🎦 City Lights full movie HD download (Charles Chaplin) - Drama, Romance, Comedy. 🎬
City Lights
Year:
1931
Country:
USA
Genre:
Drama, Romance, Comedy
IMDB rating:
8.5
Director:
Charles Chaplin
Virginia Cherrill as A Blind Girl
Florence Lee as The Blind Girl's Grandmother
Harry Myers as An Eccentric Millionaire
Al Ernest Garcia as The Eccentric Millionaire's Butler (as Allan Garcia)
Hank Mann as A Prizefighter
Storyline: A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Type Resolution File Size Codec Bitrate Format
HQ DVD-rip 720x480 px 1180 Mb mpeg4 1753 Kbps avi Download
Reviews
One of best romantic movies
I was first exposed to Chaplin as a kid, through his short films. And though I enjoyed them a lot, when I grew up I mostly put him in same league with Lauren and Hardy, Three Stooges etc that is really good at visual gags but not much else. Though I liked him I couldn't understand him being considered one of the greatest directors, I thought maybe that was due to nostalgia people have about their childhood.

How wrong I was, when I finally did see a full length movie, I was amazed. Chaplin certainly deserves his reputation. And this is my favorite Chaplin movie. It is one of most poignant, touching love stories. It has its funny parts too but those were overshadowed for me by the touching parts.
2011-05-17
typical Chaplin
One of Charlie Chaplin's best films, 'City Lights' presents him at his best. It is funny - the scenes with the millionaire and at the boxing ring are priceless. It has that ending which is one of the best in cinema, and thus makes this film a great love story. It has a wonderful score by Chaplin himself with a number of themes which pinpoint the action and manipulate the audience into reacting to what they see in a particular way. And it is a silent film, alone is a sea of early sound features.

All of this adds up to make a special experience. If you are seeing this for the first time, you won't know what to expect and you'll probably laugh, cry, and every emotion in-between. If you're seeing it after many previous viewings, you'll spot things you haven't seen before. Such was Chaplin's inventiveness.
2009-10-17
Major continuity issue...
... it's perhaps a test of a person's outlook to ask them what they see in the final scene. If they've never seen City Lights before and they instantly notice the major continuity issue (Chaplin holds a flower to his lapel from the rear shot, it's up to his mouth on his close up) then maybe they've placed film studies over romance.

It took a few viewings before I spotted this, and once I did I can't help but notice it. Yet even despite this, I never fail to get choked up on the beauty of that final scene. If you want to impress the right kind of girl, put it on and show her what a sensitive soul you are during those final moments.

As for the rest of the film, then while the final five minutes are classic and perhaps the best thing Chaplin ever did, the rest of it is episodic and patchy, necessitating my relatively low score. Still a fine film, but never a completely great one, what presages those beautiful final moments is merely fine entertainment.
2008-05-30
True Blind Love
CITY LIGHTS (United Artists, 1931), written, directed and starring Charlie Chaplin (1889- l977), is a silent comedy-drama released at the height of the sound era. Distributing a movie in the silent film tradition at the time when silents were considered a fad, Chaplin gambled with this production, and made it pay off. Although Chaplin hails THE GOLD RUSH (1925) as the one movie he would most want to be remembered, CITY LIGHTS nearly dims out his GOLD RUSH and at the same time, practically places his other silent masterpiece, THE CIRCUS (1928) to oblivion. CITY LIGHTS has stood the test of time, balancing perfectly a mixture of comedy and drama, but in Chaplin's case, pathos.

