🎦 The Lives of Others full movie HD download (Florian Henckel von Donnersmarck) - Drama, Thriller. 🎬
The Lives of Others
Drama, Thriller
IMDB rating:
Florian Henckel von Donnersmarck
Martina Gedeck as Christa-Maria Sieland
Ulrich Mühe as Hauptmann Gerd Wiesler
Sebastian Koch as Georg Dreyman
Ulrich Tukur as Oberstleutnant Anton Grubitz
Thomas Thieme as Minister Bruno Hempf
Hans-Uwe Bauer as Paul Hauser
Volkmar Kleinert as Albert Jerska
Matthias Brenner as Karl Wallner
Herbert Knaup as Gregor Hessenstein
Bastian Trost as Häftling 227
Marie Gruber as Frau Meineke
Volker Michalowski as Schriftexperte (as Zack Volker Michalowski)
Werner Daehn as Einsatzleiter in Uniform
Storyline: In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more.
Type Resolution File Size Codec Bitrate Format
HQ DVD-rip 720x432 px 1853 Mb 1963 Kbps mp4 Download
iPhone 640x270 px 1539 Mb h264 1562 Kbps mp4 Download
"Tangible, atmospheric and extraordinary..."
German screenwriter and director Florian Henckel Von Donnersmarck's feature film debut which he wrote and co-produced, premiered in Berlin, was screened in the Special Presentations section at the 31st Toronto International Film Festival in 2006, was shot on locations in Berlin, Germany and is a German production which was produced by producers Max Wiedeman, Dirk Hamm and Quirin Berg. It tells the story about an officer of the secret East German police who in November 1984 is assigned by a general secretary named Anton Gribitz to surveil a writer named Georg Dreyman who lives in an apartment block with a theater actress named Christa-Marie Sieland.

Distinctly and precisely directed by German filmmaker Florian Henckel Von Donnersmarck, this finely tuned fictional tale which is narrated from multiple viewpoints, draws a consistently involving and nuanced portrayal of an author who is looking for ways to reach readers in West Germany, his popular actress girlfriend and a man who spends most of his time following his life. While notable for it's distinct and mostly interior milieu depictions, sterling production design by production designer Silke Buhr, cinematography by German cinematographer Hagen Bogdanski and brilliant editing by film editor Patricia Rommel, this dialog-driven and narrative-driven neo-noir and dense chamber-piece depicts three engaging and empathic studies of character and contains a great score by composers Gabriel Yared and Stéphane Moucha.

This political, romantic and modestly sensual thriller about surveillance and the ongoing conflicts between supporters and opponents of the dictatorship in DDR during the Cold War which is set in East Berlin and Berlin during the mid and late 1980s and the early 1990s, is impelled and reinforced by it's cogent narrative structure, substantial character development and the poignant acting performances by German actors Ulrich Mühe (1953-2007), Sebastian Koch, Ulrich Tukur and German actress Martina Gedeck. A tangible, atmospheric and extraordinary directorial debut from the early 21st century which gained, among numerous other awards, the Academy Award for Best Foreign Language Film at the 79th Academy Awards in 2006.
Lives of Others........ don't miss this one!!
I am not going to repeat what everyone else has already said as I agree with most of the comments. I have just seen it at the Toronto Film Festival and out of 24 movies I saw.... it far exceeded anything else I saw in the 9 days and can only say it was my #1 favourite. I feel fortunate that I live in such a multicultural city that we have this fantastic festival to see films such as this.

I regret that I had to miss the Questions and Answers at the end of film as I had another film to get to. I would love to hear what was discussed if anyone else was there and would like to get back to me or post on board. PLEASE AND THANK YOU... sh
best movie i've ever seen
Dear Hollywood,

would you mind watching this tremendous work and finally learn that to shock your audience you don't need a gun blowing someone's head off. You need an actor raising his eye brow, a single look, a simple movement of her hand. Yes, I know, you can't sell a movie around the world if you can't make sure anyone of any cultural background will get what is meant to be expressed. Yes, blowing someone's head off makes clear the poor fellow is dead and the other guy is evil and ruthless and needs to be tracked down. Yes, taxi driver is a fantastic masterpiece. But did it really have to end in a massacre?

It is subtlety that turns a movie with good actors and good plot into an incredible one. The Lives of Others is pure subtlety. I hope it will never be forgotten.
A Monumental Triumph!
The acclaimed German-speaking film, The Lives of Others is a well-written, addicting thriller that talks about a time in very modern history that not many movies have covered. This film covers Eastern Berlin in the 1980's, just before the fall of the Berlin Wall in 1989. Unlike many thrillers, this film doesn't rely on drawn-out car chases or bloody gun battles, but more so on tense character development and I welt so moved by the film, I literally thought there would be members of the Stasi creeping up behind me while watching the film.

