🎦 Pan's Labyrinth full movie HD download (Guillermo del Toro) - Drama, Thriller, War, Mystery, Fantasy. 🎬
Pan's Labyrinth
USA, Spain, Mexico
Drama, Thriller, War, Mystery, Fantasy
IMDB rating:
Guillermo del Toro
Ivana Baquero as Ofelia
Sergi López as Captain Vidal
Maribel Verdú as Mercedes
Doug Jones as Fauno
Ariadna Gil as Carmen Vidal
Álex Angulo as Doctor
Manolo Solo as Garcés
César Vea as Serrano
Ivan Massagué as El Tarta
Gonzalo Uriarte as Francés
Francisco Vidal as Sacerdote (as Paco Vidal)
Juanjo Cucalón as Alcalde
Storyline: In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again.
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HQ DVD-rip 720x480 px 1725 Mb mpeg4 2028 Kbps mp4 Download
DVD-rip 528x288 px 701 Mb mpeg4 824 Kbps avi Download
Absolutely unnecessary violence
This Spanish-Mexican film, also known by the title 'Pan's Labyrinth' (nothing to do with Peter Pan, in case you're thinking that because of the "Pan"), is not what it seems. This films fools anyone who is expecting a fantasy film. It happened to me. I didn't hear about this movie until some time before I watched it.

Despite me not knowing very well what to expect from it, I expected a movie of fantasy and magic. Something in the line of 'Alice in Wonderland' and 'Labyrinth' but better than 'Labyrinth'. But it ended up not being anything of what I imagined. And not in the good sense...

Aside some beautiful backgrounds/landscapes and a relatively well made labyrinth, most of the movie is horrible. It is violent in the maximum sense of the word. No kidding. It's not a movie with just one or another brief scene of violence. There is brutal violence in many scenes. It's too much and that is something unacceptable on a movie like this. I wasn't prepared for the excessive violence in this movie and wasn't expecting it.

I mean, one thing is a movie being violent if its genre or story justifies so. By this, you accept better its violence, even if it's brutal. But not on something that is supposed to be a fantasy/magical movie suitable for everyone including children. I can handle violence in films (even if it's brutal), as long as it is in an acceptable level and not excessive. But this one was too much for me to handle. There are far too many shocking scenes that I could mention, but I won't go into that. See for yourself and judge for yourself, but be warned: this ain't pretty to view.

To tell the truth, only about 10% of the movie has fantasy and even those moments of fantasy have no charm... in fact, they are more dark (in a bad way) than a revelation. This is a strange film. It seems like 3 or 4 completely different films in one, all different in temperament and such. It's a disturbing and very bad movie.

The story takes place in Spain in the year 1944, a few years after the Spanish Civil War, during the early Franquist period. The character Captain Vidal is so tyrannical and brutal that he deserves his comeuppance, but his men aren't any better than him.

As for the characters that belong to the fantasy part of the movie, I liked the stick insects, the fairies and the mandrake. But the Faun annoyed me. Not only he looked repulsive and was irritating, but also his disturbing intentions about the baby were alarming. The Pale Man was so grotesque and disgusting that words are incapable to describe how much that thing disgusts me.

