🎦 Psycho full movie HD download (Alfred Hitchcock) - Thriller, Mystery, Horror. 🎬
Thriller, Mystery, Horror
IMDB rating:
Alfred Hitchcock
Anthony Perkins as Norman Bates
Vera Miles as Lila Crane
John Gavin as Sam Loomis
Martin Balsam as Milton Arbogast
John McIntire as Deputy Sheriff Al Chambers
Simon Oakland as Dr. Fred Richmond
Vaughn Taylor as George Lowery
Frank Albertson as Tom Cassidy
Lurene Tuttle as Mrs. Chambers
Patricia Hitchcock as Caroline
John Anderson as California Charlie
Mort Mills as Highway Patrol Officer
Storyline: Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.
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If there is one single film that can claim to be THE best of all time, then this is it....
*POSSIBLE SPOILERS*, if there can be in a film as famous as this....

Psycho probably has the most famous (and/or infamous) scene in the history of movies - the shower scene. The shower is in the Bates motel, run by Norman Bates, and his 'mother'. Even today, if someone looks freaky, many still say he looks like Norman Bates. If someone has a clingy or naggy mother, many a Norman Bates allusion is referred to. Psycho has become etched into modern culture and become a household name. Why?...because the film was a milestone, not just of gore, but of cinematic effect and technique. Psycho is, all at the same time, taut, mesmerising and terrifying. It is a textbook example of how to captivate an audience, and then shock them right at the very end.

The film starts by introducing a love-lorn and frustrated heroine, complete with a dead-end job, and a relationship that needs a jump start. The audience is introduced to her and her troubles; we follow her, and feel for her - then she is murdered right in front of us. The array of characters introduced in the first half of the film - the arrogant 'Texan' guy who flashes forty thousand dollars, the bumbling boss, the suspicious highway cop, the dumbfounded used-car salesman - all amount to nothing. This pioneering change in plot has the same effect as a tree which you collide with after pulling up the handbrake on a speeding car.

Then enter Milton Arbogast, the private detective who begins the search for our slain heroin Marion Crane. He investigates the Bates Motel and finds something amiss. He reports the news to the worried boyfriend and sister of Ms Crane - they all develop some trust and repartee. Then he's dead. Then enter the local town cop who doesn't believe the boyfriend's and the sister's suspicions, while all the time the audience knows what really happened and why people are dying at the hands of an 'evil old lady' who the disturbed Norman Bates is desperate to protect.

The whole film was a totally new way of writing a plot, and of manipulating a storyline. The supposed lead character is killed early on, a replacement protagonist suffers the same fate; and all the audience are then left with are the utterly desperate and confused Lila Crane (sister) and Sam Loomis (boyfriend), who have only their suspicions and fear to drive them toward finding the truth. The audience feels for them, because we know that Norman's mother murdered Marion Crane.....or at least we think we do.

Psycho only runs for around an hour and a half. It is the tautest thriller I've ever seen. Not one scene is wasted on being filler. Each scene is purposeful, powerful, and extremely economical. The pace is cracking when it needs to be, and slow and hypnotic when emotion and fear need to be emphasised; note the long scene as Norman Bates cleans up the murder scene - this allows the horror of what just happen sink in.

The script is rattling, with some flourishing dialogue that even overshadows some wooden acting from John Gavin. The cinematography is brilliant, with great use of lighting and shadows. And, of course, the directing is just simply cutting edge, even for today. Anthony Perkins does a perfectly chilling job as the psychotic Norman Bates, and Martin Balsam is a completely natural private eye. And famously, to complement these ground-breaking plot twists, are the chilling and perfectly executed murder scenes.

