🎦 Downfall full movie HD download (Oliver Hirschbiegel) - Drama, Biography, History, War. 🎬
Downfall
Year:
2004
Country:
Italy, Germany, Austria
Genre:
Drama, Biography, History, War
IMDB rating:
8.3
Director:
Oliver Hirschbiegel
Bruno Ganz as Adolf Hitler
Alexandra Maria Lara as Traudl Junge
Corinna Harfouch as Magda Goebbels
Ulrich Matthes as Joseph Goebbels
Juliane Köhler as Eva Braun
Heino Ferch as Albert Speer
Christian Berkel as Prof. Dr. Ernst-Günter Schenck
Matthias Habich as Prof. Dr. Werner Haase
Thomas Kretschmann as SS-Gruppenführer Hermann Fegelein
Michael Mendl as General der Artillerie Helmuth Weidling
André Hennicke as SS-Brigadeführer Wilhelm Mohnke
Ulrich Noethen as Reichsführer SS Heinrich Himmler
Birgit Minichmayr as Gerda Christian
Rolf Kanies as General der Infanterie Hans Krebs
Storyline: Traudl Junge, the final secretary for Adolf Hitler, tells of the Nazi dictator's final days in his Berlin bunker at the end of WWII.
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720p 1280x720 px 9445 Mb h264 N/A mkv Download
HQ DVD-rip 576x320 px 1394 Mb mpeg4 1082 Kbps avi Download
Reviews
The Truth Is Chilling
I had the DVD of this film for my birthday, and quite by chance also bought The Name Of The Rose (also produced by Bernd Eichinger) so I had the experience of watching two movies by this superb producer in two days, filmed 20 years apart.

To save anyone who doesn't want to read further: I have over 200 DVDs in my collection and have no hesitation in placing this as #1.

Now for the review: I'm not sure it is possible to write a 'spoiler' for historic events (not counting the people who came out of Titanic crying because 'the ship sank'<??>). We know Hitler died, we know the Allies won WWII.

I came to this movie having read the book "The Last Days Of Hitler" by Hugh Trevor-Roper, who was the officer British Intelligence charged with finding out the truth, in September 1945. Obviously I was curious to see how Downfall compared.

The main difference is in focus. While the book looks from the top (leadership) down, the film looks from the bottom (Traudl Junge - a secretary) up. The difference in perception is fascinating.

Hitler: Our first view of him is somehow of a kindly man who stops dictating, looks at Traudl and says "Let's try again" when she fails to keep up with him. The duality of this, his private character is incredible and makes one think bipolar or schizophrenia as it seems impossible to believe that the raging monster who says that the German people do not deserve to survive is the same one who orders Junge and Christian to leave the bunker. If in his eyes the German people do not deserve life, why does he show concern for them? Is it because among his inner circle they are one of the vanishing number who have never betrayed him?

Eva Braun: Blind loyalty is the only description I can find for her. Her devotion to Hitler is total, even when pleading for the life of Fegelein she bows unquestioningly to his decision.

Traudl Junge: I can't say more than the lady herself, who in the DVD starts and ends the film with her judgment on herself. Her very simple stance (paraphrased) was "Ignorance is no excuse. Youth is no excuse. I could have asked. I didn't want to know."

Josef Goebbels: Frightening. A true sociopath in every sense of the word. Hitler may have had the 'excuse' of mental illness towards the end, but Goebbels' actions were those of a rational thinking man who just did not see anything wrong in his actions. The ranting of a clearly unhinged mind is one thing, but save us all from the man who calmly considers his actions and rationalises such atrocities as those explained away by Goebbels.

However, again like Hitler, his portrayal showed a stark duality to his character. One moment singing 'Happy Birthday' to Hitler with his children, with a warm smile and sparkling eyes; the next telling Traudl Junge very calmly that the German people quite rightly deserved the fate that was being visited on them.

Magda Goebbels: As with other reviewers here, I found her almost the most chilling, second only to her husband. How any mother could deliberately and calmly bring about the deaths of her own children is something a rational mind cannot comprehend.

