🎦 Star Wars: Episode V - The Empire Strikes Back full movie HD download (Irvin Kershner) - Drama, Action, Adventure, Fantasy, Sci-Fi. 🎬
Star Wars: Episode V - The Empire Strikes Back
Drama, Action, Adventure, Fantasy, Sci-Fi
IMDB rating:
Irvin Kershner
Mark Hamill as Luke Skywalker
Harrison Ford as Han Solo
Carrie Fisher as Princess Lea
Billy Dee Williams as Lando Calrissian
David Prowse as Darth Vader
Peter Mayhew as Chewbacca
Kenny Baker as R2-D2
Frank Oz as Yoda
Alec Guinness as Obi-Wan Kenobi
Jeremy Bulloch as Boba Fett
John Hollis as Lando's Aide
Jack Purvis as Chief Ugnaught
Des Webb as Snow Creature
Storyline: Luke Skywalker, Han Solo, Princess Leia and Chewbacca face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi master's help will Luke survive when the dark side of the Force beckons him into the ultimate duel with Darth Vader.
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I think this is even better than the first
Many people will give kudos to George Lucas for this movie but I won't. It isn't really his movie and you can tell which movies George Lucas did vs. the ones he didn't because the ones he had too much control over sucked. This movie did not suck.

OK. I'm not a fan boy. I saw this movie like a billion times back in 1980. I own the original copies of the VHS and refuse to own the DVD or Blueray copies. George Lucas is brain dead for making the changes that he did and Han Solo shot first.

This movie is a great classic. It goes down and one of my top ten movies of all time. It has all the aspects of a great story even if there are a ton of bugs through out the script and special effects. I don't care, it rocks.

Rebels vs. Goliath. Outerspace. The Force. Lightsabers. Aliens. Cool stuff!

Why can't they make more movies like this? Because directors are constantly trying to please those who want profit over art.

10/10 stars is not enough for this movie.
It's NOT the darkest of the trilogy - it's the most mature
`It avoids having the standard shoot-'em-up ending,' says a friend of mine, `by not having an ending.' I suppose this is what most people think, but all the same the film manages to form a satisfying whole; or at least, a whole that satisfies me. I'm therefore inclined to think it DOES have an ending. Obviously, I can't discuss this without giving things away to those few who don't know what happens. If you're one of those few, then believe me: your ignorance is precious enough to be worth guarding until you see the film. Stop reading now.

After the surprise attack on the rebel base, Luke Skywalker splits with Han, Leia, et al. Han's party gets away first (is it just me, or is the shot of Luke watching the Falcon flying off while he stands stranded on the ground, a poignant one?), but thereafter they face one narrow escape after another, while Luke slinks off quietly and safely to train with Yoda.

The training scenes are many and Yoda talks a great deal of rubbish. But somehow it doesn't matter. The film is ambivalent in its attitude towards Yoda, anyway. Our sympathy clearly lies with the entirely non-spiritual concerns of Han, Leia and the adolescent Luke. The main story concerns the understanding that builds between Han and Leia. In the end they are honest with one another; and if Han's being frozen and shipped back to Tatooine is the price to pay for this, well, it's the price to pay. It was very important NOT to end with the dashing rescue that opens `Return of the Jedi', which would be dramatically beside the point. Instead we end with the promise that the rescue will some day occur. That's enough.

As for Luke: he abandons Yoda to rescue Han and Leia, and achieves NOTHING WHATEVER. This was my favourite touch. All five Jedis - Luke, Obi-Wan, Yoda, Vader, and the Emperor - find that their conflicting instincts are all entirely wrong. The film is really about the temporary triumph of human impulses over the mystical Force. Luke's human idealism is vindicated, but his supernatural powers, just this once, are not.

