🎦 Psycho full movie HD download (Alfred Hitchcock) - Thriller, Mystery, Horror. 🎬
Psycho
Year:
1960
Country:
USA
Genre:
Thriller, Mystery, Horror
IMDB rating:
8.6
Director:
Alfred Hitchcock
Anthony Perkins as Norman Bates
Vera Miles as Lila Crane
John Gavin as Sam Loomis
Martin Balsam as Milton Arbogast
John McIntire as Deputy Sheriff Al Chambers
Simon Oakland as Dr. Fred Richmond
Vaughn Taylor as George Lowery
Frank Albertson as Tom Cassidy
Lurene Tuttle as Mrs. Chambers
Patricia Hitchcock as Caroline
John Anderson as California Charlie
Mort Mills as Highway Patrol Officer
Storyline: Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1040 px 13069 Mb h264 192 Kbps mkv Download
HQ DVD-rip 852x480 px 1297 Mb h.264 1500 Kbps flv Download
iPhone 480x270 px 569 Mb xvid 600 Kbps mov Download
Reviews
Hitchcock did it all in this one.
When Psycho came out, the horror industry of movies was merely monsters, zombies, werewolves, and vampires. So when Psycho hit screens, the audience was finally introduced to psychological thrillers. It hit with such a huge bang that the audience was shocked...with fear and suspense. Psycho created what the thriller genre is today. It sliced through clique monster movies and changed it forever. Still today when you look at Norman Bates and his extremely freaky look when you see him watching the inspector's car sinking into the swamp sends chills down my spine. And when Marion Crane met her bloody demise in the middle of the movie, Hitchcock proved to everyone that this movie is different, different from every other movie you have ever seen. The cinematography in this movie is fabulous, the music is marvelously freaky, the acting is magnificent, the story is exceptional, and everything else about the movie is great. Too bad the sequels and the new remake was complete trash.
2000-01-19
"A Standard Rave"
Strange what the passage of time can do to a film. I remember seeing portions of "Psycho" when I was very young on local TV; when our household became cable-ready a few years later and AMC showed actual movie classics, Hitchcock's film was regular on the rotation. I remember being shocked and impressed by Janet Leigh's shower demise and Martin Balsam's staircase tumble, but not too wild about the actual narrative. When you're less than 10 years old, you take for granted a lot of the nuances of film-making that only make sense when you're older.

And "Psycho" is almost entirely nuance and technique. From Anthony Perkins' legendary performance as the quiver-lipped, boyish Norman Bates to Bernard Herrmann's piercingly authorative, all-strings score to Hitchcock's intersection of characters (where misunderstandings and misplaced responsibility are the norm), the film is a masterful blend of all the elements that make for quality cinema. And for all its pop-culture influence (as it was one of the first 'psychological horrors' put on screen), "Psycho" remains extremely subtle and surprising, even if you know all the plot turns in advance.

See Marion. See Marion embezzle $44 grand from her boss. See Marion on the run from her own guilt. See Marion make a fateful stop at the Bates Motel. See Norman. See Norman talk about his abusive, domineering mother... (I needn't go any further.)

Since there is really no creative way to write about a film that has already been so extensively written on, I offer some of my personal favorite moments: The head-on shots of Marion (Janet Leigh) driving away from responsibility, listening to dialogues taking place far away, her facial expressions our only indicator of emotion. The judgmental look of the used-car salesman. The way Norman leans his head forward in the parlor, becoming somber and defensive over the word 'someplace.' The shriek of strings as the shower curtain is pulled back. Norman's awkward reaction to Private Investigator Arbogast (Martin Balsam)'s casual questioning. Arbogast's oblivious, seemingly slow-motion ascent of the staircase. Mrs. Bates' closing monologue, delivered in an acrid voice whose tone will literally make your skin crawl.

