🎦 Singin' in the Rain full movie HD download (Stanley Donen, Gene Kelly) - Romance, Comedy, Musical. 🎬
Singin' in the Rain
Year:
1952
Country:
USA
Genre:
Romance, Comedy, Musical
IMDB rating:
8.3
Director:
Stanley Donen, Gene Kelly
Donald O'Connor as Cosmo Brown
Debbie Reynolds as Kathy Selden
Jean Hagen as Lina Lamont
Millard Mitchell as R.F. Simpson
Cyd Charisse as Dancer
Douglas Fowley as Roscoe Dexter
Rita Moreno as Zelda Zanders
Storyline: In 1927, Don Lockwood and Lina Lamont are a famous on-screen romantic pair. Lina, however, mistakes the on-screen romance for real love. Don has worked hard to get where he is today, with his former partner Cosmo. When Don and Lina's latest film is transformed into a musical, Don has the perfect voice for the songs. But Lina - well, even with the best efforts of a diction coach, they still decide to dub over her voice. Kathy Selden is brought in, an aspiring actress, and while she is working on the movie, Don falls in love with her. Will Kathy continue to "aspire", or will she get the break she deserves ?
Type Resolution File Size Codec Bitrate Format
1080p 1440x1080 px 7490 Mb h264 192 Kbps mkv Download
DVD-rip 960x720 px 4474 Mb h264 128 Kbps mkv Download
Reviews
Musicals...
Let me start off by saying, I hate musicals. Hate them. I have little respect for a genre with such patently bizarre conventions as the musical. Of course, there will always be a place in my heart for The Wizard of Oz and The Sound of Music, as they are films that are more rites of passage than actual entertainment, they are part of the American cultural landscape in a way that makes them almost unavoidable. I also, much to my chagrin, like Grease and Hair, but for different reasons.

With all that said, I love Singin' in the Rain. I love it. It is one of the finest films that I have ever watched and I can watch it again and again. SitR is a fun movie, that pokes fun at its own conventions and explodes them in strange and wonderful ways.

Gene Kelly is simply too cool. He is one of the few men that project cool while doing goofy and graceful dance steps (Billy Joel could pull it off sometimes too). Gene Kelly is a damn cool guy with the chops and credentials to make nearly any role legitimate. SitR is no exception. Especially the bizarre, Bernhard-esque dance number at the end, which Kelly choreographed himself. Fantastic.

Donald O'Connor, though, is one of the main reasons why this film works. He is damn funny. His hyperkinetic Make'm Laugh skit still gets me rolling today. He is beyond brilliant in this film and really makes his scenes work.

The plot itself is interesting, it is a musical about the origins of musicals. It is a romance, a comedy, a history lesson and a some of the best dance numbers ever all rolled into one. I don't really know what else to say about this film except... wow.
2000-07-11
Most likely the best musical ever filmed, although I sure like "Cats" and "A Chorus Line" too!.
"Singing In The Rain" is unique in that the song actually inspired the movie. It is set in Hollywood in the mid-1920s. Gene Kelly, 39 when it was made, stars as Don Lockwood, silent film star. Donald O'Connor was 26, played Cosmo Brown, Lockwood's long-time sidekick. And 19-yr-old Debbie Reynolds, in already her 6th film, plays Kathy Seldon, aspiring legitimate (stage) actress set on going to NYC. Lockwood met her initially when he was escaping overzealous fans and leaped into her car from a streetcar top. Also, they later met again when she jumped out of a cake at a party. She obviously needed work!

However, the character who really makes the whole story possible, and the movie fantastic, is Lina Lamont (Jean Hagen), Lockwood's silent screen co-star, who also happens to be a totally self-absorbed person with the most irritating voice possible. Hagen is absolutely perfect in this role, and I understand she received an Oscar nomination for it. In 1927, the first "talkie", "The Jazz Singer" with Al Jolson, changed movies forever. Suddenly the "talkies" were making all the money and the Lockwood/Lamont team had to follow or close down. No amount of diction coaching could get Lamont to sound good, and the audience could only laugh at the test screening just 6 weeks before scheduled opening. Cosmo had a great idea - Kathy would dub in her voice over Lina's. Also, the serious "Dueling Cavaliers" would become a musical, "The Dancing Cavaliers."

The new musical is a big hit, Lina gets coerced by the live audience to sing a song, but it was Kathy singing behind the curtain. Midway through it, they raised the curtain to expose the truth, Lina was put in her place, and the new team of Lockwood and Selden was a hit, on and off the big screen.

Except for an extended surreal dance scene with Kelly and Cyd Charisse, which seemed to break the continuity of the story, the movie is almost perfect. I rate it "9" of 10. Of course Kelly was choreographer, and co-director, so I suppose he just wanted that number in. The several energetic dance numbers with Kelly and O'Connor are simply great, as are the two individual solo numbers, "Singing in the Rain" by Kelly, right after Don leaves Kathy's apartment, realizing he is in love with her, and "Make 'Em Laugh" by O'Connor, which includes his running up two different inclining walls and back-flipping off them.

