals the show, expertly portraying Michael as a cool, calculating, suspicious Don Corleone. The film expands upon the original movie and brings us into the family's activities in Nevada, Florida and Havana. Arguably the finest movie of the 70s, a cinematic masterpiece with the greatest ensemble acting you will probably see.
2000-02-01
Dull and Predictable
I hate being the lone voice of searing ridicule in a throng of glowing adulation, but I must say that I found the Godfather: Part II to be dull, predictable and pointless. The Godfather is a wonderful film with a compelling story arch of a good American war hero being pulled into the depths of organized crime due to his loyalty to family. While Part II makes an attempt to elaborate and deepen this theme it does very little to bring anything new to it. Michael's loss of his family and the fate of his brother Fredo is obvious by the end of the first reel. Such a predictable plot undermines what would otherwise be an interesting sequel to a great film. Only the flashback scenes with Robert DeNiro as a young Vito Corleone has any of the emotion and energy of the original Godfather. If only the rest of the film was written and directed with such flair. I was so disappointed by The Godfather: Part II that I haven't even bothered to see Part III and I have little interest in Coppola's other work to this day.
1999-07-08
Tremendous follow up to 'The godfather' though Brando is missed
Part II in 'The Godfather' saga carries on in much the same vein though Marlon Brando is sorely missed. The plot has Al Pacino exerting complete dominance as mafia boss in the fifties. The film also depicts young Vito Corleone's (Robert De Niro) early years. This segment is slightly nostalgic but superbly acted by De Niro who won a Best Supporting Actor Oscar. As a result of the film moving both backwards and forwards in time, it feels more convoluted than the first part. Robert Duvall and Diane Keaton both impress. The shocking climax (MINOR SPOILERS) mirrors the ending of the first film. Highly recommended.

Overall 9/10
2009-02-27
Coppola Puts Himself In The Pantheon With Epic Part II Of The Saga
It's hard to give an objective review when you are dealing with favourite movies. Having just watched this for the first time in years I was delighted to see it was as magnificent as I remembered it. Francis Ford Coppola would have been sensible to be wary of doing a sequel when he'd just made a film as acclaimed as The Godfather. How do you follow that? Amazingly he managed to broaden the themes of the original, producing a study of power and corruption that may be unequalled in Hollywood history. And whereas some critics found the first film questionable in its moral compass (is Michael supposed to be a hero?) the sequel leaves us in no doubt that he has passed on into something else and as his wife Kay shrewdly notices, there is no coming back. Judge the film on its own merits and ignore the continuation of the saga in Part III. This is the final Michael as we should always remember him.

The scope of Part II is extraordinary (as if the first film wasn't bold enough!) with the story of father Vito in 1920s New York cross- cut with son Michael's rivalry with ageing mobster Hymen Roth, a respected, though never trusted, business partner of his father. These later sequences may not make sense on first viewing but there are some remarkable set pieces from revolutionary Cuba to a Senate committee in Washington. This is a no holds barred portrait of American society corrupt and hypocritical from top to bottom. How often has Hollywood been so daring

The film invites a contrast between father and son, with young family man Vito embracing criminality out of necessity and using his status to become a 'Godfather' in the Italian American community. Meanwhile in his middle age Michael has become a Don hooked on vengeance with all business now personal. The inevitable conclusion of which is a violent crescendo with him not just wiping out his enemies (again) but committing the far worse sin of betraying his own family.

Few films can have gathered such a fine cast. Al Pacino's Michael is the symbol of idealism turned sour in extremis. More than anything this is what elevates The Godfather over so many other gangster films. He's not just some Goodfella or ordinary guy, he once aspired to be a great man but somewhere something went wrong. Robert Duvall as Tom Hagen is the great constant across the two films, always at the side, never changing, but in his reaction to the transformation of Michael we get confirmation of his moral decline. Diane Keaton as Kay has a meatier role this time and as the voice of 'respectable' America shows the futility of Michael's actions. If he can't keep his family together, what's it all for? John Cazale's Fredo is a tragedy of his own. Secretly resentful of his younger brother, their mutual betrayal becomes one of the emotional cores of the saga. Replacing the character of Clemenza proved relatively easy as even if the story loses something, Michael V. Gazzo was memorable whilst the legendary Lee Strasborg is a suitably cast as rival/partner and pretend Uncle to Michael Hymen Roth, delivering one of the movies' great speeches.

So often artists seem burdened by great achievements, but not here. One can only assume that the young Coppola was so exulted by the critical and commercial phenomenon of The Godfather, he felt capable of anything and judging by this, he near enough was. One only wonders why he's largely struggled to reach similar heights ever since.
2015-01-16
amazing continuation, but personal preference remains with Part I
SPOILERS If you were to stop people on the street nowadays and ask them to name their favourite series of films, they'll say either one thing. Either the person will believe the current hype and say "The Lord Of The Rings", they'll recount to their youth and say "Star Wars" or they'll answer "The Godfather" trilogy. Containing some truly breathtaking acting and a jaw dropping good plot, the original "Godfather" film was a masterpiece. Even more surprising though is just how many people seem to prefer the sequel from two years later. Once more starring Al Pacino, "Godfather Part II" is an awesome film which could technically also be classified as a masterpiece. Still, despite the technical genius of the film, this second episode in the story of the Corleone family is slightly inferior to it's predecessor.

In continuation from the first film, Michael Corleone (Pacino) is head of the family and living in Las Vegas. Apparently enjoying life, Michael is a much darker character than he was during the previous film. With plans to expand into foreign territories, Michael once more finds himself faced with difficult decisions and former friends turned enemies.

The true genius of "The Godfather Part II" is the combination of sequel and prequel. Rotating between the early life of Vito Corleone (played in the original by Marlon Brando, but now played by Robert De Niro) and the current affairs of his son Michael, the film manages to tell two superb stories side by side.

Pacino, as with the previous film, is once again stunning as the now cold and malicious Michael. Transformed from the outsider at the beginning of Part I, Michael has become a completely different person, and Pacino shows this with skill.

In "The Godfather: Part II" however, the true star of the picture is Robert De Niro. Taking hold of the role of a younger Marlon Brando, De Niro spends his time on screen replicating Brando's mannerisms with apparent ease. He takes a firm hold on the life of the young Godfather, and he impresses throughout.

Despite it's technical genius though, this second part in the story does feel slightly inferior to the original. To a degree this is possibly due to the Michael scenes being original rather than Mario Puzo's book, but the parts of the film dealing with Michael, never really seem to take off compared with the original. In the first film, we are shown a loving family who fight for each other and who come out on tops despite heavy casualties and strong opposition. In this second film, the view on the family feels much more dark and disturbing. Gone seem to be the family values, and instead Michael's direction seems much more obscure and unfocused.

It's entirely possible that this reviewer simply didn't understand this film. There's no denying that upon first viewing the original, the impression wasn't good and it took a second viewing before becoming a fan. In comparison to the Brando and Pacino led first chapter however, this second chapter doesn't really hold water. This doesn't stop it being a masterpiece, and it is. It is easily one of the finest films ever made, BUT compared with it's predecessor, it doesn't quite work.
2005-03-02
📹 The Godfather: Part II full movie HD download 1974 - Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, John Cazale, Talia Shire, Lee Strasberg, Michael V. Gazzo, G.D. Spradlin, Richard Bright, Gastone Moschin, Tom Rosqui, Bruno Kirby, Frank Sivero, Francesca De Sapio - USA. 📀
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