🎦 Seven Samurai full movie HD download (Akira Kurosawa) - Drama, Action, Adventure. 🎬
Seven Samurai
Drama, Action, Adventure
IMDB rating:
Akira Kurosawa
Takashi Shimura as Kambei Shimada
Toshirô Mifune as Kikuchiyo
Yoshio Inaba as Gorobei Katayama
Minoru Chiaki as Heihachi Hayashida
Daisuke Katô as Shichiroji
Isao Kimura as Katsushiro Okamoto
Yukiko Shimazaki as Rikichi's Wife
Kamatari Fujiwara as Manzo, father of Shino
Yoshio Kosugi as Mosuke
Yoshio Tsuchiya as Rikichi
Kokuten Kodo as Gisaku, the Old Man
Storyline: A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.
Type Resolution File Size Codec Bitrate Format
720p 960x704 px 7680 Mb h264 4829 Kbps mkv Download
necessary film
general statement of principle; I am sick to death of commercial filmmakers preying on the young by obscuring the fact that, as filmmakers, they have nothing original to say or do, by chewing up the past and spitting it out again with "new, improved" special FX.

yet, judging from some of the reviews i read here the sad fact is that many young viewers are not only ignorant of film history, they earnestly wish to remain ignorant.

what could possibly be gained by a surrender to one's own ignorance. an ignorant man has to be told what to do and what to think. simply rejecting the advice of one's elders does not constitute freedom of thought - it is exactly when we reach a decision contrary to that of our peers that we discover what it may mean to become an individual.

this means, of course, that statistical arguments concerning the uselessness of history are wholly unconvincing. to say that 'most people agree with me on this point' doesn't say that the point is well-made; possible everyone in agreement with it is simply wrong.

to assert one's independence and then turn around and say that the 'majority agree' is self-evidently contradictory. to abide by such statements despite evidence and reasonable disproof, is not simply exposing ignorance m- which can be corrected through education - it is simply stupid.

furthermore, since an ignorant person has to be told what to think, it follows that such a person is a victim waiting for a crime to happen. such people seem proud of their ability to thumb their noses at people who reach out to help - but they easily and quickly fall victim to con-artists, who usually know how to make such people feel good about the victimization.

knowledge of history means; not getting scammed for want of it. it means deepening one's awareness of the strengths and faults of those we admire. it means that we learn the tricks used to produce something of value, thus making it easier to find and judge value.

in film it is also well to bear in mind that good film-makers are precisely those who have studied film history the most. this gives them a stock of film-techniques developed by others on which to draw for increased effectiveness of their own films. i find it unclear, why it is young viewers of today wish to remain in ignorance of where the contemporary film-maker draws inspiration.

this fact blasts away the commonly proffered assertion, 'we do things better now than anything they did 'back when'. if that were true, then the film-makers of today would not need such inspiration; but they do.

finally, it is simply a fact that those who profess ignorance - as a desirable quality - are simply incapable of saying anyone might be able to learn. they always get basic facts wrong.

the seven samurai; is not an action film, it is a period adventure film with both action elements but also, and more importantly, elements of serious drama.

i read one young reviewer say that the character development in the seven samurai is unimportant. obviously this person just doesn't like people; so i supposed he will eventually betray his friends or get betrayed.

because the importance of the character development in the first half of this film is that some of us happen to like human beings and want to understand better what makes them do the things they do - and what makes some of their actions mistakes - sometimes fatal mistakes.

as the remarks of the lead samurai imply, the biggest mistake this men made was becoming samurai. but that being the hand life has dealt them, they need to play it out as best they can - and as gracefully as they can.

Hemingway once remarked that what truly made a man was 'grace under fire' - and i seem to recall he admitted that he had heard of this as a volunteer with the Italian army during the first world war, that this was the quality the Italians admired most about Americans.

well, that's what this film is about - not the action, but the 'grace under fire' that the samurai learn about themselves, and also teach the villagers. or those villagers willing to be taught. when someone is not willing to be taught, that one is not worthy of teaching - in which case bandits can rape, rob, and slaughter them, and no one would care.

finally one must point out the tasteless ignorance of insisting that a film is weak because - heaven forbid - it's not in color. that's sort of like saying 'your father's a fag because he hasn't gotten your mom pregnant in years'. - it is wholly irrelevant to any movie whatsoever, to be sure, a director can handle color well - but he or she can handle black and white lighting and composition equally well.

there is no 'nature photography' in the seven samurai. there are stunningly beautiful and haunting images in black and white.

if you care about film, you owe it to yourself to see the film; had it never been made, neither would any contemporary films that you enjoy today, or that you may enjoy tomorrow.

and if that doesn't sink in - then, screw it - i've no patience for fools.

still one of the best films in the history of cinema, and still a film necessary to see and appreciate.
My 2nd favorite film of all time
This flick has everything. Drama. Comedy. Action. It's just a really fun ride, with some depth to it.