When George Lucas gave his Star Wars trilogy a fresh coat of varnish in 1997 he felt he had to justify the expense by making needless changes. You'll notice he made precious few changes to episode V. There just wasn't room. He added a few extra shots of the ice monster, which of course weakened that one scene; but even with those changes in place the Special Edition is virtually identical to the original edition. Since Lucas was so keen on making changes wherever he could this is obviously a tribute to the tightness of the story and the direction. It's also a tribute to the perfection of the original special effects, more innovative than the effects in the first Star Wars movie and better than the effects in any subsequent one.
Much anger in him...like his father.
Empire Strikes Back took everything that was revolutionary from Star Wars and improved it, and then some. It is deeper, more mature, and asks more questions of the world. R2D2 and Chewbacca, who became lovable fan favourites from the moment they hit the screen in 1977, did so without speaking a single word, but here they are much more than just accessories to the plot. In their grunts and roars and beeps, they now became beacons of loyalty for our group. The iconic opening crawl speaks of the events in between the two films - a time skip has occurred and the rebels are in hiding. The strengths of the characterisations show us exactly what has happened in these months unseen; Luke has become a respected fighter and commander, Han a captain, and his bickering and romantic tension with Leia only growing stronger (and which results in one of the most iconic confessions of love of all time). We see the bonds of friendship so much stronger in this sequel, and as Chewie attempts to repair CP3O and carries him around like a backpack, we recognise this is as an emotion of universality. No wonder Lucas used it again with Luke and Yoda.

Fox had placed little faith in the original, and the budget had been constricted, and Lucas's vision mellowed. But after the immense popularity and success, ESB was given full backing. The world of Star Wars was now even more fully realised. We had visited the deserts of Tattoine, the Aztec pyramids rebel bases amidst jungle territory, and now the icy planets of Hoth, where an imperial assault is imminent. The battlefield was now much clearer and the greenscreen backdrops of the dogfight-style fighter pilots more detailed, more immersive - fellow rebel ground fighters, jets and Imperial assault crews now milled around in the background, and live explosions proved to be more threatening than the multicoloured digital explosions in the black of space. There was real weight and fluidity in the way that the X-Wings would speed in and out and under and over the AT-ATs, and the coverage now provided a greater and more epic scale of the action; see Luke run around the legs and dangle from the elephant- like robotic beast, and how the Millennium Falcon weaves around an entirely three dimensional asteroid field and narrowly escapes from a gigantic space slug.

We have more new developments. Besides the stop-motion photography of the AT-ATs, which creates an oddly appropriate jerky walking motion, we also have the puppetry of the endearing Tauntauns which amble about in the snow, and their models are amazingly detailed, head to claw in a thick frost-covered hair, a dragon-shaped head and curved horns. And there is the old Jedi Master Yoda, whom I am conflicted on; at times it remains painfully obvious that he is a puppet, whose mouth does not correspond to the truths that he speaks, but they are great and important truths that become even more evident once Luke encounters the foreshadowing of himself in a Vader helmet. And of course the matte paintings are once again immaculate and beautifully detailed; in particular the landing platform on the edge of the Cloud City, and the glorious Bespin itself, bathed in the pink glow of the sunset and clouds. As the Falcon soars away above the sunset, Williams' Cloud City orchestral theme is at its most stirring, and is the second most iconic in the soundtrack, right after (what else?) The Imperial March. Never has a trumpet fanfare been so menacing and so recognisable - also named Darth Vader's Theme because the mere sighting of it signalled his presence and power.

Vader is photographed more ingeniously than in Star Wars (in brightly lit exteriors) and this enhances his terrifying persona; giving instructions from his own personal capsule, force-choking over the communications channel, emerging from icy mist in the freezing tunnels of Hoth, slivers of light hitting his mask and creating a dark and shiny gleam, and in that climatic duel between father and son, both are silhouetted on the orange steps by the smoking vents, and the colours of the shimmering lightsabers tell us all that we need to know about their allegiances. This is one of the classic movie villains at his peak, but it is more than black and white (or blue and red) morality - there is just a hint of fatherly affection behind that mask, buried deep below, but we see the inklings of a plan, tinges of regret that have formed over the years living in the Dark Side. And in Luke's horrified reaction, the realisation that his own vices may well lead him down the same path. The studio was not entirely happy about leaving Vader in his tumbling TIE fighter after the explosion of the first Death Star; sequels were regarded as pulpy cash-ins rather than significant narratives. But Empire proves its worth, and then some - it ends with Vader's cruel blow and confession, the loss of a hand, and the capture of a beloved character...but there is still a glimmer of hope. It remains one of the remarkable sci-fi achievements.
the King of Sci-Fi soaps
It's virtually impossible to review a Star Wars film without resorting to comparisons between the various episodes these days - I'll attempt to avoid getting into a whole rave about the generally dull, flat Prequel Trilogy, and focus on why I believe the Empire Strikes Back is the equal of it's ground-breaking predecessor Star Wars (A New Hope)with both being lightyears ahead of the other 4 installments in terms of imagination, plot, ingenuity and especially *heart*.