And there's a lot more. As much as it's been said already, I will have to concur that "Psycho" is probably Hitchcock's masterpiece (I haven't seen all of his films), a near-seamless blend of story, character, irony, and technique.
2006-11-06
The master of suspense is in full force here
Welcome to the Bates Motel. 12 cabins, 12 vacancies. What are you doing here? Running from the police? Alright, well enjoy your stay and see you in the morning. Or maybe not. Alfred Hitchcock was one of the most influential and fiendishly wonderful movie makers of the twentieth century. Before "Psycho", I had seen exactly 22 of Hitchcock's pictures. Most of them I enjoyed but none of them were as memorable as this piece of work. It is not just a cinematic accomplishment but also of successfully portraying someone who is indeed psycho. This movie was a shock when released in 1960 because of the way the movie was laid out. For example, it was unthinkable for a main character to be killed so early in the film. The goal was to put the audience on edge to the point where they had no idea what would happen next. And Hitchcock indeed pulled it off. In fact, he was sure to make clear that no one would be admitted into the theater after the movie had begun. You must watch it from beginning to end. I am not going to tell you the plot because the less you know, the better. They don't call Alfred Hitchcock the master of suspense for nothing.
2012-11-17
Hithcock masterpiece in his most accomplished and perfect movie
This famous film with known story tells about Marion Crane(Janet Leigh),she works in a Phoenix(Arizona)office,when his employer trusts her a money.Seeing the opportunity to take the cash and beginning a new life along with her fiancée Sam(John Gavin).Larcenous Marion leaves Phoenix and heads with her car toward California where her lover with debts is owner a store.When is caught in a storm and pursued by a policeman,she leaves the highway and enter to Bates hotel.The hotel with twelve rooms (and 12 showers) is managed by a strange young who seems to be submitted by his overbearing mother,she's leaving into a creaky mansion nearly to hotel.Then,rare thing start to happen.Later a detective named Arbogast(Martin Balsam),her sister(Vera Miles) and Sam(John Gavin) are looking for to Marion,asking help to sheriff(John McIntire).

Psycho was not only Hitchcock's biggest successful movie,but was a phenomenon in its own right.The picture is a magnum opus of the terror genre and its immediate impact and its future influence was enormous and cannot be over emphasised.It's the quinta-essential shocker that initiated an authentic sub-genre about psycho-killers continuing until nowadays.The shower images is one of the most studied ,copied and analysed sequences in cinema history and has obtained a notoriety what exceeds of the movie itself.Terrific performance by Anthony Perkins in an immortal role as Norman Bates and sensational Janet Leigh with Oscar nomination included that was the only one of her career.Inventive and superbly constructed plot,filled with delicious black humor, by Joseph Stefano based on Robert Bloch's novel.The highlight film is,of course,the shower scene,it was made 70 cameras to shot the 45 seconds of footage and the creepy sound effects were realized by stabbing a knife into a melon.Magnificent main titles by Saul Bass,he's usual on Hitcock films.Excellent black and white-Hitch thought it would be gory in colour- cinematography by John Russell.Bernard Herrmann'legendary musical score copied and endlessly imitated aids to create a thrilling atmosphere.Film is directed with exquisite taste and intelligence by the master Hitchcock who makes an impeccable control of every scene and maneuvers your emotions, infusing with a deliciously macabre wit,it makes ¨Psycho¨far superior to the several movies what tried duplicate,these are the following: PsychoII(1983)Richard Franklin,PsychoIII(1986)Anthony Perkins and for cable television:PsychoIV(1990)Mick Garris.Psycho'Hitchcock belongs his best period in the 5os and 60s when he produced his finest work,perfecting the art of suspense in a series of masterpieces,Dial M,Rear widow,Vertigo,North by Nortwest,Birds and specially Psycho what are still studied and copied today.Rating: Indispensable and essential classic movie.
2007-06-26
Technique that defined an art
This definitely contains **SPOILERS**, and is intended only for those who have seen the film, although it's hard to imagine many of you out there who haven't already seen this remarkable film.

