🎦 Saving Private Ryan full movie HD download (Steven Spielberg) - Drama, Action, History, War. 🎬
Saving Private Ryan
Drama, Action, History, War
IMDB rating:
Steven Spielberg
Tom Hanks as Capt. John H. Miller
Tom Sizemore as Sgt. Mike Horvath
Edward Burns as Pvt. Richard Reiben
Barry Pepper as Pvt. Daniel Jackson
Adam Goldberg as Pvt. Stanley Mellish
Vin Diesel as Pvt. Adrian Caparzo
Giovanni Ribisi as T-5 Medic Irwin Wade
Jeremy Davies as Cpl. Timothy P. Upham
Matt Damon as Pvt. James Francis Ryan
Ted Danson as Capt. Fred Hamill
Paul Giamatti as Sgt. Hill
Dennis Farina as Lt. Col. Anderson
Joerg Stadler as Steamboat Willie
Max Martini as Cpl. Henderson (as Maximilian Martini)
Storyline: Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...
Type Resolution File Size Codec Bitrate Format
1080p 1920x1040 px 6160 Mb h264 5081 Kbps mkv Download
HQ DVD-rip 960x432 px 1109 Mb h264 915 Kbps N/A Download
The perfect war movie..
"Saving Private Ryan" is one of those movies you can't believe didn't win the picture Oscar. That didn't stop it though from reaching such a huge audience and touch the lives of millions. The movie has one of the best introductions ever put on screen. The attack on D-Day is immensely powerful and painfully well directed. Steven Spielberg knows exactly how to make this movie strong and action-driven while focusing on the psychology on the characters and the cruelty of war.

The movie is about 8 men searching for a soldier by the name of James Ryan (Matt Damon), who's the last of four brothers still left alive. After the attack of D-Day most of the soldiers still suffer the war syndrome and seem very doubtful of finding one person in a whole war-zone. Back at home, Ryan's mother gets a letter about three out of four of her sons dying in war, and begs the soldiers to find her last one.

It's a beautiful film that depicts war as it should be. Vicious, disgusting, violent, heartbreaking, unfair, and tragic. Spielberg's use of the hand-held camera is almost breathtaking, as he gets right into the action and swings left and right to create a sense of realism and panic. His incredible editing and beautiful cinematography is unforgettable and is strongly influential.

Tom Hanks gives an incredible performance as Captain John Miller, a dedicated and loyal soldier who's on the verge of losing his mind. The pressure from being a captain and enduring the worst attack in history sends him in mental torture, trying to covering his pain and suffering from the rest of the soldiers.

The story doesn't focus on the heroic aspect, but rather the truth about war. Spielberg knows that even though you get to know the characters, they have a chance of dying. There is a unique subtlety in that these characters seem to have the drive to save private Ryan so they could go home.

Definitely one of the best directed films in a long time, "Saving Private Ryan" is a bright gem in recent film-making. Robbed of the Picture Oscar, the movie is a true representation of D-Day and post D-Day. It's a movie that inspires above all else.
Pretty bad history
I was hoping for an accurate war film for a change (take a look at the Battle of the Bulge for a really bad example). What Spielberg shows us in his Omaha Beach scenes makes me wonder

which Omaha Beach assault he is trying to portray. Those who know little about the battle (that's almost everyone who's in the theater) probably now have the idea that every other soldier who landed on the beach before noon was either blown to smithereens or badly wounded.