What really amazes me is that it's 3.5 hours long, and there isn't a single scene where I feel it drags. In fact, I like "Seven Samurai" more every time I watch it.

Everything about this film (the script, score, acting, directing) is perfect.

I'd give it an 11 if I could, but I guess I have to give it a 10.
Story-Telling At Its Finest
Story-telling at its finest, "Seven Samurai" is a terrific film not because of a handful of memorable scenes or lines, but rather because scene-by-scene, frame-by-frame, it tells an interesting story as well as it is possible to tell it. The story and characters are developed carefully, and everything about the movie, from the settings and props to the musical score, is done carefully and expertly.

Mifune grabs the attention in most of his scenes, and Shimura's more restrained character is a nice balance. Those two have the best parts, but all seven of the samurai are memorable characters. The sequence of events that collects the seven together occupies the first part of the movie, and forms a perfect foundation for the rest. A few of the villagers are also portrayed nicely, although they are naturally overshadowed when the samurai are around.

The story always moves along nicely, with many ups and downs. It has enough unpredictability to keep you interested the whole time, without ever losing its credibility. There is plenty of action, but there is also substance behind the action to give it more significance. The only possible drawback is the long running time (you can always split it up into two installments, but it's more satisfying if you can watch the whole story through at once), but there is little that you could cut out, even if you wanted to. It holds your attention the entire time with a good story and great technique, not by resorting to sensational or sordid details.

This movie well deserves its reputation for excellence, and is one that everyone who appreciates classic cinema will want to see and enjoy.
Seven Samurai
There is a nuanced feeling between a new release could score an 8/10 (say THE DARK KINGHT RISE 2012) and a classic acquire the same rank, (but if divided more precisely, which I feel compulsory to do but in lack of a potential spur to re-set my entire rating system. TDKR is around 7.8-8.2 while SEVEN SAMURAI is surely wavering around 8.2-8.5).

SEVEN SAMURAI, an esteemed masterpiece from the reasonably most eminent auteur, Akira Kurosawa, not only from Japan, but the wholesale film history as well, why my belated first- viewing has a tad underwhelming collision, notably juxtaposed with another Akira's chef- d'oeuvre RASHOMON (1950, 9/10), which had been my one and only entrance before SEVEN SAMURAI, this action saga of seven samurai trains local village farmers and fights against bandits has a thrilling in-depth character-building deployment and the action sequences are cutting-edge of its time. And seminally a full-flown censure upon class discrimination could reverberate till today although we are miles away from the feudal era.

Against a 207 minutes running time, surprisingly I still cannot distinctively tell each samurai from their appearances and 4 of them all died from muskets is a grave ridicule of the deprivation-ridden samurai social stratum, nothing is remotely close to any dueling-style combat which I prefigured during the much-hyped final showdown. But the camera-work from Asaichi Nakai is a first-class roller-coaster ride since the fight kicks off, leaving a woeful curtain call of four disturbing graves standing under the background which potently ends the film in a provoking manner.

The cast are excellent by and large, with Shimura gives a composed and sage leadership with his empathetic charisma, Mifune, on the other hand, is more rely on his own panache to contradict his identity dilemma (from a farmer-born orphan to an unclassified samurai-wannabe). Several supporting roles are also glistening, Bokuzen Hidari's chicken and wordless farmer who finally delivered his only line during his last breath is striking deep in my mind. Miyaguchi's superbly practiced swordsman also exemplifies the most orthodox samurai image, they are all among the marrow of my first viewing.

The sway of the Harakiri spirit is ubiquitous, particularly among the ill-fated bandits, which occasions some random thoughts such as instead of executing themselves on the ultimate suicidal march, they could have retreated and recruited more people and then plotted their revenge which makes for a more common sense instead of being dragged from the horsed and slaughtered one by one by the samurai-farmer coalition. The storyline-setting seems to choose an easier way out and avoids undermining the film's integrity and leaving an edgy unfinished business, nevertheless is this some overt contrivance which plain suffices to facilitate the film which should be at least pointed out? Or maybe I should watch more Japanese films to digest their ethos and frame of minds?
A simple, brilliant classic
Seven Samurai is a movie about a small Japanese village having problems with bandit attacks. Therefore they decide to secure their safety by finding seven samurai who would defend them.

First, I would like to say that I have broken a few stereotypes after I have watched this movie. The facts that it is a long movie from the 50's, a Japanese one, and a black-and-white one, rejected me from watching it earlier. I got used to all of these facts pretty fast and just enjoyed this masterpiece.

The simplicity of the plot easily bought my full attention, as well as occasional comedy parts which successfully broke the monotony and came as a refreshment. It is interesting finding out how Japanese people were living in those times and it is shown really well. You actually manage to pretend for a moment you have left our advanced world and became a part of their primitive village.

