🎦 Sunset Blvd. full movie HD download (Billy Wilder) - Drama, Film-Noir. 🎬
Sunset Blvd.
Year:
1950
Country:
USA
Genre:
Drama, Film-Noir
IMDB rating:
8.5
Director:
Billy Wilder
William Holden as Joseph C. 'Joe' Gillis
Gloria Swanson as Norma Desmond
Erich von Stroheim as Max Von Mayerling
Nancy Olson as Betty Schaefer
Fred Clark as Sheldrake
Lloyd Gough as Morino
Jack Webb as Artie Green
Franklyn Farnum as Undertaker - Chimp's Funeral
Larry J. Blake as First Finance Man (as Larry Blake)
Charles Dayton as Second Finance Man
Hedda Hopper as Herself
Buster Keaton as Himself - Bridge Player
Anna Q. Nilsson as Herself - Bridge Player
H.B. Warner as Himself - Bridge Player
Storyline: The story, set in '50s Hollywood, focuses on Norma Desmond, a silent-screen goddess whose pathetic belief in her own indestructibility has turned her into a demented recluse. The crumbling Sunset Boulevard mansion where she lives with only her butler, Max who was once her director and husband has become her self-contained world. Norma dreams of a comeback to pictures and she begins a relationship with Joe Gillis, a small-time writer who becomes her lover, that will soon end with murder and total madness.
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1080p 1920x1080 px 8013 Mb h264 10156 Kbps mkv Download
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Reviews
Sunset Blvd. (1950) ****
I think this picture was definitely more deserving of "Best Picture" of 1950 than ALL ABOUT EVE. Probably it was the more "offbeat" nature of this film in those times that worked against it, much like THE EXORCIST didn't have a chance of winning Best Picture in 1973 (I think THE STING and even American GRAFFITI were better, though). A magnificent film, with great direction by Billy Wilder, and a fine cast. Gloria Swanson initially struck me as way over the top and wild-eyed at first, but given the whole nature of the proceedings, it's kind of understandable. William Holden is perfect as the desperate house guest, and Nancy Olson is the ideal girl-next-door. Eric von Stroheim is striking as Swanson's butler. A keeper that I'll seek out for myself on DVD, I'd place SUNSET BLVD. as one of the best films ever made, and it will occupy a position in my personal Top 100. **** out of ****
2004-06-10
weird, bizarre, fascinating, great
This movie deserves all the accolades it has gotten here, as well as "Maltin's" four stars. It certainly ranks up there as one of Hollywood's greatest achievements. Seeing it again only reinforces my opinion that William Holden was one of the truly great actors of the last [!] century. Gloria Swanson, however, steals every scene she's in; you can't turn away from watching her, even though she makes you really uncomfortable - it's like watching a train wreck. I don't know if the black & white was an economic or an artistic choice, but the film would never have been as effective in color. The opening shot - the floating, dead body of Joe Gillis, eyes wide open, shot looking up from the bottom of the pool - is one of the great shots, and an unforgettable opener, matched perfectly by the unforgettable closing closeup of Norma Desmond. To have Cecil B. deMille actually play himself was an inspired touch. Throw in Eric von Stroheim and you have an unbeatable combination. Truly one the all-time must-see films, although I don't know how to classify it - film noir? black comedy? Hollywood fable ? horror story? psychodrama? Who cares; just see it.
2001-03-26
Review for Sunset Boulevard
A movie filled with heart-ache, love, tragedy, and ambition, Sunset Boulevard is one of the most interesting to have ever been on screen. It's plot is one of the rare ones that takes the viewer behind the scenes and into the Hollywood realm, albeit probably not painting the most accurate of pictures, but still adding to our, as viewers, limited knowledge of the Hollywood world. This movie is about desires and wants. There is the desire of the penniless writer to make it big and then there is the desire of the actress to know that she is still beautiful and wanted.

