🎦 Reservoir Dogs full movie HD download (Quentin Tarantino) - Crime, Drama, Thriller, Mystery. 🎬
Reservoir Dogs
Crime, Drama, Thriller, Mystery
IMDB rating:
Quentin Tarantino
Harvey Keitel as Mr. White - Larry Dimmick
Tim Roth as Mr. Orange - Freddy Newandyke
Michael Madsen as Mr. Blonde - Vic Vega
Chris Penn as Nice Guy Eddie Cabot
Steve Buscemi as Mr. Pink
Lawrence Tierney as Joe Cabot
Randy Brooks as Holdaway
Kirk Baltz as Ofcr. Marvin Nash
Edward Bunker as Mr. Blue
Quentin Tarantino as Mr. Brown
Steven Wright as K-Billy DJ
Rich Turner as Sheriff #1
David Steen as Sheriff #2
Tony Cosmo as Sheriff #3
Storyline: Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won't get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.
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WARNING - Reading this review may cause you to achieve maturity.
I coughed up good money to see this revolting waste of celluloid at a late-night grindhouse showing back in '94. As I queued outside the cinema in the freezing cold, I was surrounded by excruciatingly nerdy teenagers who quoted the dialogue ad-nauseum, urban 'sophisticates' giggling like naughty schoolkids at the thought of the "controversial" film they were about to see, and curious students who, in retrospect, were obviously willing to accept whatever sadistic, would-be 'blackly comic' crap was doing the rounds before TRAINSPOTTING came along and gave them what they deserved. Finally, we got into the cinema, and as the film began with a long, tedious and desperately unfunny conversation about guys with big dicks, the lyrics of old pop songs and the validity of tipping waitresses, several people in front of me got up and left. A couple of the comments I overheard were "This film sucks arse!" and "What a waste of f***ing money". I wanted to join them, but I thought as I'd paid to see the film, I might as well stay until the end. By the end, I was bored, resentful, fidgety, nauseated and thoroughly let down. Who decided this was a CLASSIC? Almost two hours of lumpenly racist, misogynistic, thick-witted 'bad guys' dressed up like Jake and Elwood Blues, waving guns around, bellowing obscenities, bleeding, hacking, slashing, punching and torturing their way through one of the most banal, cliche-ridden and hackneyed scripts in cinema history does NOT amount to a classic. Yet all around me there was awed silence, gasps of "brilliant" and people falling over themselves to praise Tarantino's homoerotic gangster fantasy in ever-more lavish terms. It seemed that everyone in the cinema seemed intent on endlessly reappraising a huge, stinking turd until they'd convinced themselves that it really WASN'T a turd. And, depressingly, so do many of the reviewers here.
" War is an Argument which got out of hand "
Director Quentin Tarantino has an exceptional ability to create action films like this one called "Reservoir Dogs." It is sure to rank among his very best. The script and it's dramatic storyline throughout the entire movie is a visual compendium of 'Waiting for Godot' meets 'Slaughter on Tenth Avenue.' Anyone seeing it for the first time is in for a real treat. The story is of an experienced gangster who attempts to create the perfect crime. Its simple enough, collect seven of the most professional and trustworthy men in the business, assign them code names, tell them just enough about the crime to do their part, snatch the haul, then rendezvous in a warehouse after the job and split the take. The men selected are top of the line actors like Lawrence Tierney as the Boss Joe Cabot, Harvey Keitel, Michael Madsen, Steve Buscemi and Chris Penn. Like the best laid plans, the unexpected was not included and therefor becomes the focus of a violent shouting match with guns. Between themselves, the heist should have worked, why it didn't has much to do with the body in the trunk (Kirk Baltz) and will have them at each other's throats trying to fathom the reason. The final segment of the film makes it the most exciting climax since the shootout of the Wild Bunch. With dramatic flair and an excellent, but violent dialog, this incredible film will become a Classic. ****
One of the worst movies ever made
This repulsive, reprehensible trash for Quentin Tarantino has to rank as one of the worst movies ever made. When I wasn't bored to tears by interminable dialogue, I was repulsed by the glorification of sadism as an alternative life-style. The Marquis De Sade would have been proud. Tarantino should put his talents to suitable use and just make a real 'snuff' film. See 'Clockwork Orange' instead. That is a work of real genius.
It's not the pieces, it's the drive
A great creative insight is to take things that we think of as separate and contained (like 'art', 'genius', or 'ideas') and realize how they are fluid and inter-dependent, conditioned by factors. This is not to expose anything as little, deconstruction for its sake; it's to show them to be doable, that a road leads up to them. (It's also one of the three main areas of Buddhist practice)

One obvious way to do this would be to take this and note the many influences. This has been done to death already, every bit that Tarantino hoped to keep packed or wanted us to find out has been laid out in the open. But I don't think it's the influence the makes it.

Another way would be to see that it doesn't (can't?) work the same way as it did when new because all the change is behind us, made more ordinary by slavish followers. The moments of simple banter away from plot, the fooling round with edges of story without showing the main center-piece, bleeding on a floor, following Mr. Blonde outside to pick up a can of gasoline, Tarantino was probably proud that he was being "real", making a radical break from Bruckheimer's Hollywood.