And this movie is as acclaimed as it is? And is considered one of the best foreign movies and even is on Top 250? I'm shocked. I'll never watch this again!
I have ALWAYS loved this movie!
I have always loved this movie. I was a young girl when I first watched it and I fell in love with the fairy tale aspect and as I have gotten older I have fallen in love with the effects and conflict of it. The story line is interesting and keeps you guessing to see if the girl is in fact the princess. This story of love really feels authentic and wonderful, mostly because it is a story about love of family. You can honestly appreciate the way the story is framed in warn torn Spain and how that creates a different level of drama and sometimes confusion. It is an interesting blend of fantasy, war, and horror. I have seen this movie probably 30 times and it never fails to make me cry at the end from sadness and joy.
The Labyrinth of Del Toro
Guillermo Del Toro shows an incredible amount of passion for his job. In interviews, in festivals, it is undeniable that this man adores making films, from one end of the creative process to another, and has tremendous energy and honesty for the activity. Nevertheless, there is something that doesn't function in his films, and as heartbreaking as it is to see someone with ideas and talent fail, this film isn't an exception and has a few weak points as well as his other ones. For some reasons explained further, it isn't even a "true" fantasy film. I have to stress upon how wonderful and magnificent the imagery - not just of this film but of all his films - is. Man-like creatures, caves, labyrinths, statues, puzzles, everything that contributed over the years to make Del Toro's imagery makes him a very powerful visual director, which times like these are in desperate lack of. The visions he projects onto the screen make him no less than a visionary. The thing that fails to give his film(s) the grandeur they need, though, seems to be always the same element: character depth / psychological analysis of his characters / the way the characters and their personalities blend into the rest of the film. Maybe we can attribute it to Del Toro having more patience to polish the sequences with special effects than the ones with actors, but in particular in this film, the characters seem to have no depth at all, they are grounded to feel one emotion at a time. Ofelia in the film is shown owning and reading books, but her relation to these books, what they mean to her, what they bring her, this relation is never shown or explained, we have to go by a stereotype and "assume" for ourselves that she has a wild imagination. The mother of Ofelia is also a faulty character of the story, we the audience have to fill a gap, and imagine for ourselves why shy would be attracted by Vidal, what brings her to be forced to stay with a monster like Vidal as opposed to remaining a single mother, etc... Vidal himself is very quickly presented: we know his lineage was military and that his father let him have his watch... not much of an emotional background for a man who tortures and kills with no hesitation! We know nothing of Vidal as a child, we only have this one-dimension, Manichean character. The list goes on, and none of the characters - Mercedes and Pablo, the doctor, etc, are presented or explained to the viewer. The same could be said about the elements of the illusory world. Usually, though, fantasy/horror films don't need any explanations (see Edward Scissorhands, Alien, Legend...), but this one would need to have some, and this is probably due to the state of psychological confusion of the characters (or, should I say, their irrationality). Ofelia, throughout the film, seems to live in constant fear of the tyrant Vidal, yet finds enough time and solace to go on imaginary journeys at night, and light-heartedly do anything the faun asks her, without even questioning or wondering where it will lead her. Mercedes, when given the opportunity to gut Vidal and be finished with him, leaves him alive half-way. And the doctor itself, whose side on the events is never clear, never poisons Vidal or puts himself in the way when given opportunities. Is Guillermo Del Toro cold? We might wonder. He has absolutely no scruples when he tries to shock the audience with violence towards nice characters, with monsters, with blood. Yet when his overall goal is to make a fantasy film, he remains a little bit too polite and shy to really break into the genre. To me, a "real" fantasy film would have had the imaginary break in the "reality". Yet Vidal doesn't see the faun, the faun doesn't save anyone or scares Vidal. Reality remains reality and fantasy remains inside the heads. The imaginary world in itself seemed a bit poor because of that, because of the film not really being a fantasy film, keeping the fantasy inside the head of its protagonist and reducing the spectrum of illusions (which are never directly opposed to the "realist" world). Overall, the film shows great academicism, not just by politely keeping the imaginary and the reality separated, but also by the decisions of the film-makers (the editing is gentle when it should be a bit punchier, the camera moves are scarce, the music is incredibly lame and boring, the camera angles are overall inexistent, etc).

I have no idea whether Del Toro will or will not provide better character depth and psychological progression in his next films, but it flaws the films he has made so far. Yes, there is a beautiful message, we've heard it before, of how monsters can be monsters on the inside and humans on the outside, while some monsters look like monsters and aren't all that bad after all. But until the characters and the story have a real depth and meaning to the audience, none of all the fantasy, violence or special effects will mean anything. The blunt reality as it is shown here, carries so much depression in it that the message of poetic escapism doesn't function in the end. The task is difficult to propel kids in wartime eras, it is even more difficult when fantasy takes part in it. Del Toro's next films will, hopefully, dig deeper into its characters.
Good, but not as good as they'll have you believe
I went into this movie with no expectations, except that I'd see a Spanish-language, adult-oriented fantasy film with English subtitles. I think unmet expectations can hurt people in two ways: either the film disappoints them and they are overly critical as a result, or they are disappointed but too biased to admit it. I think the latter has led to an exceedingly generous rating for this particular film. Is it good? Yes. Is it the 65th best (according to current IMDb ratings) movie of all time? Not even close.

