🎦 The Bridge on the River Kwai full movie HD download (David Lean) - Drama, Adventure, War. 🎬
The Bridge on the River Kwai
Drama, Adventure, War
IMDB rating:
David Lean
William Holden as Shears
Alec Guinness as Colonel Nicholson
Jack Hawkins as Major Warden
Sessue Hayakawa as Colonel Saito
James Donald as Major Clipton
Geoffrey Horne as Lieutenant Joyce
André Morell as Colonel Green (as Andre Morell)
Peter Williams as Captain Reeves
John Boxer as Major Hughes
Percy Herbert as Grogan
Ann Sears as Nurse
Heihachiro Okawa as Captain Kanematsu (as Henry Okawa)
Keiichirô Katsumoto as Lieutenant Miura (as K. Katsumoto)
Storyline: The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge.
Type Resolution File Size Codec Bitrate Format
1080p 1920x752 px 19103 Mb h264 128 Kbps mkv Download
HQ DVD-rip 608x256 px 1796 Mb mpeg4 439 Kbps avi Download
A Disgraceful Insult to the People who Died and Survived the Real Railway of Death
It was my late father, who was a Far East Prisoner of War, which included a stint on the Kwai Bridge, who pointed out everything that was wrong with this film. And EVERYTHING is what is wrong with it.

The bridge was bombed by the Americans, and that is why the two inner spans of the current bridge are of a different shape to the outer two. Note again, the bridge was bombed from the air, it was not blown up by Alec Guiness's dead body falling on the blast box.

The notion that the Japanese would have been swayed by a British officer who sweated out a week in the cage is utter nonsense. My father said they would have beaten him till he submitted, and if he happened to die...well, too bad.

My father also pointed out that the notion that the Japanese engineers didn't possess the know-how to build a railway bridge to cross the Kwai River, and had to rely on British engineers is utter drivel.

If you can bear to insult those who died on the Railway of Death by watching this film, do not take the film seriously. It's rubbish!
Some problems with the dealings of race
I'll start off by saying that I'm an Irish-English-German-French descendant American. That David Lean was an excellent director shows very well here.

Sessue Hayakawa actually had my sympathy. He could have just let Guiness die in the hole and forced labor under the threat of death. Instead, he liberates him and the English man is victorious and the Japaneses cries by himself. By the way, I didn't see much Japanese or even much Asians in an area that's supposed to be Asis. Hayakawa even gets stabbed by death to show a young English recruit to prove courage.

Guiness played the stiff upper lip Englishman who pridefully supervises the buildin of the bridge for the Japanese. It turns out to be his downfall as Willian Holden and Jack Hawkins come to destroy it.

Holden is definitely the most likable of the group but then I did start by saying I'm an American. Odd scene where the white guys get muddied up by the yellow girls as if the whites were gods.

But the dialogue is thoughtful and brings up interesting issues. Made prior to James Bond, the training camps of the British must have been influential for those films.

The palaces where the English plan their strategies are something to behold. In fact, all locations used for this film are quite outstanding.

And it nary a boring moment in the film. It moves fairly quickly and the showdown one of best I've seen in war films.

Willian Holden managed to star in many important films of the 1950's and this is definitely one of his best.
Wanted it to end 10 minutes into the film
This is a film about a group of British prisoners of war that must build a bridge over the river Kwai. The commanding British officer decides to build a better bridge along with the Americans wants to blow up the bridge. For me the film story never started, and I feel the film should have been at least an hour or more shorter. The speed is really slow all the time, spending a lot of times on scenes that gives nothing to the story or me as a viewer. All of the night scenes screams of being day-for- night, and with the film stock chosen with a big contrast it doesn't work. Also the music several times seems misplaced and all of the gunfights are really bad. I know this film is almost 60 years old, but as a viewer in 2016 it just doesn't work anymore.
Unlike The Bridge, This Movie Holds Up
This film is long (161 minutes), is almost 40 years old, and yet still is terrific, still holds up and will forever, I suspect, be considered one of the greatest war movies ever made.