Every single performance in the movie was captivating. I was glued to the screen from beginning to end. Bruno Ganz et al were perfect in their roles and brought every person back to life; as noted above sometimes to chilling effect. Talking to a friend on the phone about the film he thought I meant that the characters were stereotypical 'nasty Germans', but this is *not* the case.

I've mentioned the duality of the main characters, but there were others, Prof. Dr. Ernst-Günter Schenck, Prof. Dr. Werner Haase, SS-Gruppenführer Hermann Fegelein to name but a few who showed that not all Germans were rabid Nazis, and that those who were, were very much in the minority. The Army in particular just wanted to get the war over with the minimum of casualties; a wish shared I think by every military commander throughout history.

The look of the film was authentic and very atmospheric; whether in the cramped bunker (apparently built more as an authentic replica than a film-set) where the shots were mostly taken hand held as there was no space for a mounted camera; to the outdoor shots filmed in St Petersburg. It is rivaled in this respect only by Enemy At The Gates for capturing the full horror and idiocy of war.

For true historians of the war - a must see.

For all modern history students - a must see.

For all who have never lived through war (I myself am 36 so I have not)

Lest We Forget.

A Must See.
2006-05-31
Shot with nerve-shredding realism...
Few films have dared to touch WWII objectively from a German point of view; most use the Germans as great villains and Allied forces as great heroes... Movies like "Patton" show brief sights into German military thinking while "The Pianist" finds a good cultured German officer in a nightmare scenario…

"Downfall" tells the story of the Führer's final hours, his last critical 12 days in a fortified bunker below the Reich Chancellery, while the Soviet Army was slowly taking over Berlin and their artillery bombarding the whole the city…

Mostly through the eyes of his young Bavarian secretary, Traudl Junge (Alexandra Maria Lara) we see the ailing and obviously delusional Führer allowing no negotiation with the Allied forces, raving about how his generals betrayed him, ordering the movement of troops that do not exist, screaming that the German people do not deserve to survive for their apparent treachery and cowardice…

But what has come under criticism is the film's attempt at giving Hitler—whose face has become symbolic for the epitome of evil—a compassionate side… He's "Uncle Hitler" to the children of Josef Goebbles who happily sings for him, so loving for his blonde wife Eva Brown, so kind to his pet dog Blondi, so caring when he awards a young boy (who showed great bravery in the face of the enemy) with a medal and pinches his cheek, and so gentle when he pins a medal on Magda Goebbels for being the 'bravest mother in the Reich'.

It's easy to see why the film was nominated for an Oscar in the Best Foreign Film Category… It takes you inside the minds of Hitler's faithful, showing you how it was that one infamous man could be so charismatic and magnetic… Although his closest advisors, the remaining dedicated members of the Nazi government, know that there is no hope, no one was seen willing to challenge his orders or attempt to seize power… And many opted for suicide after living out their final hours in obscene denial, singing and dancing champagne glass in hand…

But Hitler's dark side is also shown when the film depicts his hate and antipathy for the Jews; when one of the more "rational" members of the Nazi hierarchy, Albert Speer (Heino Ferch), stated gently but bluntly to him that the war was lost and he did not follow his orders to destroy the infrastructure in German cities; also when he becomes convinced that Heinrich Himmler (Ulrich Noethen) has betrayed him and must be executed; and when Eva Braun pleads him for her brother-in-law's life, the tormented Hermann Fegelin (Thomas Kretschmann), and he furiously rejected her request…

One of the most horrifying sequences that is unforgettable was that of Magda Goebbles played by Corinna Harfouch… It is astonishing to witness how an unstoppable steely mother, with no hesitation or remorse, is capable of such atrocities for a blind and irrational loyalty to a 'charming' monster…

Ganz's character is equally psychotic and human, capable of shooting even his most loyal followers and utterly believable as Uncle Hitler…

