🎦 Pan's Labyrinth full movie HD download (Guillermo del Toro) - Drama, Thriller, War, Mystery, Fantasy. 🎬
Pan's Labyrinth
USA, Spain, Mexico
Drama, Thriller, War, Mystery, Fantasy
IMDB rating:
Guillermo del Toro
Ivana Baquero as Ofelia
Sergi López as Captain Vidal
Maribel Verdú as Mercedes
Doug Jones as Fauno
Ariadna Gil as Carmen Vidal
Álex Angulo as Doctor
Manolo Solo as Garcés
César Vea as Serrano
Ivan Massagué as El Tarta
Gonzalo Uriarte as Francés
Francisco Vidal as Sacerdote (as Paco Vidal)
Juanjo Cucalón as Alcalde
Storyline: In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1080 px 8563 Mb h264 10071 Kbps mkv Download
HQ DVD-rip 720x480 px 1725 Mb mpeg4 2028 Kbps mp4 Download
DVD-rip 528x288 px 701 Mb mpeg4 824 Kbps avi Download
Spectacular Fantasy? Not quite, Overrated? Definitely
This movie was horrible, definitely a waste of my time. In my opinion this movie has such a simple plot and structure to it that people tend to overrate it because it gives off a mystical complex idea of a plot that is easily understood yet requires the intelligence of a 1st grader to understand. I've noticed so many people calling it a superb and spectacular fantasy, what makes it such a great fantasy? is it the guy with eyes in his hands? the big frog? or the faun and his fairies? because those are the only fantasy elements in this movie, plus I don't understand why the faun would give her a second chance at immortality after she eats the food off that creepy thing's table, I feel it was just the failed attempt to add suspense and to integrate why that thing would chase after her. I've also noticed many people analyzing this movie's simple metaphors and themes if you're looking for a real movie to analyze check out Donnie Darko. Although I did enjoy the guy with eyes in his hands. Definitely a movie to watch just to say you've seen it, but it will be a waste of your time.
A fey, beautiful and dark masterpiece
Set during Franco's mopping up exercise after the Spanish Civil War, Guillermo Del Toro's Pan's Labyrinth is a wonderful, dark fairy tale that, in a metaphor for Spain itself, teeters on the edge of nightmare dreamscapes of corruption, violence and the death of innocents.

This film is definitely not for young children. Although the fantasy sequences are gorgeously realised, and are fairy tales in the truest sense (in that they are dark, fey, dangerous and violent), most of the story (about three quarters of it, in fact) exists outside of the dreamland, in the even more frightening (and sometimes shockingly violent) world of a real life struggle of ideas and ideology.

Sergi Lopez is excellent as the brutal (and possibly sadistic) Falangist Captain tasked with routing out the remaining leftists from the woods and hills of Northern Spain. Into this precarious situation come his new wife (a widow of a former marriage, who is carrying his son) and his stepdaughter Ofelia (played to absolute perfection, by the then 11 year old, Ivana Baquero).

Uncomfortable with her new surroundings, suspicious of her stepfather and desperately concerned about the worsening condition of her mother, Ofelia uncovers a strange alternative world, and the chance to escape forever the pain and uncertainty of her everyday life.

Thus the film alternates between the world of Civil War Spain and the increasingly bizarre, dark and frightening world of the Pan's Labyrinth. As the twin plots progress, they intertwine, with the tasks of Ofelia becoming the choices faced by a Spain at the crossroads. The poignancy of the film lies partly in the fact that the victories of the child are reflected so starkly by the failures of the adult world.

Apparently Pan's Labyrinth won a 20-minute standing ovation at Cannes, when it was shown. This may be a little bit over the top. I suspect when the furore has died down some will choose to swing the pendulum back and criticise it for its more obvious faults. Much of the film is derivative. There are few ideas in the film's magical dreamworld that haven't been seen before. There are also few ideas in the film's depiction of the Civil War that can't be read in Satre or Orwell; can't be viewed in Picasso's Guernica; or can't be watched in Land and Freedom.