Believe me, the 1st and 29th Divisions would have been annihilated if it

were as bad as it's portrayed and would never have been able to scale the cliffs and rout the enemy by early afternoon, which they did. I wonder, for example, how wide most viewers think Omaha beach actually was. In the film it looks about a couple hundred yards. It was, in actuality, almost ten miles wide. The timing was also inaccurate - Hanks goes up the cliffs at what appears to be 8AM. Nobody made it before 11AM. Another historical error is the implication that the events at Omaha were similar to those on the other four assualt beaches (Juno, Sword, Gold and Utah). That's totally incorrect. Utah Beach, for example, the other US assault beach, took about a dozen casualties - many of those due to accidents during the landing rather than from enemy action. But the worst part of the movie was the completely idiotic script. Here we have the US Army sending a squad(a squad!!!) to march straight thru the entire German 7th Army (something two Divisions, with total air superiority couldn't do for weeks), waltz around an area of 300 square miles, and expect to find a guy named Ryan. If they wanted to do any of this nonsense, the Army would have sent them in on the gliders that flew into the area the very next morning. "Gliders, what gliders"? said Spielberg. That's what happens when you have a scriptwriter who doesn't know very much about his subject. A stupid, stupid film. What a waste of $100M or so.
Good, but with major flaws
All in all this isn't a bad war flick, its got a good story that flows well and i enjoyed it for the most part, there were a few moments that were dull and slow moving but on the whole it moved well and kept me interested. However the dialogue is not up to scratch in some areas particularly when the band of soldiers first set out to find Ryan, its very banal. A major problem i had with the film (and it is a fairly big one) is the nauseating patriotism that emanates from it. This seems to be a problem with others here as well, it's just irritating and spoils the whole movie for me, it's hard to ignore it because it is felt throughout the movie, in some parts more than in others, especially at the end there where the American planes bomb the German positions and the viewer once again has America to thank for saving the day. I just can't stomach that really.
a MUST see!!!!
i first saw this movie on T.V. one night with my father, but only saw bits and pieces. I decided to rent it one night and watched the whole thing in my basement. From the start to the finish i thoroughly enjoyed the movie.i had seen a couple other world war two movies, but none of them compared to this. it was interesting how Spielberg made everything look like it was back then, with the costumes, weapons and scenery!!! overall, this movie seemed like one of the best out there, and i personally think it's spielbergs best. If you haven't seen it yet, then i HIGHLY recommend you go out and rent it some time. It's a great movie and definitely worth watching!
The Greatest War Movie Ever Made
It gives a million reason why no one should go to war and one very powerful reason to go to war. It is a soul numbing realistic depiction of what our grandfathers, fathers, uncles, brothers and sons have faced in humanities darkest moments. Not just in WWII but in any war. No one can see this movies without being altered in some way. No one should miss it with the EXCEPTION of those war veterans that have already been there. The surround sound puts the audience in the middle of the battle.

Steven Spielberg has out done himself and effectively held up a mirror to civilization for events to which we should all be ashamed of, rather than appalled at the movie for its real life depictions. I suggest that this movie be made standard view for congress as well as the President each and every time the question of war comes up. This movie would not stop future wars but I would hope the objectives would be much more clearly defined. I say this as a US Marine.
B-movie about D-day.
The more I think about this film and read differing reviews about it the more I feel it wasn't meant for me. I'm a Finn, not American. I don't know if Spielberg meant this film as a last hoorah for the G.I.:s, but to me that is what he made. All right the film does have something to tell for everyone: in the insane theatre of war one should try to do the right thing, have courage to do it, that your actions have consequences, war as a whole creates nothing but bad feelings and probably something else too but nothing that has not been told earlier.

And I suppose that isn't so bad, I mean there have certainly been worse films. But what does bother me is that Spielberg set out to do a film about what war is really like and to me, he failed. Yes I have seen the opening scene and to me it was more about exploitation and action film then about anything else and not even very memorable action. Even if one would skip all the omissions and strange things about the film (in the landing scene no naval artillery support, no air force support and the illogical German tactics in the final battlescenes) to me the main plot is a strange curiosity that only serves to illustrate that the average soldier wasn't that interesting or important. Apparently with some links to reality the main plot remains distant and odd to me.