Norma Desmond, played by Gloria Swanson, is a glamorous film star whose career abruptly ends with the introduction of talking pictures. And sadly enough, she is caught in her memories of a time when she was viewed as beautiful and glamorous not realizing that the world around her is still moving on. In Norma's lifetime, being a film star was all about the cinematic gaze and how it showed her. There was no sound to tell if an actress was good or not. The camera can make or break a person. She knew what made her popular and that was being under the constant scrutiny of the camera, of having it always on her. Sadly, when that phase of her life ended, she didn't know what to do with herself. Most women are objectified on film by the camera, the director, the audience, etc. and most would try and distance themselves from that but oddly enough Norma wants to be surveyed. She wants to be scrutinized or praised or whatever else, as long as she is getting the attention she craves. I suppose Norma feels that this attention is what she needs to be happy. Attention and approval from others is what kept her going and without it she became a pitiful woman. And the littlest bit of approval she gets makes her feel that much more important but when its revealed the fan letters she receives are from her butler, once her husband, you can't help but feel sorry for her. Overall I think that you will love this movie. The cinematography is incredible and creates an amazing setting and atmoshpere. The movie shows the worst sides of what some view as the most glamorous lifestyle and way to live.
2004-05-11
Wilder's masterpiece: A vintage look at a Hollywood that is no more.
From the very beginning of this film, with the external shot of the corpse floating in the outdoor pool, the audience gets sucked in. Sunset Boulevard is a fantastic example of artistry gone horribly wrong and selling yourself out for the betterment of yourself. All four main characters, Norma, Joe, Max and Betty are definite characterizations of four different types of person in Hollywood. Norma is of course the faded silent screen star so desperate upon making a comeback that in essence it just kills her and everyone around her. Joe is the down and out, very desperate screenwriter who stumbles upon Norma and falls head first under her spell. By the time he gets sucked into her web, it is almost madness as to why he cannot extricate himself from her grip. Max is the humble butler, who unlike so many other people has come crawling back to Norma because he simply cannot live without her. So, in essence he takes a menial job just to continue to stay with her in one form or another. Betty is the one ray of sunlight in an otherwise dark and foreboding world that threatens to crush anyone that gets ensnared in it for too long (i. e. the Hollywood system). But even so, her light is almost snuffed out towards the end of the film. We never really get to see what happens to her afterwards.

I think what makes this film so great is its ability to wear its heart upon its sleeve. It is an unflinching portrait of what Hollywood once was (and is no longer) but some of the vestiges from this film can still be seen today. The bitterness and the knife-edge cynicism (not to mention the acting) is what, I think, draws so many people back to it for repeated viewings, myself included. For even if we've seen this film before, we can always see it again and pick up on certain things that we never noticed the first time around. For example, the home that the filmmakers used as Norma's mansion was also used a few years later in Nicholas Ray's Rebel Without A Cause.

Gloria Swanson gives a heart-rending performance as Norma Desmond, the silent screen star so desperate to make a comeback. This film was sort of a "comeback" for her, having been out of the public eye since the early thirties. She albeit succeeded but however, she failed to win the coveted Best Actress award at the Oscars that year (1951). The prize even eluded both Bette Davis and Anne Baxter from All About Eve and went to newcomer Judy Holliday as ditzy blonde Billie Dawn in Born Yesterday. Frankly, putting both Swanson and Davis in the same category, I have to say that Bette Davis did actually give the better performance that year, but Swanson's Norma is still a character and a force to be reckoned with!

Sunset Boulevard lost out to All About Eve, the Hollywood masterpiece about the Broadway stage, at the Oscars that year. Hollywood wasn't ready to award itself because some people didn't care for the way that the film was portraying itself (showing the dark, seamy side). I, however, still love this film and will always love this film because I think it shows Wilder at his most perfect, most distinctive period in his life.

This is a true classic. Get this one on DVD as soon as you can!

My rating: 4 stars.
2003-02-11
Like Traveling To a Strange & Memorable World
Watching this memorable classic is like traveling to a strange and fascinating world. It succeeds as few movies do at drawing you in and setting an atmosphere that is both convincing and interesting. The trio of Holden, Swanson, and von Stroheim make a fine combination, and bring their characters to life most effectively. Aside from a couple of relatively slow stretches, it is crafted with great skill, and it's a film-noir worth watching and re-watching.

