🎦 City Lights full movie HD download (Charles Chaplin) - Drama, Romance, Comedy. 🎬
City Lights
Year:
1931
Country:
USA
Genre:
Drama, Romance, Comedy
IMDB rating:
8.5
Director:
Charles Chaplin
Virginia Cherrill as A Blind Girl
Florence Lee as The Blind Girl's Grandmother
Harry Myers as An Eccentric Millionaire
Al Ernest Garcia as The Eccentric Millionaire's Butler (as Allan Garcia)
Hank Mann as A Prizefighter
Storyline: A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Type Resolution File Size Codec Bitrate Format
HQ DVD-rip 720x480 px 1180 Mb mpeg4 1753 Kbps avi Download
Reviews
No one can fail to see just how inspiring and uplifting "City Lights" is
For centuries, we've been living in a world that mostly consists of people trying to fend for themselves and obtain whatever necessary resources they can in order to survive. This mindset of how the world works results in the rich being prosperous and entitled while the poor are miserable and shunned. In short, various developments (whether it's the invention of new technologies or events that make us question the unity of humanity) have made us more selfish and isolated from one another. I'm saying this since I believe the primary reason that silent film legend Charlie Chaplin had a lasting impact is because while he confirms that we live in this kind of world, he pulls off something in his films that's very difficult to do. He somehow reassures us that everything will be okay no matter how hard you fall and that there are still people out there who help out other people. And very few films of Chaplin's have proved this more effectively than his 1931 silent masterpiece, "City Lights".

This silent romantic comedy follows Chaplin's famous Tramp character as he meets a pretty but blind flower girl (Virginia Cherrill) who mistakes him for a millionaire. That night, the Tramp also meets a drunken millionaire (Harry Myers) and saves him from suicide. As a way of thanking the Tramp for saving him from himself, this millionaire immediately considers him a friend and welcomes the Tramp to his mansion. After they go for a chaotic night on the town, the millionaire sobers up the next day unable to recognize the Tramp in the slightest and kicks him out. So, the Tramp runs into the blind flower girl again and starts initiating a special relationship with her. He also runs into the same millionaire a second time and in his drunken state invites him back to his mansion. From there, certain events eventually ensue in which the Tramp does whatever he can to help pay for the blind girl's eye operation by taking advantage of his unusual friendship with this millionaire.

To write, direct or star in a film with or without sound is one thing. But to write, direct AND star in a film that is technically silent yet has a few bits of sound and a musical score is another thing. With "City Lights", Charlie Chaplin had successfully pulled off an intensely strenuous task. On top of the fact that he decided to make a silent picture in the midst of the "talking pictures" becoming the talk of the town, he had to write, direct AND act in this film. Anyone can tell you that it's a monumental responsibility to pull off all three of these tasks and still produce a high quality film. And the reason that Chaplin had rightfully become a major influence on the film industry isn't just because he's written, directed and starred in excellent pictures, but because these pictures are still being enjoyed by modern audiences today even if they are silent. That's the true sign of a timeless piece of filmmaking.

What I particularly loved about "City Lights", as well as with "Modern Times" (1936), is that its direction is emotionally equivalent to an efficient and smooth roller coaster ride. In other words, Chaplin does a fantastic job at switching back and forth between comedic and dramatic moments seamlessly. One moment you're genuinely laughing at the trouble that the Tramp gets into, the other moment you're feeling pity for the troubles he's experiencing. One moment you feel like your hopes are crushed and nothing's going to be okay, the other you feel like all hope is restored and everything will turn out fine. The bottom line is that this is the kind of experience you can expect from "City Lights" throughout.

