🎦 Intouchables full movie HD download (Eric Toledano, Olivier Nakache) - Drama, Biography, Comedy. 🎬
Drama, Biography, Comedy
IMDB rating:
Eric Toledano, Olivier Nakache
Clotilde Mollet as Marcelle
Cyril Mendy as Adama
Alba Gaïa Kraghede Bellugi as Elisa (as Alba Gaïa Bellugi)
Thomas Solivéres as Bastien, dit le Plumeau
Dominique Daguier as Amie de Philippe
François Caron as Ami de Philippe
Dorothée Brière as Eléonore (as Dorothée Brière Méritte)
François Cluzet as Philippe
Marie-Laure Descoureaux as Chantal, la femme de chambre
Anne Le Ny as Yvonne
Omar Sy as Driss
Christian Ameri as Albert
Joséphine de Meaux as La DRH société de courses
Audrey Fleurot as Magalie
Storyline: In Paris, the aristocratic and intellectual Philippe is a quadriplegic millionaire who is interviewing candidates for the position of his carer, with his red-haired secretary Magalie. Out of the blue, the rude African Driss cuts the line of candidates and brings a document from the Social Security and asks Phillipe to sign it to prove that he is seeking a job position so he can receive his unemployment benefit. Philippe challenges Driss, offering him a trial period of one month to gain experience helping him. Then Driss can decide whether he would like to stay with him or not. Driss accepts the challenge and moves to the mansion, changing the boring life of Phillipe and his employees.
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One film you should not miss
This movie is so good that we watched it twice in two days. Such friendship honest, true and natural is something to be jealous about in the most positive way. A big surprise, so it needs a lot of very positive comments because you do not want to miss this one. Although you may think this is a dramatic movie, it is actually more a very warm movie loaded with very good humor. The trailers, advertisement and also the Dutch tittle actually first put us of to watch this movie. Then it is also a French movie so normally that comes with a lot of not too positive expectations. This all is easily overwon within just the first few minutes of the movie but gets totally shattered the longer the movie lasts.
A great film!
After having broken box office records in its native France and across Europe, The Intouchables is brought to American screens.

It's a story about a white man and a black man. The white man is rich and paralyzed from the neck down; the black man is an ex-con from the projects. The former needs a caretaker; the latter needs someone to turn his job application down, so he'll be eligible for unemployment benefits. They meet. They clash. And, against all odds, they become friends.

That's the plot of The Intouchables (based on a true story), and that storyline has prompted many American critics to label the film "racist." Maybe it's coming from a misunderstanding of some journalists, or from a cultural difference between USA and France, but race is absolutely not the subject.

Indeed, the French title Intouchables which translates literally as untouchable, refers to the 5th Indian caste, these people ostracized by society, as the two characters. Philippe is rich but quadriplegic from a paragliding accident. Opposite, Driss is full of life, but he is poor and comes from the suburbs. His disability is purely social. Using humor to explore the sensitive topics of class inequality, and quality of life for handicapped individuals is a tall order for filmmakers of any country. However, directors Olivier Nakache and Eric Toledano accomplished all of this.

An irreverent, uplifting comedy about friendship, trust and human possibility, The Intouchables depicts an unlikely camaraderie rooted in honesty and humor between two individuals who, on the surface, would seem to have nothing in common. A great film!
A very heart-felt, human film. Highly recommendable.
Intouchables is an unusual buddy movie about two guys who couldn't be more opposite of each other. Driss (Omar Sy) just wants to get a rejection paper from Philippe, a quadriplegic aristocrat, so he can receive unemployment benefits. But Philippe has other plans for him: He is immediately under Driss' charm and decides to hire him as his personal nurse.

The two bond more and more and that is when the movie shows its strength: It lives from the contrast between the easy-going, charming underclass prankster and the rich, art-loving lord. The collision of these two worlds offers room for plenty of funny material. When the two sit in the opera in a room full of uptight white men in suits, and on stage a man dressed as a tree starts to sing in German, Driss can't hold his back laughter. Neither can the audience of this film.

It's a warm, delightful comedy that hits all the right notes, completely politically incorrect and honest. It has a comedic tone throughout the whole film but allows itself to also show the internal conflicts of the two protagonists without ever being sappy. It's a rare thing to see a handicapped person portrayed without too much pathos.

Please see this movie. It's beautifully-shot, well written, heartfelt and heartwarming.
Touché ...
In less than two months, "Untouchable" became the second most successful French film by number of spectators, such an event by itself that people went then to see it, not because they thought it was good but to see what was so good in it: that's the virtual circle of success.