Who knew Debbie Reynolds could dance so well, and hold her own with Kelly and O'Connor?? Well, she couldn't until she was cast for the part, and she literally worked herself to bleeding feet in rehearsing for the production numbers, and all her hard work shows. She became a dancer for this role.

I love music, and I love good dancing. I cannot watch a film like this without mentally comparing the two great dancers of 1950s film, Gene Kelly and Fred Astaire. I suppose Astaire was the greater "pure dancer" of the two, with always perfect positions and movements that would just glide over the floor. Kelly, however, is my overall favorite of the two. Not only is he a superb dancer, his more athletic build and dancing style, combined with good looks and singing voice, make him more believable in the musical film roles they both starred in.
2001-05-28
Sorry, just can't get into it.
There's just something about musicals that I simply cannot buy into. Something very cheesy about them, but Singing in the Rain is at least watchable.

This movie has a cool concept. it's about the transition from silent movies to sound and the problems that arise. Actors/Actresses with unpleasant voices for instance, like Lina Lamont, played by Jean Hagen, will not be wanted in sound movies. That is the basic story here in this film. Lina Lamont has a horrible high pitched voice that needs to be dubbed out. Kathy Selden, played by the beautiful Debbie Reynolds, is chosen to do the voice over for Lina. Of course things don't go as planned and it culminates in an entertaining ending.
2013-05-10
Now that's entertainment!
Singin In the Rain is arguably the best movie musical of all time, not just because of the music but because of the entire package - the premise, the comedy, the characters - everything here works together to make you feel better any time you sit down to watch it. It's ironic that this movie was thrown together quickly to capitalize on the success of "An American in Paris", since the improvisational feeling of the movie is one of the things that makes it so much fun. Although this film is number ten on the top 100 films of all time as compiled by the American Film Institute, it wasn't nominated for best picture the year of its release, 1952. Although it did well at the box office, it would be over twenty years before people would look back and realize just what a great motion picture it was. Perhaps that was because the 1970's were such bleak and cynical years, with movies that largely matched that mood, that people were eager to rediscover the fun that a motion picture viewing experience could be.

The movie focuses on that period of time in which the entire motion picture film industry was in nervous transition from silent to talking pictures. Although the movie compresses time in this respect - the transition actually took about three years - it does accurately describe the technical problems of that era along with their comical aspects. There was an overabundance of musicals in the first batch of talking films, many stars did have heavy accents that made their speech undecipherable or voices that came across like nails on a chalkboard like Lina Lamont (Jean Hagen) and saw their careers ruined, and early sound technology itself was so fragile that you would often see actors speaking to potted plants or to coat racks with comic effect. The preview of silent picture team Lockwood and Lamont's first talkie, "The Dueling Cavalier", is one of the most hilarious scenes in the film. It is pretty typical of what you would see in such an early talking picture - dialogue going in and out of sync, actors and actresses strutting around and wildly gesturing as if nobody can hear them, and dialogue that still resembled what you would read off of the title cards in a silent film - "I love you, I love you, I love you".

All of this is one of the reasons Singin' In The Rain will never get dated - it is a comic nostalgic look at a very narrow period in time. This movie is fun outside of its comic take on movie history, though. For one, it's hard to say who steals the show the most, since there are so many thieves involved. Most notably there is Jean Hagen - who actually has a very pleasant speaking voice - as the evil silent star who can't accept her days are numbered. Then there is a 27 year-old Donald O'Connor as Cosmo, the studio music director and sidekick of Gene Kelly's character whose youthful exuberance really shines in the number "Make 'Em Laugh" along with all of his goofy facial expressions. He seems to be having as much fun as the audience. Finally, there are all of the great dance numbers and music, capped by probably one of the most famous scenes of all time - Gene Kelly's rendition of the title number that perfectly captures the joy of a man who has just fallen in love and feels he has the world at his feet. You just can't watch this film and not come away with a smile on your face. It is as good for the soul as chicken soup, just a lot more fun.
2011-01-02
GREATEST MUSICAL EVER MADE!!!!
Singin' in the rain is one musical that even the most devout of the musical haters in todays world cannot ignore. And speaking as a reviewer who generally dislikes musicals I feel it has everything a musical should have. The songs "You are my lucky star", "Good morning" and of course the title track are timeless classics to even the most cynical ear. The film also contains a lot of satirical humour which is aimed mainly at the attitudes of the Hollywood Film community of the 1920's.

