🎦 Once Upon a Time in the West full movie HD download (Sergio Leone) - Western. 🎬
Once Upon a Time in the West
USA, Italy, Spain
IMDB rating:
Sergio Leone
Henry Fonda as Frank
Claudia Cardinale as Jill McBain
Jason Robards as Cheyenne
Charles Bronson as Harmonica
Gabriele Ferzetti as Morton (railroad baron)
Woody Strode as Stony - Member of Frank's Gang
Jack Elam as Snaky - Member of Frank's Gang
Keenan Wynn as Sheriff (auctioneer)
Frank Wolff as Brett McBain
Storyline: Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica, a man already on a quest to get even.
Type Resolution File Size Codec Bitrate Format
1080p 1920x816 px 2109 Mb h264 1776 Kbps mp4 Download
DVD-rip 720x304 px 1599 Mb mpeg4 1409 Kbps avi Download
Once upon a time....
...they made amazing films like this one. This is my favorite western, one of the best ever made. The pacing and filming are pure brilliance and really build the tension as you work toward the inevitable final standoff.

The way each character is introduced makes them feel real and full of personality without the need for explanatory dialogue and I love how the music suits the movie, I can still hear Harmonica's haunting tune in my head. Bronson is excellent as the silent and mysterious good guy and Fonda adds a whole new meaning to the word evil.

The story is tight and all the threads weave together in the end to form an outstanding western of epic proportions that I can't fully describe in words.
Once Upon a Time in The West: Love Poem to the American Western
Once Upon a Time in The West is my all time favorite film as well as my favorite movie score. Bernardo Bertolucci, the co-writer of Once Upon a Time in The West, later directs The Last Emperor, which is my second all time favorite film as well as my second favorite movie score. Beware this is not your usual western. It is epic poetry. It is opera. It is a perfectly crafted art film that expresses Sergio Leone's true love for the great American Westerns. Leone doesn't necessarily romanticize the American West, he romanticizes American Western films. He makes references to High Noon, 3:10 to Yuma, The Comancheros, Shane, The Searchers, My Darling Clementine and many other great American Westerns very much the way Quentin Tarrantino has made films that pay homage to the gangster film genre. BTW Tarantino's Inglourious Basterds pays tribute to this film with an opening sequence entitled Once Upon a Time in Nazi-Occupied France.

Although most of the film was shot in Spain & Italy like most spaghetti westerns, Leone traveled to John Ford's Monument Valley to capture the authentic Western United States panorama. Like Nicholas Ray's Johnny Guitar, it has a poetic quality that uses strong symbolism; but instead of symbolic words and lyrical phrases in the dialog, Leone relies on the alliteration of sights and sounds to formulate poetic stanzas out of every scene. The length of the film is a result of Leone's choice to direct in a sometimes painstakingly slow pace that builds up incredible tension before key action scenes. He allows us time to imbibe the majestic landscapes, and appreciate the details of the authentic sets and costume design documenting this pivotal period in American history. Instead of cluttering the beauty of his carefully photographed frames with dialog, close shots of these actor's iconic faces express all that needs to be said.

