🎦 Gran Torino full movie HD download (Clint Eastwood) - Crime, Drama. 🎬
Gran Torino
USA, Germany, Australia
Crime, Drama
IMDB rating:
Clint Eastwood
Christopher Carley as Father Janovich
Bee Vang as Thao Vang Lor
Ahney Her as Sue Lor
Brian Haley as Mitch Kowalski
Geraldine Hughes as Karen Kowalski
Dreama Walker as Ashley Kowalski
Brian Howe as Steve Kowalski
John Carroll Lynch as Barber Martin
William Hill as Tim Kennedy
Chee Thao as Grandma
Choua Kue as Youa
Storyline: Walt Kowalski is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao, a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood. Written by alfiehitchie
Type Resolution File Size Codec Bitrate Format
1080p 1920x800 px 8962 Mb h264 10738 Kbps mkv Download
HQ DVD-rip 720x304 px 1848 Mb mpeg4 2216 Kbps mkv Download
That sums it up. This is sadly a really straight forward story, with absolutely no surprises. Everything you think will happen does. That is not necessarily a bad thing, if you add amazing cinematography, excellent character development and a poignant script. This movie lacks all of those things. Eastwood has done some fantastic acting, but seems a bit of a caricature here. The other actors leave a lot to be desired. A lot. Bits here and there were funny or touching, but did not add up to much. The progression of the gang story line didn't seem believable. A lot didn't seem believable. I'm sorry, but the nicest thing I can say about this film is that it was disappointing. I think all the people involved are capable of doing much better. I give this movie five stars for trying, but I will never watch it again, and I will probably forget all about it in a month or two.

Added insult: the extras on the DVD. Sexist idiocy about men and their obsession with cars. Remember when extras were actually interesting, instead of just garbage manufactured to market something? sigh.
Sour Humour and Pure Badassery
If movies like Indiana Jones, Iron Man and The Dark Knight were the thoroughbred hits of 2008, then Clint Eastwood's Gran Torino is the dark horse. This rousing crowd-pleaser is sure to surprise many, through its copious sour humour and pure badassery, while managing to still be an affecting and sombre dramatic entry in Eastwood's long-enduring and wildly successful career in front of and behind the camera.

You know that a movie has something going for it when it can a) pack in so many one-liners you can't bring yourself to remember them after the show from oversaturation of the brain, b) be unboundedly racist yet still never seen exploitative or condescending and c) make a pure, grit- and-nails, grimacing anti-hero, one man army out of a seventy-eight year old man. What is likely to surprise the most number of viewers is how funny this movie really is. Eastwood's direction and line delivery as a diamond-hard antisocial veteran is bang-on, but never makes the film into a farce or embarrassment. This is due in part to the handling of the more touching dramatic moments which anchors the film in reality and reminds us of what is at play, so to speak.

Following the death of his wife, Walt Kowalski (Eastwood) has nothing left but his dog to truly be with. His two sons and their families drift in and out, but Walt's less then cheerful demeanour and their impartiality keeps them in different worlds and in different times. Walt is peppered by visits from Father Janovich (Christopher Carley) of the local church at the request of his late wife to 'keep an eye on him', but has little place for religion on his heavy conscience; about as much time as he has for his new Hmong neighbours that move in next door. That is until the family's youngest son Thao (Bee Vang) begins to be harassed by a local gang who persuade him to steal Walt's prized Gran Torino as initiation. Saving Thao in an ensuing altercation, Walt sweeps the fatherless teen away from the pressures of the criminal life and puts him to work at the request of his mother. Thao and his sister Sue (Ahney Her) befriend Walt in a way, and for a reason none can truly explain.

All of the Hmong actors in Gran Torino are pure novices who have never acted before and this is readily apparent. While a weak link, the film as a whole is so satisfying it is really a moot point as it serves as no thorough determent. The arc of Walt is simple and easy to predict, but then anything but would not work. Many scenes with the cultural clashes are funny and touching as with an unspoken dynamic with the elderly grandmother of the Lor family next door. A number of exchanges between the few remaining people in Walt's life who he still respects such as his barber and a construction worker who gets Thao a job, are nothing short of comic genius and piece the Walt character into a true three- dimensional individual.

