🎦 Goodfellas full movie HD download (Martin Scorsese) - Crime, Drama, Thriller, Biography. 🎬
Goodfellas
Year:
1990
Country:
USA
Genre:
Crime, Drama, Thriller, Biography
IMDB rating:
8.8
Director:
Martin Scorsese
Robert De Niro as James 'Jimmy' Conway
Ray Liotta as Henry Hill
Joe Pesci as Tommy DeVito
Lorraine Bracco as Karen Hill
Paul Sorvino as Paul Cicero
Frank Sivero as Frankie Carbone
Tony Darrow as Sonny Bunz
Mike Starr as Frenchy
Frank Vincent as Billy Batts
Chuck Low as Morris 'Morrie' Kessler
Frank DiLeo as Tuddy Cicero
Gina Mastrogiacomo as Janice Rossi
Catherine Scorsese as Tommy's Mother
Storyline: Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy?
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Reviews
The Truth About The Mob Particularly Its Decline
Robert De Niro,Ray Liotta and Joe Pesci together with Lorraine Bracco and Paul Sorvino star in this arguably greatest film about the mob - with respects to The Godfather saga particularly the first part - in this Martin Scorsese film based on the book written by Nicholas Pillegi's bestselling book "Wise Guy" known as "Goodfellas".

It details the story of mob informant Henry Hill,portrayed by Liotta, about his twenty-five year life in the mob from 1955 when he was 12 years old until 1980 when he cooperated with the FBI that put his fellow mobsters into jail particularly Jimmy "The Gent" Conway,portrayed by De Niro; and mob underboss Paul Cicero,portrayed by Sorvino.It details into Hill's criminal life that he is involved in like extortion,robbery,hijacking and murder. It also provides the viewer the benefits that entails being part of the mob like the amount of money they are able to earn and the ability to be given special treatment particularly not going in line at Copacabana as well as the respect they achieve from the people in the neighborhood.

Many film viewers in the past have accused of The Godfather of glamorizing mobsters particularly the mafia Dons like Don Vito Corleone and his successor Michael Corleone particularly the first part.While I certainly do not agree with the critics considering that the movie has shown how mob life can destroy one's family as shown in the movie,Scorsese made it a point for viewers to see clearly in this film how disastrous mob life is all about. It really has shown the crimes that they are involved with as well as the fear and anxiety these people constantly feel considering their way of life wherein crimes and murdering people are a parts of their daily life. It has also shown how much it lost its appeal particularly during its decline in the 1980's when the FBI intensified its commitment of putting people involved in organized crime behind bars.We get to see how the main characters ended up getting murdered like Tommy DeVito,portrayed by Pesci in his Oscar winning performance or how they spent the rest of their life in jail just like Cicero and Conway; and how fellow members of the mob made deals with the FBI like Hill in order to corroborate against their fellow mobsters or friends in the crimes that they are involved in and enter a Witness Protection Program to protect them from the mob.

After watching this film since its release 27 years ago while this review is written,I must say that it really could be considered the best film about the mob as it is based on a true story and a true account of mob life particularly the so-called foot soldiers a.k.a wise guys or better yet goodfellas who does hits for the mob instead of a fictional account about Dons or leaders of organized crime families in The Godfather saga.It also provides us how truly unappealing this way of life is especially now that the mob no longer provides that much impact in society and the advancement of technology that have benefited the FBI in terms of investigation of mobsters and the deals or programs that mobsters get into whenever they help the FBI in bringing down organized crimes.This film makes it clear in that regard unlike The Godfather saga considering that the mob are still in their glory years during the settings of the three part movies during the 50's,60's and 70's unlike this movie when it was released in 1990.

Overall,Goodfellas shows that truth about the mob,its way of life, and its decline from the time it was released until the present time.
2017-09-07
A Masterpiece That Gets Better With Each New Viewing
Goodfellas (1990)

**** (out of 4)

Martin Scorsese's masterpiece about Henry Hill (Ray Liotta), a man who grew up hoping to be in the mob and he got his but crime does not pay as the old saying goes. GOODFELLAS has been called one of the greatest mob movies ever made and it's been called the best film of the 90s as well as one of the greatest films ever made. It certainly goes on my list as one of the greatest movies ever made and each time I view the thing I can't help but be amazed at the brilliance on screen. It's really does seem as if this isn't a movie because the thing is so perfect in every way that it's almost hard to believe that it's real. Even though everything in this movie is great there's no doubt that every ounce of credit belongs to Scorsese.