Juliane Köhler complements Ganz's exceptional performance with her own chillingly fine one as the ultimate blind follower whose loyalty to her Führer never flagged… Köhler shows us how she can be drunkenly carefree dancing to swing as bombs and artillery shake the walls of the bunker one day, and in another day applying a fresh coat of red lipstick to her fleshy lips before she takes one cyanide tablet for the man she preferred not to live without…

"Downfall" may be considered powerful and historically significant… It is a must for history buffs…
2006-01-24
Absolutely amazing
Superlatives cannot do this film justice. Bruno Ganz in the role of his life as Hitler is extraordinary, but his performance is only so strong because of the outstanding supporting cast. An absolutely essential film for anyone with an interest in history and politics. It is not 'just another WW2 movie' because it takes you into the heart of fanaticism, the people who instigate and lead that fanaticism and the people that consent to be led by them even to the death of themselves and everything they love. Nothing could be more relevant today.

Even watching it on small screen you find yourself wincing at the suicides, the injuries and the explosions, and gasping at the coldness and horror taking place. The fact that it is based to the closest word and detail on two eyewitness accounts just knocks other supposedly 'realistic' pieces like Band of Brothers, Saving Private Ryan, etc. into a cocked hat.

I have only two (slight) criticisms. Yet again in a film Hitler comes across as a gibbering madman - he was far more calculating, chilling and subtle than that, or he could not have seized power, fooled the 'Great Powers' into inaction, and then led a modern, industrialized country to its own utter destruction in the space of a few years. As the film develops though there are glimpses of the former Hitler, and the supporting cast are utterly convincing in their fanaticism - the actors playing Goebbels and his wife are particularly strong. As the film goes on we start to see this is the end of an incredibly powerful process. The supporting cast show just the right combination of fear, desperation and total, self-annihilating belief in Hitler and his leadership. Most of them are literally seeing for the first time the situation they have let themselves in for, and the true nature of their leader. Secondly, you couldn't want it to be any longer - an edited down version for those with only a couple of hours on hand would be good.
2006-04-25
Amazing realism
Der Untergang makes you live the horrors and craziness of war. Bruno Ganz's interpretation of Adolf Hitler is worthy of an Oscar. He is completely believable. Also the rest of the cast performs admirably. You feel transported to Berlin as it was bombarded by the Russians. You get a very clear insight (or an impression?) in how the military decisions were taken during those final days of the war. The movie balances well between large-scale effects of bombs exploding in ruined streets and depictions of different persons going though the experience – from Hitler and his staff in the well-protected bunkers to the principal military commanders torn between reason and loyalty and German civilians trapped in an inferno. The movie is neither pro-Nazi nor does it depict all Nazis as mindless monsters. It gives an impression of utter realism. Go see it in a good cinema – your seat will tremble as the bombs explode. A nine out of ten.
2004-11-12
Serious Movie making!!!
I have seen quite many WW2 films in the past, yet very few of them managed to amaze and shock me as "Der Untergang" aka "The Downfall" did. Under Oliver Hirschbiegel's excellent direction, we watch the agonizing last hours inside Hitler's bunker, as accounted for by his young secretary Traudl Junge. We watch Hitler, in his peak of his insanity, as he awaits for imaginary troops to save him and his motherland, while his closest associates start to realize that the game is over and begin to desert him en masses. We watch Eva Braun (Juliane Kohler), who amidst the turmoil and destruction, her main preoccupation is to die looking beautiful, so she chooses the poison instead of the bullet.

Few films have dared to touch WW2 objectively from a German point of view; Most of the movies are shot and told from the Allied point of view. But this movie is shot completely from the German point of view.