Subtitled, "A comedy romance in pantomime," the story opens in the early morning where the mayor is dedicating a statue to the citizens of the city. After the unveiling, the crowd finds a little tramp (Charlie Chaplin) sleeping on the lap of one of the figures. As he tries to climb down, he encounters one problem after another. This opening scene alone is priceless. With such a great beginning, Chaplin adds in more comedic insertions blended into the plot. The theme to CITY LIGHTS is remembered mainly about a tramp's love for a blind girl. However, there is a subplot, involving the tramp's involvement with a millionaire drunk, which, by far, takes up more time than the sentimental love story. These two segments actually set the pattern. First segment, set in the afternoon, finds Charlie walking down the street, examining a nude statue in a shop, being annoyed by some newsboys making fun of his tattered clothing. He encounters a beautiful blonde girl (Virginia Cherrill) selling flowers. After she drops one of her flowers, Charlie notices her feeling about the sidewalk for it, thus, realizing she's blind. Smitten by her beauty, he picks it up and pays her for it. Minutes later, the slamming of a limousine door is heard, with the girl believing the kind gentleman, Charlie, to be a millionaire. Second segment, set at night, finds Charlie encountering a drunk (Harry Myers) trying to commit suicide by drowning himself. Just as Charlie is about to save him, he in turn falls into the river. The drunk, in gratitude for saving his life, takes Charlie under his wing to accompany him to various night clubs until dawn. By morning, the millionaire, now sober, fails to recognize or remember Charlie and orders orders his butler to escort this stranger out of his mansion. This running gag that's repeated in the story might play itself as repetitious, but Chaplin manages to breathe new life and funnier routines through his encounters with the drunk and their all night binges. By day, Charlie looks after the blind girl and worries when she's not at her usual corner selling flowers. Finding that she's ill and being cared by her grandmother (Florence Lee), whose behind with her rent and threatened with eviction, Charlie offers to help by obtaining and losing various jobs, ranging from street-cleaning to fighting in a boxing match. Reading in a newspaper of a European doctor who restores sight for the blind, Charlie gives the girl $1,000 for an operation, the money offered to him by the drunken millionaire, who, after sober, accuses Charlie of robbing him, has his arrested and serving jail time. The climatic finish is truly the best thing Chaplin has ever done and certainly one not to be missed.

Featured in the supporting cast are Henry Bergman, Allan Garcia, Albert Austin, and Hank Mann. While much has been discussed about Chaplin's performance, his co-star, Virginia Cherrill, as the blind girl (no name given), should not go without mention. Even though her future film career consisted of forgettable programmers, and at one time being one of the future wives of film actor, Cary Grant, her performance is excellent by all means. Although it's been said that future film star Jean Harlow (1911-1937) appears as an unbilled extra in the night club sequence, she is visible in a surviving still photograph, but no such scene appears in the finished product.

Unlike THE GOLD RUSH, CITY LIGHTS had limited showings in revival houses in later years, and was never allowed to be distributed to television. Being first introduced to CITY LIGHTS at New York City's revival movie house, The Regency Theater, formerly located on Broadway and 67th Street, in 1979, the memorable thing about this event are the roars of laughter from its theater packed audience. There was one man, probably a big fan reliving his childhood memories, whose laughter almost drowned out the underscoring of the film. No doubt he was having more fun watching this movie than anyone else. Watching CITY LIGHTS surrounded by an appreciative audience theater is one way to truly appreciate and experience the feel of silent film comedy, and to think back as to how the audience reacted in same back in 1931.

After Chaplin's death in December of 1977, CITY LIGHTS, along with his other silent features, were not only resurrected for a new generation to endure, but became readily available on video cassette at the time of Chaplin's 100th birthday, 1989. In later years, CITY LIGHTS was frequently revived on various cable channels, ranging from Turner Network Television (TNT) in the early 1990s, American Movie Classics up to 2001, and finally Turner Classic Movies. The complete musical soundtrack that accompanies CITY LIGHTS happens to be the original score composed to perfection by Chaplin himself.

Much has been written and said about CITY LIGHTS over the years. To learn more about the making, difficulties and long term preparations to CITY LIGHTS, either watch Kevin Blownlow's 1980 documentary, Hollywood: A Celebration of the American Silent Film, as narrated by James Mason, or Brownlow's other documentaries dedicated entirely to Chaplin's career, including outtakes to CITY LIGHTS as well as scenes involving Virginia Cherrill's temporary replacement, Georgia Hale, Chaplin's co-star in THE GOLD RUSH. (****)
2003-02-15
Charlo at the top of his game.
Charlie Chaplin made some extremely funny shorts but of his longer films, this is one of the best, along with "The Gold Rush" and "Modern Times." Two stories are woven together. One is Charlie's on-again off-again friendship with a wealthy drunk. The guy has a case of multiple personality. When drunk he showers Charlie with friendship and gifts. When he's sober he doesn't recognize Charlie at all.

The second story involves a pretty, blind flower girl who, given certain distances, angles, and lighting, resembles Uma Thurman. Charlie falls for her and accepts a thousand dollars from the drunken rich guy in order to pay for the operation that will refurbish her eyeballs.

Charlie is accused of stealing the thousand bucks but when he appeals to the rich guy, he's sober and won't support Charlie's story. Charlie manages to get the money to the girl anyway but then is picked up by the police and spends some time in jail. When he emerges from the Crowbar Hotel, broke and bitter, he bumps into the now sighted girl and she recognizes him by his voice and the feel of his hands. The happy ending.