An example of a scene that demonstrates this emotional experience in action is the boxing scene. The scenario is this. The Tramp has to fight in a "fake" boxing match to win money that will help with the blind girl's financial troubles. A fellow boxer agrees to split the prize 50- 50, so that they both technically would win. Unfortunately, this boxer has to bail out of the match since the police are on to him and the boxer that the Tramp has to contend with now says that the "winner takes all". And throughout the match, the Tramp uses a hilarious strategy to try and win the match by hiding behind the referee as much as he can. I won't reveal anything else at this point to those who haven't seen the film yet and want to. All I can say is that this entire scene is representative of the film as a whole: a film that walks steadily on a fine line between comedy and drama and pulls it off perfectly.

What's even more admirable is that it's all done solely through visuals and background music. Seeing that this is a silent film, it makes sense to incorporate some over exaggerated actions namely Chaplin's clumsiness in the restaurant with the millionaire. Like animated films, silent pictures depend heavily on their visuals in able to help the film express itself more strongly since of course there's no sound to assist the visuals. And most of the time, the only way it can pull off such a thing is by over exaggerating certain actions. By doing so, we can get more of an idea visually of what our main character is experiencing and therefore be able to relate to him more. And Chaplin hits just the right note as far as that's concerned.

Chaplin's silent pictures, especially "City Lights", have lasted more than any other films from the silent era and for good reason. Their stories about persevering to the best of your ability no matter what harsh circumstances you're under have been nothing short of inspiring and uplifting. And no one can fail at seeing that.
2014-02-02
Another gem from a hard nosed genius.
Charlie Chaplin,I have heard through various sources,was a hard nosed perfectionist to the point of being downright disliked by some.He was not only the main star of his feature films,he was the creative mastermind behind the scenes as well.He wrote as well as directed.I have a hard time with anyone that difficult and based on what I have learned,probably would not have gotten along with Mr. Chaplin.Even so,I feel that his films are regarded as great because of his hard nosed attitude.Everything had to be perfect and everyone involved must know it.City Lights is another gem born of this hard nosed genius.We have our beloved little tramp making the acquaintance of a blind flower girl.Their meeting is comical,yet sweet.He falls in love immediately as does she.Through his comical,alcohol induced friendship with a millionaire who is down with life,he finds himself taking on the appearance that he is wealthy when he,in fact,is not.His love for this girl runs so deep that he is willing to do anything for her.Anything,that is,except reveal to this girl what he is in reality,fearing her love would fade.City Lights is another masterpiece of comedy laced with tender romantic sweetness from Charlie Chaplin,the hard nosed perfectionist.
2007-08-17
Major continuity issue...
... it's perhaps a test of a person's outlook to ask them what they see in the final scene. If they've never seen City Lights before and they instantly notice the major continuity issue (Chaplin holds a flower to his lapel from the rear shot, it's up to his mouth on his close up) then maybe they've placed film studies over romance.

It took a few viewings before I spotted this, and once I did I can't help but notice it. Yet even despite this, I never fail to get choked up on the beauty of that final scene. If you want to impress the right kind of girl, put it on and show her what a sensitive soul you are during those final moments.

As for the rest of the film, then while the final five minutes are classic and perhaps the best thing Chaplin ever did, the rest of it is episodic and patchy, necessitating my relatively low score. Still a fine film, but never a completely great one, what presages those beautiful final moments is merely fine entertainment.
2008-05-30
Seventy years old and still a powerhouse
The infamous Tramp (Charlie Chaplin) befriends a sightless flower girl (Virginia Cherrill) and vows to cure her blindness. Every penny as poor as the girl is, he embarks on a series of misanthropic adventures that transport him from the center of a boxing ring to the house of an eccentric millionaire (Harry Myers), who shuns the Tramp when sober and treasures his company when drunk. All the while, the flower girl, unable to see his face, mistakes the Tramp for a rich philanthropist, unable to believe that one so destitute could care so deeply for the woes of another.