'Kwai' is particularly amazing in that there is very little action in it, yet it consistently entertains - during the actual movie and no matter when you see it. It entertained me when I saw in the theater as a 12- year-old as years later as a 50-something-year-old seeing it on DVD. I say this to encourage younger people to check this film out, and give it a chance.

Anyone who is fascinated with character studies might find this particularly interesting with Alec Guiness' role in here as Colonel Nicholson. He was mesmerizing in his role. William Holden, Sessue Hayakawan, Jack Hawkins and the rest of the cast are all excellent, with the four mentioned above perhaps playing the roles of their lives.

The gorgeous countryside of Ceylon is photographed beautifully. David Lean, one of the all-time great directors, did this film, too, so it certainly has good credentials. A winner of seven Oscars, this great movie has stood the test of time.
Colonel Bogey's Barmy Army.
OK! Lets get it out there right away, for historical facts of the real Bridge on the River Kwai story, one should research elsewhere, this film is a fictionalised account of the said events. Sadly there are those out there who simply refuse to judge this purely as a piece of cinematic art - and cinematic art it is.

A squad of British soldiers are held in a Japanese POW camp in the Burmese jungle. The respective Japanese and British leaders clash but an understanding is finally reached to build a bridge across the River Kwai. The importance of which could prove crucial in more ways than one...

It won 7 Academy Awards and 4 BAFTAS, and it was the film that saw the great David Lean enter his epic period. And what a start it is. Kwai is a masterful piece of cinema, it has a magnificently intelligent and complex screenplay - with tough edged dialogue in the script, is bursting at the seams with high quality performances, and beautifully photographed (filmed in Ceylon). Thematically it's about the folly and psychological madness of war, which in turn is ensconced in sub - plots of genuine worth. It all builds to a tremendous finale, where everything we have witnessed is realised with a deftness of talent from across the board. 10/10
oldie but goodie morality play
"The Bridge on the River Kwai" is well over half a century old. Both visuals and sound have been thoroughly restored, so that current electronic prints are quite nice.

It's a "war film" ...and it's also an "anti-war film" It's about individual characters more than the larger conflict. In both these regards it seems to me most similar to "Apocalypse Now" ...except ending with "Madness, Madness" rather than "The Horror, The Horror".

It's a ripping good yarn. Even though many individual moments and scenes seem "hokey" these days, somehow they all add up to something that will hold your attention for hours.

Although it's not an "epic", and although it's shot on standard 35mm film, there are already suggestions here of what we'd see in "Lawrence of Arabia". Even half a decade earlier, here David Lean showed that he was enamored of shooting on location, shooting huge vistas, and shooting in a very wide format.

I think one of the reasons the film still speaks to us is its considerable ambiguity. Did Nicholson fall accidentally on the plunger, or did he do it intentionally in a last cry of remorse? Did Saito intend the knife for a possible but unlikely ritual suicide, a certain ritual suicide, or to kill Nicholson once he'd fully served his purpose? Did Warden throw his weapon in a temporary fit of frustration, or as the first sign of a permanent decision to have nothing more to do with war? Did the women express revulsion at the deaths of men they were fond of, or at the realization of just how violent war was? ...and many more.

The film was adapted from a book, except with the ambiguity ramped up, a character added, and different subplots emphasized. The book in turn was _loosely_ based on some real events the French author had no first hand involvement in (and may have even wanted to portray the British in a poor light).

There are many things that one may accept in the moment, but that after a bit of reflection can't possibly be real: Temporary reassignment of a soldier to the army of a different country - A British medic running his own hospital with no supervision, having his own building, and making his own independent decisions about who could work and who could not - The Japanese not having sufficient engineering talent to design and build a permanent bridge - Prisoners often allowed to whistle a tune that was very derogatory to the Axis - Inmates in a Japanese prison camp appearing in good health, with good uniforms, and at normal weight - Inmates in a Japanese prison camp arranging their own entertainment ceremonies - Nicholson staying alive in an unventilated corrugated steel box in full sun in that torrid climate for many days - The Japanese commandant giving in to the British prisoner officer without any advance agreement on getting something in return - The very first detent between jailers and prisoners being in a lengthy joint meeting around a conference table, and with the prisoners controlling the agenda - A soldier with serious doubts about killing being selected as part of an elite commando unit - A sailor suddenly knowing how to handle a gun and how to be a commando - and more.