Florian Donnersmark's film, which was awarded an Oscar for best foreign film, is about a member of the secret police named Captain Wiesler who listens into people he believes to be enemies. But when he is assigned to listen to the famous and beloved playwright, Georg Dreyman, his life is about to take on a big change.

This film is great in part to the wonderful acting. The late Ulrich Muhe does a wonderful job as Captain Wiesler and all his scenes were just perfection. In fact, the final scene he is in should be enough to move you to tears. Sebastian Koch does a great job as Georg Dreyman, a playwright who is also bent on escaping over the Wall.

Overall, The Lives of Others is a very well-made thriller that will teach you about the lifestyle of people back then and how the citizens had to live in fear. There are no car chases here, but there is an actual story that is worth checking out. These kind of slow-burners are the best thrillers of them all and this made for an engaging thriller. Despite being spoken in German, I think Americans should watch this film. I rate this film 9/10.
Beauty in the darkest of circumstances, is the most beautiful of all.
I can honestly say, this is one of the finest examples of European film. The story is so dark and heart-breaking. In the UK and Northern America, we miss out on so much fabulous cinema because it is not in English, because we are too lazy to read subtitles, or learn a foreign language, but this masterpiece, this work of art, does not disappoint.

It is not a film you enjoy. You will not call it your favourite, discuss it with your friends, or even watch it regularly. You will however be filled with the harrowing knowledge it gives to you. The awful state of affairs in GDR in the 1980s. It will rock your soul. Your very conscience. You will be gripped, unable to look away, and yet desperate to go back to the ignorance of our sheltered lives, after all, isn't it bliss?

The story follows the surveillance of a playwright and his girlfriend in 1985 in Eastern Germany, and how the Captain in charge of the operation becomes intoxicated by their lives, and as such, begins to cover up the very acts he is meant to report. It eventually ends with him preventing the playwright's arrest by hiding the evidence that would have him convicted. The evidence in question a type writer that wrote an article that uncovered the policy in Eastern Germany of no longer recording suicides. The information on where this typewriter was hidden came from the girlfriend of the playwright. She kills herself, overcome by guilt, only for the captain to have already removed the evidence. The ending of the film, several years later sees the Playwright review the files on the surveillance operation on him in a united Germany and he discovers the work of the Captain who had in many ways help conceal the evidence. He finds out who he is and tracks him down. He sees him but he does not approach him. We then see the Captain who is now a postman of some kind walk past a book shop with the playwright's photograph and novel in the window. He goes in and opens a copy to see that is devoted to him. His code name. He buys a copy and the cashier asks him if he'd like it gift- wrapped. He replies: "No, it's for me."

It is the most beautiful ending to a film I have ever seen.
Good German(s)
Since the early days of film-making--actually, since the first plays were written--the gold standard for a good dramatic work is one that combines an intriguing plot with complex characters, to illuminate something about human behavior. It's surprising, then, that so many movies still fall short of the mark. At the risk of oversimplifying things, plot-heavy movies tend to ignore character development, and character-study movies ignore a streamlined plot for the sake of a series of episodes. It takes something like "The Lives of Others," an excellent and moving drama, to remind you of how great a movie can be when it combines these elements.

Not only does this movie have a suspenseful plot that follows the logic of cause-and-effect until everything ties together beautifully, but the workings of the plot are unpredictable, and intimately linked to the characters' psychology. For drama does not result merely from watching external events happen to characters, but from seeing them actively make choices that affect their own lives and (forgive the pun) the lives of others.

The set-up is simple but highly resonant: in 1984 East Berlin, by-the-book Stasi agent Wiesler (Ulrich Mühe) is assigned to wiretap and listen in on playwright Georg Dreyman (Sebastian Koch) and his actress girlfriend, Christa-Maria Sieland (Martina Gedeck). But because Dreyman has always presented himself as a loyal citizen, Wiesler dimly begins to realize just how paranoid and corrupt his government is. Also, he becomes fascinated with the couple's warm, semi-bohemian lifestyle, which contrasts with his own solitary existence. Wiesler thus finds himself reconsidering his values, while at the same time Georg and Christa-Maria reconsider theirs. Should Georg use his writing talent to reveal the horrible conditions in East Germany? Should Christa-Maria submit to a lustful government minister, who could ruin her career if he doesn't get his way? These choices are hard, and only lead to more hard choices.

