🎦 The Bridge on the River Kwai full movie HD download (David Lean) - Drama, Adventure, War. 🎬
The Bridge on the River Kwai
Year:
1957
Country:
USA, UK
Genre:
Drama, Adventure, War
IMDB rating:
8.3
Director:
David Lean
William Holden as Shears
Alec Guinness as Colonel Nicholson
Jack Hawkins as Major Warden
Sessue Hayakawa as Colonel Saito
James Donald as Major Clipton
Geoffrey Horne as Lieutenant Joyce
André Morell as Colonel Green (as Andre Morell)
Peter Williams as Captain Reeves
John Boxer as Major Hughes
Percy Herbert as Grogan
Ann Sears as Nurse
Heihachiro Okawa as Captain Kanematsu (as Henry Okawa)
Keiichirô Katsumoto as Lieutenant Miura (as K. Katsumoto)
Storyline: The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge.
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Reviews
Satire on Kwai
This movie can only be watched as a comedy. Very English, and played dead straight.

The Japanese are clueless idiots that can take over huge areas of territory, but have no idea how to make a bridge. A British officer (Alec Guinness), confronted with the uncivilised scoundrels, decides he'd rather spend a month in a heat box in Burma than have his officers work, following the Geneva Convention. Behind schedule and desperate for assistance, the British educated but cringeworthy Japanese commander offers the officer good food and wine, but is rejected. Eventually the Japanese commander relents. After a mere month in an amplified 100% humidity 35 degree Celsius environment, the British officer, showing few ill effects, decides to take over the building of the bridge, to bring a little British civilisation to the jungles of Burma. It's all jolly good show, and very capital, what. It brings great spirit to the men, and they respond with a bespoke bridge, built to last 600 years. They even place a nice plaque on the bridge, celebrating their achievements - written in English, of course.

Unknown to the officer, a group of British-US-Canadian 'commandos' (all four of them) are bringing plastic explosives, with young Burmese ladies to carry their possessions and assist in their baths. They encounter only three Japanese soldiers on the way to the bridge, and are soon viewing the bridge from the nearest hill, alongside the Burmese ladies. One of the team sets plastic explosives on the bridge, with a wire from the bridge that is so obvious, that only a British officer can spot it, and he immediately tries to stop his piece of British colonialism being destroyed - even if it does aid the enemy.

The ending is so absurd it has to be seen to be believed.

This movie is Englishness to its core. If someone asked me to give them a movie exemplifying English culture, this would be hard to go past. It isn't a war movie, it's an attack on the rigid English class system, English superiority complex, and servile masses pushed to its extreme limits. There are so many clues, such as one English officer presenting a suicide pill to the American soldier, but when placed in a situation where he might use it, he is instead carried by several lovely Burmese ladies on a stretcher, right to the bridge. When Guinness, the epitome of the English class system, falls on the detonator, the film is brought to its natural conclusion. You can almost imagine Lean and co's wry smiles if only one person in the cinema actually got it, and roaring with laughter when the Americans gave him an Oscar for a 'war film'.

You can admire it as a satirical comedy. But it is a bit slow.

It is also a bit hypocritical, the English upper class using the hideous treatment of British soldiers for their high farce. So what if a few working class men died, this is art damn it.
2015-10-02
Madness
The Bridge on the River Kwai is a World War II film. One of those big movie war epics. But epic though it may be this film is not about the massive global conflict. This is a small story, a story really of two men and their war of wills. The fact that these two men are each in their own way quite mad makes for a fascinating story. It's a story with great moments of triumph and bitter moments of despair. It's a story of great bravery in the face of unspeakable brutality. But really, at its heart, it's a story of madness.

The story unfolds in a Japanese prison camp in the jungles of Thailand. A large unit of British prisoners proudly and defiantly whistle a famous march as they are brought into the camp. They have no idea what they're in for. Perhaps some of them noticed the graves being dug as they were marched in. That should serve as a hint. This camp is an impossibly terrible place, led by a brutal, seemingly sadistic man in the camp commandant Colonel Saito. The strong-willed Saito will meet his match in the British commanding officer Colonel Nicholson, a man who lives by rules and stands on principle. But Nicholson will immediately find that in this camp there are no rules and there certainly don't seem to be much in the way of principles either. Saito has a job for his new British prisoners. They are to build a bridge over the River Kwai. And the British officers will be forced to perform manual labor alongside their men. Nicholson cannot abide the officers being put to work, it's against the rules. Where does standing up for the rules get Nicholson? Locked inside a small iron box that's where.

