🎦 Reservoir Dogs full movie HD download (Quentin Tarantino) - Crime, Drama, Thriller, Mystery. 🎬
Reservoir Dogs
Crime, Drama, Thriller, Mystery
IMDB rating:
Quentin Tarantino
Harvey Keitel as Mr. White - Larry Dimmick
Tim Roth as Mr. Orange - Freddy Newandyke
Michael Madsen as Mr. Blonde - Vic Vega
Chris Penn as Nice Guy Eddie Cabot
Steve Buscemi as Mr. Pink
Lawrence Tierney as Joe Cabot
Randy Brooks as Holdaway
Kirk Baltz as Ofcr. Marvin Nash
Edward Bunker as Mr. Blue
Quentin Tarantino as Mr. Brown
Steven Wright as K-Billy DJ
Rich Turner as Sheriff #1
David Steen as Sheriff #2
Tony Cosmo as Sheriff #3
Storyline: Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won't get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.
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WARNING - Reading this review may cause you to achieve maturity.
I coughed up good money to see this revolting waste of celluloid at a late-night grindhouse showing back in '94. As I queued outside the cinema in the freezing cold, I was surrounded by excruciatingly nerdy teenagers who quoted the dialogue ad-nauseum, urban 'sophisticates' giggling like naughty schoolkids at the thought of the "controversial" film they were about to see, and curious students who, in retrospect, were obviously willing to accept whatever sadistic, would-be 'blackly comic' crap was doing the rounds before TRAINSPOTTING came along and gave them what they deserved. Finally, we got into the cinema, and as the film began with a long, tedious and desperately unfunny conversation about guys with big dicks, the lyrics of old pop songs and the validity of tipping waitresses, several people in front of me got up and left. A couple of the comments I overheard were "This film sucks arse!" and "What a waste of f***ing money". I wanted to join them, but I thought as I'd paid to see the film, I might as well stay until the end. By the end, I was bored, resentful, fidgety, nauseated and thoroughly let down. Who decided this was a CLASSIC? Almost two hours of lumpenly racist, misogynistic, thick-witted 'bad guys' dressed up like Jake and Elwood Blues, waving guns around, bellowing obscenities, bleeding, hacking, slashing, punching and torturing their way through one of the most banal, cliche-ridden and hackneyed scripts in cinema history does NOT amount to a classic. Yet all around me there was awed silence, gasps of "brilliant" and people falling over themselves to praise Tarantino's homoerotic gangster fantasy in ever-more lavish terms. It seemed that everyone in the cinema seemed intent on endlessly reappraising a huge, stinking turd until they'd convinced themselves that it really WASN'T a turd. And, depressingly, so do many of the reviewers here.
Tarantino's most moral and complex parable.
UNC professor Kent Brintnall stated, "Tarantino's film is, on one reading, a reductio ad absurdum on the cult of masculinity"; film-maker and critic Robert Hilferty noted,"violent language and violent acts define the power politics of male sexuality, on which Reservoir Dogs is a virtual tragicomic essay".

Every frame in Reservoir Dogs exists to expose the damaging consequences of our society's warped view of masculinity and how it is intertwined with violence. The film's emotional core, and what elevates it to greatness, is the profound bond that exists between Mr. White and Mr. Orange. Their non-traditional dynamic (in which they both exhibit "feminine" traits; White's compassion/tenderness, Orange's vulnerability) is presented as something superior that exists outside of the masculine. The way 12 Angry Men is a film featuring white men while exposing the trappings of white male privilege, Reservoir Dogs is a film featuring hyper-masculinity that celebrates gender non- conformativity. It is Tarantino's most moral and complex work.
Don't Believe The Hype - It's Not That Good
RESERVOIR DOGS exploded onto cinema screens in 1992 and I can still remember the shock waves it caused due to the excessive violence . If memory serves me right Glasgow Council came very close to banning it from cinema chains in the city and they weren't alone in trying to do this either as newspaper headlines and word of mouth screamed how violent the movie was as Quentin Tarantino became the most infamous and influential movie director of the mid 1990s . RESERVOIR DOGS was finally allowed a British network TV transmission in the Summer of 1997 on channel 4 . I was rubbing my hands in anticipation at seeing this movie . After seeing the movie I felt disgusted . Not because it was a movie whose violent content had sickened me but because I'd fallen for the hype like a total shmuck . This must be the most overrated movie of the 1990s