Ennio Morricone, also my favorite movie composer, scored five distinct musical themes that embody each of the main characters: widowed new bride Jill (Claudia Cardinale), mysterious harmonica-playing gunman (Charles Bronson), bandit Cheyenne (Jason Robards), hired gun Frank (Henry Fonda) and railroad tycoon Morton (Gabriele Ferzetti). Instead of a musical prelude, the movie opens with a symphony of natural sounds using a screeching windmill, a buzzing fly, dropping water and a ticking telegraph. Meticulous sound editors maintain continuity throughout this mostly visual narrative, composing a perfect harmony between each of the main character's musical motifs along side the multitude of natural sounds mostly inspired by the two major symbols, the railroad and the water. An impressive lengthy tracking shot introduces the "anti-heroine" Jill as well as the beginnings of a bustling railroad town. Don't miss the first few minutes of this movie. Without music nor dialog, Leone creates one of the most suspenseful thrilling first few minutes of a movie whilst still rolling the opening credits. For all 168 minutes I was captivated by each and every frame! Once Upon a Time in the West is the finest example of Sergio Leone's creativity and perfectionism as a director, but most of all it is his greatest testament of love for the American Western.
Once Upon A Time.......................There was Sergio Leone
No other films in the world have produced such sharp, raw, gritty and atmospheric yet absolutely beautiful cinematography as those directed by the Italian director, the great Sergio Leone. Audiences around the world saw first hand the power and influence "A Fistful Of Dollars" bought to the world. It made a director famous, a young Clint Eastwood a household name and the Western more popular than it had ever hoped to be since the master works of John Ford. However, Sergio Leone bought with him a whole new sub-genre - a whole new style - and the Western had never looked darker and grittier. 'The Man With No Name' bought with it a whole new meaning to a heroic protagonist. There was no more good guy/bad guy, but only a survivalist type - ignorant and self indulgent, yet still moral and fair, tough and smart and damn good with a gun. The world fell in love with him and anticipated its sequels which only became more violent, atmospheric and realistic and gave the authentic true feeling of the West.

It is why I consider 'Once Upon A Time In The West' to be Sergio's definitive masterpiece. He took everything that he ever felt about the West and made some of the most intriguing 3 hours of film ever produced. The budget had never been bigger. The plot had never been more riveting. The music and setting had never been more epic and the cinematography had never been more powerful. This film is perfect, start to finish!

This time our premise intersects the stories of five people - yes five people - and it is brilliantly crafted. And this time it isn't a chain smoking son of a gun without a name that carries the film, but rather a female prostitute. This isn't the 'Rocky Horror Picture Show', so please continue reading. The plot revolves around a certain family and its moist establishment in the middle of a desert with hopes for it to one day be a thriving town with a railway station. It is this future town that brings our five protagonists into relation. The family is murdered by a gang led by Frank (Henry Fonda) who works the hit-man for a corrupt railway boss who wants the town out of the way so he can reach the coast and view the sea before he dies. However, unaware of her arrival, Jill (Claudia Cardinale) - the family's patriarch's fiancée - comes to claim her property and therefore possesses a threat to the railway boss. Meanwhile a man with no name nicknamed 'Harmonica' (he always plays a Harmonica before making a kill) has come to town looking for Frank for personal reasons. Charles Bronson nails the role with extreme prejudice. Also a fugitive going by the name of Cheyenne (Jason Robards) assists in his journey to prove his innocence regarding being the wrongly accused murderer.

No spoilers, but just an assurance that this film will blow you away. It is impossible to comprehend the overwhelming powerful epic experience in one sitting. This is what motion pictures are meant to be. Masterful storytelling, a larger than life score by the brilliant Ennio Morricone, cinematography yet unmatched and a cast made in heaven. Performances from all the actors are some of the best you will ever see.