This plot allows for scenes loaded with the great dramatic irony and subtext that results from one character knowing something that another does not. The movie's complex and intelligent themes include theatre/fakery/acting versus real life, and the voyeurism of a spy versus the voyeurism of a cinema-goer. And above all, "The Lives of Others" is a moving exploration of ethics and humanity. Not many recent movies ask the question "What does it really mean to be a good person?" and even fewer answer it with the honesty and depth that this film does.

"The Lives of Others" does not over-explain itself--none of the characters can confide in anyone, so they make their difficult choices without talking about why they've acted that way. Yet everything that happens in the movie has the ring of emotional truth. Thanks to the beautifully realized performances, you never doubt that the characters would behave in exactly that way, nor that they feel deep anguish in coming to their decisions.

I haven't seen all the acclaimed movies from the past year yet, but as it stands now, "The Lives of Others" is my choice for the best movie of 2006.
Sonata for a Good Man
Artists watching this will shudder at the callousness of politicians and at how little they mean to government, unless the all-mighty entity decides they need something from you. What could that be? Your loyalty, your voice, or possibly your girlfriend or to shut your voice down when they care to. When that has been decided, no action is too grotesque. NSA hating liberals will simply see this as a universal film to justify their cause against humanity. I used to say that as long as I have nothing to hide, why should I care? We all have our agendas, apolar from Gods' will. What a sad existence our characters found themselves in as East Germany was artistic quicksand. This touching film allows us inside each persons mentality from disgusting politician to bully spy to idealistic writer to actress subservient to her desire to perform to the career saving autocrat who carried out the "business" at hand. Each is powerful but none are in true "concert". This is why to break the stalemate created by selfish leadership, it all begins with one good man.
Another great German movie
Generally, I thought this was a great movie, very well done, very suspenseful. The ending was a great bit of closure - a nice touch where Georg could let Wiesler know that he knew what Wiesler had done for him. I would have liked Georg and Wiesler to have a conversation, but maybe that would have been too much of a Hollywood ending.

My main negative about the movie is that I didn't understand why Wiesler was so affected by the lives of Georg and Christa-Maria. Clearly his life was empty, but he was an experienced agent and had spied on many people, which probably included artists. I didn't see why he would feel such sympathy for these two to the point of putting himself at risk. But if you just take his feelings and reasons for what they are, the film works very well.

I saw von Donnersmarck interviewed (in English) and was surprised at his American accent - evidently he lived in New York for part of his childhood. I recently saw "Downfall" (Untergang) and "Head-On" (Gegen Die Wand), which were also excellent movies. I'm glad to see that German films are achieving international recognition.
Inspiring take on the reality of the GDR history
Quite possibly the best film released in the 2000s, Von Donnersmark masterpiece regarding the influence and the attraction of an individual towards another's creates an image which was very well interpreted to the masterclass cinematography and musical accompaniment of Hagen Bogdanski and Stéphane Moucha, respectively. Set in the fascist era of Germany, Das Leben Der Anderen depicts a surveyor's (Wieser) interaction with a seemingly loyal writer (Dreyman) through suspicions from the Minister. The wonderful acting from the leads namely: Ulrich Muhe and Sebastian Koch along with the supporting cast delivers this rather inspiring film contrary to the the film's opening environment. This is my first time seeing the film and though it is already 4 years since it was released, it still as fresh and original as any film released recently.
Excellent study of the system and human psychology
In my opinion, the strongest idea of this film is that the weakest link of any system is THE human. And that is perfectly shown in the sequence where the writer and his friends are scheming a way to find out if his house was bugged. A supposed robotic Stasi agent showed another dimension of his character and didn't deliver the message to border patrol, although it was expected of him, so, paradoxically, he remained uncovered. You can get to know and cheat strictly defined and rigid system, but you can never fully get to know an imperfect human being. That idea eventually translates to the whole film, since we see that unexpected behavior of one man is enough to shake the entire system.

Also, the change of the main character (the Stasi agent) is not at all sudden. The crucial scene is the one with a prostitute where it is obvious that the agent is a lonely and desperate man. I would argue that his change didn't come from without (he didn't suddenly saw how bad the system is, he knew it already), but from within (his psychological state led him to make his relationship with a lonely writer personal, rather than professional).

In the end, I'd like to make clear that although I am strongly against totalitarian systems, I also quite vigorously oppose hypocritical black vs white films which try to state that the Western "democracy" is the personification of the human kindness. This film is certainly not one of those and is much more complex.
📹 The Lives of Others full movie HD download 2006 - Martina Gedeck, Ulrich Mühe, Sebastian Koch, Ulrich Tukur, Thomas Thieme, Hans-Uwe Bauer, Volkmar Kleinert, Matthias Brenner, Charly Hübner, Herbert Knaup, Bastian Trost, Marie Gruber, Volker Michalowski, Werner Daehn, Martin Brambach - Germany. 📀