And so the war of wills begins. Saito has a bridge to be built and he has a deadline. He will complete this bridge by any means necessary because if he fails he will have no choice but to kill himself. Madness. Meanwhile Nicholson stands on principle which only leads to torture and a seemingly inevitable death for himself and his officers. Madness. From a certain perspective it can be said that Nicholson shows great bravery. But to what end? In playing this brave, principled, somewhat deranged man Alec Guinness turns in an astonishing performance. There is little doubt Guinness is the best thing the film has to offer. And he has a worthy foil in Sessue Hayakawa who plays Saito. Two great actors portraying two stubborn men who are too set in their ways to change. And their stubbornness can only have dire consequences.

The story of the camp and the building of the bridge is fascinating, dramatic and highly charged. Unfortunately there is a parallel storyline which does not work nearly as well. William Holden plays Shears, an American who escapes from the camp early on in the film. As he recovers he clearly enjoys his newfound freedom as he waits to be shipped back home. He's living the good life, including partaking in a romantic dalliance which seems to serve no purpose other than to shoehorn a female character into the film someplace. But Shears, much to his consternation, finds that he's not going home. He's going back to the prison camp along with a team of British commandos who are going to blow up the bridge.

Holden's performance is perfectly fine, as are those of the other actors in this section of the film, but the story of the attempt to blow up the bridge doesn't engage the way the story of the bridge's building does. Time spent away from Nicholson and Saito, Guinness and Hayakawa, is for this movie time not well spent. By this point in the movie we're utterly fascinated with Nicholson and the rather bizarre pride he takes in his men's efforts to build the bridge. His bridge. It's not Saito's bridge anymore which causes the Japanese commander no small sense of shame. The story of Nicholson and Saito, Nicholson mostly, is incredibly compelling. And Guinness is so perfect in his portrayal of this brave but mad man that you really miss his presence when the film veers away from its main storyline to follow the trek of the commando team through the jungle. But at least you know something quite spectacular is bound to occur when the two threads of the plot come together. Madness indeed.
2011-04-23
from British victory to Colbert's interview with Branson
David Lean's epic about the construction of a bridge by POWs won him his first Oscar. I understand that much of what the movie depicts is fictional, but it's among the most impressive fiction. The ambient heat in the Burmese setting is nothing compared to the tension between the POWs and the captors. As Sessue Hayakawa's colonel proclaims, the rules don't apply in wartime.

Alec Guinness - still several years away from playing a certain Jedi mentor - is particularly impressive as the British officer. His refusal to let the Japanese break him reminds me of Louis Zamperini's will to survive and maintain his dignity in the recent "Unbroken". This office is a true role model for the men under his command. Guinness won a well deserved Oscar for his performance.

All in all, a movie that everyone should see. I also recommend "The Railway Man", starring Colin Firth as a former POW who tries to find his former captor many years later.

As a final note, when Stephen Colbert was getting ready to interview Richard Branson on "The Colbert Report", he advertised it with this movie's climax. It was the greatest kind of madness.
2015-08-04
The Forest and the Trees
Before I write IMDb reviews, I try to do as much research about the subject film as time allows. As part of my research, I always read a sampling of other user reviews in order to taste the prevailing sentiment of the film, pro, con, and indifferent. Many of the most negative reviews about this film concern the alleged falsification of history by the film. Although I was disappointed with this latest viewing of the movie, I don't agree with these reviewers. The film is a work of fiction that is loosely based on a true, historical event, and that is how it is to be viewed. I recently watched "The Best Years of Our Lives", another film, much more to my liking, that is centered on World War II but focused on an entirely different aspect of that war, the daunting adjustment of combat veterans to a civilian life of "peace" back home. As in the case of this film, that film was a work of fiction based on very real situations, but neither film was intended to be a factual work of non- fiction. The actual combat disability of actor Harold Russell in "Best Years of Our Lives" is very real, but he doesn't portray himself or his own, personal story in the movie. In this case, no one is denying that Allied prisoners were treated much more harshly by their Japanese captors than depicted here or implying that the real colonel, upon whom the story is based, collaborated with the enemy as Colonel Nicholson did.

My biggest problem with this film is that it opens with a very dramatic battle of wills between Colonel Saito and Lt. Colonel Nicholson and ends with an even more spectacular finale, but I found myself fairly bored in between. While the scenery of Ceylon (now Sri Lanka) was quite spectacular, much of the dialogue was dull and even banal. The Siamese (Thai) women were very pleasant to behold, but there seemed to be a huge gap between the captivating beginning and the sensational ending.