In fact there are so many such departures from reality I can't imagine how anyone could possibly think this film is in any way trying to pass itself off as portraying historical events. To me, it's very obviously more of an imagined morality play than a portrayal of actual events. Nevertheless there have been public questions about its historical accuracy right from the beginning. Despite its adaptation from a book, which was in turn loosely inspired by some poorly reported events, some of the characters in the film could be identified with real individuals. And some of those people were still alive. And some of them complained noisily.
Nothing less than a masterpiece...
About as Oscar-worthy as any film made in the '50s is David Lean's gripping BRIDGE ON THE RIVER KWAI. Based loosely on a real-life incident, it tells the story of an imprisoned British officer (Alec Guinness) who loses sight of his mission when forced to build a bridge for the Japanese that will enable the enemy to carry supplies by train through the jungle during World War II. Guinness plays the crisp British officer to perfection, brilliant in all of his scenes but especially in his confrontations with Sessue Hayakawa. William Holden has a pivotal role as one of the prisoners who escapes and enjoys his freedom for awhile before being asked to return with a small squadron to destroy the bridge. Jack Hawkins and Geoffrey Horne have colorful roles too and all are superb under David Lean's direction.

The jungle settings filmed in Ceylon add the necessary realism to the project and there is never a suspension of interest although the story runs well over two-and-a-half hours. The film builds to a tense and magnificent climax with an ending that seems to be deliberately ambiguous and thought provoking. Well worth watching, especially if shown in the restored letterbox version now being shown on TCM.

Some of the best lines go to William Holden and he makes the most of a complex role--a mixture of cynicism and heroism in a character that ranks with his best anti-hero roles in films of the '50s. He brings as much conviction to his role as Alec Guinness does and deserved a Best Actor nomination that he did not get.

"The only important thing is how to live like a human being."
Few movies tell the story of war in such an unbiased way, only to show its dehumanizing effects. About midway through Bridge on the River Kwai, the viewer no longer is too interested in who will "win" the conflict (how do you do that anyway?—But that's for another conversation), but rather about the lengths these men have gone away from their beings. We see people who were driven to the brink of what one can survive, and not all of them did. A true test of the boundaries of the human spirit, Bridge on the River Kwai, directed by David Lean, took home Oscar's top prize in 1957.

Brash, yet civil Colonel Nicholson (Alec Guinness) commander of a group of British soldiers captured as POW's by the Japanese military in the midst of WWII has a single vision in mind. Armed with the promise of the Geneva Convention, Nicolson is determined to lead his men with honor. Determined to conduct himself and his men with the honor betrothed to those that don the British uniform, Nicolson endures more than anyone thought he could survive to gain the respect of his captors. The Japanese eventually realize that Nicholson is a force to be reckoned with, and as much as they may wish to kill him, their hands are figuratively tied. Gaining respect, Nicholson eventually becomes an integral part of the Japanese plan to build a bridge over the river Kwai veiled as a useful wartime measure that actually only serves as a monument to Japanese commanding officer Colonel Saito (Sessue Hayakawa). Although his men don't want to do the work that glorifies the Japanese, Nicholson ensures them that completion of the bridge will actually serve as a testament to the will and honorability of the British. Construction goes on, with the help of the British, all the while allies have hatched a plan to burn the bridge down, led by escaped American prisoner Shears (William Holden). The two plots work together to form one cohesive story of men afflicted with battle and the concessions that some won't even allow themselves to make in a time of war.