First of all the characters meet in a diner . If you're carrying out a heist is it a good idea to gather in a public place where potential witnesses can identify you ? And would a bunch of robbers be interested in discussing the lyrics of Madonna or the films of John Holmes ? It might be cool and trendy to discuss pop culture but in the context of this movie it's illogical . Soon the narrative switches to a warehouse where the robbers have arrived after their disastrous heist and we're treated to some very obvious exposition : " F***in' sick f*** . Why'd he do that ? Did you see what he did to that girl ? How old was she ? Nineteen ? F***in' sick motherf***er " After the movie finished this is what bothered me - I had expected the movie to end by showing us the massacre at the bank BUT THIS NEVER HAPPENS ! and I can't describe how cheated I felt . Okay we're shown the various robbers making their getaways but not once are we shown the much referred to robbery itself which made me feel very disappointed , not because I wanted to see teenage girls get murdered but because it instinctively felt like it should have been the centrepiece scene / climax scene of the movie

As for the rest of the movie's reputation for violence it's ill deserved . There's buckets of blood but many , many movies also feature buckets of blood and gore and don't receive half as much attention as RESERVOIR DOGS . Remember the much criticised scene of the cop getting his ear cut off ? Didn't anyone notice that this actually happens off camera ? Ironically enough the only murder that did disturb me - " What this cop ? " BANG - is chilling because it's committed so coldly not because it's graphic in any way .

Is there anything I like about RESERVOIR DOGS ? Harvey Keitel is the type of actor I'd watch even if it involved him reading out his shopping list , and the scene where it's revealed who the undercover cop is memorable along with the compelling " How's he going to explain that to the bad guys when they return ? " storyline . But at the end of the day I can't help thinking RESERVOIR DOGS is ruined by its much hyped reputation . WHITE HEAT is a very similar movie and a much better one

RESERVOIR DOGS gets six bones out of a possible ten
Major Letdown
I heard so many good things about this movie before I finally saw it, and I was misled. With a shorter running time, it seemed like there was an attempt to pack in a vast amount of plot, but it ended up seeming like more time was wasted because of it.

With such a fine cast, I was expecting some fine performances. I wasn't disappointed as far as that goes. I'll admit the variety of characters was interesting and fun to watch at times, most notably during the first scene. That's about all it has to offer though.

The basic concept of strangers getting together for a crime isn't a bad idea on paper, it just didn't work out at all for this script. I kept hoping the writing would get better as the movie went on, but after about a third of the way through, I knew what I was in for.

I really don't think there's anything groundbreaking here, even for 1992. Crime movies have been done, and been done better. This seemed more like a fantasy crime movie that would only be interesting to the person thinking about it in their own unique way.

There's also some torture scene put in, which I really thought didn't need to be. It didn't seem like it fit in, at least to the extent of what happened. So what's the bottom line here? Well, it's crime movie with a semi interesting plot, a lot of tough guy talk, and an overall letdown of what could have been. 4/10
I thought it was boring, rambling and way over rated - and I did watch it three times to see whether I'd missed something as everyone was raving about it.

It wasn't THAT original. Was it?

The expectation of many people telling you to go and see was a bit too much for me, I think just maybe there must have been something deeply subliminal in the film, and my brain just doesn't have that part.

really a great movie!
I watched this movie for the first time without knowing what the movie was about. I remember hearing about how cool this movie was and I saw people wearing shirts and listening to the soundtrack, but I had never seen it. So when it first came out on DVD, I bought it without ever watching it before. In Tarantino I trust. For good reason. This is a classic movie, a throwback. A movie about a jewel heist gone wrong and the consequences of working with strangers. This flick has a great cast, great script, and flawless direction. Taratino films are great because they stress the story more than anything else. In all of his movies, the script is strong enough to carry the movie. Now add good over the top acting and you have a hit. The realism of this movie is what grabs you. You really feel like you are in that abandoned warehouse. If felt privileged to have bought such a movie without watching it first. An instant classic. I love this movie!
This Little Doggie Bites
Reservoir Dogs is the debut film of director Quentin Tarrantino. While its not a masterpiece like his later effort Pulp Fiction. For a first time effort coming from a video store clerk who didn't go to film school, this is a remarkable achievement in the world of independent cinema.