It is films like these that redefine genres and that honorable of all words, a 'classic'. Prove me wrong. For those who experienced it, I hope it has impacted you in much the same way it has me. Upon its release, this film was unsuccessful, because the world wanted another Clint Eastwood picture. But they couldn't see for a mile what was coming. Sergio Leone is platinum. May the force be with him...........always!
There's a train a'coming...
Most westerns are actually about the death of the old, wild, west; and 'Once Upon a Time in the West', with its story centred on the coming of the railroad, is no exception. One thing that Sergio Leone has done in this movie is to make a truly cinematic film: it's hard to imagine how the script read, as so much of the meaning is conveyed in the facial expressions of the actors or by Enrico Morricone's score - there's a balletic quality to Leone's work. Unfortunately, I found the music intrusive, the exaggerated grimacing of the characters merely comic, and the plot contrived, difficult to follow and arbitrarily bloody; I don't believe that even in the wildest west, six people would be killed outside a bar and everyone inside would just carry on drinking as if nothing had happened. Personally, I prefer Robert Altman's treatment of a similar storyline in 'McCabe and Mrs. Miller', a film that uses rather fewer of the conventions of the western, but which seems closer to life as a result.
Groundbreaking, riveting, exquisite.
This is Leone at his best, absolute genius. I don't even know how to begin to describe it. In the beginning, it is all just sounds. There's nary a single word of dialogue. Three figures, their identity unknown, walk into the foreground. They wait for a train. One tries to rub off an annoying fly on his face. Another has a problem with water droplets on his head and catches them with his hat. At last the train comes and no one gets off. The three men turn to leave, but at the last moment, the notes on a harmonica start to play. A man appears from behind the train. 'Did you bring a horse for me?' 'Looks like we're shy one horse.' 'You brought two too many.' Seconds later, all three of the killers are down, and the man (being dubbed Harmonica) is shot in the shoulder.

Thus, Once Upon a Time in the West begins. The acting is absolutely marvelous. Claudia Cardinale is absolutely perfect as Jill. Her eyes show all the emotion, making her face the story of the shot. Charles Bronson plays the silent and mysterious character. He is a reincarnation of the Man With No Name and is perfect for the part. Silent and distant. Who could ever forget Jason Robards? He plays Cheyenne with an amazing silliness that it just seems natural for him. Of course, they're Henry Fonda as Frank. He plays the coolest villain, so seemingly natural that he seems almost good. He plays it with smoothness to the role, like a prince. Thus, the four roles become the great centerpiece of the story.

The plot itself is complex, taking time to build up. There are many minute sub-plots that all tie into the motives of the characters, specifically Harmonica's past, that along with smooth editing, keep you guessing until the end. The focal point in the story concerns the woman called Jill, and her attempts to try and keep living after the massacre of her husband and his entire family. The man behind the massacre, Frank, learns all too well that there is a surviving member of the McBain's, and attempts to go after Jill. Cheyenne is the outlaw wrongfully accused of the murders of the McBain's, but tries as best he can to protect Jill. And of course, Harmonica is the loner, the Man with No Name, out to destroy the evil of Frank.

The direction is perfect, as are the cinematography and editing. However, a great triumph here is Morricone's score. Fantastic. Each individual character is assigned his or her own theme that, as the relations grow between characters, interplays and combines to form truly fantastic cues. Just listen to the music at the final showdown, or the part when Jill first arrives at the station. It is truly beautiful. This whole movie is truly beautiful.
"they call them millions"
For me, no other movie has captured the Wild West like Sergio Leone's Once Upon A Time In The West. When a mysterious stranger with a harmonica protects a beautiful but naive widow from a ruthless train baron and his hired gun, they all soon discover that much more than prized land is at stake.This is more than a movie, it's an experience in my mind, a piece of history, as the west is portrayed as a haunting brutal land that discriminates against absolutely no-one. From the eerie silent opening to the unimaginable and unforgettable ending, Leone takes you down a path that hasn't been explored in a western before or since. 10 outta 10 guaranteed!!!
Beautiful score and great film
Perhaps the most famous of Leone's western with unforgettable music score. The story of lone hit-man Harmonica (Charles Bronson) going for his revenge is a classic. Leone in this move hired Bronson for his hero with no name instead of his usual Eastwood. Instead of Eastwood here are another actor heavyweights as Fonda, Cardinalle and Robarts. This story is very good; it follows more plot line for them to cross at the end. Also until the final shootout it is not clear why does Harmonica seeks revenge. Acting is overall very good, weakest links is Bronson who was the worst of main actors, but as he is not required to act much he is good. Fonda is great as villain and is clearly enjoying playing main antagonist. Robarts is very convincing as good natured bandit. Cardinale is very beautiful and also very good as prostitute trying to get a new life. Score is amazing as in all three preceding Leones westerns.
The entire history of the Western - in two-and-a-half hours.
I'm sure this has been said before, perhaps I even read it somewhere or listened to it - but it's worth repeating. This film is not "a' Western - it is all Westerns.