When Star Wars opened up Lucas' Galaxy to us all and gave us one helluva swashbuckling ride, a sequel obviously seemed enticing but not particularly necessary - Star Wars (A New Hope) is a fairly self-contained adventure, the Goodies win in the End and are awarded medals from the rescued Princess - all nicely wrapped up. *But* Lucas had more of his tale to tell, and what's more had a pretty good angle on the follow-up to his smash hit ... Leaving Darth Vader beaten, spinning outta control, but still *alive* in Star Wars was no accident, while this dire villain still existed within this Galaxy there was still conflict to be resolved ... Elaborations on themes from the first film were genuinely surprising and captivating - people forget that when Luke 'wills' his lightsabre to him in an act of telekenisis during his captivity in the Ice Monster's cave, it was the first time visual *evidence* of 'the Force' was really seen - in A New Hope, Luke, Obi-Wan and Vader had dabbled in telepathy and using the Force as a focusing tool, but Luke's 'magical' and timely retrieval of his weapon at the start of the Empire Strikes Back was a genuinely gasp-inducing moment the first time it was seen ... A welcome vision of Obi-Wan's 'Force ghost' reveals why Kenobi was so at peace with impending death during A New Hope's lightsabre duel with Vader, the disembodied voice that guided Luke has now become a full blown apparition, able to dispense wisdom and advice like the Ben of old ... The magnitude of the Empire itself is amplified via a star-sea full of leviathon Ships and John Williams magnificent 'Imperial March', which is introduced in the Empire Strikes Back for the first time in the series ... Darth Vader is more menacing than ever, using his Force abilities to dispense with underlings that displease him by choking them to death. His obsession with seeking out and crushing the Rebellion gains added resonance for both he and Rebel/Trainee Jedi/Hero Luke Skywalker with the revelation of *THE* secret of the 80's (no, not 'who killed J.R,' the other one ..) Both the shadowy Emperor, a man so Evil and Powerful that even Darth Vader demures to him, and his counterpart, Jedi Master Yoda are introduced for the first time in the Empire Strikes Back, the relationships between the various characters take on greater complexity and the music is quite amazing throughout ... The Editing, and the Direction of Irwin Kershner, both contribute heavily to giving this Episode a very different feel to all the other Star Wars installments

- here's a few more points as to why I rank the Empire Strikes Back 'Equal Best' :

* It's the only one of the 6 films that *doesn't* feature the desert-setting of 'Tatooine' - so beautifully shot in A New Hope, but thereafter not particularly inspiring ...

* the planets/locations that are used are the most vividly drawn of the series - Dagobah, Hoth, the asteroid belt encountered by Han Solo and companions, and most original of all 'Cloud City' with it's sunset views and labyrinth of chutes

* Yoda's ruminations on the force is probably the best dialogue in the entire series

* *THE* secret, which turns the mood of the entire film on it's head

* Luke's surreal encounter in a Cave 'strong with the Dark side' is one of the few metaphorical moments in the series, eerily shot partially in slow motion

* Lucas and co. back up the joyous Cantina scene from A New Hope with quirky characters like the Bounty Hunters and the Ugnauts

* the chemistry between Carrie Fisher and Harrison Ford is very good, and their romantic scenes are handled with far more aplomb than any other in the series

It was all downhill after the Empire Strikes Back for the Star Wars series as far as I'm concerned, but the joy I've had watching both A New Hope and the Empire Strikes Back far outweighs any lingering disappointment associated with the rest of the series ...
Outstanding follow up.
Congratulations have to go to line producer Gary Kurtz and director Irvin Kershner in pushing the production to out-perform A New Hope, even though the consequence was a film that came in massively over budget, and almost cost Lucas his hard fought independence from the Hollywood system.

The plot moves quickly, from an interesting script by Leigh Bracket and Larry Kasdan, focusing on exploring two key relationships. The first is the relationship between Han Solo and Leia Organa, which is touched upon in a New Hope, but is fleshed out more in this film. The other is the more central relationship between Darth Vader and Luke Skywalker. This relationship is also linked in to the main supporting character in this film, Yoda, who is fantastically well realised by the film crew and performed brilliantly by Frank Oz. There are other characters, but whereas C3P0 and R2D2 were a central part of the story in the previous film, they are more on the sidelines.