It is an interesting, original story. Virtually every actor appearing in the film is superb. The imagery is magnificent. Like I said, it is a good picture. However, I am puzzled as to why it is praised so highly. I would have a greater appreciation for the film if its adult-oriented nature was due to its substance, such as an intellectual, sophisticated and enigmatic storyline. It is adult-oriented, however, merely because of a few choice phrases and displays of graphic violence. This is not a film that is breaking new ground. It is too simplistic throughout, becomes fairly predictable, and lacks fluidity. The unimaginative way in which the fantasy elements come and go was a real put off. The 65th best movie of all time should have the fantastic elements blended seamlessly with the human elements. It should continue being original throughout. It should challenge the viewer in new and engaging ways. It should not merely curse, show some blood, and have pretty imagery.

Please, see this movie and enjoy it. I truly did. I also, however, allowed myself to make a realistic assessment afterward. I expect that the rating will come down as the novelty of an adult-oriented fantasy picture wears off. Maybe I missed something, but I doubt a specious film like this can conceal such intricacies.
Just magical
I saw the film at FrightFest in London a couple of days ago, and was pretty well sure I'd be seeing something special - but I ended up seeing a film that is downright extraordinary. Brutal but beautiful, magical yet earthy, it has a remarkable cast, with standout performances all round.

A special mention must go to Sergi Lopez, whose 'Captain Vidal' is indeed one of the most sadistic film creations ever seen. Yet he manages to make the audience understand why he is the way he is ... an astounding performance. Maribel Verdu's quiet but rebellious housekeeper is one of the strongest female roles I've seen in many a year, and she is supported by a wealth of talent. Young Ivana Baquero is surprisingly self-assured as 12-year-old Ofelia, and I especially liked her almost Alice-like approach to the magical creatures she encounters in the labyrinth. The icing on this warped fairy tale is Doug Jones, who gives a towering performance - and in this case literally, as well as figuratively - as the guardian of the labyrinth, a faun, full of grace and charm and latent menace. Although dubbed, his Spanish is perfect (Jones speaks not a word of the language), and his physical presence is incredibly powerful as his character teases, cajoles and harries Ofelia to fulfil her tasks. He also plays the devastatingly creepy and disgusting 'Pale Man' - a creature that almost equals Vidal in his terrorising habits.

But the cast is just one facet of this gloriously photographed film, with Javier Navarrete's hauntingly simple score weaving itself into the fabric of a film perfectly edited and written. The brutality of post-Civil War Spain contrasts with the world of magic to which Ofelia is drawn, yet everywhere she goes she has choices to make. In fact the film is about choices, good and bad, and one discovers that no matter how desperate a situation becomes, a choice is always available - although that choice may mean one's death. The film is violent - very violent, but each moment of brutality, although graphic, has a purpose - nowhere is it gratuitous.

I loved it - as I knew I would - and if the Oscar voters don't give this film at least a nod for Best Foreign Language Film next year, then I will know that they have lost any sense of reason or comprehension. Because this film is truly a masterpiece, and Del Toro's greatest work to date.
Beautiful, violent, magical and sad....
I was fortunate enough to catch Pan's Labyrinth last night as part of the 'Fright Fest' programme in London and was completely blown away. Guillermo Del Toro himself was present to both introduce the movie and to answer questions afterwards. He spoke very passionately about the film, and it was easy to see why. Guillermo Del Toro has created something very special - part war movie, part fantasy, that everyone should see. The film features a fantastic performance by Sergi Lopez as Captain Vidal and as central character Ofelia, newcomer Ivana Baquero delivers the performance of a seasoned veteran. If you are the type of person who is put off by subtitled movies, don't be. This is a very 'visual' film that does not rely overly on dialogue. This does not open until 24 November in the UK and 29 December in the USA but already I am looking forward to seeing it again (and buying the Special Edition DVD).This is the first time I've felt the need to write a review on here. Do yourselves a favour and go and watch it on the big screen.
One of the best films ever made.....
You would think that, with 1000 or so positive reviews, one more would not matter? However, this is not only one of the most extraordinary films ever made, it is also a personal fave which I have seen many times.