City Lights joins an embarrassingly long list of films that moved me to tears, though not, perhaps, for the typical reasons. On an absolute level, there's something profoundly touching in the Tramp's devotion to the blind girl, but I found myself even more caught up in what Chaplin seemed to be saying about class. That the rich characters are only capable of empathy when alcohol levels the playing field is only one part of the critique. That the Tramp exists in a moral vacuum, that the needs of others are a constant inspiration for everything he does, that his lack of attachments enables him to come to the rescue not only of the flower girl but of the millionaire himself, whose attempted suicide would have been successful if the Tramp hadn't intervened . . . these are just a few of the reasons for why Chaplin's hobo-protagonist is, ironically, the wealthiest character in the movie. Thematically speaking, it's a well-worn path (the charitable bum versus the miserly aristocrat) yet Chaplin attacks the subject in such a simple, exacting, and unobtrusive way that we forget we've encountered it before. We don't come away feeling like we've swallowed a sermon with characters attached to it. We feel like we've witnessed something fresh and new, something funny and tearful and void of baggage.

Rare is the movie that combines comedy and drama quite so fluently. While farcical sequences often distract from the film in question, Chaplin's slapstick actually underscores the drama, since the more ridiculous the Tramp's situation becomes, the more impressed we are at the lengths he'll go to in the service of his friend. And the performances in the final scene are about as good as any of seen, if only because they work with so little, and still say so much.
2008-08-29
Wonderful set-pieces make the film
As always the little tramp is fleeing the long arm of the law when he is mistaken for a wealthy man by a blind girl selling flowers by the roadside. While he longs to help her the tramp knows he cannot. However when he is at his lowest he stumbles upon a drunken man who he helps out who may be able to help him in turn – if the two of them can sober up long enough.

In response to seeing some modern trash posing as "comedies" recently (Little Man, Norbit, Pluto Nash – I'm looking at you) I decided to check out some comedies that have stood the test of time – a few Chaplin films being among them. City Lights is one of those film that you will think you have seen even when you have not. I knew I had never actually seen it but the wonderful opening scene on the statue and the scenario of the blind girl by the side of the road were very familiar to me and I was right into it from the start. As was often the case, this film has a thin narrative but one that allows for several scenarios for Chaplin to work his magic. And so he does with some classic sequences across the whole film.

The statue scene is memorable for how he makes so much out of so little but the brilliant choreography of the boxing match had me rolling with laughter as it moved so beautifully and imaginatively around the ring. Chaplin is a master and this is just one of many films that shows it as he creates a great little clown that we care about but can also laugh at. His support do no more than that – support him – but yet they are also roundly good. Cherrill provides attractive heart despite her simple character, while Myers, Garcia, Mann and a few others do good physical work alongside Chaplin.

City Lights is a really great film that is all the more impressive for still feeling fresh and funny more than seventy years after it was made. The simple narrative is the frame but it is the wonderful and frequent set-pieces that tickle and also stick in the mind. So tonight you might be looking at your film queue with lots of modern comedies but it is worth bumping this classic to the top of the list instead.
2008-06-22
Tingling spine and an unprecetended movie experience...that's what City Lights is.
If I had to choose which departed film-maker I would want to meet, I would choose Charlie Chaplin. I think he is the greatest and most determining artist in the entire cinema history. City Lights is my personal favourite. It is so innocent, so warmhearted masterpiece, that fills me with zest for life, kindness and gives meaning to carry on living! Chaplin, as usual, is the unbelievably altruist Little Tramp who falls in love with a beautiful blind flower-girl.

I read some other comments which said it was the greatest last 5 minutes in the cinema history. It was indeed, but it also was one of the funniest 86 minutes for me. Almost all the jokes landed even after 76 years... I can only praise the highness of Charles Chaplin: the Great Director, Stunning Producer, Outstanding Composer, Marvellous Editor, Brilliant Actor. All in one fantastic person.

My rating is 10 out of 10.
2007-07-13
One of best romantic movies
I was first exposed to Chaplin as a kid, through his short films. And though I enjoyed them a lot, when I grew up I mostly put him in same league with Lauren and Hardy, Three Stooges etc that is really good at visual gags but not much else. Though I liked him I couldn't understand him being considered one of the greatest directors, I thought maybe that was due to nostalgia people have about their childhood.