With Oscar, block-buster, critically acclaimed material as ww2 with all the gore how could Spielberg go wrong? First of all the acting. Well I could not stop wishing there would have been some lesser known actors used, maybe even amateurs. A lot has been made out of the cinematography and yes, it is good. Although to me it is not so effective when there is apparently too much money to make a film and then the camera work tries to make it look more realistic. As ww2 films go this film is a far cry from "Come and See". Yes I do admit that flag waving is a common problem among ww2 movies, I just wished that Spielberg could have avoided it.
The most realistic harrowing battle scenes ever filmed...
Steven Spielberg makes a unique motion picture in regards to the D-Day invasion of World War II just in the gritty reality of the detail… For more than twenty minutes he revives for us the landing at Omaha beach… No one was prepared for how horrific it really was… No one understood what was going on: The terror, the chaos, the maelstrom of bullets, the near-deafening explosions…You really got a sense of what these guys had to go through…

Within that perplexity, the focus settles on six soldiers under the command of Capt. Miller (Tom Hanks) after they've survived their terrible hours breaking through the first line of German defense, they're given a strange perilous mission, to find one man, Pvt. Ryan (Matt Damon), a paratrooper who's somewhere behind German lines… For them, it's an abstruse order, but they have to get it done…

Throughout the film, Spielberg's attention to detail is amazing… For me, the most chilling scene in the movie is the death of an American officer… It's one of the most intimate… It's also a slightly confusing moment because two German characters resemble each other so greatly…

Toward the middle, a German soldier called "Steamboat Willie" is introduced… By the end of the film, he has become the 'bad' German… Later in the movie, another German is involved in the final fight… He takes part in an exceedingly painful scene of hand-to-hand combat with the American soldier… The two German soldiers have similar short haircuts and black uniforms… Because they looked so much alike, many of us have believed that they're one character… They're not, and the distinction of the two is very significant…
Simplistic Schlock for the Simple Minded
Great film is an illuminating thing: it shines its light into the dark recesses of humanity, revealing the greed, hatred, and hypocrisy that fester there. Bad film is often just as revealing: its existence and reception serve as a mirror reflecting the hearts of its intended audience. Saving Private Ryan is a classic example of the latter, in the flickering light of its propagandistic glow, the American people stand revealed for what they really are: stupid, self-absorbed, morally unsophisticated rubes ready to be fleeced by the first charlatan who comes along and tells them what they want to hear.

"Saving Private Ryan" is typical Steven Spielberg fare: a big budget spectacle, bereft of style, filled to the brim with childishly heavy-handed moralizing and peopled with facile "characters" who exist only as cardboard cutouts for the ensuing morality play. Even the film's underlying subtext is an old Spielberg standby - America GOOOOOD, Nazis BAAAAD.

The plot of Saving Private Ryan revolves around a simple moral question: is saving one life worth potentially sacrificing the lives of many? This fourth grade ethical dilemma is played out for nearly three hours over the background of the brocage of Normandy in the hours and days immediately after the D-Day landings, and is handled with Spielberg's usual wandering attention, ham-fisted lack of subtlety and babbling pop psychology. Spielberg being Spielberg, there's never any doubt how the question will ultimately be answered (hint: with saccharine sentimentality in front of a tombstone - because, obviously, the same scene wasn't manipulative enough when it was used to close Schindler's List).

The film opens with thirty minutes of unremitting carnage as US soldiers assault Omaha Beach. This opening scene has been hailed for its savage realism, but it is in truth one of the more cynically manipulative sequences in recent memory, full of irritating, disorienting jump cuts, pornographically Gibsonesque attention to gory detail, camera tricks and special effects artifices, all accompanied by a deafening soundtrack designed to overwhelm our capacity to think about what is being portrayed on the screen and to push us to simply immerse ourselves in its reductive US vs. Them POV. When I saw this film in the theaters, the audience cheered when the first German soldier was killed, then cheered again when American troops murdered surrendering Germans in cold blood: this, I'm sure, was Spielberg's intent.