There's sentimentality in the story of course. There often is in Chaplin's later films. But, as usual, it's somehow tempered. Here, it's undercut by irony.

When Charlie meets the wealthy toff, the guy is about to kill himself because his wife left him. He ties a noose around his neck and a big rock to the other end of the rope. He's about to hurl himself and the rock into the river when Charlie intervenes, gives him a pep talk, and changes his mind. His spirit revived, the rich guy spread his arms to the sky, dropping the boulder that falls on Charlie's foot.

And when Chaplin meets the blind flower girl, she's enthralled by his gentleness. Unseen by her, the smitten Charlie tip toes behind her to the nearby water fountain where she fills a pail. Her expression is dreamy and far away as the pail fills. Charlie is sitting on a bench next to the fountain, himself enraptured. Then she empties the pail by throwing the water in Charlie's face. Well, it's not the blind Mr. Muckle busting all the light bulbs in W. C. Fields' general store, but what is? A note. There have been some comic prize fights recorded on film, not counting the Dempsey-Tunney debacle, but I don't think any are as funny as the one Chaplin has choreographed here.

It's hard to imagine the kind of talent that could pull off a story like this in a medium like this. Black and white, and silent. Applause, please.
2009-04-19
Strong Chaplin Piece
I am a child of the Sixties, and many of the attitudes I formed were based on essentially special moments, it seems to me. One of my parent's friends opined one evening, stridently, vigourously, something to the effect that because Charlie Chaplin was a Communist everything he ever did was therefore artistically inadmissible. There are times in life where something you hear you instantly know is either completely wrong or right. I knew then that this had to be wrong, even though I had never seen anything more than a snippet of Chaplin's work.

Many of what are considered great films were not shown anywhere, not on TV, certainly not on the big screen, for most of my early life. So it is that in my recent viewing of "City Lights" I saw my first full length Chaplin film. And I was not disappointed.

In this movie there are only a handful of main characters. Chaplin's little tramp is of course prominent, but the key supporting players certainly get a lot of screen time. Among them is the blind flower girl who becomes the center of the tramp's attention, her grandmother, and a very rich and also very boozy benefactor of sorts. The rich man's butler has a significant part. There are many, many players with brief parts.

As far as a plot goes, the tramp meets the blind flower girl and of course he is able over time to appear to her as a wealthy kind-of boyfriend; he helps her when he can. He is smitten with her. In the meantime the tramp has run into the rich man, their initial meeting being the tramp's intervention in the others suicide attempt.

But the benefactor has mercurial fits of memory loss and gain, so his generous gestures are at best unreliable. In the midst of the tramp's efforts to do what we would term the right thing, other confounding moments occur. Which leads us to the comedy part.

In effect the tramp runs into troubles at every turn. His helpful and often unsolicited attempts make things right do not necessarily provide a real advantage for him or those about him. He does get the money to help the flower girl and grandmother, but at a price.

It is fun to watch the little tramp and his antics. Chaplin could certainly do physical comedy, and his attempts at this are very honest, involving tremendous eye to detail touches in all scenes. At one point he briefly eludes two policemen; his quickness and well-rehearsed reaction is actually difficult to follow.

I have read about the ending previously from a few sources, but no spoilers were among them. I appreciate this because the last few moments of "City Lights" deliver a terrific payoff. And its nice to know a boyhood suspicion was well-founded.

Three Stars
2009-04-24
Charming to the last
City Lights is a film which is beloved and revered. And it is easy to see why. As comedies go, it may not be among the funniest films ever made. But if there is any shortfall of laughs the film more than compensates with an overabundance of charm. And it is not as if the film is totally lacking in laughs either, there is plenty of good humor here. But in this case it is the story, more than the jokes and gags, which really is the key to the film's success. That story draws you in, makes you root for Charlie Chaplin's famous Tramp. It's a beautifully unique love story which will definitely bring a smile to your face and ultimately maybe even a tear to your eye. City Lights is the brilliant result you get when you have a master of his art form at work.