And finally, the chilling revelation of what really happened at the Bates Motel is kept right until the blood-curdling end, and is realised through a ear-splitting scream, a rotting skull, and a naked swinging lightbulb; a scene which leaves the audience shocked, terrified and thrilled after such a roller-coaster of a movie. For those few people to whom the 'spoliers' warning at the start of this piece applies, go and rent this film. It is simply a must for everyone. It is a defining moment of modern popular culture, and as such if there ever was a convincing candidate for the greatest movie ever made title, well then this is it.
Hitchcock's best film!
Anthony Perkins is absolutely perfect as Norman Bates. He should have been at least nominated for Best Actor. Hitchcock keeps us on the edge of our seat, we never know what is coming next. The "shower scene" is definitely one of the most frightening scenes is motion pictures--because it was so unexpected. Highly recommended!!
pure timeless brilliance, this is more than a classic horror film
This film will never be outdated. It's a perfect example of the art of shocking and disturbing an audience without ever having to resort to graphic violence and gore. Excellent atmosphere, superbly talented actors, and a brilliantly demented storyline -- those easily add up to an entertaining movie night no matter how many times you have watched it in the past. You know all the lines, you know the ending, but you're still pulled in from the first second to the end credits every single time. It's a rare film that accomplishes this with such a massive audience.

This film deserved better sequels and it definitely didn't deserve the terrible late 1990s remake, but the merit in this first installment actually helps all of those to hold up better than they otherwise would.

Absolutely timeless, and SO much more than just a classic! :)
I'm a little bit psycho for Alfred Hitchcock's Psycho. It's amazing!
Some critics believe 'Psycho' to be Director Alfred Hitchcock's Magnum opus. In my opinion, it's an masterpiece that set a new level of acceptability for violence, deviant behavior and sexuality in American films. Even before the 1960's, Alfred Hitchcock was already famous as the screen's master of suspense and perhaps the best-known film director in the world at the time. This movie just add to it with subliminal themes, subtext and images. The center theme of Psycho is the concept of multiplies identifies where characters are challenge to live through life under multiplies roles. Marion Crane (Janet Leigh) is just that type of a character. She is unhappy in her job at a Phoenix, Arizona real estate office and living in a double life with her affect with strong will Sam Loomis (John Gavin). One day, Marion is given money to be deposited in the bank. Instead of depositing it, Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her love affair Sam. Rather than meeting Sam, she finds a nervous charming innkeeper Norman Bates (Anthony Perkins) at the Motel, she was staying. He was control by his over demanding mother. Anthony Perkins gives a subtle performance here. She is taken by Norman Bates innocent charm, as she sees him as the fragile alter-ego of Sam. In many ways, Norman Bates and Sam have very similar stories, the only different is that Norman can't live without her mother, while Sam can. There's hardly a film fan alive who doesn't know what happens next, as the shower scene is probably the film's most famous sequence. In a way, the shower scene was like baptismal waters. Marion had decided to go back, come clean, and take the consequence, so when she stepped into the bathtub it was as if she cleaning herself of sin. I like the fact that Marion's underwear is white before the theft, and black after. Feeling in rage that Marion might steal Norman away from her when Marion suggests to Norman that he put his mother in a mental hospital, her mother strikes Marion, only for Norman to cover it up. When Marion goes off missing, her personality live on with her double, twin sister Lila Crane (Vera Miles) who finds herself staying at the Bates motel, just like her long-lost sister. I love how Hitchcock utilized and probably was the first to establish the writing technique of the false protagonist. The false protagonist is when the viewers are introduced to a character that supposed to be the main character, only to be removed from the story either by death or other means early in the film. By removing Marion Crane from the story, early on. It might offend Janet Leigh's fans, but Alfred Hitchcock's know what's for the best. One of the best image scenes are the mirrors in why show that the characters have multiply personality. Another running theme is the money. The stolen money that Marion carries about with her represents her dirty little secrets. Hitchcock goes so far as to symbolically link this pile of money to a pile of feces. Every talk about money is weaved into dialogue about how filthy it is. While the showing scene can be seen as erotica for Norman Bates; Norman Bates mother sees it as filth. Contrary to a widely told tale, Hitchcock did not arrange for the water to suddenly go ice-cold during the shower scene to elicit an effective scream from Leigh. But Hitchcock did tested the shock value of Mother's corpse by placing it in Leigh's dressing room and listening to how loud she screamed when she notice it there. Compare to Modern Day Slasher films, this film is really tame of violence. The film was known to be nauseating for some viewers at the time, even with it being shot in black and white. The novel is more brutal than the film version. It had a beheading no less in it. Alfred Hitchcock cut it out, and did stabbing instead. Even with its graphic nature, the "shower scene" never once shows a knife puncturing flesh. Alfred Hitchcock desire to prevent the shower scene from being too gory so he film the movie in black and white, while also trying to cut cost down. I think, the biggest reason why it is in black and white is because it's better for horror films with the use of shadows. While it is tame, the movie is still disturbing. Hints why the film still have the Rated R label. What might bizarre is how often the film talks about eating. Considering that the writer of the original book, Robert Bloch based his story loosely upon the activities of serial killer and cannibal Ed Gein, some of these constant references to eating could simply be a sly reference to cannibalism. One subliminal theme of Psycho is when Norman chats to Marion about his hobby of taxidermy. It's remind us another Hitchcock classic movie 1963's The Birds. By having Marion eat like a bird, and having a last name like a bird. No wonder why Norman wants to eat her all up, but Norman couldn't hurt a fly or could he. That's actually a form of symbolism. The soundtrack of screeching violins, violas, and cellos was an original all-strings piece by composer Bernard Herrmann titled "The Murder" is amazing. It works for the film so well. This film sequels that followed in 1983 are just mediocre at best. There was also a 1998's remake of the film with Director Gus Van Sant that was God awful. 2012 and 2013 was a big high for Psycho fans as Bates Motel started to aired on A&E. Anthony Hopkins star in 2012 film Hitchcock about filming the movie, and also a HBO telefilm call 'The Girl" with Toby Jones as Hitchcock during the filming of this movie, Psycho.
My favorite film!!!
Although it is extremely difficult to pick a single film as one's favorite, this would be my pick if I were forced to choose. No, it is not because it is the most shocking or original film ever made (as if there could be). In 40 years, the film has lost much of what made it revolutionary in 1960. It is simply a fantastic screenplay that keeps me on the edge of my seat at all times.