It's bits and pieces of Godard, Cassavetes, Altman, and others. To see it now in this context shows it as theatric, not "real" at all. (The least theatric acting is by the bound cop. Roth is just woeful.) It's The Killers, with the violence and gum pop visuals as typical to see as The Killers was typical without them in its own time.

I'd like to settle for something else that brings us to real influence of a deeper kind.

Everything you see here is coming from a young guy who was at the best possible time in his life, lifted from obscurity and everything was beginning to click into place beyond expectation. Can you imagine how giddy he must have been to hear yes from Keitel and here's a check?

It's Tarantino coming in from the outside as someone young and eager to make a dream come true; it's bursting with energy but disciplined, kept in check by not having everything at your disposal, being the new kid on set. It would be nothing without this energy.

It's also Tarantino being rooted in his own world as he brings the dream alive, suburban LA. None of the story has any outlet into real lives, it's all bounced around movie cutouts. Gangsters showing up before a heist for breakfast in tuxedos? It's a video clerk's imagination cruising through his own world. He has guys exchange banter about a stripper from Palos Verdes, Roth improvise a story about buying weed the summer of '86.

So this is the most vibrant sense I get, someone making it, not having to prove himself because he's there, making a movie with name actors around town, relaxed and fired up at the same time. It's no masterpiece but the whole film breathes that relaxed excitement to me.

His next one would be the apogee of this path. It can also be traced to the 30 year old who had flown himself to Amsterdam to write away from home like a Hemingway, living the dream. Everything happening. A marked contrast to his middle-aged self.
I thought it was boring, rambling and way over rated - and I did watch it three times to see whether I'd missed something as everyone was raving about it.

It wasn't THAT original. Was it?

The expectation of many people telling you to go and see was a bit too much for me, I think just maybe there must have been something deeply subliminal in the film, and my brain just doesn't have that part.

All of Tarantino's works are amazing and this is definitely no exception
Four of six ruthless criminals await for their boss at an abandoned warehouse. After finding the diamond heist that they had all teamed up to accomplish was a trap, they realize that one of them is a police informant.

The movie is told through a series of flashbacks from each of the criminals. I have never seen this done so breathtakingly. "Dogs" is an absolute masterpiece. It may not be Tarantino's best but is definitely one of the greatest movies of all time. There is absolutely nothing between the satirical writing or the hard-to-watch murders that could possibly make the movie any more perfect. Overall, the movie is absolutely incredible and I do not wish to say anymore to give away any sense of the ending.

I highly recommend this movie.
Excellent original film
Since when do you see this type of movie, well the only time it was original was when Q.T. Made it this film is known as Reservoir Dogs. If I had to pinpoint what. I would give this movie it would be 9.2. The movie kept me interested from the second the first frame of film came to my eyes and all the way till the credits rolled. Quentin Tarantino is in my opinion (and probably many others) the greatest film maker to walk this earth so far. This film is not his best but is definitely one of his better films.

Of course one thing you can expect is excellent dialogue, and of course another well picked cast of masters of acting. Very much so like Pulp Fiction this film is more than a must see. Believe me if you are a true Tarantino fan you will love this movie.
masterpeice of garbage
why do so many people like this film? is it because theres heaps of swearing? is it because theres lots of violence? whatever it is, its certainly not because it has a good storyline or interesting characters. sure, there were some good classic lines in the movie, but over all it is a very dull and boring movie. at the time of its release, i guess it gained attention because it was different and "innovative". it should be cut down to 30 mintues and take ever 2nd f!@# out so only every 4th word is f@#$. pulp fiction is a far better movie. so i wouldnt recommend this film to anyone except for kids who think eminem is cool cause he says "f!@#" alot.
Major disappointment, completely overrated and a film with a trailer better than the actual film. 2/10
Reservoir Dogs was a complete disappointment. Despite the hyped reviews and high rating on IMDb it was nothing special. Mostly consisting of dialogue of pointless banter between the characters dragging out for uncomfortable amounts of time, the story had a weak plot and built up to nothing. Although to be fair the acting was very good, it did not redeem the overall poor script and plot which has its audience checking their watches within the first 30mins. The violence factor was nothing that shocking either, nothing much more you would find in a Bond film.

Personally I do not understand how this film gets good reviews. Please do not be fooled into wasting your time with this bore of a film. I'm surprised that this was not a career-ender for Tarantino.

2/10 Good acting, very boring plot. Overall poor.
Just.. why?
The only reason I give this 3 stars instead of 1 is because of the funny moments in the film. Now what in the hell do people like so much about this? It was just a literal bloody mess, none of the main characters make it, a cop is saved just to be brutally murdered later, and the only people who seem to be friends and you sympathize with, one of them kills the other in the end, just before the cops could've come and save them both! Just a brutal, bloody, cruel, sadistic picture, it's beyond me what kind of people enjoy this. I've seen a few Tarantino movies and they were similar, didn't like them, now I'm convinced, I'm never watching a Tarantino movie again, I wish I hadn't wasted my time on this.
📹 Reservoir Dogs full movie HD download 1992 - Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi, Lawrence Tierney, Randy Brooks, Kirk Baltz, Edward Bunker, Quentin Tarantino, Steven Wright, Rich Turner, David Steen, Tony Cosmo, Stevo Polyi - USA. 📀