Let's start with what is probably the most amazing scene in the film, the conversation between Norman and Marian in the motel office parlor. Anyone interested in learning how to develop dramatic, and/or psychological tension, should study this scene. Sharp dialog, mood swings, marvelous camera angles and great character reactions permeate the scene. Much of the scene, and it's darkly humorous lines, hint at the truth about Norman and his mother without actually revealing it. For example, as Norman is bringing the tray of food into the office for Marian after an argument with mother, he says, "My mother is ...what's the phrase...she isn't quite herself today". In the parlor while Marian eats, Norman defends his mother with, "We all go a little mad sometimes". And just before Marian leaves the office she tells Norman, "I stepped into a private trap back there. I'd like to go back and pull myself out of it...if it's not too late". The irony being that Marian may have decided to try to escape her trap, but she has already, unknowingly been ensnared in Norman's private trap. Yes Marian, it is too late.

In another sequence while Norman and Marian are talking in the parlor, the camera is at eye level on both characters. Suddenly, when Marian brings up the subject of Norman's mother, the camera angle changes. Norman is now being viewed from a lower angle. We are looking up at Norman and, in the background, his stuffed owl with it's wings spread, clearly in an attack posture. At the same time, we are now seeing Marian at slight downward angle. Norman has become the predator and Marian the prey!

Now, how about lighting? In a scene very near the end of the film, Marian's sister has made her way into the fruit cellar, lit by one bare bulb, where mother sits in a wheelchair. Lila touches her shoulder, the wheelchair swings around revealing mother's well preserved corpse. Lila screams and draws her hand back hitting the light bulb, causing it to swing wildly. The end result is that the remainder of the scene is played out in alternating light and shadow due to the swinging bulb: Lila's terrified face, mother's corpse, Norman running into the cellar in mother's clothes wielding a butcher's knife, Sam running in behind Norman and dragging him to the floor, Norman's face becoming a twisted mask of despair as the knife falls to the floor and the wig slips from his head. It all has the look of a nightmare...macabre, surreal, and sheer genius!

I have always loved Hitch's brand of humor, dark or otherwise. Here are some of my favorites from this film: Marian talking to Sam in the motel room at the beginning of the film, "You make respectability sound...disrespectful". Charlie the used car salesman, speaking to Marian, who is obviously intent on trading in her car, "First time I ever saw the customer high pressure the salesman". Arbogast, the private detective, speaking to Norman at the motel, "If it doesn't gel, it isn't aspic...and this ain't gelling". Norman speaking to Sam, after Sam has implied that Marian may have made a fool of him, "She might have fooled me, but she didn't fool my mother". Lila to Sam, defending her decision to try to talk to Norman's mother, "I can handle a sick, old woman". How about the fact that Norman's hobby is stuffing birds, and in cleaning up mother's mess he stuffs a "Crane" into the trunk of a car. Classic Hitch!

Let me leave you with one last tidbit. In the final scene of the film Norman is sitting in a cell, wrapped in a blanket, and we hear mother's thought that is the last line of the film, "Why, she wouldn't even harm a fly". The scene then dissolves to a shot of Marian's car being dragged from the swamp. Just as Norman's image disappears from the screen, look closely and you will see the face of mother's corpse superimposed over Norman's face for a fraction of a second. One last little (subliminal?) chill from the master! I can see you all rushing to your VCR's now. Enjoy!
2001-01-08
Souled Out
What else can one write about a film that has been expounded by numerous film scholars? We all know about the famous shower scene, don't we? But there's so much more to "Psycho" than that. It works well as a psychological thriller but if one understands the psyche of "Psycho" it works remarkably as a horror movie (notwithstanding that we are immune to on-screen gore now).

