🎦 The Lives of Others full movie HD download (Florian Henckel von Donnersmarck) - Drama, Thriller. 🎬
The Lives of Others
Drama, Thriller
IMDB rating:
Florian Henckel von Donnersmarck
Martina Gedeck as Christa-Maria Sieland
Ulrich Mühe as Hauptmann Gerd Wiesler
Sebastian Koch as Georg Dreyman
Ulrich Tukur as Oberstleutnant Anton Grubitz
Thomas Thieme as Minister Bruno Hempf
Hans-Uwe Bauer as Paul Hauser
Volkmar Kleinert as Albert Jerska
Matthias Brenner as Karl Wallner
Herbert Knaup as Gregor Hessenstein
Bastian Trost as Häftling 227
Marie Gruber as Frau Meineke
Volker Michalowski as Schriftexperte (as Zack Volker Michalowski)
Werner Daehn as Einsatzleiter in Uniform
Storyline: In the early 1980s, Georg Dreyman (a successful dramatist) and his longtime companion Christa-Maria Sieland (a popular actress), were huge intellectual stars in (former) East Germany, although they secretly don't always toe the party line. One day, the Minister of Culture becomes interested in Christa, so the secret service agent Wiesler is instructed to observe and sound out the couple, but their life fascinates him more and more.
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iPhone 640x270 px 1539 Mb h264 1562 Kbps mp4 Download
Brilliant movie
Germany has produced some very good movies recently ... but this one is in a class of its own. The main power of a quality movie, for me, has always been two things, a good story and mood - and this film has both. The story keeps you interested through all 139 minutes. You actually feel yourself transported to the 1980s of the former German republic. They have carefully chosen locations that looks east-germanish ... lots of "Trabant" cars on the streets :-) and the general grayish mood is very well recreated. The ordinary peoples fear of the Stasi is realistically portrayed. And i just love the twist in the story in the last 20 minutes or so. A brilliant movie that anyone even remotely interested in non-mainstream movies should see.
A Monumental Triumph!
The acclaimed German-speaking film, The Lives of Others is a well-written, addicting thriller that talks about a time in very modern history that not many movies have covered. This film covers Eastern Berlin in the 1980's, just before the fall of the Berlin Wall in 1989. Unlike many thrillers, this film doesn't rely on drawn-out car chases or bloody gun battles, but more so on tense character development and I welt so moved by the film, I literally thought there would be members of the Stasi creeping up behind me while watching the film.

Florian Donnersmark's film, which was awarded an Oscar for best foreign film, is about a member of the secret police named Captain Wiesler who listens into people he believes to be enemies. But when he is assigned to listen to the famous and beloved playwright, Georg Dreyman, his life is about to take on a big change.

This film is great in part to the wonderful acting. The late Ulrich Muhe does a wonderful job as Captain Wiesler and all his scenes were just perfection. In fact, the final scene he is in should be enough to move you to tears. Sebastian Koch does a great job as Georg Dreyman, a playwright who is also bent on escaping over the Wall.

Overall, The Lives of Others is a very well-made thriller that will teach you about the lifestyle of people back then and how the citizens had to live in fear. There are no car chases here, but there is an actual story that is worth checking out. These kind of slow-burners are the best thrillers of them all and this made for an engaging thriller. Despite being spoken in German, I think Americans should watch this film. I rate this film 9/10.
The most underrated film of 2006.
Holy cow! What a terrific movie! I am a voting member of the Academy (actor's branch) so I get all the films for free. I've seen everything---60 films. This was one of the last 3 films that I saw---because I was completely unfamiliar with the title. This film slowly gripped me, but by the end, the grip was merciless. The lead actor, who should be doing The Life Story Of Peter Jennings, was wonderful. Everybody was terrific. Congratulations to the writers for their perfect structure---and to the director for his flawless storytelling---and his eliciting of top performances from his actors. How well cast it was.

But now I'm totally bewildered. Why haven't I heard anything about this film? Where was this film at the Golden Globes? I haven't even seen any reviews about it. Nothing! What's going on? I'm very active in the film business. I follow this stuff. This film (that I never heard of) took me by surprise as no other film has ever done.

Note to the IMDb: This is not a spoiler.