Alec Guiness, who was very reluctant to take the role of Nicholson, was outstanding as was Sessue Hayakawa as Colonel Saito. Many notable actors, including Charles Laughton, refused the role of Nicholson because they didn't understand his motivation, a view which should be appreciated. Others believed the material, based on a French author, to be viciously anti-British, which is also a reasonable interpretation. I was unimpressed by the rest of the cast, and I consider myself generally to be a fan of William Holden. His exchange with the bribed Japanese guard was nothing short of ridiculous. I was actually embarrassed for poor Bill, who didn't seem to be emotionally involved in his role here.

For the commendable performances of both Guinness and Hayakawa, for the beautiful cinematography by Jack Hildyard, for the film's trademark whistling of "Colonel Bogey's March", and for an unforgettable ending that was worth the long wait, I rated it a 7 out of 10. I must add that I don't believe that fighting the Japanese and the Germans in the most effective way possible during World War II was "madness" as this film seemed to suggest at the end. I strongly and respectfully disagree with that position.
2017-11-29
Far Ahead of Its Time
First off, what is so amazing about this film is that, for the time that it was made, how modern it looks. David Lean certainly had the eye of any modern director and managed to direct a visual masterpiece at a time when many films were still being shot in black and white.

William Holden gives one of his finest performances as a cynic of warfare , citing for us the insanity and absurdity that the combatants often convey. And he hates the war, but he cannot avoid been thrown back into it again and again. We wish he could stay on the beach with his nurse lover, but he is a man destined for a tragic doom for his country, whether he wants to or not.

Alec Guiness also delivers a fine performance as a bold general whose own pride is, at the same time, his most noble quality as well as his greatest fault. He is uncompromising, yet when the Japanese submit to his demands, he begins overseeing the construction of the bridge with great esteem. Eventually, for him, the bridge becomes a manifestation of his belief of the superiority of the British Army, which he follows like a religion. And in putting all his pride into this bridge, he loses sight of even the British's own true agenda. Truly, his sense of overwhelming honor is, at the same time, his downfall in a descent to a loss of morality, and a sense of good and evil.

And yes, by the end of this film, we learn a great lesson of the horrors of war. Not only does it take the lives of many good men, but the utter failure and despair that accompany it make it an unbearable existence. And this message has only recently been re-evaluated with the also-brilliant masterpiece "Saving Private Ryan." But, keep in mind that it took forty years to regain the power that this film inspired so long ago.
1998-08-14
David Lean's best work since Lawrence of Arabia
I've made a list of the top 10 favorite movies that I would to watch over and over again. These 10 movies will forever be near my heart and always influenced me to be a movie director in the future. The Bridge on the River Kwai is definitely one of the top 10 favorite films on my list. Of course, I also enjoyed and love other great movies as well. Other movies included on the my list are: 2001: A Space Odyssey, Bullitt, The Terminator, Thief, Lethal Weapon, The Wild Bunch and Alien. The Bridge on the River Kwai is also included. The movie is set in Burma during World War II. The year is 1943, and British POW's are being held up in Japanese war camps. One of those British POW's is Colonel Nicholson, played by Alec Guinness, who won an Academy Award for his role in this movie. Nicholson and his fellow men are assigned to build a bridge that will be used for a railway that will go through the Burmese jungle. Meanwhile, another POW, an American, played by William Holden, plans to blow up the bridge and sets off into the jungle to escape from the camp. Eventually, Holden and his recruits are all rounded to destroyed what is being constructed. David Lean is a cinematic master. His work is eye-popping and very vivid to look at. However, he is not one of my favorite directors. But, what I like about this movie is the way he tells the story. Some people may called it a war movie. But, others, like myself, would say that this movie is both a war movie, but most importantly, a war movie about individuals. So many war movies reflect on the pain of war. A lot of them reflect on the horrors of war itself. The Bridge on the River Kwai is a war movie about people. The people in this movie are devoted to be put into a plot that involves having to struggle and survive this snaring scenario. As we watch Bridge on the River Kwai, we are reminded that the two leading characters are different men coming from different backgrounds. One is honorable, but arrogant among his men. The other is not honorable and damaging, perhaps. These two men are stuck in a story where the only thing that stands in their way is a bridge. As a matter of fact, the bridge also plays a significant role in the movie. The bridge is a mark of the Japanese colonel, who assigned Nicholson to build the bridge. The Bridge on the River Kwai won 7 Oscars, including Best Picture. I like it a lot. Much of it is based on the story, direction and characters. I like when movies break new ground with their original stories. It's films like this one that reminds us how much we love movies. David Lean should be proud of making this movie, since it struggled through a troubled production. An excellent movie for the generation of film-makers. ★★★★ 4 stars.
2013-11-05
"The only important thing is how to live like a human being."
Few movies tell the story of war in such an unbiased way, only to show its dehumanizing effects. About midway through Bridge on the River Kwai, the viewer no longer is too interested in who will "win" the conflict (how do you do that anyway?—But that's for another conversation), but rather about the lengths these men have gone away from their beings. We see people who were driven to the brink of what one can survive, and not all of them did. A true test of the boundaries of the human spirit, Bridge on the River Kwai, directed by David Lean, took home Oscar's top prize in 1957.