Holden's restrained, gently cynical performance is an ideal way to look at the unusual world where Swanson's character, an aging former silent movie star, lives. Swanson succeeds very well at being weird but yet believable, sometimes even sympathetic, and von Stroheim rounds out the picture pretty well as a character with his own quirks. The physical atmosphere of the decaying mansion and its grounds, done with many well-conceived details, is also an effective and important part of the setup. It all works so well because it comes across as true-to-life not just as a portrayal of Hollywood but as a generalized picture of living in a bygone era.

When you have interesting characters, an unusual situation, a good cast, and a director like Billy Wilder to tell you the story, you have rather high expectations. "Sunset Boulevard" does not disappoint.
2002-04-09
Superb and disturbing
You know when occasionally you watch a film, and you think it sounds okay, but then it totally exceeds your expectations and you're just blown away by it? Well, Sunset Boulevard (aka Sunset Blvd.) was just such a film for me.

William Holden – who also narrates the film – plays Joe Gillis, a small-time screen writer, down on both money and luck; as we find out right at the beginning of the film, Gillis won't be alive by the end of it. He meets former silent movie star Norma Desmond (Gloria Swanson), who cannot and will not accept the truth that her star has long since faded into obscurity and she has been all but forgotten by both the film industry, and movie-goers. Determined to have another hit film, she hires Joe to help her edit her self-penned script, but she soon becomes obsessed with him, and Joe finds himself less a guest, more a prisoner, at her dilapidated home, with only Norma and her mysterious butler Max for company.

As you may have guessed, I loved this film. The storyline is a caustic and witty dig at a fickle Hollywood. The fact that viewers are informed by Joe's voice-over right at the start of the film, that he will not survive to the end, fills the ensuing scenes with a bitter sense of doom, and the contrast between Joe the narrator, who knows his fate, and Joe the character who we see on camera, who is unaware of what will befall him, is very effective (A similar idea was used years later in American Beauty, also with excellent results, although Sunset Boulevard was, for me, a much better film.)

Gloria Swanson was excellent as Norma Desmond, and at times was difficult to watch. I disliked her character, but couldn't help feeling great sympathy for her. Deserted by her fans and her colleagues, she is losing her grip on reality. At times, she was manic and unpredictable; at other times, she showed tenderness and extreme vulnerability (the scene where she entertains Joe by dressing up as Charlie Chaplin is both sweet and disturbing, as her happy mood turns to anger). Swanson was nominated for an Oscar for her performance; the same year Bette Davis was nominated for her role in All About Eve – both lost out to Judy Holliday for her role in Born Yesterday, which also starred William Holden. He was also nominated for Sunset Boulevard.

William Holden shows his real talent for acting here. A not altogether likable character at the beginning of the film, he nevertheless gets the audience on side, as he and they come to realise the untenable situation in which he has found himself. He imbues his character with passion, tenderness, ruthlessness, and resignation – oh, and he's darkly funny too.

Eric von Stroheim is perfectly cast as Norma's taciturn and mysterious butler – this role could easily have been a caricature in different hands, but he plays the part brilliantly.

The main cast is rounded out by Nancy Olsen as Betty Schaefer, a young writer who wants Joe's help on a script; she is perfectly cast as a feisty but tender young woman who is dragged into Joe's nightmare world.

In short, my opinion for what it's worth, is that there is absolutely nothing wrong with this film. It's gripping – I felt unable to turn my eyes away from the screen; it's sad, it's tragic, and it's bleakly funny. It was a real victory for director Billy Wilder, and it's the best film I've seen in a long time. Very highly recommended.
2013-12-04
A hack writer in search of refuge from creditors hides into a crumbling mansion inhabited by a faded silent movie star
This excellent movie with bitter-sweet style deal with a hack , bankrupt screenwriter who writes a screenplay for a former silent-film star who has faded into Hollywood obscurity . It starts in the surprising opening scene by having the flick related by a body floating face-down in a swimming pool . What follows in long flashback is pulls into an ancient mansion in which a writer in search of refuge from his creditors , as he shelters and becomes entangled in the web woven by a known but now forgotten star of the silent cinema , being submitted to humiliation and exploitation . The star named Norma Desmond (Gloria Swanson) is high on hopes of a comeback and living in the past with her servant (Erich Von Stroheim).

