🎦 Double Indemnity full movie HD download (Billy Wilder) - Crime, Drama, Thriller, Film-Noir. 🎬
Double Indemnity
Crime, Drama, Thriller, Film-Noir
IMDB rating:
Billy Wilder
Fred MacMurray as Walter Neff
Barbara Stanwyck as Phyllis Dietrichson
Edward G. Robinson as Barton Keyes
Porter Hall as Mr. Jackson
Jean Heather as Lola Dietrichson
Tom Powers as Mr. Dietrichson
Byron Barr as Nino Zachetti
Richard Gaines as Edward S. Norton, Jr.
Fortunio Bonanova as Sam Garlopis
John Philliber as Joe Peters
George Anderson as Warden at Execution (scenes deleted)
Al Bridge as Execution Chamber Guard (scenes deleted)
Edward Hearn as Warden's Secretary (scenes deleted)
Boyd Irwin as First Doctor at Execution (scenes deleted)
George Melford as Second Doctor at Execution (scenes deleted)
William O'Leary as Chaplain at Execution (scenes deleted)
Storyline: In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead on a train-track, the police accept the determination of accidental death. However, the insurance analyst and Walter's best friend Barton Keyes does not buy the story and suspects that Phyllis has murdered her husband with the help of another man.
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Film Noir Classic
Double Indemnity is a movie that is like the periodic table to science. This movie is absolutely essential to the medium of film. It is one of those flicks that will always stand the test of time. It's a film to study as well as one to love and enjoy. It is a muse for a lot of films that have been made since this 1944 masterpiece.

The story is about an insurance representative, Walter Neff (Fred MacMurray), who falls in love with a woman, Phyllis Dietrichson (Barbara Stanwyck). She wants him to help her murder her husband and the bonus behind this plan is that the death of Mr. Dietrichson will trigger a heavy life insurance payout. The crime is carefully inspected by Neff's boss, insurance investigator, Barton Keyes (Edward G. Robinson).

This film was nominated for seven Oscars for a reason. The acting is superb and is to a standard that modern audiences will appreciate. The directing of Billy Wilder (Some Like It Hot, Sunset Blvd.) makes it film noir classic. And the screenplay is one of the best that Hollywood has produced.

Double Indemnity is a film that everyone should watch. It should be something that should be passed down from generation to generation. It is a perfect film in so many ways and one that should be held in the highest regard by all who watch it. This film defines 10 out of 10.
One of the Greats
This movie was fantastic. Definitely one of the twenty best films of all-time, maybe 10. The plot was so good that it even put Hitchcock to shame. This is one of the few times that a movie did justice to the book. In this case the movie might have even been better than the book. This is one of those movies where I cannot find a flaw, anywhere in it. In a sense it was a perfect movie. There is not one genre to define this movie. It has romance, crime, noir, mystery, with emphasis on the last 3 in heavy dosages. All I can say is, for those who haven't seen it, you don't know what your missing.
A film noir masterpiece.
Walter Neff arrives at the home of The Dietrichson family, to sell insurance. While the husband absent he gets acquainted with Lola, the unhappily married second wife of Dietrichson. Being an insurance Salesman Neff knows the ins and outs, in particular how to commit the perfect murder. The pair hatch a plan, but Neff's colleague Barton Keyes starts to unravel the complex plan Walter and Lola concocted.

I love the film noir genre, there were some superb offerings, there's a strong case for naming Double Indemnity as the best of the lot. Firstly the story itself, so wonderfully complex, loaded with twists and turns. Secondly the acting, so strong, Fred MacMurray and Barbara Stanwyck are superb as the film's leads. I particularly love the way that Walter narrates the story, an original format, getting it from his point of view.