Having bulldozed and buried any hint of the moral ambiguity of war, Spielberg gets around to the heart of the movie. It has been discovered by the War Department that one Private Ryan (Matt Damon) is now the sole surviving son of a family who has sent five sons to war. Unfortunately, Ryan was a part of the paratrooper drop that preceded the Normandy landings and is missing behind enemy lines. In a moment of supreme hokum (complete with a quotation of a letter by Abraham Lincoln that wouldn't feel out of place in a Ken Burns documentary), Army Chief of Staff Gen. George Marshall (Harve Presnell) decides that an effort will just have to be made to save Private Ryan.

At this point, Saving Private Ryan becomes just another motley-crew-of-experts flick. A team of caricatures is assembled: the tough-as-nails seargent; the feisty Italian; the pious Southern sniper with Talent on Loan from God (if the historical setting had been Vietnam, I'm sure this character would have been replaced by Cuba Gooding Jr. as The Magic Negro); the REMF pussy - all led by Tom Hanks in the role of Tom Hanks, Captain Everyman. Call them the Sanitized Seven. Battles ensue. Some of the caricatures die (does anyone really remember which ones?). The Germans never miss an opportunity to remind us how EVIL they are. One wehrmacht man - having been saved from certain death at the hands our intrepid heroes by the earnest pleas of the REMF - returns only to slowly and sadistically stab an American to death. Oh those tricksy Krauts! In the end, Ryan is saved and Tom Hanks is dying. But it was all worth it. Cue the graveside maundering. USA! USA! USA!

The problem with Saving Private Ryan is the problem with everything Spielberg touches. More broadly, it is the problem of the American commercial cinema. Lacking the courage of any real conviction, it cannot offer any challenge to its audience. Instead, it panders to that audience with easy answers, impressive effects, a soundtrack that booms and tinkles in all the right places and a nice mom's apple pie pat on the back for every red blooded American. What's missing is even the faintest glimmer of awareness that the world doesn't break down neatly into heroes and villains, cowards and the courageous, us and them. In the place of subtlety, it gives us spectacle, in the place of art, it delivers technically proficient propaganda.
So it is sort of based an a true story?
I will be blunt 2 out of 10. The only people who will rave about this are Americans who have won this war but the First and every other war that has happened (just watch U-571 if you don't believe me and to think in really life and not films it was the British that got the Enigma machine!). Steven Spielberg I would just like to say how believable the first half an hour was with the scenes on the beach. Someone as young as me can only imagine the horrors of what those brave men (that is British, Australian, French, Dutch etc) went through in both World Wars (to me and the trenches of the First would be the most horrific). These behind the scenes men would not care about one person and other men could not be spared to go and find him! I know for a fact they do not as my Great Grandmother had to endure something similar in the First World War! I also wonder if these script writers do any research or care about history? The answer is no.
Wise Up People
War films can be broken into two basic categories; the propaganda film, which celebrates bravery and patriotism; and the anti-war film, which shows the suffering and futility of war. The most extreme propaganda films are usually produced when a war is threatened or actually in progress and either demonize or belittle the individual enemy soldier. This is useful for both inspiring the home front and for assuring it that there will be an ultimate victory. While these films play well with a wartime audience they appear somewhat silly when viewed in a post-war environment.

An exception to this war-in-progress concept was is "Saving Private Ryan". Cloaked in an anti-war facade, this film was more typical of what would have been produced in 1944 (its setting) than 1998 (its year of release).

Under its thin anti-war facade of realistic looking destruction, Private Ryan breaks with the characterization elements that are essential for classification as an anti-war work. Almost by definition anti-war films use a faceless enemy ("Paths of Glory") or portray the enemy soldier as sharing in the suffering and futility of war ("The Enemy Below"). Often they are portrayed as victims of a fanatical leadership and the audience is invited to identify with or at least understand them ("The Longest Day").