"The Downfall" tells the story of Fuhrer's final hours, his last critical 12 days in a fortified bunker below the Reich Chancellery in Berlin, while the Soviet Army was slowly taking over Berlin and their artillery bombarding the whole city… Based on the book "Inside Hitler's Bunker" by Joachim Fest. "The Downfall" is in a word, shocking. The last act in the great horrific play of the Third Reich plays out like that of a cult so many men and woman who swore allegiance to Hitler commit suicide by either shooting themselves in the head or by ingesting poison capsules. But the madness of Hitler himself is horrifically captivating. He changes his mind and opinion on a whim. One moment he advises his SS-Guards and Generals to leave the city after learning that he does not have enough troops to protect Berlin. A particular one named Gruppenführer Hermann Fegelein , who was Eva Braun's brother-in-law, takes the Fuhrer for his word and leaves Berlin. When Hitler realizes this, he denounces Fegelein and orders him executed. What is more, Hitler discusses the final demise of the German people. He explains that this failure is not only that of the military, but of the civilians themselves. As such, his soldiers do not protect the people from the coming onslaught of the Soviet Army. He advises, "In a war as such there are no civilians."

Hitler is recreated by the superlative performance of Bruno Ganz, who appeared in the 2004 remake of "The Manchurian Candidate." Ganz captures the movement, voice, even the involuntary shaking of Hitler's left hand so well, that the audience would feel as if they are watching the dictator himself. We are often left with shivers down our spine at how realistic Ganz's depiction is.

It is amazing to see how wonderful country like Germany survived to the chaos, destruction and lack of command, arrived from the ashes like Phoenix and sixty years later is again one of the greatest nations. And for those who love war, I really recommend to watch this magnificent anti-war movie, and see the behavior of the leaders and population when a war is lost.

"The Downfall" is an impressive and brilliant piece of film making and ingenuity. The film is completely in German so do not forget to get a DVD which has English sub titles unless of course you are well versed in German.
2008-03-21
'Grim' Look At The Nazis' Final Hours
Wow, what a grim movie. How I stuck with this for 155 minutes, I don't know, but it's a fairly involving story once you get into it and you want to see how it's all played out.

A main reason I use the word "grim" is that there are more scenes with people committing suicide in this movie than all the movies (thousands) I've seen put together.

This German movie deals with the last days Of Hitler and the Nazis in Berlin in April of 1945. In the end, most of the people in the film either kill themselves, as mentioned, or execute their loved ones in order to avoid capture by the Russians, who overtook the city. This includes poisoning a group of young children.

While not overly gory, some of the scenes are shocking, ones I suspect would linger in anyone's memory..

Bruno Ganz as Adolph Hitler was intriguing, to say the least. As an American, I can recall very few, if any, films in which Hitler was shown to this degree with this much dialog. Being such a famous figure in history, it was one of the reasons, frankly, I stayed with the film. I never this man portrayed on film.

Alexandra Maria Lara as "Traudl Junge" was the bright spot in this dismal story, a beautiful and wholesome-looking woman with an expressive face. She was the only character in the film that I cared about. Everyone else is pretty cold. Junge "won" the job as a secretary for Hitler and is pictured as sweet and naive woman...and just one more of the millions of victims of World War II. Victims can be survivors, too, as the story concludes, if for nothing else, for suffering with a guilty conscience for decades.

This war movie definitely can be classified as "different" and memorable. I doubt if I'd ever watch this again, but it was worth the one viewing, that's for sure.
2007-09-18
grimly fascinating film
Ever since his death in a Berlin bunker at the end of World War II, there has been endless speculation and conjecture surrounding the final days of Adolph Hitler and his long time mistress Eva Braun. A few years back, a documentary entitled "Blind Spot: Hitler's Secretary" interviewed one of the few people who claimed to be an eyewitness to those events, a young woman hired to take dictation for Der Fuehrer for the last two and a half years of his life. "Downfall" is a dramatized account of what she saw.

Indeed, this new film begins and ends with clips from that earlier work, in which a now aged Traudl Junge attempts to explain why she allowed herself to become a devotee of both Hitler and the Nazi party (she chalks it up, basically, to "curiosity"). After that brief preamble, "Downfall" plunges us immediately into that hellish time when the world lay in ruins and The Third Reich was breathing its long overdue final gasp.