What makes this film so great though is the involving and effective way the relationships operate within the broader story. The banter between Harrison Ford and Carrie Fisher is highly effective and amusing, operating through the classical love-hate relationship. One senses that Kershner, as a director of character driven films, worked very effectively with the actors and gave them the space to develop their characters which meant plenty of choices for the director in terms of their performances. The same goes for Mark Hamill's interaction with Yoda(Frank Oz). This is totally convincing and builds up the confrontation with Darth Vader very well. It was time well spent in getting these performances right. Kershner is very good at keeping the performance naturalistic, but reduces the level of broadness in the characters, making them more complex and interesting. Darth Vader benefits from this with scenes in the film that add to the mystique of the character. The confrontation with Luke Skywalker is riveting and dramatic and elevates the film above the level of its predecessor.

Technically the film is even more impressive than its predecessor. Credit has to go the Oscar nominated Art Direction team. John Barry, who had worked on the previous film, passed away during the production, but Norman Reynolds led the team superbly, with the excellent creations of Dagobah and Hoth, albeit Bespin in the original does feel a bit like a set, and the digital embellishments in the special edition were helpful in creating a bigger feel to those scenes. However, I was disappointed in the reworked scene with Palpatine in the special edition - while putting the excellent Ian McDiarmid was supporting continuity, to show him face on was, in my view an error and the reworked scene would have played much better with his face shrouded, or at the least partially obscured. The whole point of the scene was that the dialogue as strong enough without the need to ram an unsubtle visual at the audience.

Editing is excellent, led by Star Wars veteran Paul Hirsch, but it is known that both George Lucas, and his then wife Marcia were also heavily involved in putting the film together. Peter Suschitzky's photography is more conventional and low key in approach than A New Hope, but is particularly effective on the Dagobah scenes in Elstree Studios, and the location scenes in Norway.

ILM's visual effects were outstanding, and rightly won an Academy Award. The crew consisted of the following: Oscar winning A New Hope veteran Richard Edlund, working with British effects supervisor Brian Johnson (who had just won an Oscar for Alien), effects photographer Dennis Muren (who would become an award winning and digital effects pioneer for ILM for ET, Return of the Jedi, Indiana Jones and the Temple of Doom, Innerspace, The Abyss, T2 and Jurassic Park) and compositor Bruce Nicholson, who would go on to win an Oscar for his work on Raiders of the Lost Ark, and work on a wide variety of films in Hollywood. George Lucas took a strong interest and influence in the special effects and also has to take credit for some of the excellent sequences in the film, which also work because they help drive the story along.

Again, like a New Hope, sound work was first rate and Oscar winning. In most cases the sound has to be recorded in a studio and added many months after filming has been completed. Sound re-recordist Bill Varney would win another Oscar for Raiders of the Lost Ark. Steve Maslow and Gregg Landaker also worked as sound-recordists and are both prolific contributors to many high profile movies. They would also win Oscars for their work on Raiders and then some fourteen years later win again for their work on the Keanu Reeves hit movie Speed. Peter Sutton won for his on–set work and has a large body of work in film since this movie. Also credit has to go the Ben Burtt's sound design work, which creates a fabulous sound-scape for the film.

However, despite the above outstanding technical contributions, which serve to enhance and exciting and interesting story, it is composer John Williams who, yet again, takes this film to another level with another astounding musical score. Working with the director and producers, Williams develops and expands original themes. He creates a new and unforgettable theme for Darth Vader, with strong militaristic overtones, and clever themes for Leia and Han, and for Yoda. He weaves the score into the film expertly, giving moments of tension, excitement, thoughtfulness, mystery and tragedy with aplomb. The score feels more operatic than a New Hope, and helps cement this as one of the best adventure/fantasy films ever made.

Congratulations to Mr Lucas for delivering a remarkable sequel, but also to Gary Kurtz and Irvin Kershner for having the courage to push everyone out of their comfort zones so as to reach this level of excellence.
Best of the best
I cannot believe some people out there didn't like this film, yet claim to have enjoyed Episode One. No comparison whatsoever. "The Empire Strike Back" is George Lucas' best contribution to human history, and it will be remembered long after most other science fiction films have gone the way of the Do-Do Bird. The optical effects still stand the test of time, and the acting is superb. Harrison Ford, Mark Hamil and Carrie Fisher are all better than they we in the original Star Wars, having fully developed and grown into their characters, and the story just keeps going and going, from asteroid fields to swamp planets to cities in the sky, everything in this film works. So ignore anyone who claims to dislike it, and see it for yourself if you haven't already done so. 20 out of 10!!