Brash, yet civil Colonel Nicholson (Alec Guinness) commander of a group of British soldiers captured as POW's by the Japanese military in the midst of WWII has a single vision in mind. Armed with the promise of the Geneva Convention, Nicolson is determined to lead his men with honor. Determined to conduct himself and his men with the honor betrothed to those that don the British uniform, Nicolson endures more than anyone thought he could survive to gain the respect of his captors. The Japanese eventually realize that Nicholson is a force to be reckoned with, and as much as they may wish to kill him, their hands are figuratively tied. Gaining respect, Nicholson eventually becomes an integral part of the Japanese plan to build a bridge over the river Kwai veiled as a useful wartime measure that actually only serves as a monument to Japanese commanding officer Colonel Saito (Sessue Hayakawa). Although his men don't want to do the work that glorifies the Japanese, Nicholson ensures them that completion of the bridge will actually serve as a testament to the will and honorability of the British. Construction goes on, with the help of the British, all the while allies have hatched a plan to burn the bridge down, led by escaped American prisoner Shears (William Holden). The two plots work together to form one cohesive story of men afflicted with battle and the concessions that some won't even allow themselves to make in a time of war.

This film shows Alec Guinness at his best, a raw look at a man in the heart of battle that refuses to leave his morals behind. He excels as a man leading his men with the dignity each deserves as a human being. William Holden is also a standout in this picture. Holden plays the role of the disillusioned prisoner who has given up hope with ease, coming off both believable and lovable. The cinematography of this film was a thing of beauty. In scenes with hundreds of men marching, the audience is graced with seeing the vast landscape that is so grand it appears to completely encompass the men. There were also incredible shots through binoculars that show, in part, the directorial genius of David Lean. The acting and technical elements came together to create a strong film that explores the depth of the human spirit.

It is sometimes difficult to watch a movie with no clear hero. Everyone comes off a little crazy in this film; which perhaps, may explain why the final lines in this film were "the madness, the madness". I don't want a cookie-cutter movie by any means, but I also don't want to travel half way through an almost three-hour film rooting for someone, only to realize he's a bit off his rocker. I suppose, however, that is what happens when you have a movie like Bridge on the River Kwai, with such heavy themes as honor, strength, and valor. Technically, I understand why this film took home Oscar's top prize; the acting and writing allows one to understand this as well. I would recommend this film to anyone who enjoys war films, of course, even though this one is quite different from the standard. Also, I would recommend Bridge on the River Kwai to anyone who needs reassurance that the human spirit can overcome even the darkest of evils.
2016-02-03
"Do not speak to me of rules. This is war! This is not a game of cricket!"
Nobody could craft an epic film better than David Lean, as I learned earlier this year when I watched the magnificent 'Lawrence of Arabia' for the first time. Though he had achieved earlier success with such films as 'Brief Encounter (1945)' and 'Great Expectations (1946),' 'The Bridge on the River Kwai' was the first of Lean's multi-million dollar wide-screen spectaculars, for which he is now most fondly remembered. Shot on location in the jungles of Ceylon (now Sri Lanka), the film concerns the building of a railway bridge by Allied prisoners-of-war during World War Two. As it becomes less and less likely that the bridge will be constructed before the deadline, conflict escalates between the proud British leader, Col. Nicholson (Alec Guinness) and hot-tempered Col. Saito (Sessue Hayakawa). The film proved very successful at the 1958 Oscars, taking home seven awards (including Best Picture) from eight nominations.