I respected Kurosawa before I even watched any of his movies. I respect him even more now when I have watched this great classic and I will surely be looking for something else he directed. The reason why I did not give this movie a 10 is occasional bizarre cryings, runs, deaths, but that surely did not destroy the whole experience.
An epic masterpiece.
Seven Samurai is about a poor village under attack by bandits who recruit seven unemployed samurai to help them defend themselves. Akira Kurosawa's Seven Samurai is a masterpiece, it would be accurate to describe it has the best Japanese movie ever. The story revolves around a village cannot take the thieving by bandits any more. The villagers cannot take any more of this so they decide to hire a group of warriors to defend their village overseen by a warrior. Seven Samurai is just a terrific epic masterpiece that everyone must see. The film is long at 3 1/2 hours, and it is just captivating film making. Kurosawa's Seven Samurai is one of the most intelligent films ever made. The first hour is mainly concerned with developing the characters that inhibit the movie. When watching the film, the viewer is gripped by the dialogue and by the development of the characters as well. Seven Samurai is the cornerstone to which many directors have followed in developing their own movie and that is truly the sign of a marvellous movie. The battle scenes are epic and ground-breaking. Seven Samurai is a movie that everyone should see at least once in their live. Kurosawa is a master film-maker and one of a few cinema legends.
It Helped Define Film
This is a movie that makes over three hours seem like a few minutes. As with a great work of art, it appreciates on multiple viewings. This is a classic tale of an oppressed village under siege from enemies. They are plundered and attacked by murderous thieves and have little hope. Enter the good guys who aren't always seen as good guys. Yes, it is a classic plot, but there the comparison ends. The way Kurosawa frames his scenes, the action sequences, the close ups, the emotions expressed are seldom matched. This has everything: a massive spectacle with battle scenes unmatched, incredible acting by Kurosawa's stable, including his star Taoshiro Mifune. In the "High Noon" tradition, it has the theme that we need to help ourselves and not depend on others to help us. The Samurai, who have ruled for a long time, have fallen into disfavor and so there's a tension: Why should they fight if the villagers are only interested in keeping what is there's, even if it means constant raids and attacks. There are greater reviewers who have done justice to this film. I can only say that I am a huge fan.
I hate my attention span
As a child of late-20th Century cinema, I am unfortunately cursed with a terribly short attention span. As such, I didn't enjoy this 200-minute classic as much as I would have liked, because it totally exceeded the amount of time I can bring myself to spend with a movie. This is, of course, through no fault of Kurosawa or his brilliant cast and crew. I've not seen the cut-down 140-minute version, but the thought of shortening this film horrifies me because everything here is so vitally important and tremendously beautiful. To remove a minute of "Seven Samurai" is to destroy dozens of those cool little film techniques and acting nuances that separate the wonderful films from the merely good. I personally just have to watch it one tape at a time...
In 1954, Kurosawa made foreign film history with Seven Samurai. Everything about this film is just absolutely terrific. The film lasts around 3 1/2 hours, and every minute of it is unbelievable filmmaking. Kurosawa's blend of stellar craft, captivating cinematography, ravishing art direction, and unforgettable characters makes this one of the most intelligent films ever made. The first hour is devoted to devoloping the many four-dimensional characters which inhabit the film throughout. When watching the film, the audiece cares for, trusts, mourns and ultimately believes every single attribute the characters have. Samurai set up the way that many action films are made today; films like Predator and Alien still work within it's boundaries. The battle scenes are terrific and the fast-paced editing is ground-breaking. If people have a problem with subtitles and long movies, then see this and your opinions will change. The sheer filmmaking of Kurosawa will not disappoint. Also see Yojimbo and High & Low.
Seven Samurai
Kurosawa was considered the most Western of great Japanese directors (too Western, some of his Japanese critics sniffed). "Seven Samurai" represents a great divide in his work; most of his earlier films, Jeck observes, subscribe to the Japanese virtues of teamwork, fitting in, going along, conforming. All his later films are about misfits, nonconformists and rebels. The turning point can be seen in his greatest film, "Ikiru" (1952), in which a bureaucrat spends his days in the rote performance of meaningless duties but decides when he is dying to break loose and achieve at least one meaningful thing.There is also an instinctive feeling for composition. Kurosawa constantly uses deep focus to follow simultaneous actions in the foreground, middle and background. Often he delineates the distance with barriers. Consider a shot where the samurai, in the foreground, peer out through the slats of a building and across an empty ground to the sight of the bandits, peering in through the slats of a barrier erected against them. Kurosawa's moving camera often avoids cuts in order to make comparisons, as when he will begin on dialogue in a closeup, sweep through a room or a clearing, and end on a closeup of another character who is the point of the dialogue.
📹 Seven Samurai full movie HD download 1954 - Takashi Shimura, Toshirô Mifune, Yoshio Inaba, Seiji Miyaguchi, Minoru Chiaki, Daisuke Katô, Isao Kimura, Keiko Tsushima, Yukiko Shimazaki, Kamatari Fujiwara, Yoshio Kosugi, Bokuzen Hidari, Yoshio Tsuchiya, Kokuten Kodo, Takuzo Kumagaya - Japan. 📀