For all the evident truth of these observations, to accept them would be to entirely miss the majesty of Pan's Labyrinth, which doesn't lie in its originality but its absolute mastery of execution. People will watch Pan's Labyrinth in a way that most won't watch Land and Freedom. In doing so, they will also discover a world of fairy tales which existed before Disney sunk its claws into them: a dangerous world, where nothing is as it seems and every step is a possible death – a place which may leave even adults shivering under the duvet, part in terror, part in wonder. And all this backed up by the finest cinematography I've seen.

The only real faults I am prepared to allow for this film is a slight tendency (particularly at the end) for a Narnia-like moralism, and the fact that the faun is, perhaps, is not quite wild enough! These are eminently forgivable, though. This is easily the best film I've seen this year, and a must see on the big screen.
A shallow gore-fest
I was very excited to see this film. It got excellent reviews and looked incredible from the previews. The previews lie the the reviewers lie. There is nothing in this film worth seeing; unless of course you like gratuitous gore.

The film begins with young Ofelia and her pregnant mother Carmen traveling to a remote mill in rural Spain in 1944. The Spanish Civil War is officially over, but the fascist government is still fighting guerrillas in the countryside. They are traveling because Carmen has recently married a officer in Franco's army, Captain Vidal.

Early on in the film several characters are rather transparently labeled as "good" and "evil." We see Mercedes, a maid in the household, rather clumsily helping the rebels. And we see Captain Vidal brutally murder a farmer.

Vidal's men captured two farmers who were hunting for rabbits. They are interrogated, and then accused of being Communists. When the younger farmer pleads innocence, Vidal smashes him in the face with the bottom of a wine bottle. After two blows, the farmer falls out of the shot.

This where the film and I parted ways. Instead of continuing to show Vidal beat on the man just out of the frame, we're treated to a close up of Vidal smashing the bottle into the man's face at least ten times until nothing is left but a bloody pulp.

Vidal's men can look away in disgust. Why can't the camera afford us the same courtesy? After this gratuitous brutality, we're treated to a later scene where Mercedes, finally discovered by Vidal, pulls out a paring knife that she had hid in her dress, cuts the ropes that bind her wrists and then attacks Vidal. She doesn't kill him of course, she just stabs him in the back, in the stomach, and then cuts a gash across his face giving him a "Joker" smile. We're again treated to close-ups of this wound while Vidal's men look away in disgust. And then we're treated to an excruciatingly unnecessary minute long scene of him stitching up his cheek, and then drinking a shot of liquor that creates a great deal of bleeding (aparently for comic effect).

Ofelia's fantasy world (which is what the movie trailers claimed the movie was all about) account for possibly 15% of the entire film. Many people have claimed that the fantasy land is a metaphor for what's going on the real world, or her way of coping, yet Ofelia never witnesses the brutality of her step father.

In the end Carmen dies, Dr Ferreira dies, Vidal dies, Ofelia dies, and I couldn't really care.
Harmful at best
As I see movies made within the past 20 years climb the ranks of the IMDb top 250 with alarming speed, I wonder what on earth is happening. I see that this movie is at #41, higher than Chinatown, The Third Man, To Kill a Mockingbird, Alien, The Bridge on the River Kwai, Metropolis, and even The Wizard of Oz. Does Pan's Labyrinth deserve such high praise? Yes, it is steeped in intellectual metaphor and is crafted in such a Philip K. Dickian manner that the audience is left wondering what was real in the film. I applaud the filmmakers abilities in this manner, but regarding what they are willing to portray, they have the restraint of sociopaths. This movie contains some of the most wretched, horrific violence and psychologically uncomfortable character interactions I have ever seen in a film. Early in the movie, we watch as the cruel Captain Vidal crushes the face of an innocent young man while his helpless father watches. Vidal shoots the father moments later, after the man had to watch his son die in front of him.