Whilst William Holden's cynical, hard-edged American was likely considered the main star attraction, the film's most memorable character – and, indeed, one of the greatest in cinema history – is Alec Guiness' Col. Nicholson. The embodiment of British courage and dedication, Nicholson finds himself in a battle of wills with the ruthless Col. Saito, who, despite representing the enemy, nonetheless exhibits many of the same qualities: egotistical pride, obstinacy and unwillingness to compromise. For Col. Nicholson, the construction of the railway bridge becomes something of an obsession, its completion symbolic of "Western methods and efficiency that will put {the Japanese} to shame" and the culmination of his 28 years in the military. When he uncovers the plot to destroy the bridge, Nicholson betrays his fellow countrymen to the Japanese, his narcissistic pride in the landmark prompting him to neglect his sworn duty to Britain.

I'd like to take some time to consider the film's climax, undoubtedly one of the most awe-inspiring cinema spectacles of all time. I had initially anticipated that, after the intricate task of planting the explosives overnight, the detonation of the bridge would be a rather straightforward task. However, David Lean weaves so much action and suspense into the finale that the closing credits left me reeling. As the distant rumble of a train announces its impending arrival, Col. Nicholson notices that the reduction in river-level has exposed the wires connecting the explosives to the detonator. Not yet comprehending the situation, he summons Col. Saito and they both descend to the riverside to investigate. Once his fears are confirmed, Nicholson – to his subsequent dismay – attempts to thwart his army's attempt to destroy the enemy bridge, and both Lt. Joyce (Geoffrey Horne) and Cmdr. Shears (William Holden) are fatally shot.

Interestingly, there have been suggestions that Maj. Warden (Jack Hawkins) fired the lethal shots at his own comrades, abandoning the mission objective in an attempt to prevent their live capture by the merciless Japanese. Whilst this isn't explicitly shown in the film itself, it reportedly corresponds with Pierre Boulle's original novel (in which, notably, the bridge is not destroyed) and would certainly explain why, afterwards, Warden tries to rationalise his actions: "I had to do it. I had to do it. They might have been captured alive. It was the only thing to do." Alternatively, Warden didn't shoot them, but is attempting to justify his use of the mortars, which basically obliterated any slim remaining chances on their survival. Meanwhile, Nicholson, struck by shrapnel from a mortar attack, crumbles hopelessly onto the detonator (either intentionally or inadvertently) just as the train begins to cross the river. The actual collapse of the $250,000 bridge, a shot which owes a lot to Buster Keaton and 'The General (1927)', is an amazing spectacle, and Maj. Clipton (James Donald) sums up the entire climax - and war in general - with his horrified exclamation of "Madness! Madness!"
2007-09-24
True events - madness...Movie - pure hogwash!
I had an uncle (since deceased) who survived the horrors of the "Bridge". He talked to me (with some persuasion needed, and not a little difficulty on his part) about his experiences, and I've also had the opportunity (and the honour) of talking to other men who had undergone a similar fate. I also met up with POWs of the Japanese who worked on, not just the bridge, but the actual railway, and some on different projects entirely. They all said the same things about this movie. It was an utter travesty, and a diabolical insult not only to the men that died, but also the survivors. And I have to agree with them.

Those people who think this film is a true reflection of what really went on, should seriously consider a brain scan, and/or maybe several visits to a psychiatrist, or three. They could however begin their return to the real world by watching the "History Channel" on digital TV, and start learning the true facts.

I don't intend to list everything that is wrong in (and about) this totally inaccurate movie, I would be writing all day, and probably get steamed up in the process. Besides, other anti-BOTRK reviewers have already done it, and probably better than I could.

As for the actual film itself, I couldn't really watch it as a piece of "art", or even entertainment. I couldn't do anything but see the film for what it really was. Absolute hogwash from start to finish. And to think that at the time of it's release, David Lean (and others) made a hell of a lot of cash out of it, whilst the true heroes of the "bridge" and the "railway of death" still had to live with the hell... and got damn all. I suppose if the true horrors of it had been filmed, instead of the twaddle that was produced, probably no one would have adored the movie as much as most people seem to. It would have been too awful to watch, then no-one would have made any money.

I had a great admiration for Lean as a director, but with regard to BOTRK, I think he should have put his head in his hands, and said to himself, "Did I really make this garbage?"
2006-08-28
📹 The Bridge on the River Kwai full movie HD download 1957 - William Holden, Alec Guinness, Jack Hawkins, Sessue Hayakawa, James Donald, Geoffrey Horne, André Morell, Peter Williams, John Boxer, Percy Herbert, Harold Goodwin, Ann Sears, Heihachiro Okawa, Keiichirô Katsumoto, M.R.B. Chakrabandhu - USA, UK. 📀
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