There have been wonderful crime pictures going all the way back to the silent days so the director was behind the eight ball but instead of just delivering a great movie he instead goes all out and really creates a film unlike anything we've ever seen before. The way he films the violence, shows the good times and the bad times. Everything is so flawless that you really do forget that you're watching a movie because it comes off like you're a fly on the wall witnessing all of this stuff first hand. There's the now legendary camera shot going through the restaurant, there's the terrific music score and of course the violence that really shakes you. One could argue that we've seen this type of story countless times but it's so fresh here that you can't help but feel as if you're seeing it for the first time.

There are so many brilliant moments here but special credit has to go to the final twenty-minutes or so when Hill finally starts to crack due to all the drugs. The fast-paced nature of this sequence is among the most perfect filming you're ever going to see because by the time it's over you're going to think that you too are high on drugs. Another amazing thing that Scorsese does is get you into the events in these people's lives. The good times early on are so much fun that you can see why someone would select to be in the lifestyle. The camera doesn't shy away from capturing these moments including the high times in the nightclubs with the women and the money. However, Scorsese also nails the downside when everything starts to crumble and the violence is so shocking and brutal that you then realize that this lifestyle only ends one way and you're thankful that you're not involved in it.

Another major plus are of course the performances. Liotta is perfect in the role of Hill and especially when you consider he must carry the film over the more famous actors. I thought Liotta perfectly nailed not only the young, energetic Hill but he really pulled off the drug-crazed maniac. DeNiro, as usual, is also terrific in his part as he brings so much fire and energy to the character and can cause you to fear him with just a look. Joe Pesci deserves his Best Supporting Actor Oscar as there's no doubt that he delivers one of the finest villain roles in the history of film. Lorraine Bracco and Paul Sorvino are also impressive as are the rest of the supporting players even down to the bit parts.

GOODFELLAS is without question one of the greatest films ever made and like all classics it's a movie that keeps getting better each passing year. Scorsese has made many great films in his career and this here is certainly among his best.
2008-03-07
A mostly overrated gangster film
I am really disappointed at the plot. When I watch some truly amazing gangster films, such as "The Godfather" and "The Departed", I am genuinely astonished by the stories. Unfortunately, "Goodfellas" is not one of them. There is no main event, and all the "small" events seem to be very straightforward. No wonder Martin Scorsese did not receive the Oscar until 2006.
2017-09-15
Scorsese's Greatest Film
I admit that I was a little disappointed with Raging Bull, and Taxi Driver was incredible, but Goodfellas is without a doubt Scorsese's greatest achievement. Every single, blood-soaked, foul-mouthed moment in this entire movie was made even better by DeNiro's and Pesci's performances and Scorsese's directing.

After the opening scene when Tommy (Pesci) is stabbing Batts in the trunk, my eyes were glued to the screen; and for two and a half hours, I didn't even feel like I was watching a movie. The performances in this film by everyone are so thorough that it is impossible to tell they're acting. No other crime film has ever kept me entertained, interested and alert as long or as effectively as Goodfellas.

After I saw the Godfather and didn't think it measured up to the hype at all,(it was still an amazing movie, don't get me wrong), I concluded that I was simply not a fan of gangster films. However, Goodfellas really changed my mind. Although it is not my favorite of all time, it has destroyed my indifference to this undoubtedly fantastic genre.
2009-06-16
Is Being A Gangster Better Than Being President of the United States? Goodfellas Clearly Says No.
Roebrt De Niro,Ray Liotta and Joe Pesci star in this film about the mob and gangsters in "Goodfellas". Based on the bestselling book of Nicholas Pillegi, director Martin Scorsese provides the viewer of a clear picture of what being part of organized crime is all about.