The storyline is simple. Crime lord, Joe Cabot and his son "Nice Guy" Eddie have arranged a diamond heist. To cover their tracks, they hire several associates who don't know each other personally and thus can't give information out in case they get arrested. These associates are Mr White (played by Harvy Keitel), Mr Pink (played by Steve Buscemi), Mr Orange (Tim Roth), Mr Blonde (Michael Madson), Mr Brown (in a cameo by Quentin Tarrantino) and Mr Blue (played by real life former criminal Eddie Bunker). The heist immediately fails ending with a massacre that leaves Brown and Blue dead, Orange has been shot, leaving it to others to figure out who snitched them. What makes the plot interesting is not in the story itself but how it's told. When discussing mainstream cinema, Andy Warhol said that "All the interesting bits of a film are left in the cutting room floor". Reservoir Dogs is the anti thesis of Hollywood filmmaking. Yes, the heist happens but we don't see it. What we get however, is the events that happen before and after, feeding enough details to figure out what happened.

This is Tarrantino's skill as both story teller and director, he can make details or characters we don't even see seem significant. Part of this is easily attributed to the excellent script. This is where the dialogue deserves a special mention. In an ordinary film, the dialogue is typically used just to explain the plot to the audience. Tarrantino breaks this rule by letting his characters converse from Brown's graphic explanation of Madonna's "Like a Virgin" to the humorous interaction between Eddie and Blonde. By avoiding the usual traps that plague Hollywood films, Tarrantino manages to make a movie solely dedicated to its characters and their knee jerk reactions to the heist.

Raising the mark even further for the film is the carefully chosen ensemble cast. Harvey Keitel is superb as Mr White. His skills shine in the films early scenes where he shows his empathy with the dying Mr Orange. One might say that this portrayal is almost the exact opposite of the typical hardened criminal.

Michael Madson, whilst having a limited screen time delivers the films most infamous scene as Mr Blonde, a psychotic criminal who is both brutal and cool. His dry deadpan delivery sets up most of the films tension. Perhaps the most memorable performance however goes to Steve Buscemi as Mr Pink. Out of the entire cast or characters, Pink is the most interesting which is ironic given that he is the only character we know nothing about. Buscemi manic performance proves equal match for Pinks loyalty and concerns about what is "professional" in the crime world. It is the films finest and most articulated performance. Reservoir Dogs is still not perfect though and I wouldn't recommend it to all people. For starters, Tim Roth's performance as Mr Orange while strong suffers greatly from his constantly slipping vernacular. You won't be sure is he's Italian American Mafioso, a street wise kid or simply a whiny brat. Thankfully, his most of his dialogue is kept to minimum as he spends much of his screen time lying in a pool of blood. Secondly the level of violence in this movie is bloody and gratuitous, peaking at the torture scene which was reportedly disturbing enough to prompt several people to leave the theatre. Yes the film is violent, but in the stylized way of the Hong Kong films that inspired it. Thirdly, the film is full of enough profanity laden dialogue to fill a text book. I don't actually mind it though, as it makes sense given that these characters are p*ssed off at the failure of such a carefully planned heist. But if you cant stomach excessive bad language, then isn't the film for you. These arguments should not be seen as detractors to the film though. Would I recommend Reservoir Dogs? That depends. If you're a cinephile, a pop culture fanatic or just want to see a refreshing film, by all means do. If however you're a concerned parent who wants to see something with the children or someone who cant stand such graphic violence and language, then avoid it all costs. Make no mistake though, this is a fantastic film that paved the way for the way for the career of a talented director.
A bloody mess of a great early quintessential Quentin film
***1/2 out of **** stars

Okay...I've been a big fan of Tarantino's work since he exploded onto the scene in the early nineties. I've watched Dogs several times and watched it again tonight on IFC with the instantaneous intention to finally review it. Not for the squeamish, this one: large pools of blood; screams of pain; a severed ear; people (cops mostly) being blasted with deafening gun shots...so how can Dogs be so darn funny with so much carnage and suffering? Well, it's what makes Tarantino so darn special; the melding of gut-busting dialogue and gore, along with the prototypical wardrobes of black and white gangsta suits. Let us not forget Quentin's love for 70s nostalgia as well, which in one case is evident in his characters parleying about bygone blacksploitation movies and television shows. And what a fantastic ingredient to use Steven Wright's dead-pan voice to introduce all those archaic B-siders on K Billy's Super Sounds of the 70s.