With a great song by Jamie Cullum to conclude the film (which stands as a horrendous Oscar snub, equalled only by the additional snub of the Bruce Springsteen Song from The Wrestler), Gran Torino is a pure gem; a film that both draws unexpected laughs, soft smiles and tears from an audience that is happy to oblige, as well as salute a screen legend in another iconic role that proves even at an old age a dark horse can still kick you in the face.
This is a great cowboy film
Gran Torino is a Western. It has all the elements you love to see in a cowboy film. - Hard bitten (albeit aging) lead character, experienced, unafraid of danger in a cowboy zen kinda way. - A lawless town (neighborhood) where some innocents live - Bad guys running amok - Innocents in need of protection, leadership, a clean-up guy - Dangerous encounters in the streets - A woman who compliments the cowboy's hard bitten attitude (she has a heart of gold) - A local who wants to tow the line, stick to law (the priest) - The cowboy has a sense of ethics warped by his experience with bad guys - Questions of right and wrong and the existence of good (even God in this case) - Redemption (Eastwood assumes the position of Christ Crucified)

Gran Torino is a great western with nothing missing.
What... 8.3 / 10? Seriously? This is a 6 at best.
I couldn't believe it when I saw this on the IMDb top 250. Seeing one trailer gives away the whole movie. There is nothing interesting, challenging, or though provoking in this movie. The story is the same "learning the error of racism" we've seen a hundred times, with nothing good to make up for it.

I don't get it. Poor acting. Cut / Paste story. No distinguishing style or photography. An affront to film as an art form. I'm not a big Clint Eastwood fan to begin with, and I don't think I'm the target audience of this, but I much prefer him as an actor than director. At least his effort of Invictus had some good acting and historical significance to back it up, but even that was not an 8.3. This score makes me question the universe.
Crotchety Korean war veteran is racist and remains racist and an asshole and then gets to be a good guy.
Look, I have absolutely no idea why this movie got such amazing reviews and why it has been the pleasure of viewers to make this THE HIGHEST GROSSING MOVIE OF CLINT EASTWOOD'S CAREER, but let me tell you right now that it was absolutely HORRIBLE. The acting is abysmal and even though Eastwood is usually great or at the very least watchable, his crucial acting choice concerning the tortured nature of his character was to speak for the entire movie through his teeth. I'm pretty sure he didn't unclench his teeth even once. Moreover, the script was just disgusting and the dialogue was stiff and stilted. Finally, the ultimate message of the movie seemed to be that this immigrant community was only able to save itself because the white man was willing to die for them. HE ACTUALLY DIES WITH HIS ARMS SPREAD OUT IN THE SHAPE OF A CROSS. YES, YES, AS IN Jesus. Christ, THAT IS. Let's not even get into the fact that Clint Eastwood's character never actually stops being racist and so his redemption is contained in this totally contrived death, despite the fact that he, as a person, never really undergoes any substantial or worthwhile change.

All in all...this might be the worst movie that I've seen in a really long time.
Close, but no Cigar
First of all, don't assume that I am trying to discourage you from seeing this movie by giving it a relatively low score. As escapist entertainment, it works very, very well. Just don't let the fact that this movie uses some politically incorrect and downright racist language that comes from the mouth of someone who turns out to have a heart of gold and comes to love the objects of his racism con you into thinking there is any great depth to this movie. There isn't. Depicting an oddball and a dinosaur who turns out to be able to learn things and teach things may be entertaining, but unless it brings something new to the table, it isn't philosophy. This is a movie about redemption, but in the end, the main character, who is initially depicted as a thinker and a secretly religious man, claims redemption and salvation by denying all hope of redemption and salvation to other (admittedly evil) characters. For me, this just didn't work and the contradiction ruined the movie for me. The character just would not have done that. He was neither stupid nor selfish.

Clint Eastwood turns in a great performance. Nobody else did, although most carried their part competently. I genuinely enjoyed this film while I was watching it. get it on DVD.
Top 10 Things Wrong with Gran Torino
1. Peppering dialog with racist insults didn't constitute wit or humor when Archie Bunker did it in the 1970s, and it doesn't now.

2. The hero is contrived. Over the course of one summer, Eastwood's Walt builds affection and the utmost loyalty toward the "gooks" next door, but he couldn't do the same with his own sons over decades? He's alternately soft- or hard-hearted depending on the needs of the plot.

3. A few of the Hmongs have distinct characters, but Walt's family are little more than clichés-- resentful sons, greedy daughter-in-law, shallow granddaughter.

4. The sons are presented negatively, as opportunists, but the only time Walt calls one of them is when he's in difficulty (and even then he doesn't have the courage to actually speak up), so is he really any better?

5. The inexplicable stalking of mild-mannered Thao by his cousin's Hmong gang, in spite of the fact that "all Hmong boys go to jail"—so clearly there's no shortage of recruits. Presumably it's out of family loyalty? I don't think so, because...

6. When the gang retaliates against Walt for having kicked the crap out of one of them, they open fire — on their own cousins' house instead of Walt's next door!

7. Contrary to Walt's simple-minded claim, blue-collar men are capable of the occasional sentence that doesn't use words like dick, ofay, guinea, and spook.