This is Hitchcock's best work as a director in my opinion. Though he rarely made a bad film, most of Hitch's films are commercially-directed. I think of North By Northwest, Suspicion, Notorious and The Man Who Knew Too Much as examples. Though each is a fantastic film, they are not terribly stimulating too watch and have minimal artistic merit. Psycho, by contrast, is a true work of art. No one could have expected it to be a hit at the time and was a great departure from Hitch's 1950s films. There are no Cary Grants or Jimmy Stewarts here. Just minor stars like Anthony Perkins and Martin Balsam.

The two aspects of Psycho that set it apart are its cinematography and score. There are no panoramic views typical of great cinematographic works. In fact, the whole film has the feel of a B movie. One need only watch the famous shower scene to understand what I am talking about. It is perhaps the most breathtaking 2 minutes ever put to film. Hitch's close up shot of Marion's eye is still jolting today. Imagine watching the scene on the big screen in 1960! I guess what truly sets this film apart is the score. Perhaps no film is as tied to its score. Bernard Herrmann may be the best there ever was at his profession. His scores for Vertigo and Marnie are also top notch.

Just watch this film. If you've never seen it, it will provide a unique and surprising experience. If you've already seen it, watch it again and enjoy Hitch at his best! If you love Psycho as I do, check out Polanski's Repulsion, the French film Diabolique, and Hitch's first talkie Blackmail.
Hitchcock's Best Movie Ever!
Alfred Hitchcock is one of my favourite directors and I've seen a lot of his movies and this is truly his best work. I mean before I saw Psycho, all I really knew about it was the famous shower scene which I saw references to in parodies or cartoons or something like that. But this movie turned out to be one of my all-time favourites even though I'm not that big into horror films.

I like how Hitchcock decided to do the film in black-and-white because it makes it darker and suspenseful. The story starts out somewhat slow, but I like the conversations going on as Marion is driving on the highway, one of the most suspenseful parts of the movie. But the magic really begins when it gets to the Bates Motel.

I'm surprised Anthony Perkins never got an Oscar or even a nomination for his portrayal of Norman Bates, I mean he was born to play that role! I can't imagine any other actor playing him. I mean you can see that there's something suspicious about Norman but you can't figure it out. But he just seems like a nice, friendly person who "wouldn't even hurt a fly." And what surprises me even more is that he didn't star in any other well-known movies after Psycho. That just shows how underrated he is as an actor. But I'm glad at least Janet Leigh got a nomination for playing Marion Crane and won a Golden Globe.