There is a reason why director is considered to be the most important person in a movie. We have heard about the legend of Hitchcok - the great director. The same story could have been rendered to a derivative b-movie by an average director but Hitchcock took it to unforeseen greatness. He made a great use of Robert Blotch's book. Where else would you see a mainstream suspense-horror film put on the highest pedestal of cinema?

There's no emptiness in a Hitchcock film. Every scene has a purpose and underlying meaning. There could be a meta-movie on the relationship between two sisters, who we never see together on screen for the obvious reason. We get a hint of their possibly strained relationship at the end. But it's done very offhandedly, very skilfully by the master. The possibilities of analyses are endless.
2014-04-03
Brilliant Classic!
It's hard to think of a thriller more well known than Alfred Hitchcock's Psycho! Unfortunately the films popularity may spoil the shock value. Upon seeing the film for the first time I thought knowing the outcome may make the experience less enjoyable. This was not the case! I now see why Psycho is considered masterpiece! Hitchcock is a master of suspense. As the film begins, the plot immediately makes the audience uncomfortable. As Marion Crane makes off with the money, I had no idea what would happen next. Hitchcock adds in various ideas that lead me astray and even stress me out. When the police officer was questioning Marion and began to follow her, I felt her anxiety. Also when she was rushing the car salesmen I felt uneasy. This is great film-making. The emotions that Hitchcock draws out don't exactly correspond with the direct plot. After all we haven't even met the infamous Norman Baits yet and already I am on the edge of my seat with anticipation.

We arrive at Baits Motel as the rising action rolls into the main plot. What an astounding actor Anthony Perkins is! Perfect casting for a psychopathic mamma's boy! He is an actor that truly understands his role. When he peers through the hole in the wall, spying on Marion you can almost tell the moment when the mother personality clicks on. The only thing that I could have found more satisfying would have been if we saw Norman doing his mothers voice.

I love Hitchcock's style. When Marion was stopped by the police officer the way he shot the actors close-up really gave me the impression of invaded personal space and added to my discomfort. He also had great techniques for moving the camera into may different positions without cutting. When the camera follows Norman Bates up the stairs to his mothers room the camera does a 360 as it climes and we are left with the perspective of a bug on the wall.

Psycho is a classic horror/thriller that I will watch again. It provides an outstanding cast and fantastic cinematography. The timeless score that accompanies the film could not be any better.
2014-03-28
A Chilling Classic.
The first time I saw Psycho, I watched the first 20 minutes and stopped the tape. I thought it was boring. But, alas, I rented it again a few weeks ago and I didn't like it. Didn't like it at all. I bloody loved it! Psycho is a freakin' masterpiece! It is easily Alfred Hitchcock's best film, and it is definitely an unforgettable chilling classic. Anthony Perkins was brilliant as Norman Bates, I will certainly look out for more of his work in the coming months. Janet Leigh was also very impressive, she was a real gem of Psycho.

So, don't make the same mistake I did, watch this classic today, and I guarantee you'll never forget it.

Rating: 10
2000-08-18
My All Time Favorite Movie!!!
Alfred Hitchcock's adaption to Robert Bloch's icy chilling novel Psycho is the greatest movie ever made (in my opinion). It is my all-time favorite movie. The Ending is the best part. Alfred Hitchcock did a amazing job of the film because, in my opinion, the book sucked. Anthony Perkins, and Janet Leigh played there roles (Norman Bates, and Marion Crane) amazingly. The Alfred Hitchcock cameo is visible, and very well to see. The effects look fake, but the film is still scary, and disturbing. Out of all, the black and white made the film better. But anyways, Alfred Hitchcock's Psycho should have got a 9.0/10.0 stars because it's just an amazing film.
2014-11-26
📹 Psycho full movie HD download 1960 - Anthony Perkins, Vera Miles, John Gavin, Martin Balsam, John McIntire, Simon Oakland, Vaughn Taylor, Frank Albertson, Lurene Tuttle, Patricia Hitchcock, John Anderson, Mort Mills, Janet Leigh - USA. 📀
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