The film is about Don Lockwood and his onscreen (but certainly not offscreen) love Linda Lamont who are big box office movie stars of the silent era. Also in the background is Cosmo Brown who used to work with Lockwood onstage during their early musical careers before making a name for himself as a silent movie actor. But thanks to the success of a certain film called The Jazz Singer their silent world is about to get loud. The Jazz Singer because of its talking segments has stirred a lot of interest among the general public and the Hollywood moguls decide to start making "Talkie" vehicles for their biggest stars. At first the silent movie stars mock the idea of these talkies but they soon find themselves undergoing speech therapy and singing lessons. Don Lockwood successfully passes these tests but it is his co-star Linda Lamont who cannot make the transition to be a proper "talkie" actress.

The Hollywood bosses decide to hire Kathy Selden who is a chorus girl to overdub Lamont's voice. But soon Lockwood falls for Kathy much to the dismay of Lamont who tries her best to break them up.

Singin' in the rain features some of the greatest dance numbers ever filmed particularily during the "Make 'Em Laugh" segment which is performed by Donald O'Connor. That dance sequence alone is reason enough to see this film. And of course the title track during which Gene Kelly takes his most famous dance steps is also highly entertaining. And the film does contain plenty of humour especially in the scene where Don Lockwood describes his early musical career to the press as being glamourous and artistically stimulating while we see images of his past that contradict this fact by showing scenes of Cosmo and himself being pelted by angry punters in a small music hall.

Though at times the humour is a little bit cruel as a lot of it is at the expense of the character of Lamont. Because of her annoying voice and inability to sing and dance she is constantly ridiculed in this film. The character of Lamont epitomises the actors and actresses who failed to transcend to the world of sound because many of them were from foreign countries who spoke with thick accents. These people were eventually cut loose by the Hollywood industry and many of them lived out their lives in poverty. The fact that this film mocks them by portraying Linda Lamont as an idiot villainess with a horrible irritating voice who deservedly gets pushed aside by the Hollywood Studios at the end of the movie appears to be quite an insult to their memory. These people were not talentless like the character of Linda Lamont they were artists of a different type of medium who suddenly couldn't catch up with the technological advances of Hollywood.

This film also places an emphasis on the romantic interest between Lockwood and the chorus girl Kathy. This is very good in parts but there are at times when it doesn't gel together quite right. A snobby movie star of the 1920's would never get too serious with a humble chorus girl. It would have been more believable if Lockwood had been penned as a struggling movie actor himself.

The film does have a rather weak ending which would stir up a lot of derision among people who dislike musicals. This is where Lockwood sings "You are my lucky star" to Kathy in an attempt to stop her angrily leaving a packed movie theatre. I think they should have just filmed Lockwood singing the song to Kathy alone without anyone else watching. This would have made the ending less cheesier to modern audiences.

I would recommend this film to anyone whether they were a musical fan or not. This film along with Calamity Jane, Finian's rainbow and Grease are I feel the greatest musicals of all time.

2001-09-12
It's The Cat's Meow!
"Singin' In The Rain" is a musical for people who don't like musicals. Fast, funny, self-aware, and chock full of the best singing and dancing you can cram into 105 minutes, it might as well be the best movie musical since the entire genre peaked here, never to be effectively revived.

Fittingly, the movie focuses on the birth of the Hollywood musical. It's 1927, and the silent-film romantic pair of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) find themselves suddenly wired for sound after "The Jazz Singer" inaugurates a new era. While there are a lot of problems for the pair to overcome, including the fact he hates her for the nasty witch she is, the only real problem is that Lina's Godzilla-like ego comes with a Godzilla-like voice. Making their new movie into a musical might then seem a bad idea, except that Don's new girl Kathy Selden (Debbie Reynolds) can sing like a dream, and doesn't mind dubbing Lina.

Knowing humor abounds in this classic, clever film. "You have to show a movie at a party. It's a Hollywood law," says Cosmo Brown (Donald O'Connor), Lockwood's buddy. An opening sequence features a Hedda Hopper announcer introducing vogue-ing celebrities at a red-carpet premiere. "They've been married two months now, and happy as newlyweds," she coos as a catatonic couple stroll past.

Even the musical numbers are done with a wink, like "Beautiful Girl" and "All I Do Is Dream Of You." This would be a great film even if the most famous of those numbers, Kelly's "Singin' In The Rain," was left on the cutting-room floor. There's still "Make 'Em Laugh," the funniest song-and-dance routine ever done (by O'Connor and a mannequin) and "Good Morning," with some of the most intricate tap dancing ever performed times three.

But "Singin' In The Rain" IS there, and it fully deserves its place in the pantheon, not only with Kelly's wonderfully irrational exuberance but some incredible camera work that pans over and around him to maximize the uplift in this goose-pimple number.