One of Wilder's finest and certainly the blackest and memorably sour of all Hollywood accounts of itself . Splendidly paced , the movie contains melodrama , acidity , bitterness , relentless indictment against Hollywood excesses , suitable sordid interpretations and precise direction . It's an over-the-top picture , though hampered by silly sub-plot related to sentimental triangle between William Holden, Nancy Olson and Jack Webb . Magnificent performances from William Holden as out-of-work gigolo-screenwriter who inextricably attaches himself to a faded possessive screen star ; Swanson is brilliant as the tragically deluded actress and realizes a real tour-de-force and of course superb Erich Von Stroheim as Norma Desmond's devotedly watchable butler . Likable appearing in brief card-game scenes from silent stars as H.B. Warner and Buster Keaton , furthermore Hedda Hooper and extraordinary intervention by Cecil B DeMille while filming some scenes of ¨Ten Commandments¨ with Henry Wilconson . This prestigious film deservedly won three Oscars , including best musical score by Franz Waxman , and best screenplay by Wilder and Charles Brackett . Awesome camera-work appropriately ¨Noir¨ by John Seitz .

The picture is stunningly directed by Billy Wilder at his best . It belongs his first and better period during the 40s and 50s when realized sensational films as ¨Double indemnity¨, ¨Ace in the hole¨ , ¨Sabrina¨, ¨Stalag 17¨ and ¨Seven year itch¨ ; subsequently in the 60s and 70s he realized nice though unsuccessful movies as ¨Buddy buddy¨,¨Fedora¨ , ¨Front page¨and ¨Secret life of Sherlock Holmes¨. Rating : Above average , essential and indispensable watching ; harshly funny and riveting film and completely entertaining . It justly deserves its place among the best movies ever made .
2011-09-16
A film packed with unforgettable moments…
Although at that time she hadn't appeared in a film for several years and wasn't to make one for several for several more, Gloria Swanson remained a presence in the Hollywood of the thirties, the only legendary silent star to sustain an image and continue to interest the film studios, which put her under contract and announced her to star in a series of projects—none of which were realized… While she wasn't to regain her former eminence until her celebrated comeback as Norma Desmond in Billy Wilder's "Sunset Boulevard," a scathing satire on Hollywood and the self-delusions of its former heroes, she maintained her silent-screen image as the personification of glamor, and as such wasn't the initial choice for the role of the faded silent star…

Like many small people who achieve greatness, Swanson was a powerhouse of energy, vitality, ambition and shrewdness, untroubled by insight humor to slow down her pace…

The key to her success, the charm of her personality, the glamor of her career and the secret of her survival was superbly captured by herself in one of the best autobiographies, Swanson on Swanson…
2007-04-15
DEFINITE STORY ON Hollywood BROKEN DREAMS
Billy Wilder and Charles Bracket got the definite ghost story about Hollywood broken dreams. There's something vicious about the place and, on the other hand, this movie means the end of an era: Hollywood up to 1950. That year means, in my opinion, the last curtain for the so-called dream factory. And in that dream Norma Desmond and Joe Gillis become crazy. She becomes a fiend and he a pimp. The horror is that after 1950 Hollywood would never be the same and we can say that it's the end of the modern era and the beginning of postmodernism -what with the idiocy of the 50's era-? ABEL POSADAS
2004-06-04
Nothing Less Than Brilliant
Gloria Swanson and William Holden are supreme in this hard look into the dark side of Hollywoodland. Gloria Swanson as the insane Norma Desmond, a mad silent movie star languishing in her old mansion surrounded by reminders of her glory days, and William Holden as a bitingly cynical screenwriter playing gigolo to Swanson while carrying on an affair with nice reader Nancy Olson is great. The other scene-stealer is Erich von Stroheim, who plays Swanson's fromer husband and director, and now her butler.
2002-01-09
📹 Sunset Blvd. full movie HD download 1950 - William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, Fred Clark, Lloyd Gough, Jack Webb, Franklyn Farnum, Larry J. Blake, Charles Dayton, Cecil B. DeMille, Hedda Hopper, Buster Keaton, Anna Q. Nilsson, H.B. Warner, Ray Evans - USA. 📀
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