First time viewers are in for a treat, and will have zero idea of what the conclusion will be. Even now it looks so slick, excellent production values throughout, quite simply this film is exceptional. 10/10
The best movie ever made
I saw it when it first came out and was immediately grabbed by it.I've seen it several times since then and have never been disappointed.it seems to be the perfect film noir movie.It has an enormous charge.It's just a very good movie.Superb script.The interaction between all the principals never fails to carry one along
Another hit for Billy Wilder
This wonderful film, with its brooding 1940's atmosphere and superb black-and-white photography (by John Seitz) is one of Hollywood's best. Fred MacMurray's performance, as the insurance man besotted with Barbara Stanwyck, and Edward G Robinson's as his boss help make this film memorable. The turns of the plot and the highly-charged suspense ensure that the viewer will not be disappointed. Another of Billy Wilder's hits. Well done!
Much closer than that, Walter
This is Billy Wilder's masterpiece. Though "Sunset Boulevard" is a great movie, it has a few script holes that "Double Indemnity" does not have. For example, in "Double Indemnity," Walter Neff admits at the beginning of the movie that he has killed a man. He does this by dictating into a machine. He then proceeds to tell how it happened. This could very likely take place in the real world. In "Sunset boulevard" a corpse is floating in a pool; the corpse begins through narration to tell how it ended up dead. This is a major flaw since dead people don't tell tales.

The only other film noir thriller that even comes close to capturing the essence of the genre is "Murder, My Sweet." The lines in that movie are almost as clever and memorable as the lines in "Double Indemnity." Interesting that the two were released the same year (1944), one based on a James M. Cain novel, the other on a Raymond Chandler novel. There are so many catchy lines in "Double Indemnity" that aid the viewer in understanding the inner workings and machinations of the characters that they fill almost the entire film. IMDb provides the best lines under "quotes." My favorite because it so defines the relationship between Neff and his boss Barton Keyes is toward the end when Neff stands before Keyes totally exposed. Neff states,"Know why you couldn't figure this one, Keyes? I'll tell ya. 'Cause the guy you were looking for was too close. Right across the desk from ya." Keyes knowingly replies, "Closer than that, Walter." The father, son relationship of the two men is now broken forever and the tragedy of the severed bond is apparent.

Everyone involved in this movie both before the camera and behind the camera give their inspired all to make this film one of the greatest in cinema history. True, it may rightfully be classified film noir, but the total picture transcends labeling. It is so much more than just the best film noir movie. The three leads could be no better. They play their parts perfectly. The much underrated Fred MacMurray who was so often relegated to minor features was a gifted actor. He stays on top of it all and truly equals the inspired performances of Barbara Stanwyck, the ultimate femme fatale, and Edward G. Robinson in his best role ever. Edward G. Robinson plays the penultimate insurance actuary. He knows the statistics inside and out. He can recognize a false claim almost immediately. Neff knew this but he let another part of his body rather than his brain do his thinking for him. He is completely blinded by love and lust. And what a name given him by Wilder, Walter Neff, so common it compares with the name Willy Loman for some of the same reasons. He is too weak to withstand the wily maneuvering of this cold, callous yet greedy woman, who knows how to shake that thing. He is doomed from the start. In the end everyone loses, even Keyes. He will never be the same man again. He cannot dismiss Neff the way he dismissed all the other frauds and fakes. A part of himself has been removed permanently.
Double Indemnity
From the first time he sees that ankle bracelet, Walter Neff (Fred MacMurray) is a doomed man. As Phyllis Dietrichson (Barbara Stanwyck) descends her California home's spiral staircase, we are as enraptured as Neff. And it takes little time to figure out that being enraptured by this femme fatale is a very dangerous position to find oneself in. Is it accidental that the bracelet is worn around her ankle, as opposed to the more traditional wrist? Is it accidental that the sunlight streaming through the windows cast shadows not unlike bars across the living room? I suspect it's about as accidental as Mr. Dietrichson (Tom Powers) eventually ending up dead along the railroad tracks. We must remember that Billy Wilder is doing more than evoking noir here, he's inventing it. And how brave he is! Beginning the film by all but divulging the ending is hardly the route most directors choose to go when directing a thriller. But as he's well aware, the audience doesn't care half as much about where they end up as they do about the thrill of the ride it takes to get them there.

The structure of the film is familiar to anyone who has seen "Body Heat," or any other knockoff. "Double Indemnity" is the original however, and it's intricate plot revels in its complexities nearly as much as Walter and Phyllis do in their convoluted plot to dispose of an unwanted husband. The audience learns only a minimum about the relationship between Mr. and Mrs. Dietrichson, but we easily surmise that their union was not out of love. If the marriage was one of convenience, than the murder certainly is. It seems unlikely Phyllis is after the freedom to continue her heady tryst with Walter, and even the money provided by the double indemnity clause of Mr. Dietrichson's life insurance policy seems more like a bonus than a motivation. In other words, Phyllis just wants her husband dead. And Neff obliges.