Goodfellas is a true story that is being told on the eyes of Henry Hill,who spent 25 years of his life being a member of the mob from 1955 to 1980, until he became an informant and made deals with the FBI to bring down and put behind the bars his mob underboss Paul Cicero and his fellow mobster, Jimmy "The Gent" Conway. The story whose script was co-written by Scorsese and Pileggi narrates Hill's story on how he started being of service with the mob when he was 12 years old when he considered being a gangster is better than being the President of the United States until he became a full-time gangster who was involved in extortion,hijacking,stealing,robberies and murders together with Tommy DeVito and Jimmy "The Gent" Conway when he became an adult. It shows how much money he has had that made him and his wife - Karen Hill - have made their married life extremely comfortable,appealing and glamorous.Added to that,the viewer is treated to the glory years - the 50's,60's and 70's - of the mob when these crime families have many law enforcers in their pockets and how much impact they had in American society until they started to decline and experience downfall in the 80's when the FBI started to intensify their campaign against the mob and putting these mobsters into prison.

No question that we have a great film.There are many reasons behind it.First,the viewer is given a clear portrait of the mob's way of life particularly the life of crime as told by Henry Hill.It definitely does not intend to put any glamor into their way of life as it clearly shows how violent this way of life is despite the money that they are able to earn.This was shown particularly in the scenes wherein Tommy DeVito,portrayed by Pesci in an Oscar winning role,shoots Spider on the foot and later killed him by shooting his chest six times after losing his temper.It also shows how much crime they commit in their daily life.Added to that,it also demonstrates how mob life has declined throughout the years starting in the 1980's when the FBI intensified in bringing down members of the mob and putting them behind bars with the use of advancement in technology that the Feds are using particularly in investigating mobsters. It definitely shows that the mob no longer has the same impact unlike during their glory years from the 1950's to the 1970's and the viewer probably laughing to Henry's mindset that being a gangster is better than becoming US President.Many will see that Henry himself became an FBI informant and corroborate against his fellow mobsters in the end receive lighter sentence instead of spending the rest of his life in jail.

Aside from these reasons,we also get to see a lot of great performances from De Niro,Liotta,Sorvino,Bracco,who was nominated for an Oscar Best Supporting Actress; and Pesci,who won an Oscar for Best Supporting Actor.In addition to performances,we also get to see a great direction from Scorsese that told the story in a fast pace that made 2 hour and 28 minute movie far from being boring; and a wonderful screenplay from Scorsese and Pileggi as well that made many scenes memorable up to day since this was first shown in the theaters many years ago back in 1990.

No wonder the "Goodfellas" remains popular today since it was released 27 years ago.
2017-09-07
Another great Scorsese film
Goodfellas is a great film about the underground world of organized crime. There are great performances from Pesci , De Niro , and Bracco. The movie is based on a true story which makes it even better. There is a great script and never a dull moment. The right kind of music seems to sink in at just the right time. Brilliant film techniques such as narration , freezing , and flashbacks. Definitely one of Scorsese's best. Although he once again got passed up for best director. Joe Pesci gets a well deserved Oscar for best supporting actor.
1998-10-12
Trash. Utter trash.
Goodfellas makes a strong case for itself as the most overrated movie of the 80s or any decade. Never in my life have I encountered a film less deserving of its critical and popular accolades. After watching it for the second time recently (to make sure my impression from a viewing years earlier was accurate), I feel every person involved in the picture, and particularly Martin Scorsese, deserves to be punished severely for inflicting Goodfellas upon me.

Goodfellas has absolutely nothing to offer. It has neither the wisdom nor the compassion to say or reveal anything about life or human beings. Anyway, Goodfellas is not interested in that. It just wants to be smart, hip, and funny. With such lofty goals, it's a wonder this entire star-studded cast of actors and filmmakers fell so very, very short.

Goodfellas is not smart. It is not intelligent enough to understand what it think it portrays on an individual or larger basis. It does not somehow explain or explore the mob psyche, the existence of organized crime in America, or anything else for that matter. Despite the fact that it is taken from actual events and people, it seems to desire no contact with reality.

Goodfellas is not hip. Apparently Martin Scorsese was not aware that there is nothing less cool than trying hard to be cool. Goodfellas is full of flashy camera moves, tough looking guys in swank suits, and more fast, colloquial dialogue than you could beat out of Dashiell Hammett, but none of it adds up to anything but slime. Yes, that's right: slime. Goodfellas is so obnoxious you want to take a magical eraser and scrub each of its characters back into the pure white on the page from which they sprang. Is this an honorable aim for a film? To make you hate its characters, to make you hate its voice? Let me be the one to say that cynicism is generally a good cover for laziness, and as an approach to life it is one step above nihilism. Real cynicism has no place in art.