The beauty of "Downfall" is not merely that it affords us a glimpse into one of the most fascinating bits of 20th Century history, but that it opens up aspects of human nature that we may not always wish to acknowledge. It shows Hitler as a man accustomed to being able to control events and the people around him suddenly rendered impotent in the face of a force - in this case the Russian army battering away at Germany's capital city - greater than himself. As events spiral more and more out of control, the dictator becomes ever more paranoid and divorced from reality (by the end he's issuing orders to an army that , quite literally, no longer exists). For him, the world suddenly divides itself up into those who will remain loyal and faithful to the bitter end and those who will become traitors both to him and to the "glorious cause" that defined their lives for so many years. For one thing the movie is clear to acknowledge is that, even in his final moments, Hitler remains unrepentant and convinced that not only was he right in what he did, but that future generations would come to recognize that rightness and honor him for it. In many ways, this is the story of any failed dictator whose dreams of worldwide domination end in the smoldering ruins of his own hubris.

But it is not merely Hitler who exhibits bizarre behavior in the face of onrushing doom. Even though most of the people who have chosen to remain in the bunker with their leader are fully aware of the fate that awaits them, they maintain many of the rituals and accoutrements of "civilized," "gracious" living: they hold dances, sing patriotic songs, drink champagne from crystal glasses, read magazines, all the while calmly discussing the ideal way to kill themselves. Despite their fear, they are so caught up in the vision and the man to whom they have sworn allegiance that they are willing to die - and take their children with them into death - rather than live in a world without their beloved Fuehrer.

The makers of "Downfall" run the risk common to any work that attempts to provide a three-dimensional portrait of Hitler: the accusation that they are trying to "humanize" a man whose epic disregard for human life puts him in the category of the greatest monsters who ever lived. And, indeed, the movie does show Hitler displaying moments of warmth and tenderness, mainly aimed towards the women in his life (and, of course, his dog). Yet, who among us really believes that Hitler NEVER showed affection to those who were close to him? It was the fact that he COULD treat the people he loved in this way yet was unable to extend that same sense of empathy and concern to the faceless, nameless millions he slaughtered that made him the true incarnation of evil on earth.

The film also does a great job showing the varied reaction of Hitler's military commanders as they argue back and forth over whether to level with him about the hopelessness of the situation and thereby risk incurring his wrath or to continue to feed his delusions and let him go out thinking he was still master of his fate.

The performances are all first rate, but I would like to single out especially the lively and vivacious Juliane Kohler who manages to make Eva Braun's blind devotion to a murderous madman and fearlessness in the face of death touching, understandable, and - dare I say it? - strangely heroic. As Junge, Alexandra Maria Lara shrewdly portrays a woman whose own devotion to the man and the cause is tempered by a certain degree of rationality and fear, to the point where she can ask, in a moment of candor, how Hitler can be so kind on a personal level, yet so brutal in his comments and actions. And, of course, Bruno Ganz gives a bravura performance as Hitler, running the gamut from full-throttle mania to tender solicitude while never losing sight of the man at the core.

Despite being set in the past, "Downfall" has a great deal of relevance to our own time. To see Magda Goebbels methodically and systematically poisoning each one of her own children before having herself killed is to understand a little better how family men can fly planes filled with innocent men, women and children into skyscrapers. It's a scary and sobering sight indeed. Now if only we as a species could learn some of the lessons put forth by this film.
2006-07-24
I have never seen a better film...
A morbid fascination for the last few days of the Third Reich is the driving force in making this such a gripping film. The actors are astonishingly magnificent and the grit of life in the bunker as Hitlers army collapses around him is so desperately baron that you cannot help but feel truly hollow by the end of the film - which supports its realism.

The movie is claustaphobic and at times painful to watch, but it is always fascinating. The subtext and the lines that aren't spoken, instead communicated with a look or expression from the actors make this in my mind an incredibly brave film, a well shot and scripted film and a must see for any film enthusiast. It is quite simply, the best film I have ever seen.
2008-03-17
Important for our understanding of How It All Could Happen
This is an important film and absolutely a must for anyone who has ever pondered how WWII, the Holocaust and all that was at all possible.