Jesse Vint III
As near perfect as movies get.
I was disappointed when Pan's Laybrinth didn't get the Academy Award for the best foreign film of 2006, but then I hadn't had a chance to see this movie. I'm an avid movie goer for the last 60 years and I have just about seen every worthwhile movie made. This movie is as good as any other movie I have seen if not better. It is by far the best movie made since the turn of the millennium if not for all time.

If you are looking for a typical "Hollywood" formula movie then you had best not go to see this one. But, if you are looking for sublime movie making in every respect then this is the movie made for you. It doesn't matter if the movie is in German the subtitles are excellent and along with the acting and direction a perfect story is told.

Support excellence in movie making by putting this movie on the top of your list to see this year.
Masterpiece, a unique lesson on humanity
This is the first full feature film by Florian Henckel von Donnersmarck and won him a Best Foreign Language Film Academy award as well as an uncountable number of other awards all around the world. The film runs for roughly 2 hours and 15 minutes and does not drag a single second. The reason for this is FHvD's outstanding script and a cast that delivers 100% from minute 1, also including all the actors in smaller roles such as Thomas Thieme who gives a great performance of an influential figure not scared of using his political power to his own sexual advantage. The standout is Ulrich Mühe. His transformation from a ruthless Stasi agent into a caring human being who puts his own freedom at risk in order to oppose a political system built on fear that is as rotten as it gets and protect the people suffering from it. Merely from the political perspective, in my opinion, this is a movie that everybody needs to see, especially those with an interest in history. And even for those who are not particularly fond of political films, this is highly recommended as the characters and their interaction are written and portrayed with such wit and accuracy that I am not shy of calling it the best German movie ever made. And I have seen lots.

I cannot even mention a favorite scene, there are just too many: the joke at the cafeteria table, the boy in the elevator, the interrogation between Mühe and Gedeck, threatening the neighbor('s daughter), the red color on the files near the end, the suicide references and so on. Or I could simply mention the entire epilogue, i.e. everything that happens in the movie after the Fall of the Wall. When Dreyman reads his file or how Wiesler enters the bookstore in the end are maybe the most moving moments of this film. Wiesler's last words are completely genius and I wish all films could end on such a high note. In general, his character and his transformation are one of the most interesting things I have seen in movies in the last years. There are many moments one could analyze, so i will just mention one. Pay attention to how he is looking for real togetherness during his meeting with the prostitute and thus cannot understand the affair between Gedeck's and Thieme's character. His faith in the system crumbles more and more as he realizes everybody is just interested in themselves, while he initially believes in the ideal of socialism. But the people in his organization are so different compared to everything he believes in that finally the whole concept of the GDR crumbles in his mind before it crumbles in reality. There is no point anymore in punishing the people who offend his country as he realizes they are the ones who are correct and he uses all the means in his power to help them without becoming part of an investigation himself.

It's so sad to see that Ulrich Mühe died so quickly after this film, even before his posthumous BAFTA nomination. But we should be grateful to see the legacy he left us here. What surprises me a bit is that Freydank has worked so little in recent years. He only made one movie in the nine years since "Das Leben der Anderen" (a forgettable thriller with Johnny Depp and Angelina Jolie) and there is nothing upcoming on his body of work either. Maybe he really was a one-trick pony, but boy was that trick magnificent. A must-see. Perfect score.
best movie i've ever seen
Dear Hollywood,

would you mind watching this tremendous work and finally learn that to shock your audience you don't need a gun blowing someone's head off. You need an actor raising his eye brow, a single look, a simple movement of her hand. Yes, I know, you can't sell a movie around the world if you can't make sure anyone of any cultural background will get what is meant to be expressed. Yes, blowing someone's head off makes clear the poor fellow is dead and the other guy is evil and ruthless and needs to be tracked down. Yes, taxi driver is a fantastic masterpiece. But did it really have to end in a massacre?

It is subtlety that turns a movie with good actors and good plot into an incredible one. The Lives of Others is pure subtlety. I hope it will never be forgotten.
The Wall
In 1984 East Berlin, an agent of the secret police (Ulrich Mühe), conducting surveillance on a writer (Sebastian Koch) and his lover (Martina Gedeck), finds himself becoming increasingly absorbed by their lives.