Oh, and Han Solo shot first! =)
More than the Dark Side, A Great Movie
When talking about The Empire Strikes Back many people have commented on how dark it is in comparison to the other two films from the original trilogy. However as was expected by Star Wars fans, Revenge of the Sith without a doubt took the title of Darkest Star Wars movie from Empire's mantle. Given the galactic scale of tragedy in the final prequel, Empire's personal tragedy reveals itself to be a little self-absorbed. In the post-prequel Star Wars paradigm, we should be able to see the light at the end of the tunnel in the final revelations of Empire.

With the issue of darkness settled, the Star Wars audience and the movie-going public should now be able to see The Empire Strikes Back for what it is. The best Star Wars movie. And not only is it a great Star Wars movie, but it is a great movie. The direction, the writing, and even the performances come together to make it a complete movie.

Watching the movies that George Lucas has directed, specifically Star Wars: Episodes I-IV, you can tell he is not a student of the craft of acting. The result is that actors are left developing the emotional life of the characters on their own. Some actors are able to survive and even thrive in this environment. Harrison Ford and Alec Guinness give inspired performances in the original Star Wars that make some of the other performances in the movie appear worse than they actually were.

George Lucas responsibly tapped his professor from film school, Irvin Kershner, to direct The Empire Strikes Back, and the difference is palpable. Star Wars is without a doubt the most revolutionary in terms of Special Effects of the original trilogy. But in terms of quality movie-making, editing, cinematography, etc., Emipire takes the cake. And all the while putting together great shot after great shot, he managed to pull good performances out of most the cast. Not a single one of the primaries are flat or perform an unbelievable moment. Hamill's performance is so good you actually believe for at least a few minutes that he might stand a chance against Darth Vader.

But the quality of film-making and the emotional life of the characters would not have mattered, nor could they have possibly existed without brilliant writing. In Empire Lucas is at his myth-making best (Han's metaphoric descent into hell and Luke's journey into the Dark Cave are brilliant), and the screenplay by Leigh Brackett and Lawrence Kasden is sharp, well-paced, and energetic. As a result of this three-part collaboration, you have the rough and romantic flirtations of Han Solo and Princess Leia (in which you can hear the voice of both Brackett's earlier work, The Big Sleep and El Dorado, and Kasden's later work, The Big Chill and The Accidental Tourist). Also you have Yoda-speech when it was genuinely profound in a Confucian way, before it devolved into the gimmicky and painful form it takes in the prequels.