Der Untergang has sometimes been criticized for making Hitler and the Nazis look sympathetic and human. I saw it like this: the most horrifying thing about Hitler and Nazis is that they WERE humans, not some caricature monsters of hell. The movie displays this very well, without sympathizing or underlining the evil of these human beings.

If you're a human being equipped with normal feelings, you ARE right in feeling slightly compassionate towards a crying Hitler. But at the same time, if you're a normal person, your compassion vanishes when you remember why he's crying. He's not regretting his inhuman deeds. He's not feeling remorse for the suffering of other people. He's crying because his horrible plans have failed, because he thinks the German people have failed him.

I also think Der Untergang points out an important thing about the Nazi ideology. It was and is evil because it is based on intense hate and the conscious rejection of compassion. People blinded by this kind of ideology are also blinded by hatred, and as we know this phenomenon is unfortunately alive and well in today's world, in the East and the West as well. Movies like Der Untergang give us an important lesson in understanding this dangerous way of thought and the utter madness and vanity of war. Go see this if you can.
2005-02-27
The Definitive Word on the Subject
In Oliver Hirschbiegel's "Downfall", we follow young secretary Traudi Junge (Alexandra Maria Lara) into Hitler's bunker and witness the final days of the Third Reich through her increasingly disillusioned eyes.

Finally, Germany gives us a film on the matter, and, rather unsurprisingly, it feels far more authentic that any other take on the subject. Hirschbiegel's film is taut and claustrophobic and his characters breathe and feel real. His depiction of the war above ground is harrowing and efficient... Yet, as with all such films, "Der Untergang" will live or die by its central character: Hitler.

Hitler is such a monumental figure that, if you translate him, you are unable to see anything else than the actor portraying him, however talented (Anthony Hopkins and Alec Guiness gave it a go and didn't transcend). For the most part, we have had to accept mediocre caricatures suggesting that Hitler was as seen in his speeches (overly manic/dramatic) 24/7 (most films about Hitler fall prey to this, and "Hitler, the rise of Evil"'s Robert Carlyle is just another example of getting it completely wrong!). Bruno Ganz's portrayal of Adolf Hitler crashes through these misconceptions and the heavy baggage and makes us distinguish the man from the phenomenon. To our horror, we discover that the man who sparked this wretched out-of-control ideology is also a sometimes touching and amiable father-figure, making us understand how so many people would follow him. Ganz manages to become the man, utterly believable throughout, whether showing kindness to someone, yelling at his cowardly generals, or putting his pet out of its misery (a heart-breaking scene).

The film, technically admirable and boasting powerhouse performances, truly marks itself as a triumph in terms of tone and message. "Der Untergang" shows quite rightly that it is not the misguided and ultimately tragic man, but the system and its followers, that are monstrous. Ganz's Hitler seethes with anger at what he perceives as a betrayal: the German people have failed him, putting an end to the lie that Hitler was a cunning and deceitful sorcerer who brain-washed Germany. The people deceived themselves, and in the final moments, Magda Goebbles and other underlings prove themselves to be more repugnant and evil than Hitler himself ever could be. Thus, the film attracted naive controversy because many refuse to see Hitler as a human being. They do not realize that doing so dilutes the most important message of Nazi Germany: the people, not just Hitler, made it what it was! This could all too easily happen again...

You owe it to yourself to see this incredible film!
2007-02-20
See Also
📹 Downfall full movie HD download 2004 - Bruno Ganz, Alexandra Maria Lara, Corinna Harfouch, Ulrich Matthes, Juliane Köhler, Heino Ferch, Christian Berkel, Matthias Habich, Thomas Kretschmann, Michael Mendl, André Hennicke, Ulrich Noethen, Birgit Minichmayr, Rolf Kanies, Justus von Dohnanyi - Italy, Germany, Austria. 📀
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