Apparently, this was one of the first post-Berlin Wall films to be a drama rather than a comedy (such as Wolfgang Becker's "Good Bye, Lenin!"). Certainly the best, if not the first. Today it is somewhat hard to imagine that not long ago Germany was split, with two sides spying on each other, when they were really one people under two governments.

Roger Ebert gave the film four stars, describing it as "a powerful but quiet film, constructed of hidden thoughts and secret desires." Very esoteric, Roger. There is certainly much more going on than is openly expressed in the film.
A unique movie
If you're going to see one foreign-languaged movie this year, make it this one. Better yet, if you're going to see one movie this year, make it this one. Every aspect of this movie is just outstanding. The music is hauntingly beautiful, the cinematography is excellent, and even though I don't understand much German, the writing seemed excellent as well. It's all crafted together to a level of perfection that you rarely see. You really feel like you are in East Berlin as you watch this one.

What makes this movie unique is that you don't just get a truly great story. You also get great insight to the DDR. You get to see many different sides of the republic, witnessing many different fates.

PS: I don't really know why I gave this movie a 9 instead of a 10. You know what, consider my rating a 10.
Still brilliant...will be forever...
I highly recommend this trip into old world Germany. It takes you on a ride of intense empathy that few films do. It's brilliantly acted by almost everyone, with some truly memorable performances from both lead and supplemental characters. It's elegantly written by a true artist who realizes he can successfully avoid any manufactured drama and let the setting of his story address those essential cinematic needs. It feels as real as a movie can as a result. This movie will stay with you and make you feel thankful for what you have. My only wish would be a slightly higher pace to the story in the first half of the movie...if only more movies had such few things wrong with it though.
Nice but not believable
I can't say I hated this movie. Some moments were touching. But I'm probably too much of a nitpicker to be tolerant with that kind of movie.

I mean, when a movie is only trying to entertain, I can suspend my disbelief. When a movie is trying to teach me something, is taking itself so seriously and present something as if it's history, I can't.

The main character is introduced to us as a long career STASI agent, an expert in interrogation techniques, as cold and inhuman as required, a guy who lives alone, who (apparently) has no family, no love, only the too short company of a very busy prostitute.

The guy is good with torture which probably means he's a sadist and/or fanatical and dedicated to the nation and who can go past the pain he inflicts to people.

Somehow, the story will be about how this man will suddenly grow some empathy, sensitiveness and an ability of betraying what he's been living for all these years because while spying on some "others" for a very short period of time, he will be living their lives and discover his own humanity.

This movie is political correctness at its worst. First, the idea of a no-life agent is from the start the caricature of the evil agent, it's the archetype. "They don't have a life. If they had sex with someone they love, they wouldn't be so mean, blah blah blah" etc etc. The same kind of stupid nonsense we hear about everyone people are afraid of : Islamic terrorists, dictators, child molesters, etc.

From the start, I had trouble with that, because when I'm served an archetype, I just don't believe in it. I rarely meet pure archetypes in my every day life. 99% I can always see how people differ from the archetype with which they're labeled. And most of the characters are just archetypes, especially the evil ones.

So OK, let's make the effort of believing in this character, archetype or not. Now I have to believe that after so many years of doing what he does, he can suddenly have a change of heart because of an actress and her art. I'm probably bad public, but to have me buy this, this requires more skills than the movie has displayed.

But probably, the part that killed the movie for me was the endless ending, explaining everything we had already understood, hammering heavily what we've already got before, making sure the political correctness of it is understood: Art is the last rampart against totalitarianism. The party leader was a pig and a bastard. The stasi agent was nice after all, that kind of stuff... It's nice.

I can't blame the actors, they were perfect. There are some moving moments thanks to them and a very good cinematography. It's not the skills in film-making I would blame, it was near perfect in that department. It's the script material that stinks.

About how well it depicts the life in east-Germany before the end of soviet communism, I can't be sure but it seemed to me the excellent "Goodbye Lenine" was better in that department, more nuanced and more credible.
📹 The Lives of Others full movie HD download 2006 - Martina Gedeck, Ulrich Mühe, Sebastian Koch, Ulrich Tukur, Thomas Thieme, Hans-Uwe Bauer, Volkmar Kleinert, Matthias Brenner, Charly Hübner, Herbert Knaup, Bastian Trost, Marie Gruber, Volker Michalowski, Werner Daehn, Martin Brambach - Germany. 📀