Goodfellas is not funny. A complete lack of respect for human life is not a secret recipe for brilliant ironic comedy. It is disgusting, really, and those who laugh reserve a spot for themselves in the grime between the cracks under the bottom of the barrel of good humor.

The performances in Goodfellas, much lauded, are ridiculously one-sided. How wonderful they managed to span the chasm between looking tough and looking smug - all except for Ray Liotta who has to do the balancing act between being paranoid and annoyed. Bravo.

Of note is Scorsese's choice to play pop music over 95 percent of the film, presumably so that we have something to listen to while we are busy ignoring his movie.

Goodfellas is trash. Utter trash. The only thing I took out of it is that it is unwise to let a gangster stand behind you.
2004-08-09
As good as those fellas are...I just don't get it
I have nothing against gangster films and I love Deniro, and Liotta and Pesci...in moderation...The Godfather were brilliant films and I finally made my way around to seeing the infamously talked about 'Goodfellas.' I don't get it. I'll take the heat from any fans and I know there are scores of them...Goodfellas was average at best and simply a trashy look at a mobster from childhood to his end in the mob with some decent but over the top performance, brutally gratuitous language and violence. I suppose in some circles that equivalents to a great film but I need far more. I mean even the story has little depth to it and it's more or less an extended episode of The Sopranos without the character depth. I suppose after having the film hyped for years and hearing about the 'classic' I had high expectations but for me it was run of the mill, annoyingly loud and abrasive but with some good direction. Scorsese knows how to make an epic from beginning to end starting the film in the 50's and 60's and taking it all the way to the mid 80's is a challenge and he does it flawlessly. The gritty underworld, the dark lighting, the facial expressions all very good but put to a pointless story and sub par characters unfortunately.

I finally know now why Ray Liotta is still around and still gets parts because I always found him a little obnoxious in roles and I never realized he single handedly headlined Goodfellas and is great at it. His character might be the only one in the film given any depth considering he is the narrator and focus of the film. Disgustingly Liotta got no nomination that year which is absurd because if this film deserved anything (which I don't think it did) Liotta's role was it. Robert Deniro commonly gets credit for the film as being the headliner which is also a bit absurd. He might be the big name for the film but his role was small. He didn't make a significant part in the film until a good hour into it and his role was small but he still certainly brought his Deniro class and style to the ensemble. I think they would have done better to focus more on his character and his relationship with Liotta's character. They had good chemistry but just when you wanted to see more...they moved on to something else. Joe Pesci was over the top insane, downright disturbed Tommy Devito. His performance in this film is legendary "Oh you think I'm a clown?" but to be perfectly honest he was ridiculous. His performance wasn't sincere or believable and he was downright annoying. He was loud and abrasive and his barrage of gratuitous language actually made the film less watchable and I am not against the use of four letter words in film but his was too much. Lorraine Bracco was quite good in her pre-Soprano role as Liotta's wife Karen who sticks with him through pretty much everything and has some powerfully emotional swings throughout the film. Paul Sorvino is good as the head of the mob family, Paulie, but he doesn't make an impact. You don't really believe anyone would respect him. He's quiet and laid back and basically hiding throughout most of the film. At least with Brando's Godfather he was an image, an icon, something you just were in awe of. The cast all work well together but their characters are so thinly written you just don't give a damn about a single one of them except maybe a little for Liotta's Jimmy Conway.

I get that I'm in a severe minority speaking this way about this film and that director Martin Scorsese is like a god to some but I just didn't seem the talent in this film. Scorsese showed talent in The Departed and the cast was a million times better than Goodfellas and deserved all of it's acclaim but I personally think Goodfellas is more of a non-thinking man's mob movie where bloody brutal kills and 1000 times hearing the 'F' word would prompt a dull chuckle as though the audience were 10. No I am not trying to insult anyone I was just severely disappointed by this film after having expected a brilliant classic which I will say hands down is not the case. I suppose if you like the crime genre or moreso the gangster drama than you must see Goodfellas anyways but I can promise you there is FAR better out there than this average, poorly written film. 6/10
2007-05-29
A masterpiece (spoilers)
The opening to Goodfellas – the murder of Billy Batts – shows the beginning of the end of Henry Hill. Up until that point, despite the thieving and the violence, everything is rather light-hearted. There's a sense of solidarity amongst the criminals. But once Batts is murdered, infighting, greed and addiction take over. The life will get you in the end.