My biggest disappointment in 2011 was with "The Tree of Life", a movie I sincerely wanted to love but couldn't, and I left the theater before it ended with a bitter taste of frustration. Proportionally, my greatest positive surprise came with "Untouchable" because it was the opposite expectation: I was sure I would dislike it, figuring the movie manipulated viewers through the overused device of the improbable friendship. Why such preconceived negativity? Well, when a young black guy from French suburbs, darkly depicted in Mathieu Kassovitz 'Hate' and infamous for its occasional riots, befriends a rich quadriplegic, I immediately think of 'good feelings', 'mainstream populism' … unaware that I apply to myself a cynical judgment that can undermine my very way to enjoy not just this film, but any film. After all, why getting ready for hatred when it's so relieving to give the benefit of the doubt and get ready for appreciation? Especially since more than 15 millions of French people, from different ages and backgrounds liked it.

So, I saw it … and loved it.

The story of "Untouchable" is the kind of unintentional masterpiece that only movies can provide every once in a while, it has no other pretension than to depict a magnificent and inspiring friendship story starting as a simple job. A young man with a Senegalese background, Omar Sy as Driss, only needs a signature to prove that he attended an interview for a live-in carer job. For some strange reason, Paul, the rich man, played by a wonderful François Cluzet, gives him the job, with a one-month trial period. The reason of this choice is smoothly handled by the script: the film starts with all the job applicants, every one of them unnaturally posing and getting mixed in prepared answers. Then, Driss casually enters, without waiting for his turn or knocking on the door, he's got enough problems to deal with, unemployment, an experience in jail, being a pariah for society, and undesirable even in his own family, especially her adoptive aunt. Driss' attitude pleases Paul, because after his paragliding accident, he can't feel his body from neck to toes, and needs caring almost 24 hours per days and 7 days per week, so he really doesn't have time for bullshit either.

And this is a remarkable aspect in the script written by the two directors Eric Toledano and Olivier Nakache: it doesn't waste time cementing the friendship, the two leads rapidly get fond of each other, a feeling illustrated in the poster with both posing with natural smiles. The film shows Omar's struggle to learn how 'needy' Paul is, which provides some priceless comedic moments, but "Untouchable" goes immediately to the core, an eye-opening message about the life endured by a handicapped person, making all the wealth in the world pointless and the richness of heart and mind, priceless. Through Driss and Paul's interaction, the film explores the real needs of people in life, respect and understanding, acceptance and love. Maybe if it was handled by other directors, it would have been predictable but in "Untouchable", the complicity between the two heroes feels absolutely real. There's one scene when Driss shave the bushy beard of Paul,… well, I won't spoil it for you, but the part was a clever mix of realism and comedy because anyone would have done what Driss did at one moment, and that's the secret of the film: it feels real.

Some movies can work with a good story but they need good performances, in "Untouchable", it's almost impossible to determine who carried the film, both Cluzet and Sy were great. And I don't get the complaints: why they didn't respect the original story where the carer was an Arab, or how they 'sugarcoated' the handicap? I even heard that in America, they were accusing the film of racism because Driss was portrayed as a sort of (I quote) 'helper monkey'? Seriously, this is getting old …The way handicap is approached never flirts with an exaggerated pathos, nor the opposite, which is the most intelligent achievement. There's a sort of heart's intelligence in the way Omar teases Cluzet with his own handicap, and the film provides the extraordinary message that pleasure and thrills have unlimited media, whether they come from pot, an ear-massage or even paragliding.

Many of Paul's friends criticizes the presence of Driss in Paul's life, but Paul doesn't care: Omar is a man full of life, big, tall and strong, and when he uses violence to teach a man the respect of a parking sign, Paul admits this is the right method. Both are in the same wavelength. I wondered if the title "Untouchable" referred to the lowest caste in India, echoing the two men's conditions, both outcasts physically and socially, but I guess, their relationship evolves into a friendship precisely because they're both strong-minded, and together, they become even stronger, until getting untouchables ... in the noblest meaning of the word.

There are real people in "Untouchable", nothing works as plot devices even if some situations are so cinematically appealing: Omar inviting everybody to dance during Paul's birthday, his learning of the aristocratic world, the art of abstract painting, and the way he breaks the conventions with an unconventional charisma reaches a level of energetic comedy that reminds of the greatest days of Eddie Murphy, with Cluzet as a perfect straight-man not deprived from a sense of humor. "Untouchable" is simply an inspiring story of friendship with whatever defines this beautiful virtue.

And yes, it's one of the best French films ever, and certainly one of the best of 2011.
Makes Your Heart Sing and Dance
What a great film!!! It's going to very difficult to put into words what this film has achieved. Both Francois Cluzet and Omar Sy give perfect performances as a couple of men dealing with hardships and develop a very strong friendship in spite of their very different backgrounds.