The simple, though thoroughly captivating story, follows The Tramp as he falls in love with a beautiful, blind flower girl. She can't see him for the lowly hobo he is, a misunderstanding upon her initial meeting leads her to believe he is a wealthy gentleman. The Tramp is more than happy to allow her to maintain that illusion. He gets some help in this endeavor from a drunken millionaire who befriends him. The Tramp gets money from the millionaire, stays in his house, drives his car. All very helpful in keeping up the ruse of wealthiness for the blind girl. Unfortunately the drunken millionaire is only friends with The Tramp whenever he is in fact drunk. When he sobers up he doesn't remember The Tramp at all. This of course causes awkward, and funny, complications. Meanwhile the flower girl has problems of her own. She's behind on the rent and, unknowingly since her grandmother hides the notice, about to be evicted. The Tramp is determined to save the day, pay the rent and also somehow pay for surgery to cure the girl's blindness. How will our shabby little hero pull this off?

Chaplin is a master of his craft at the peak of his powers. When City Lights was released the era of silent films was at its end, the talkies had taken over. But Chaplin was determined to tell his story his way, really the only way a story of The Tramp could ever be told. Who would want to hear The Tramp speak? The brilliance of the character is in the pantomime, the expressions. Chaplin tugs on the heartstrings without ever saying a word. Other performers in the film, most notably Virginia Cherrill as the blind girl and Harry Myers as the millionaire, play their parts well. Cherrill in particular deserves much credit for the film's ultimate emotional wallop. But this film is Chaplin's through and through, his fingerprints are on every frame. A brilliant performer, a brilliant director. Every moment is so well thought out. Maybe the film is not outrageously funny but there is plenty of humor to appreciate. Even if you think a scene may drag on too long, like a boxing match late on in the film, you can't help but appreciate the effort that went into it. It may be a little long but the scene is undeniably worked out beautifully, Chaplin showing an absolute mastery of choreography. It is a comedy film in which ultimately the comedy is secondary. Yes, there are jokes and gags and no, not all of them work perfectly. But there are definitely enough good comedic moments to keep you entertained. But more importantly there is a story to keep you enthralled. The love story between The Tramp and the blind girl warms your heart and makes City Lights a true feel-good movie, one worthy of its status as one of the most beloved films ever made.
2016-03-26
Sweet, poetic film
Charlie Chaplin is a tramp, blown hither and thither by the winds of fate in this film. The set pieces, including Charlie as a boxer and Charlie rescuing a man (George Myers as a rich drunk) from suicide are fantastic. The boxing scene in particular is the work of genius because it involves in the fight as Charlie tries to avoid being beaten to a pulp. The final scene is beautiful as the girl (Virginia Cherrill) who had been laughing at Charlie, not knowing he was the man who had extended a lot of kindness to her, realizes that he is the man who had been kind to her when she couldn't see.

Chaplin's appreciation for the universality of physical comedy and his appropriation of an everyman persona as the tramp went a long way to solidifying his appeal. He created a character which was universally recognizable and many people could relate to. Making such a sympa character makes it possible for Chaplin to appeal to many people and he does. Chaplin's use of the mundane and the everyday in his movies made for scenes which were funny while also being everyday. Chaplin's placing of his tramp character in settings that many people were familiar with, and the fact that his Tramp character was an everyman, made his films attractive for many people. This film is certainly one of them.

The acting from Myers and Cherrill is excellent and Chaplin also delivers a very good performance. Highly recommended and it's easy to see that Chaplin was a genius.
2011-12-21
It is an Emotional Movie
I was a little boy when I first watch this movie.

Charlie Chaplin is a good actor who can describe her though through his movement

He has a nice Cuteness in his own.

Although there no voice in city light but you can understood all they want to tell you

At last An Emotion there was only him everybody left him alone..........
2017-09-12
A masterpiece
The first movie I have seen. I was 5 years old, and this day I saw more than lights. I laughed I cried and more then that I discovered what I would love to do. To be an actor as Chaplin, make laugh and make weep.

Even today I feel same feeling and emotions about this masterpiece. A wonderful story, with beautiful values, and an amazing looks from Chaplin as a director. The scene of meeting between Chaplin and the sightless flower girl is THE scene of this movie. A genius idea for Chaplin to choose how his character will meet this girl and how this girl could be think that he was a rich man.

The musical score which Chaplin composed for City Lights stay still today one a the most beautiful.

I don't have enough words in English to say why you have to watch this movie ... but you have to. Enjoy!

Wrote by a french guy.
2015-08-15
See Also
📹 City Lights full movie HD download 1931 - Virginia Cherrill, Florence Lee, Harry Myers, Al Ernest Garcia, Hank Mann, Charles Chaplin - USA. 📀
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