A lot of Reservoir Dogs could be a stage production. I can easily imagine sitting front row in a playhouse watching all the actors hit their marks with precision, and hearing their voices reverberate throughout the building. Obviously, I speak of the warehouse scenes. For me, this is quite an accolade because how often can actors work so wonderfully and successfully in two different mediums with the same story? I realize that Dogs has never been made into a play, but it could be...don't you think?

Only a half-wit would bitch about Tarantino's formulaic storytelling. Does every movie have to begin, then go on to the very next thing, and the very next thing, and the next, and the next? Tick tock tick tock? Zzzzzzzz. What brilliance to amalgamate past, present and future with such rotating uniqueness. Keep teaching your audience to tune-up Quentin. Nothing wrong with starting your story somewhere in the middle and going anywhere you want from there. Way to go man, is what I say.

It seems as if Tarantino's career will be a bit like Kubrick's: quality instead of quantity. The bummer is having to wait for his next project, which can never come soon enough for me. What I love most about Q is his obvious great love for film-making. He seemingly has a child-like enthusiasm for the creative process, and his love for simply viewing movies, let along making them, is very evident.

Keep making movies as if you're watching them for $9.50 like most of us Quentin. If you do, you'll always have an audience that is just as excited about your stories as you are!
A BLOODY classic!
Reservoir Dogs will always go down as one of the most violent yet brilliant pieces of work ever to be shown on the silver screen. Tarrentino's script is brilliant and what is even more amazing is that it is his first movie. The acting is top grade , all the actors seem to come up with the performance of lives. There were calls when the film was released for it to be banned by the lilly livered liberals and while this is bloody and the language is coarse, for it to be banned would have deprived us of a classic Hollywood movie that oozes class as well as blood! 10 out of 10
Ten years on - still brilliant!
It's hard to get your head around the fact that 'Reservoir Dogs' has been around for ten years. It's almost difficult to remember a time before Tarantino made such an enormous impact (good and bad) on movies, but I saw this movie first time round before the hype. All I knew was that, like another "dog" movie from the same era that I saw, 'Man Bites Dog', that it was supposed to be violent, funny and disturbing, and that it starred a long time favourite of mine Harvey Keitel, and Tim Roth, who I mainly knew from Greenaway's 'The Cook The Thief His Wife & Her Lover'. Okay, I hope it's good I thought as I waited in the cinema listening to some half remembered 70s A.M. pop and a strange conversation about Madonna's sex life (the cinema was playing the soundtrack album before the main feature, but what did we know). Then the movie itself, electrifying and fascinating from the word go. It's impossible to describe the impact of seeing this for the first time without knowing what to expect! Still one of my greatest movie memories. Ten years later I've seen it countless times so the surprise has obviously worn off, but it is still a brilliant movie because beneath the violence and wise-cracks of Mr. Pink (Steve Buscemi - 'In The Soup'), Mr. Blonde (Michael Madsen - 'Thelma & Louise'), and Nice Guy Eddie (Chris Penn - 'At Close Range'), there is a lot of depth, that being the very human relationship between Mr. White (Keitel) and Mr.Orange (Roth). To me that is one of the things that elevates this above the many lame and unoriginal "Tarantinoesque" movies we've had to endure since 'Pulp Fiction'. His imitators just simply don't have a clue!

Simply brilliant cinema, and a modern classic. This is absolutely essential viewing!

📹 Reservoir Dogs full movie HD download 1992 - Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi, Lawrence Tierney, Randy Brooks, Kirk Baltz, Edward Bunker, Quentin Tarantino, Steven Wright, Rich Turner, David Steen, Tony Cosmo, Stevo Polyi - USA. 📀