This is because after a war, both the victors and the vanquished have an incentive to portray their enemy as brave and determined, otherwise victory is hollow and defeat is humiliating. Not so in Private Ryan; if the German battle performance and basic infantry tactics shown in the film were representative of what was actually practiced, a single allied division could have occupied all of Germany by the end of June 1944. The final battle scene alone makes the viewer wonder how, facing such a totally inept enemy, the war could have gone on more than a few days after the D-Day Landings. Among the most obvious:

A sequence where American soldiers run back and forth in front of a Tiger I tank without drawing the fire of the tank's machine guns. These tanks had internally operated machine guns, which would have easily cut down these soldiers. Knowing this the soldiers would not have exposed themselves to this fire.

Tanks entering an urban area ahead of infantry, driving down the middle of the town as if on parade. Instead infantry would flank any defensive position on the street and secure the area immediately ahead of the tanks so they do not come into range of anti-tank weapons. These tactics were validated during early fighting on the Russian front and became operational imperatives for all Panzer units.

A Hitler Youth dagger found in the trench right after the first bunker is taken on the beach. The men in these bunkers were mostly older second-tier draftees and Ukrainian conscripts. Normandy was not expected to be the invasion target and it's highly unlikely that a member or former member of the Hitler Youth would have been assigned to these marginal units. But it was an excellent way to make the audience less squeamish about the brutality inflicted by the allied soldiers when these German units attempted to surrender.

So just what is "Saving Private Ryan"? The first 24 minutes are a high budget remake of the "Longest Day" whose less expensive landing sequence conveyed more tactical believability about the process of securing a beachhead. The next 90 minutes are a mistake-ridden, choppy, and contrived remake of "The Big Red One". Ultimately, this overlong odyssey said less about patrolling behind enemy lines than "Kelly's Heroes"- a counterculture comedy whose serious scenes and character development were superior in almost every way.

Then there is the finale, a total rip-off of Arthur Pohl's "The Bridge" (1949), which focused on a handful of recently conscripted German schoolboys who fight for control of an inconsequential bridge during the last weeks of the war. They were at the bridge because of a series of accidents and they naively stayed there because of their youthful idealism and sense of duty. Like Private Ryan, most do not survive the engagement. What is notable is not that Pohl was able to make a much better film for a fraction of the cost (that is not particularly unusual), but that he was able to convey more perspective four years after the event than Spielberg could manage 50 years later.

But these criticisms of Private Ryan are based on the assumption that Spielberg's intent was to make a worthwhile war film and there is simply nothing to support this assumption. More likely Spielberg's agenda was make money while subtly refuting post-war portrayals (such as "Das Boot" and "Cross of Iron") of the German soldier as something more than the sub- human creature of WWII propaganda days or the cartoon villains of his own "Raiders of the Lost Ark" series.

The genius of Private Ryan is its success in packaging this sick message inside a commercially successful film. At the time of its release and its almost universal acclaim, this aspect of the film was largely unrecognized (and unexamined) by both audiences and critics. In this respect it owes less to the war films it shamelessly plagiarizes than to early 1950's cinema, where McCarthy-paralyzed Hollywood directors resorted to subtle themes that went undetected by studio executives and regulators. Only recently has its status begun to erode as individual critics more carefully examine its elements, away from the euphoria that surrounded its initial release

Although "Saving Private Ryan was popular, remember that the "Rat Patrol" ran for 58 episodes, watched by television audiences who were also entertained by similar silly nonsense.

Then again, what do I know? I'm only a child.
📹 Saving Private Ryan full movie HD download 1998 - Tom Hanks, Tom Sizemore, Edward Burns, Barry Pepper, Adam Goldberg, Vin Diesel, Giovanni Ribisi, Jeremy Davies, Matt Damon, Ted Danson, Paul Giamatti, Dennis Farina, Joerg Stadler, Max Martini, Dylan Bruno - USA. 📀