Several times while watching "Double Indemnity," I felt my pulse physically quicken. These scenes were most notably the ones in which it looked as though Walter and Phyllis' trolley car had finally reached the end of its line, and discovery of their crime was inevitable. The scene where Phyllis is forced to hide behind a door, knowing that incrimination awaits if the person on the other side sees her, is unrelenting in its suspense. After all, we want this reprehensible act to go off without a hitch every bit as much as they do. That is the sign of a good film. It also stands to reason, seeing as how we were there when the elaborate scheme was being plotted. That makes us accessories. And if they get caught, God help us, so do we.
The Film Noir by which all others are judged
What makes "Doubled Indemnity" more sinister and ultimately more disturbing than other movies of its type are the movies' characters, or better said the "station" of the characters. Unlike other noir classics such as "Public Enemy", "Detour", and "The Postman Always Rings Twice", the characters of DI are not half-forgotten lowlifes crawling in the gutter of society. Fred MacMurray and Barbara Stanwyck are upright respectable people. MacMurray is an insurance agent, and Stanwyck, who is married to a rich businessman, lives among the Los Angeles upper-crust. I can't remember if her house is supposed to be in Beverly Hills, but it is in one of the more exclusive areas of LA.

These two characters do not engage in their illicit activities for reasons of pure survival as in "Postman" or "Detour". Their motivation is far more complex and terrifying. They are bored with their present situations. MacMurray realizes that as an insurance agent, he is on a permanent plateau financially. He will probably never exceed what money he has already made. Stanwyck, despite being the wife of a wealthy man, finds her life dull, without excitement, without sex. MacMurray wants greater financial power. She wants greater sexual power and freedom. When the two meet, they sense a strange chemistry in which each can gain something from the other. MacMurray can gain wealth and higher standing from Stanwyck. Stanwyck can gain freedom with the help of MacMurray. And the means to these ends is an insurance policy. Stanwyck holds the policy but MacMurray understands certain implications about the policy that is not even known to Stanwyck. From this very simple seed, an insurance agent, his client, and an insurance policy, grows crime, betrayal, and murder.

And yet these characters are people you might have met in town in 1944. Typical upstanding citizens. And yet what lurks inside them seems at first hideous and evil. And yet, strangely familiar... The characters of DI represent the darker sides that we all have within us. Every hetero male has moments when he might covet the beautiful wife of a wealthy neighbor or acquaintance and wished for a moment that he could take the other man's place. And isn't there something deep inside some hetero married females who wish they could extract themselves from their marriage without losing their wealth?

Certainly, the actions that lead to the undoing of MacMurray and Stanwyck may be grotesque on the surface. But deeper inside, the motivations behind their behavior represent something that is inside many of us. We identify with these characters while the morale of society says we should not.
The definitive Film Noir.
Double Indemnity is a film which fully embodies its genre, all the classic noir elements are present: venetian blinds, diagonal lines, a femme fatale and a victim of fate.

Fred MacMurray takes the central role as victim of fate, Walter Neff; cast against type, MacMurray gives a thoroughly convincing performance as a typical insurance salesman transformed into a calculating killer.

The estimable Barbara Stanwyck also delivers a typically faultless performance as the coldhearted and seductive Phyllis Dietrichson who enlists Neff in a plot to kill her husband and cash in on the insurance money.

Although this film may seem clichéd today, as many thrillers since have offered similar plot lines, rarely has the story been told so well. For fans of Film Noir, Stanwyck or MacMurray, this is an absolute MUST SEE!
See Also
📹 Double Indemnity full movie HD download 1944 - Fred MacMurray, Barbara Stanwyck, Edward G. Robinson, Porter Hall, Jean Heather, Tom Powers, Byron Barr, Richard Gaines, Fortunio Bonanova, John Philliber, George Anderson, Al Bridge, Edward Hearn, Boyd Irwin, George Melford, William O'Leary, Lee Shumway - USA. 📀