If only they left out (and not just trimmed) that Broadway musical number near the end, the pseudo-ballet with Cyd Charisse. It pulls us away from the story for 20 minutes, apparently so Kelly could have a section with his favorite dance partner. No one ever looked better on the big screen, or projected such natural-seeming charisma, as Genial Gene, but apparently he could throw his elbows with the best of them. It's obvious how much this film owes to the other director, the playful and creative Stanley Donan. If Kelly stuck to the on screen stuff, this would have been a better film.

But what am I talking about? It's "Singin' In The Rain"! I can't dock this simply because Kelly had a big ego. He earned it with this great film, a movie milestone. If you never see another movie musical, see this one. You'll be glad you did.
2005-05-05
Timeles Magic
Can you imagine? Me, a film lover since the age of six, hadn't seen "Singing In The Rain" until last night. I had read and heard so much about it over the years that I knew I was going to be disappointed. As a musical I've never seen anything so perfectly "in tune" I can see how many directors have been influenced by the soul of this gorgeous movie. I've seen even Federico Fellini here. The tap routine with Gene Kelly and Donald O'Connor is so energizing that I wanted to see it again and again. The fantasy number with Gene Kelly and Cyd Charisse is breathtaking, breathtaking! How extraordinary to see Debiee Reynolds going through the contagious (Good morning!Good morning!) I had seen her a few nights before as Grace's mother in "Will and Grace" She hasn't lost her zest. I'm sure I'll be seeing this movie many times and I intend to show it to very young people from the post MTV generation and I'm betting with myself that they're going to love it. Greatness is timeless.
2007-10-10
A good movie but no classic.
If you closed your eyes and threw a potato into a crowded street, you'd be guaranteed to hit someone who loves this movie. Everyone loves this movie. Just looking at the other reviews here, it's hard to find anyone who thinks it's anything less than a masterpiece. I guess I'll just have to be Billy No-Mates, because I found it to be significantly less than that.

Whether you've seen it or not, you've at least heard of it and been made aware of its reputation, but as is so often the case, its reputation overstates its virtues. But while it may have been a fair distance from the five-star masterpiece I was expecting, it was still a good, and sometimes great, movie.

The first thing that struck me was Gene Kelly's smile. Cheesier than a statue of Celine Dion carved in Gorgonzola, it simply refused to leave his face. He seemed incapable of frowning, and typified the mood of the movie. Its relentless cheer and optimism was infectious, and it is easy to understand why so many people describe it as a feelgood film. No one could be miserable watching this.

There is an unavoidable quaintness in the film. Set in the 1920s, as silent movies gave way to talkies, it both celebrates and gently mocks a legendary era in Hollywood history. But the movie itself is now part of another legendary era in Hollywood history, and this double-nostalgia works only in its favour and adds to its immense charm.

The cast is excellent without exception. Gene Kelly is great, and Donald O'Connor is just hilarious. He seems to be having the greatest time in the world making this movie and making ‘em laugh. His face-pulling scene is undoubtedly one of the funniest moments the film has to offer. Jean Hagan is perfect as Lina Lamont, and gives us a truly original character. The scene where her terrible voice is revealed was lessened somewhat by having seen a similar joke in The Man with Two Brains, but this deserves the laughs having got there thirty years earlier. Her stupidity is at its funniest when she insists she and Kelly are an item because she was told so by the gossip columns, and she is blessed with perhaps the funniest line of the film: `Why, I make more money than... than... than Calvin Coolidge, put together!'

It may be stating the obvious, but the dancing was just mesmerising. Kelly and O'Connor move as if on ice, and their energy is just stunning. To see real talent like theirs, and then switch to the jerky, simplified arm-waving that appears in every video on MTV, emphasises their genius. The songs, however, were something of a disappointment. With the exception of the title track and Make ‘Em Laugh, they are nothing special. There were times when they felt forced into the story rather awkwardly, with Good Morning being the most irritating example.

I can understand why so many people love this film, but I have no love for it myself. It was fun, and there were a load of great moments, but it didn't come close to being a masterpiece. I know I'm in the minority. For most people, it's a flawless classic. Like most of Cher, it will live forever, and that's fair enough. There is a long list of classic movies which have all disappointed me, and this was by no means the worst offender. I just wish I could have liked it more.
2001-06-27
Grandmother loves it, but why?
Wow did I hate this movie. I feel like I need to rewatch it, because this IS supposed to be a good movie right? Like, classic, everyone loves it? I don't for the life of me understand why. I know all the songs, everyone knows all the songs. I recognized the singing in the rain scene. Who doesn't? But goddamn! This movie was a star vehicle if there ever was one! This movie exists just to show how awesome Gene Kelly was, and doesn't get anything else right. I've seen musicals before (who hasn't?), and I know for a fact that they're capable of having good plots and likable characters like any other movie! Then why does this one seem so flat?
2015-12-09
📹 Singin' in the Rain full movie HD download 1952 - Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen, Millard Mitchell, Cyd Charisse, Douglas Fowley, Rita Moreno - USA. 📀
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