With the help of a sharp and insightful script, the two actors go through a series of incidents, learning to appreciate each other's values and grow closer because they understand each other and how difficult life can be. Where Phillipe is at a point in his life where he is ready to give up, Driss comes up with an alternative point of view, and it is his resolution not to wallow in self pity or treat others any differently that attracts Phillipe. Soon, Phillipe is enjoying life again, and he tries to correspond and do something for Driss, and the results will make your spirits soar.

The film is rich with emotion, and Phillipe's party and Driss' treat scene are formidable cinema pieces where everything comes together, as the screen fills with music, song, dance, and some striking visuals.

This film is a winner.
A Modern Day Masterpiece.
After spending the better part of 2 hours watching this glorious film, I have decided to take it upon myself to express my utter delight at the fact that a film like this regardless of the scenario can be such a joy!

It is safe to say to all movie fans that 2012 has been extremely disappointing in terms of quality story lines, scripting and acting in general. We have become so used to the annual 'blockbuster' scenarios that at times we as an audience tend to forget what it is like to actually experience something of great quality.

The two main protagonists in this film are Philippe (François Cluzet) a wealthy quadriplegic and a far removed and initially troubled Parisian - Driss (Omar Sy). The chemistry that each has towards one another and the play on Driss' ignorance to Philippe and his disability makes this feature charm you from the very start - along with the contrast in social standings, education and hobbies their lives become dependent on one another over time. Through the use of the extremely well placed quips, jokes and glorious rhetoric it leaves you always wanting more, and it does just that. To actually say this in a review is genuinely rare for me and I hope that this film gets the genuine recognition it deserves by the audience who watch it in the future, for it is a rare masterpiece of cinematic perfection parading values of friendship and humour that you will want to talk about with your friends for quite some time.

No words can really describe the true delight this film has brought to my life and those who were with me in the cinema. Truly excellent!
Funny and touching, but not all it could or should be.
A French-language based on a true story drama, The Intouchables is ... touching ... but not as good as it likes to think it is. In the mind of its creators it seems to be a comic drama of immense human significance; in reality it is powerful and affecting and funny at different times. It's also clichéd, patronising and predictable.

It's the story of a rich, privileged quadriplegic man who needs to hire a new carer. He picks a young man with no qualifications and no experience from the Paris housing projects. What follows is a predictable but still effective clash of cultures and expectations, with mutual learning taking place on both sides of the divide. The films seems at pains to not offend with its sensitive subject matter, the overall effect seeming to be at times patronising to the poor and the disabled alike. All poor people like hip-hop, it seems; all the rich, classical music. The quadriplegic man struggles to feel, you see. Yes, really. All a bit trite at times.

At others is affecting though. It chimed with me at points; it encourages an engaging, counter- cultural lack of safety and wisdom the better to actually build meaningful lives and relationships, to break artificial barriers and self-limitations. It's encourages a kind of holy recklessness on its viewers, that you suspect will get lost amidst the worthiness for many. If only the film itself had shown a little more danger and a little less safety, we could have had something more special and less crowd-pleasing.
Formidable. Excellent.
This is a truly excellent french film which highlights themes from love to comedy. I really enjoyed the music which went with the movie as it captured the mood of the (based on a true story) storyline. The main piece was Fly by Ludovic Einaudi. The actors play a splendid role to depict the life of the real paralysed man and real carer.I only watched this last night and i watched the original - in french. It is a very recent film filmed in Paris and i find this film suits any watcher for the reason that it contains both high-up, posh lifestyles compared to "chavs" smoking and speeding Maserati's. The Humour is captured best in the original version as i would imagine a few humorous jokes may not work in translated English. I Loved it.
Outstanding film
I've never submitted a review before, but this was absolutely outstanding. The dialogue is excellent, with many unexpected responses, especially in the beginning. The characters are exceptional, especially in their social contrast--but when the inevitable social comparisons are made, they are either handled with genuine surprize, or else expertly buffooned. Some of the obvious exchanges are handled so well, and so unexpectedly that there are guffaws from the audience. The story is wonderfully touching, without any syrup. That it is a true story makes it even more surprizing and appealing. I don't know which other contemporary movie I would rate a perfect 10. Well done.
📹 Intouchables full movie HD download 2011 - Clotilde Mollet, Cyril Mendy, Alba Gaïa Kraghede Bellugi, Thomas Solivéres, Dominique Daguier, François Caron, Dorothée Brière, Absa Diatou Toure, François Cluzet, Marie-Laure Descoureaux, Anne Le Ny, Grégoire Oestermann, Omar Sy, Christian Ameri, Joséphine de Meaux, Audrey Fleurot, Salimata Kamate - France. 📀