But the opening scenes are great at establishing the allure of being a gangster. After all, as the movies have always shown, it's a very seductive world. I mean, who wouldn't want to be able to thumb their nose in the face of the law if they could get away with it? Therefore it's totally right that the film shows you all the fun aspects of this criminal life. And at the beginning the camera focuses on all the accoutrements of gangsterism – jewellery, shoes, cars etc. They're almost like movie stars.

And at the beginning the violence is even intended to seduce you. There's a great bit where Henry's postman is threatened with an oven to make sure he doesn't give any school letters to Henry's parents. The way it's shot and scored makes it seem like something of a lark. You're asked to acknowledge and respect the power and audacity of these guys. And the icing on the cake is the final-freeze frame of the terrified postman's face – these guys control life and death; if you don't respect them you're going in the oven.

But freeze-frames occur frequently in the early part of the film. There's a powerful shot where Henry's dad is beating him with a belt and it's stopped right in the middle of the whipping. It makes the beating seem even more violent than it already is and it makes you understand and identify with Henry's rebellion; soon no one will be able to do that to him again. However, the most famous freeze-frame in the film is when Henry sets the cars on fire. The image is held as Henry makes a Christ-like pose with flames behind him – he's finally in the life; welcome to hell.

And another early scene I like is when the young Henry gets pinched. He thinks the guys will be mad at him for getting caught, but because he keeps his mouth shut he's welcomed from the court like a conquering hero. And the scene even ends with another freeze-frame. It might as well be a family portrait.

But the good times extend into Henry's adult life. He steals trucks, makes lots of money and even falls in love. And this leads to another great scene – the long Steadicam shot when Henry takes Karen to the Copacabana. This is her seduction. This is when she is seduced by the life. And another seduction is the scene where Henry pummels one of Karen's neighbours. He's supposed to have touched Karen so Henry rearranges his face with the butt of his gun. But although it's incredibly violent and although the sound effects make you wince, you can see why Karen would be turned on. How many other men would do this for her? How many other men would protect her in such a brutal way? Not many.

However, like I said at the beginning, Billy Batts is when everything begins to go downhill. From that point on the murders become more frequent and collective greed is overtaken by personal greed. But I do have to say that the Batts murder is my favourite scene. The dialogue and the timing between Joe Pesci and Frank Vincent is outstanding and the beating has so much emotion. You kind of get whipped up in it yourself. You can feel what it must be like to get your on back on someone you hate. And the choice of music ('Atlantis' by Donovan) is perfect. It raises the scene to another level.

But Scorsese's choice of music is always spot-on. The other musical highlight has to be his use of the closing music in 'Layla'. It's a beautiful piece, which makes it work well with the grisly murders it shows – the images kind of show an end of an era, which, what with the music, lends the whole sequence a strange kind of romanticism. And it also works well because the emotion of the song and the final piece of music go hand in hand with what Jimmy (De Niro) is feeling at the time – the song and the music is about yearning for someone and then having that love fulfilled, and Jimmy is beside himself with pleasure that Tommy (Pesci) is being made. He thinks his dreams are finally coming true.

Unfortunately, though, that sequence is when the real nightmare kicks in. After this, Henry becomes an addict and screws up so bad that he has to betray his friends. And the sequence that shows the day of his arrest is rather amazing. Again Scorsese proves himself to be a master of using music to emphasise emotion and mood, and it's shot in such a way with zooms and fast edits that you feel as strung out as Henry. It's coke film-making…but in a good way.

And I also like the final scene between Jimmy and Karen. With smiles and promises he tries to whack her, but she gets scared and manages to get away. It's a good way of showing what's wrong with this life without moralising – in this life you can never truly trust your friends; and who really wants to live like that?

But at the end, despite everything, you also get to see that Henry misses his life. And although it's supremely arrogant of him to say that he gets to live the rest of his life like a schnook, you sort of know what he means. If only he and his pals weren't so damn greedy they would have had it made.
2006-05-06
📹 Goodfellas full movie HD download 1990 - Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino, Frank Sivero, Tony Darrow, Mike Starr, Frank Vincent, Chuck Low, Frank DiLeo, Henny Youngman, Gina Mastrogiacomo, Catherine Scorsese, Charles Scorsese - USA. 📀
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