The one scene that really freaked me out, and still does, is when Lila Crane discovers Norman Bates's mother's corpse in the fruit cellar, and then Norman comes in dressed as his mother and carrying a knife and revealing that he is the murdering mother. I wasn't expecting that in anyway at all. I can just imagine what people would've thought about that because movies were much tamer back then. This movie makes me afraid of walking in a dark room because I always have the feeling a shadowy figure might pop out and stab me to death.

I've also watched the two Psycho sequels that were made in the 80s and they're good enough to watch but they're nothing compared to the original. But I still think the work well.

Overall this movie has everything that makes a movie a masterpiece: excellent acting, excellent directing, excellent writing, excellent cinematography, excellent suspense and even an excellent twist. It's pretty much perfect in every way.

In conclusion, thank you Alfred Hitchcock for creating this movie and may you rest in peace.
Truly the original horror movie of all times .
Psycho , Alfred Hitchcock's classic about a guy and his mother is the movie that is at the origin of all horror movies ever made . It is truly an experience to live !!!!!!!!!!!!

The music has a great part in this movie .

Anthony Perkins is the ultimate psychopath ever !!! He and his "mother " are the best killer duo ever produced.

The new version is good but not quite as great as the original.

Still I urge all movie lovers to see it , whether it's the original or the new version , GO SEE THIS ULTIMATE EXPERIENCE!!!
A classic essential cinema!
"Psycho" is the most astounding, daring, and successful scary film ever made... Hitchcock uses pure cinema to arouse audience emotions...

For the first forty minutes he cautiously builds up sympathy and audience identification with a troubled fugitive, a young estate secretary Marion Crane (Janet Leigh) who wants to marry Sam Loomis (John Gavin) but neither can afford it... Entrusted, by a wealthy customer, with $40,000 to put in a safe deposit box in a bank, she succumbs to temptation and steals the money in order to start a new life with her lover... So the motive is love!

We begin to feel the tension when she's spotted – leaving Phoenix, Arizona – by her boss who thinks she remains in bed with a headache... Then, when she pulls off the highway to take a nap and is awaken by a suspicious patrolman – in disturbing dark glasses – who trails her... Hitchcock's trademark— paranoia about the police is here at his best...

Frightened and tired by a violent rainstorm, she stops at Bates Motel and has a small talk with a twitchy cordial motel keeper Norman Bates (Anthony Perkins-in an outstanding performance), an attractive shy young man who seems uneasy around her and can't even bring himself to pronounce the world bathroom...

The movie turns dark and claustrophobic when she overheard the voice of Norman's mother speaking sharply with her son, and after she learns Norman's strong devotion to his irritable mother...

Alone in the room, she strips to shower… Safe and relaxing, the hot air rises as the water cascades over her… Suddenly she turns at a sound, her eyes dilate with horror and her repeated screams rend the air as a hand from nowhere holding a long knife plunges it repeatedly into her body… Her blood, mingling with the water, flushes down the drain in one of the most terrifying images of modern cinema…

No one who saw the film will forget the shock effect of that scene... Not only because of its terrifying realism, with the blood gushing and swirling on the shower floor; but also because Leigh was a sympathetic and star figure… Although she had stolen, we felt involved with her (as we were involved with Marnie); we wanted her to get away; and here, with two-thirds of the film still to got we watched helplessly as the life and the beauty and the hopes were butchered out of her…

The movie is only off one third when Hitchcock's spiral close-up of her unmoving eyeball reveals the nightmare... But the movie does really begin after her murder because once she is killed, we never stop thinking about her...

With Marion Crane gone, our attention is shift to the sensitive Norman with a passion for birds and mother... They are very close and he guards her jealousy...

As three people began to investigate, our sympathies were subtly maneuvered to the good-looking young man who, it seemed, must try to protect a homicidal mother… We see him distraught, cleaning up and disposing of Marion's car, with her body and cash, into a swamp...

We have no reason to think that he himself have done the dirty work... So could his crippled old mother be the vicious murderer? Or do we have some other reason to suspect that Norman's abusive mother does not exist? We heard the old woman talking constantly to him and we see Norman carrying her to the cellar... Or is it another Hitchcock's trick? But the knife comes out again striking and killing... The high angle shot shows perfectly her mad menacing rush from her bedroom...