Art is no longer on the minds of movie makers, instead they revel in their abilities to accurately replicate grisly murders and terrible nightmares. Suggesting violence gives way to indulging in the talents of the make up artists and the FX men. Subtlety and metaphor are discarded so the audience is not simply a witness to gruesome murders, but is forced to be a part of them. The story, fascinating as its concept may be, is buried under layers of constant uncomfortableness. There is no relief for the audience. Thanks to the movie establishing the evil of Vidal early on, the audience squirms in dreaded anticipation for what his next cruel act will be, and who he will direct his wrath towards. The movie ultimately delivers, committing the cardinal sin that a movie can make: showing the graphic death of a child. Pay It Forward tried this bit of emotional manipulation, and lost any credibility it had as a story. The narrative was lost, the escapism destroyed. Once the innocent little girl died in Pan's Labyrinth, the audience remembers that they're watching a story and their emotions are being toyed with.

I despise seeing such films because I ultimately feel anger not towards the characters in the films, but at the filmmakers themselves for presenting me with such atrocities. I know Pan's Labyrinth is based in folklore, but I don't believe for a second that this is any kind of fairy tale. When a parent reads a child Hansel and Gretel, the visuals are very cartoony and are relayed through the buffer of said parent. With this "film," there is nothing but blood seeping from the mouth of an innocent little girl to tell the audience that the fairy tale is over. A fairy tale for adults? That's false advertising and I hope that all with weak stomachs are fairly warned.
Beautiful pictures and state of art scenes, depressed and poor performance, irrationally illogical plot
I was very intrigued with plot, camera work and visual effects at the movie beginning, however all plot lines were spoiled one by one until nothing even mediocre remained from the movie at the end. I feel very upset, because visual effects and camera work remained astonishing throughout the movie. Fantastic and magical ideas and scenes appeared from time to time, but incredibly illogical plot turns have broken each scene experience. Overall plot looks crafted and quite unnatural. I found several scenes displaying extraordinary violence unneeded and over-the-top, they made the movie look more like a trash one. Actors' performance was very mediocre: only the Captain was good, the girl didn't look very scared when she should absolutely have to.

Anyways, I would recommend this movie, because so many people enjoyed it, but don't expect too much.
Simple review on the film
Pans Labyrinth hooked me in, and created an enigma that had me captured from the very start. The overall mood of the film is extremely dark, ghostly and eerie, and the lighting often changes to represent the different themes of the film; escapism, reality and fantasy are shown in green, blue and red/gold lights. The micro elements are very detailed, for example in the first scene, the graphic editing of Ofelia's eye into the parallel universe was very effective as it represented the other world through her perspective, along with the narrators voice. Furthermore, the mise-en-scene used through the constant use of books portrayed Ofelia's interest in fairy tails and fantasy, which she uses as an escape from the real world, and also the horrific things that happen around her. I thought that the special effects were astounding, from the faun, to the toad, to the pale man; all the creatures/monsters shocked me as they were so realistic. The film was visually remarkable! Additionally, the performance from Ivana Baquero was exceptional, especially considering she was so young at the time of the film. The camera shots were very significant throughout the film, as there are extreme close ups of Vidal's watch which symbolises how important time is in the film. Also the distant shot of the pale man is very similar to when Vidal is at the dinner table, this portrays Ofelia's mental reconstruction of Vidal as Ofelia sees him as pure evil. Overall, I loved the film and thoroughly enjoyed the juxtaposition between the 'two worlds' and also the theme of good vs evil.
no fantasy movie at all - and a meager plot as well
I can;t believe this movie received that ratings it did. This movie has nothing to do with a fantasy story but all with a horrific and rather shallow story reminiscent of a horror movie. Besides the shock "value" there is absolutely no need to be that graphic in order to get the story across - in fact, less would have been a lot more! But maybe here lies the genius of the movie maker - to shock the dull and pampered audience out of their seats - minds - so that their attention is caught and they kind of feel alive.

But in all this grossness - there could have been true art - but I am afraid - no. It is flat and at best the some of the acting deserves mentioning. In my book this movie is a flop!
Visual feast for the eyes
If there is one thing I can guarantee with this review it's that you will not see another movie like Pan's Labyrinth the rest of the year. In English or in Spanish.