On the whole there is no denying that Star Wars: A New Hope is the most influential movie of the series, quite possibly of the last quarter of the twentieth century (although it would have to fight with Jaws for that title). And with the fall of Anakin Skywalker in Revenge of the Sith, it no longer can be called the darkest of the Star Wars saga. But it is, with little doubt the best movie of the series.
A true classic
This movie was a true film making classic. Any story that can take place in 3 unique environments and space while telling thee classic good versus evil (with a twist Vader as the dad)is worthy of a movie this good. It is a reminder on an era of movie making when film makers took a risk with using more elaborate special effects in their shots. This movie started a flood of great 80's films that allowed you to get lost in a new world of far away people. Empire Strikes Back stands out as the best of the stories in the original trilogy as there is simply more story and more characters involved. This movie is a great family as well and is a great way to spend a family night in.
The dark heart of Star Wars
Star wars is a Saturday morning breakfast serial, with the upbeat 'let's have an Olympic medal ceremony' ending...Empire discards the fluffiness and moves away from its simplistic predecessor's obvious appeal to the child fanbase, without scaring everybody away in the process. The 2nd Star Wars film takes the original cast and subjects them to 2 hours of major discomfort...A forbidding icy planet replete with nasty creatures. There are ugly bounty hunters, monsters hiding out in the depths of asteroid fields, and Luke's foray into the black swamp of the Degobah system. It's a more taut, curiously downbeat film that slows almost to a halt in places, as Luke meets the Jedi Master who will teach him the ways of the force. The set pieces more than make up for the lack of pace...The opening battle on the Ice planet is a visually effective affair, and the stormtroopers have never looked as cool when they don their winter outfits. The asteroid chase and cloud city sequence are visual treats, that take you into the mysterious heart of the Star Wars Universe. The character development glues everything together. Luke's maturing process in the darkness of Degobah..Han and Leia's romantic chemistry, the droids comic relief and interplay with Chewbacca solidifies the group together and establishes a team spirit that was coming together at the end of Episode IV. The centrepiece of the film is the epic showdown between Luke and Vader,with that massive revelation, which inevitably ranks as one of Cinema's all time memorable moments. And it's a great sequence, from Vader's sobering welcome 'The force is with you young Skywalker, but you are not a Jedi yet' to the almost surreal climax. The forces of darkness loom large at every turn of the film...you get the feeling that the rebels are just slightly out of their depth. There is an underlying menace at work that heightens the dramatic tension..Vader is never as beautifully evil as he is in Empire. We finally see just why he is (Emperor aside) the top dog in the galaxy, as he lays waste to his own generals in ruthless fashion. We get some great new characters...Han's old buddy Lando Calrissien (sp?) is the slimy administrator of cloud city, who finds himself in a no-win situation, and there's the legendary Boba Fett..bounty hunter with balls of steel, and an outfit so cool it instantly establishes him as a Star Wars icon. And of course, the emperor rears his ugly head, and we get a taster of his malevolance. Any faults? It's hard to find much complaint. Some of the dialogue strays into cheeseland, the pace is interrupted with the curious but necessary Degobah scenes, but all in all, the sum of the parts adds up to a supremely effective, tightly woven sci-fi drama, the most deliciously dark of all Star Wars movies, and the most mature. Classic entertainment, stuck in a time capsule of its own, with enough memorable moments to ensure its place in the higher echelons of cinema history.
This one is just as great as IV and VI
I think when this came out in 1980, no one saw the twist at the end coming. If you don't know the twist because you have been blocked from or chose to block the Star Wars saga, you are missing out. I don't know a lot of people who don't know how it ends.

I will tell the story as best as I can since I don't have it at home (it's sad, I know): We begin at a very cold planet where Luke goes out and is missing. Many people want to give up searching for him. Meanwhile, Luke gets kidnapped by the 1980's version of an alien Abominable Snowman. After escaping the monster and killing it (I think), Luke goes out into the blizzard and sees Obi-Wan's spirit in the distance, telling him to go to Yoda on the planet Dagobah, and continue training. Han Solo finds him, about to freeze to death, and rescues him. Back at the base, they treat him and he makes a full recovery. Later on in the movie, the evil guys come to the planet and attack using those AT-AT walkers. The big battle begins and of course, the good guys win. What did you expect? On Dagobah, a little green man meets with Luke and R2D2. He is revealed to be Yoda. What I find cool is that Frank Oz has done the voice of Yoda for all of the Star Wars movies. You can tell that it's him in the Return of the Jedi because when he says "When 900 years old you reach, looking good you will not be" he sounds like Fozzie from the Muppets. Luke starts his training.

Skipping a bit, the gang meets Lando Calrissian, the former owner of the Millennium Falcon. They all try to evade the Empire, but they realized that they've been tricked by Lando, who says that he had to join the bad guys to keep them from invading the city they're in. Luke is lured by his friends to the Empire and Darth Vader.

Getting close to the intense part of the movie, they take Luke, Leia, and Han to a new place. Han gets frozen in carbonite. You'll see him like this in the next movie. When everyone leaves except for Luke and Darth Vader, the battle of all battles commences.

As their fight ensues, they reach an area where if you fall, that is almost certainly your doom. Darth traps Luke and chops his lightsaber along with his right arm and they both fall down. Luke tells Darth that he killed his father.

And then, the big twist............ are you ready? Here it is. After Luke says that here is what Darth says:

"No, Luke. I am your father." In my opinion, best twist they made back then. Naturally, Luke denies this. Darth offers Luke to join the Dark Side, but instead, like any crazy fool, he jumps. He calls to Leia, using the Force (foreshadowing? Maybe...) and he gets rescued. They look for Han, and the movie ends.

How was that? Make your pick on which of the original ones was the best. I don't care, really. George Lucas is awesome. The movies are awesome. Watch and you won't be disappointed.
📹 Star Wars: Episode V - The Empire Strikes Back full movie HD download 1980 - Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Peter Mayhew, Kenny Baker, Frank Oz, Alec Guinness, Jeremy Bulloch, John Hollis, Jack Purvis, Des Webb, Clive Revill - USA. 📀