8. The ending is entirely predictable, even before Walt starts getting all shaven and shorn for his coffin.

9. Using the dog as a device to steal audience affection for Walt rather than making him someone genuinely likable and worthy of respect.

10. Bad lighting, sluggish direction, and, worst of all, transparent plot manipulation to keep the police out of the picture until the final scenes. (Okay, I know that's three items, making a Top 12, but it could easily have been a Top 20.)
I don't think my heart can take watching this film one more time...
I can't even begin to tell you how much I'll forever cherish this film. He really outdid himself this time! I've never dreamed I'd lay eyes on such a heart-wrenching film. If I ever get the choice to see one last film on the final day of my life, this will be it.

As I walked out of that theater, crying uncontrollably, people who had watched a different film that night (as well as the workers), wondered what on earth happened in that movie theater... I can only hope they'll ever get the honor to find out.

Thank you Mr. Eastwood, for everything. And the spoiler? Clint wins the Oscar and... my heart.
watch harry brown instead.
in short. woeful acting from everyone, its really, really bad, clint's never been a great actor in the true sense of the word, but he always had a huge presence which is still here somewhat but his lazy delivery is just the tip of the iceberg when it comes to the stilted performances here. this leads us to the next stages, script and characters, neither of which help the actors performances. the dialogue is awful, stilted and wooden and the characters are so stereotypical its unreal and make the whole thing almost laughable if it wasn't so insulting to any viewer who doesn't keep their brain in a jar. i said in short so id best just leave off with the plot, predictable, predictable and, yes, very, very predictable. clint is a screen legend but im sure if he made a documentary on paint drying itd be nominated for an Oscaror two, i genuinely wish more effort had been put in and some enjoyment could be had. watch harry brown instead.
Bad Acting, Worse Script.
I know I'm severely in the minority here, but I just feel the need to say this because it completely shocks me that this film is even in the top 250 at all. I mean, I love Clint Eastwood, but this film disappoints me every time I see it. It's not bad--it's abysmal (and don't worry, I'm backing this up--read on).

I'm not saying the film didn't have potential. The idea was solid, and the themes Eastwood was dealing with are excellent. This had the makings of a fantastic film. The thing is, so much about it is done so poorly that it simply doesn't match up.

For starters, "Gran Torino" has some of the absolute worst acting I have ever seen--save for Dane Cook in "Simon Sez." The performance of Bee Vang (Toad) stands out in particular--watching him over-emote, while retaining a certain amount of entertainment value simply for his amateur-istic facial expressions and dialog, brought to mind a middle- school talent show. The role of the priest, played by an uninspired Christopher Carley, is bland enough to fit into an actual sermon. In fact, not one acting performance stood out from the entire cast--even Eastwood's. He did a fine job of presenting himself as the racist war veteran, but there was a complete lack of emotion and human interest from his character.

My biggest problem, however, was with the screenplay itself. The fact is that none of the characters are at all believable because they are written to be that way. Quite literally every character in the script seems to be based entirely on stereotypes (which, in a sense, is fitting, considering that--despite its romanticized ending--the entire film is essentially one long racist tirade. The gang members, for example, seem almost so pitifully inept that it is hard to feel intimidated by them. Walt Kowalski's (Eastwood) family is so painfully over-demonetized that they are drained of any human component whatsoever. The list goes on and on.

Furthermore, the dialog is absolutely painful from beginning to end. The humor of the film is entirely derived from racist comments directed from Eastwood's character. The script is repetitive (yes, we get it, you only eat cats. Ha, ha.) and messy--all of the lines seemed as if they were either trying too hard to be profound or simply seemed completely improvised. Worst of all, the audience can predict literally every twist and turn in the script miles ahead.

I'll give it this--the next-to-last scene where Eastwood's character fights the gang is both one of the most bad-ass and well-done scenes I've seen, and it may well be worth seeing the movie for that alone. Still, I'd recommend avoiding sitting through the rest of it if you can. "Gran Torino" tries to be a plot-driven film with a message, but without the characters and dialog to back it up, it is difficult to suspend disbelief enough to absorb the message.

In short, if you can forgive horrible acting, don't much care for snappy dialog or interesting cinematography, are very racist yourself, or just really, really like Clint Eastwood then this film might be for you. If not, skip it, because unless you are expecting a contrived and largely unbelievable mess, you are sure to be disappointed.
📹 Gran Torino full movie HD download 2008 - Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her, Brian Haley, Geraldine Hughes, Dreama Walker, Brian Howe, John Carroll Lynch, William Hill, Brooke Chia Thao, Chee Thao, Choua Kue, Scott Eastwood, Xia Soua Chang - USA, Germany, Australia. 📀