How wrong I was, when I finally did see a full length movie, I was amazed. Chaplin certainly deserves his reputation. And this is my favorite Chaplin movie. It is one of most poignant, touching love stories. It has its funny parts too but those were overshadowed for me by the touching parts.
2011-05-17
Chaplin at the Top of his Game
Four years into sound Charlie Chaplin wrote, performed, directed and scored one of film's finest masterpieces.

The story is about the "Little Tramp" befriending a blind woman who mistakenly thinks he is rich. Along the way he manages to get into a series of unintentional fixes with a large cast of foils at his disposal as he struggles to finance an operation for the woman.

In an incredible display of comic talent Chaplin bombards the audience with scene after scene of magnificently choreographed comedy. Drunk, dancing or boxing his graceful slapstick is a rare combination of comedy and beauty, a comic ballet. Chaplin's performing artistry as well as his ideas reach their apex with City Lights where only Chaplin would dare to challenge the naturally progressive trend and technological status quo by daring to make a silent. By pulling it off with aplomb he solidified his place atop the history of the profession. Some sound is used sparingly (brilliantly with a statue dedication and a piano keyboard) but no intelligible words are uttered. The track and Chaplin's score is lyrical, energized and integral. The film is perfectly constructed.

In the masterful hands of Chaplin he avoids bathos in his scenes with the blind woman by severing the sentimentality and the scene with a comic moment, saving it all for the incredibly touching and moving finale. Up until then it is a display of comic genius that only a handful of others might lay claim to.
2008-03-04
If I could add another star or two.
Well into the beginning of the sound- and "talkie" movies era, Charles Chaplin made another silent movie, though with a musical soundtrack, also written by Chaplin.It was to be his perhaps greatest film of all, though it's hard to put it above both Modern Times and The Great Dictator. Like in others of his masterpieces it's hard if not impossible not to be emotionally moved. Tragedy and comedy is woven together at it's highest level of performance.

I won't review the film any more than the above, but would like to make a general statement on the greatest film personality of all times. In 1999 The American Film Institute somehow managed to rank Humphrey Bogart, Cary Grant, James Stuart, Marlon Brando, Fred Astaire, Henry Fonda, Clark Gable, James Cagney and Spencer Tracy above Charlie Chaplin on the List Of Greatest Screen Legends. With all due respect of the nine mentioned, but placing Chaplin as No.10 is a meaningless parody of disgrace. Not only is he in a class of his own, he was perhaps more than anyone else responsible for making their stardom possible.

Thank You!
2017-11-12
"Can you see now?"
What kind of world would this be if people chose their mates based on character? Welcome to the setting of "City Lights," in which the Little Tramp (Charles Chaplin) risks everything to take care of a kindly blind woman whom he met selling flowers (Virginia Cherrill).

Though the film has a lot of slapstick silliness -- i.e., Charlie swallows a whistle and speaks in "toots," and swaps someone's sandwich meat for soap (yup, the man talks in bubbles) -- it is equally loaded with heart.

Charlie's love for the blind girl is unconditional. He'll do whatever it takes to help her -- be it step into a boxing ring or get hauled off to jail for years -- all the while keeping nothing for himself. Somehow, I guess, he trusts he'll get by.

Along the way there are wonderful scenes with an alcoholic millionaire (Harry Myers) who can't do enough for Charlie when he's drunk, but, once sobered up, doesn't even recognize the Tramp.

There are wonderful models for good behavior in this film, despite the obvious exaggerations.

What a timeless wake-up call for humanity!
2015-12-23
📹 City Lights full movie HD download 1931 - Virginia Cherrill, Florence Lee, Harry Myers, Al Ernest Garcia, Hank Mann, Charles Chaplin - USA. 📀
×