This film shows Alec Guinness at his best, a raw look at a man in the heart of battle that refuses to leave his morals behind. He excels as a man leading his men with the dignity each deserves as a human being. William Holden is also a standout in this picture. Holden plays the role of the disillusioned prisoner who has given up hope with ease, coming off both believable and lovable. The cinematography of this film was a thing of beauty. In scenes with hundreds of men marching, the audience is graced with seeing the vast landscape that is so grand it appears to completely encompass the men. There were also incredible shots through binoculars that show, in part, the directorial genius of David Lean. The acting and technical elements came together to create a strong film that explores the depth of the human spirit.

It is sometimes difficult to watch a movie with no clear hero. Everyone comes off a little crazy in this film; which perhaps, may explain why the final lines in this film were "the madness, the madness". I don't want a cookie-cutter movie by any means, but I also don't want to travel half way through an almost three-hour film rooting for someone, only to realize he's a bit off his rocker. I suppose, however, that is what happens when you have a movie like Bridge on the River Kwai, with such heavy themes as honor, strength, and valor. Technically, I understand why this film took home Oscar's top prize; the acting and writing allows one to understand this as well. I would recommend this film to anyone who enjoys war films, of course, even though this one is quite different from the standard. Also, I would recommend Bridge on the River Kwai to anyone who needs reassurance that the human spirit can overcome even the darkest of evils.
More Of A Psychological Study Than A War Movie
"The Bridge On The River Kwai" is not your typical war movies. There are no battle scenes and there's little carnage; hardly any of the action you're conditioned to expect from a "war" movie. Even for a movie set in a prison camp there are no mass escape attempts (the one escape attempt I believe consisted of three prisoners.) This is instead more of a psychological study of the effects of captivity on soldiers - maybe even an early hint of what's come to be known as "the Stockholm Syndrome" - as prisoners begin to identify with and in some ways sympathize with their captives.

The movie is set in a Japanese prison camp where the prisoners are ordered to work on building a massive railway bridge over the River Kwai. Alec Guinness put on a strong performance as Col. Nicholson - the senior British officer among the prisoners who fights for the respect of the camp commander Col. Saito (Sessue Hayakawa in another strong performance). The movie for a while offered a pretty good depiction of the harshness of Japanese prison camps, and was interesting in portraying Nicholson as ultimately besting Saito as he first gains the right (guaranteed by the Geneva Convention) for the officers not to be used as manual labourers and then gets the British officers in charge of building the bridge, thus ensuring that his men would be essentially under British command. That was well portrayed, as was the fact that somewhere along the way the lines of loyalty got tested. Nicholson devotes himself to building the bridge, making an even better bridge for the Japanese than the Japanese themselves were going to build - all in the name of keeping up the morale of the British troops and building a monument to the abilities of the British army. But - as was questioned in the movie - at what point does the legitimate duty of POWs (the Geneva Convention allows for enlisted prisoners to be used by their captors for manual labour) become treasonous? The bridge and railway will be used to transport Japanese troops. Did Nicholson have to ensure that it would be so well built? And Saito suffers some of the same psychological challenges, depicted as being in torment after realizing that, while he's going to get his bridge built, he had to do it by giving up control to those who were supposed to be his prisoners. It all builds up to a powerful last scene as Allied commandos try to blow up the bridge and Nicholson tries to save it before realizing what he's doing.

The psychological study is interesting and the acting is good. I thought the movie itself was a bit too long at almost three hours. William Holden's role as an American officer who escapes from the camp and then becomes part of the commando team seeking to destroy the bridge was well played but struck me as rather unnecessary - at least I wasn't sure of the need for him to have been in the camp with Nicholson and then to have him return to blow up the bridge. Some of that seemed to me to add unnecessary filler to the movie, especially the scenes in which Shears is recruited to go back to the jungle as part of the commando team.

It's a good movie and interesting enough - just a little too much extraneous material and therefore a little bit too long. (6/10)
📹 The Bridge on the River Kwai full movie HD download 1957 - William Holden, Alec Guinness, Jack Hawkins, Sessue Hayakawa, James Donald, Geoffrey Horne, André Morell, Peter Williams, John Boxer, Percy Herbert, Harold Goodwin, Ann Sears, Heihachiro Okawa, Keiichirô Katsumoto, M.R.B. Chakrabandhu - USA, UK. 📀