Almost at the same time this was released, Peckinpah released the Wild Bunch. That film took a whole host of Cowboy movie conventions and turned them inside out, first by its infamous portrayal of violence, but more importantly by treating the "bad-guys" with respect while presenting all the supposed "good-guys" as cruds - with the exception of the Mexican revolutionaries; but then, even this was a violation of an unacknowledged convention - ever since the murder of Villa by the American Army, Hollywood has covered over that criminal trespass by portraying Mexican rebels as little better than bandits - which of course was Washington's official line on the Villa case.

At any rate, the point is that Peckinpah's film blew traditional cowboy clichés right out of Hollywood. It hasn't been really possible to make a traditional Western since then.

So it's dam' fortunate for all of us that Leone made OUATITW when he did, because one of the goals he appears to have set for himself is to use practically every Cowboy movie he could remember without actually slipping into overt cliché. And, quite amazingly, he pulls it off.

The chief means of accomplishing this, as a number of reviewers have noted, is structuring the film as an Italian opera, using the character's actions and responses (both physical and verbal) to take the place of opera's lyrics, performed before the magnificent music by Ennio Morricone, enhanced by editing that's so smooth, it's often not noticeable. For instance, on repeated viewings it becomes clear that certain scenes - the massacre of the family, the final shoot-out - which are so tense on first viewing that they seem to go on forever, actually happen rather quickly; other scenes that at first seem to snip along - such as the scene when Cheyanne and Harmonica first meet - are actually fairly leisurely paced.

The ability to manipulate his audience's sense of time is one of Leone's greatest talents. In all four of his major Westerns - this film and the Eastwood films - the final shoot-out (always staged as a set-piece) seems to bring time to a halt; when the smoke clears, we're left wondering what day of the week it is, because even if we have a watch,we don't trust it any more, since it is clearly not in synch with the film. Leone accomplishes this with an editing approach that is musically timed (quite literally, he is editing it to Morricone's score), utilizing long shots as melodic riffs and extreme close-ups for heavy beats.

OUATITW is actually the first movie Leone made where he is fully aware of this. Thus he is taking real risks in his choices of which Western conventions to highlight, and which to let drift into the background. Just as example: All three of the Eastwood films have a horse-chase sequence. There is none in OUATITW. Leone wants the horse to begin drifting into the backdrop of history - this is a film about the coming of the 'iron horse' - the railroad. The second to last image of the film is a man riding off on horseback; the final image is the train facing us as the laborers lay down track leading it directly towards us, as the music we know to be the woman's theme swells, reminding us that she is there with the laborers, and that somehow, while the old West (the West on horseback) has breathed its last, the new West, still a land of promise and new beginnings, remains.

A magnificent farewell to an era - not just an era of American history, but an era in film history as well.
Excellent - I agree it is the best western, and...
The music and scenery are fantastic. Unlike the many westerns with good actors and actresses, the authenticity always left something to be desired. Indians depicted as "all" savages, and more nonsense.

This movie weaves a very believable story, and all the characters are awesome.

If you watch Andre Rieu concerts on public broadcast or see one of his concerts in person, he frequently does the main theme music.

Henry Fonda, Robards, Cardinale, Bronson - all look and act the part. Every scene hits home with a much different message than most of the westerns up to this point in time.

Of course, then you also wish that all women had the courage and beauty of Ms. Cardinale as displayed in this movie.
📹 Once Upon a Time in the West full movie HD download 1968 - Henry Fonda, Claudia Cardinale, Jason Robards, Charles Bronson, Gabriele Ferzetti, Paolo Stoppa, Woody Strode, Jack Elam, Keenan Wynn, Frank Wolff, Lionel Stander - USA, Italy, Spain. 📀