Hitchcock's version is definitive, a terrifying insinuating thriller with only two sudden and vicious murders... A classic essential cinema with his rich, vivid and effective imagery in the use of light and shadow; his voyeurism when Perkins spies on Leigh in a black bra (The first time he shows a lady disrobed); his 'metaphysical vertigo' in the overhead shot as Norman drags his mother down to the cellar...
I Didn't Think It Lived Up To Its Reputation
"Psycho" has gone down in Hollywood history as one of the greatest of horror movies, and even if you've never seen it (which I hadn't until today) you still feel a certain connection to the movie just on the basis of its reputation. That in itself can be a problem, because you're expecting a lot when you watch it for the first time. Unfortunately, for me at least, this didn't quite live up to its billing. It was a good movie, Alfred Hitchcock did a good job of directing with a number of what are today recognized as typical "Hitckcock-ian" touches, particularly with some very effective camera work, and basically the cast, headed by Anthony Perkins as motel owner Norman Bates and supported by Janet Leigh, Vera Miles, John Gavin and Martin Balsam (I would say in that order of importance to the story) did a fine job. Still, I was expecting something more.

First, I would call this more of a suspense movie with a touch of slasher movie thrown in than a horror movie, although that's admittedly through a modern lens. There are really only a couple of scenes that were "horrific" - one being the famous shower scene and one being the revelation of Norman's mother near the end of the movie. Otherwise you get a mystery - with the end surprise being fairly clearly telegraphed to anyone who was paying attention. The suspense starts with Marion (Leigh) stealing a large sum of money from the real estate agency where she works and running off, eventually coming to the Bates Motel to spend the night. Since the murder in the shower is the classic scene of the movie, you don't expect it to come as early as it does, and you don't expect that so much of the movie is going to revolve around Lila (Miles) and Sam (Gavin) as they search for Marion. Somehow, I expected to see more of Janet Leigh. Still, there is good suspense even if the surprise about Norman's mother is pretty clear from even a mile away.

What knocked this down a bit for me, though, wasn't the obvious solution to the mystery. It was the seeming need to offer a very in depth psychological explanation near the end of what Norman was all about. Maybe there was a sense that movie-goers in 1960 would need such an explanation. I found what was virtually a closing soliloquy (and a very long one) by Simon Oakland playing a psychiatrist who's called in to examine Norman to be tedious in the extreme, and largely unnecessary; filled with psycho-babble. Norman could have been explained - if an explanation was felt necessary - much more succinctly.

One can't diss this movie. There's really very little wrong with it, except that its reputation makes it very hard for it to live up to when you watch it. Undoubtedly, when watched with late 20th-21st century eyes (well conditioned to the point of being almost oblivious to slasher-type violence) it comes across as a bit dull, frankly. Equally undoubtedly, it didn't come across that way to audiences in 1960. Still, I found it to be a little bit of a letdown compared to what I was expecting of it. (6/10)
Hitchcock's "Crazy" Film!
One of my favorites and I think Hitchcock's best film. Made relatively low-budget with his TV-show crew, this movie has haunted me for years and not because of the shower scene. Actually, the best scene is just prior to the shower scene and it's in the parlor with Norman and Marion. The only human connection moment in the film that doesn't show selfishness or ulterior motives. Quiet and full of info, as the camera looms over them, this scene is masterful in writing and acting. Perkins gave his best performance as the timid and lonely Mr. Bates who really is clueless. Janet Leigh is perfectly cast as the sexy, intelligent woman in over her head. The rest of the cast is top-notch and this film should have cleaned up at the Oscars in '60, but was considered too creepy for most folks.

A 10 out of 10. Best performance = Perkins. Brilliant editing and cinematography (b/w) with The Bates Motel a wonderful set. This film is highly undervalued and I don't consider it a horror film. Dashed illusions, loss of essence, and money-will-fix-it attitude while suspicions fly all over the place. Great stuff!
📹 Psycho full movie HD download 1960 - Anthony Perkins, Vera Miles, John Gavin, Martin Balsam, John McIntire, Simon Oakland, Vaughn Taylor, Frank Albertson, Lurene Tuttle, Patricia Hitchcock, John Anderson, Mort Mills, Janet Leigh - USA. 📀