Comments include:

* can Guillermo del Toro actually make a bad film? I don't think so. Because of his name on the credits I have checked out many films of his that, while not in the same class as this one, were nonetheless flawless in execution.

* of many film I have seen about war (too many to count) this one manages to humanize the condition to a greater degree than I can recall. Each character is perfectly cast with perfectly written dialog to bring home the metaphor of trying to live your life while chaos reigns around you. A little girl with a sick pregnant mother who just lost her father and finds her step-father to be a monster ... perfect!

* many films deliberately strive for that special "ambiguous" ending but this one nails it. I remember couples coming out out the theatre arguing over what the real purpose of the film was, what the real ending was, what the intent was, etc

* the one single scene where the young girl has to enter a subterranean land and retrieve artifacts WITHOUT EATING THE FOOD ON THE TABLE is in many ways scarier than the scariest horror films you could name. Moreso because the audience knows how hungry she was and empathizes. It reminded me of the Cyclops scene in the 1950s 7th Voyage of Sinbad, considered a classic of its own.

* the scenes of violence (and there are many) are done so well you can almost taste the copper in the blood on screen

One of the best films ever made
Subtle as a Brick
I just don't get it. The "real" world elements portrayed here make a satisfying story although somewhat obvious and lacking in subtlety. Nevertheless I could happily have watched a version of this film if it had no fantasy elements and at least had a cathartic experience based on the bad guy getting what he deserved. But the fantasy elements just did not fit here. Firstly they were strictly fantasy 101 - oh, the girl goes on the hero's journey represented by the journey into the underworld where she has to perform a series of tasks to prove her worth. Secondly they had no relationship to the real world events. Thirdly as the message was presumably that she escaped from the real horrors by fantasising, then why bother with the complex symbolism? If you want fantasy then "Lord of the Rings" does better than this at portraying the horrors of war. If you want the real horrors of war then there are a zillion things you could watch, staring with Apocalypse Now and working down from there. I'm a big fan of fantasy and I'm a big fan of realism but this attempted combination just does not work on either count. This film will appeal to those who fancy themselves as intellectuals and like reading magical realist novels that win literary prizes. I would think that most fantasy fans, who can discern the subtext of a story in a heartbeat, and most of those who are moved by a war film can only be baffled by the praise heaped upon this entirely pedestrian film that tries to succeed by bludgeoning the viewer with the obvious. I repeat; I just don't get it.
a Spanish-speaking fantasy movie that will thrill the World
I was eagerly awaiting the release of the movie since I first heard of the project, and even more after seeing the trailers. I was not disappointed.

Arriving at the cinema, the cashier told me this movie is subtitled because in Spanish, and asked me if I was put off. I answered that I was expecting it, and this was very important to my eyes. Indeed, Guillermo del Toro did amazingly well to resist any pressure or any temptation to shoot the movie in English, but I really think there was not even a doubt as to what language to use. This adds to the magic and the beauty of the movie.

I am running out of superlatives to describe the movie, and my advice would be to go and see it for yourselves. It's a compelling tale of sadness, hope, innocence, passion, love, hate, power and drama. We are torn between two worlds: on one side the magical world of Ofelia, with its fairies, and on the other the cruel reality that is war. Both are extremely well mixed together and we are continuously drawn from one to the other with virtuoso handling from del Toro.

The actors were all superb. Having seen Sergi Lopez from its french movies I was really blown away by the performance he gives as the Captain. Ivana Baquero is just perfect as Ofelia, and Maribel Verdu gives also a great performance. The supporting roles (particularly the doctor) are also very strong.

I really hope Guillermo del Toro gets the recognition he greatly deserves, and wish this movie to stay on as one of the best of its kind for many decades to come. I can only conclude by advising you to see it and to be prepared for a lifetime experience
See Also
📹 Pan's Labyrinth full movie HD download 2006 - Ivana Baquero, Sergi López, Maribel Verdú, Doug Jones, Ariadna Gil, Álex Angulo, Manolo Solo, César Vea, Roger Casamajor, Ivan Massagué, Gonzalo Uriarte, Eusebio Lázaro, Francisco Vidal, Juanjo Cucalón, Lina Mira - USA, Spain, Mexico. 📀