With its dark imagines, brutal violence and terrifying fantasy creatures, I challenge you to find a film on par with Guillermo del Toro's vision of a young girl in Spain circa 1944 who endures the growing pains of a new family while imagining a world where creatures that would give Stephen King nightmares surround her and coax her into various tasks of passage.

Pan's Labyrinth is a movie almost too complex to explain. There are two tributaries of plot. One involves the real world where Ofelia (Ivana Baquero) and her pregnant mother travel to their new home amidst the violence of the Post-war Fascist repression. While adapting to new father whose penchant for sadism is wiggle-in-your-theatre-seat cruel, young Ofelia takes comfort in her mother's arms. But when her mother has complications with her pregnancy, Ofelia quickly finds retreat with the unusual characters including nymphs and fairies that lead her on three tasks that suggest the offer of reclaiming a throne.

The second story surrounds this journey into fantasy and I have yet to find the words two hours after the screening to describe the various characters that include a huge toad with a secret key hidden inside its belly and a creature that eats young children and has eyes on the palm of its hands.

Creepy stuff. Think Big Fish is written by Clive Barker.

Writer and director Guillermo del Toro (The Devil's Backbone, Hellboy) spins a whimsical story that is as engrossing as it is repulsive. The war scenes are brutally realistic with bullets not being spared for the long suffering, and a torture scene that includes utensils marked for your father's toolbox gave me the heebie jeebies a la Hostel. Guillermo is able to walk a thin line with confidence and with this entry, he secures his spot as one of the most interesting directors working in the mainstream today.

Pan's Labyrinth received a 22 minute ovation when appearing at the Cannes Film Festival in 2006. I can't in good conscious share the same enthusiasm. But on the other hand I can't deny that this was an incredible spectacle that definitely deserves multiple viewings to fully appreciate the beauty amongst the violence and the creativity of the storytelling among the dark corners where creatures lurk and adventures await.

Nice production value, meh story, boring characters
This movie had great cinematography and special effects as well as good acting. The basic idea for the story is a cool one, but the war-drama story line is just so boring, even though it is well made. It just goes on and on without really going anywhere, there is no clear goal for the story to reach.

Then there is a fantasy story line, which I found to be cooler and more thrilling then the war drama story line. But both story lines are kinda destroyed by the flat and uninteresting characters. My last point is that I didn't get the point or the message of the movie. It isn't a movie without any depth, but as the movie ends, there is no feeling of an appeal, the story is just... over.

Quite nice to look at, good acting and a decent soundtrack, but also filled with boring and flat characters and an interesting story idea, but it had no special appeal and just continues without increasing.
Beautiful, violent, magical and sad....
I was fortunate enough to catch Pan's Labyrinth last night as part of the 'Fright Fest' programme in London and was completely blown away. Guillermo Del Toro himself was present to both introduce the movie and to answer questions afterwards. He spoke very passionately about the film, and it was easy to see why. Guillermo Del Toro has created something very special - part war movie, part fantasy, that everyone should see. The film features a fantastic performance by Sergi Lopez as Captain Vidal and as central character Ofelia, newcomer Ivana Baquero delivers the performance of a seasoned veteran. If you are the type of person who is put off by subtitled movies, don't be. This is a very 'visual' film that does not rely overly on dialogue. This does not open until 24 November in the UK and 29 December in the USA but already I am looking forward to seeing it again (and buying the Special Edition DVD).This is the first time I've felt the need to write a review on here. Do yourselves a favour and go and watch it on the big screen.
📹 Pan's Labyrinth full movie HD download 2006 - Ivana Baquero, Sergi López, Maribel Verdú, Doug Jones, Ariadna Gil, Álex Angulo, Manolo Solo, César Vea, Roger Casamajor, Ivan Massagué, Gonzalo Uriarte, Eusebio Lázaro, Francisco Vidal, Juanjo Cucalón, Lina Mira - USA, Spain, Mexico. 📀