🎦 City of God full movie HD download (Fernando Meirelles, Kátia Lund) - Crime, Drama. 🎬
City of God
Brazil, France
Crime, Drama
IMDB rating:
Fernando Meirelles, Kátia Lund
Alexandre Rodrigues as Buscapé Criança - Young Rocket
Leandro Firmino as Dadinho - Li'l Dice
Phellipe Haagensen as Bené Criança - Young Benny
Douglas Silva as Dadinho - Li'l Dice
Jonathan Haagensen as Cabeleira - Shaggy
Matheus Nachtergaele as Sandro Cenoura - Carrot
Seu Jorge as Mané Galinha - Knockout Ned
Jefechander Suplino as Alicate - Clipper
Alice Braga as Angélica
Emerson Gomes as Barbantinho - Stringy
Edson Oliveira as Barbantinho Adulto - Older Stringy
Michel de Souza as Bené Criança - Young Benny
Roberta Rodrigues as Berenice - Bernice
Luis Otávio as Buscapé Criança - Young Rocket
Storyline: Brazil, 1960's, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970's: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980's: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1040 px 8957 Mb h264 N/A mkv Download
HQ DVD-rip 720x384 px 1908 Mb h264 0 Kbps mkv Download
"One of the best films you'll ever see!"--Roger Ebert, does it live up to the hype?
The film revolves around the, 'City of God,' a favela (or ghetto) in Rio de Janeiro, Brazil, a horrifying area where drug dealers run the community, and where children killing children is not an uncommon occurrence.

The story begins with the early stages of the City of God (in the 1960's) showing where many of the problems stem from- the extreme poverty, overcrowding etc. Here, in the early stages of the favela, we meet our main characters, along with the supporting cast. The story revolves mainly around two characters living in the favela, Rocket and Lil Ze, and how they take two different paths through life. Rocket's dream is to become a photographer and to escape the City of God while Lil Ze becomes a powerful gang leader and drug dealer.

The film offers an unflinching look at gang life in the City of God, as it follows the favela through three decades; the 60's, 70's and 80's, and shows how violence just spirals into more violence with the disturbingly high amounts of violence in the favela, most involving teenagers and children.

The direction, cinematography, and editing are all Oscar-worthy. The cinematography is some of the best I have ever seen- with a very visceral, jerky feel, very reminiscent of Saving Private Ryan. The editing is very frantic, which makes you feel like you are on the streets of the City of God, and the direction is flawless, seamlessly blending the many elements of the story.

The film was definitely one of the best films I have ever seen. The story, the direction, the cinematography, the editing and the acting all add up to make a excellent movie that I would recommend to all.

10/10, A+

Would also recommend: Bus 174 and Carandiru
an exillerating ride through the life of gangsters
I am a big fan of foreign film, because its great to see directors with different points of view than the average American director. City of God is the epitome of a great foreign film. It shows the classic struggle between right and wrong, in a brand new way. The raw directing style, coupled with a great soundtrack makes for a movie which many different kinds of people can enjoy. Weather your a Harvard intellectual or the local idiot, you can enjoy this. The vicious cycle of the gangster lifestyle is portrayed with haunting accuracy. It even forces the audience to sympathize with some of the nastiest thugs in the world. All in all, City of God is one the greatest movies of my time and each time i watch it i enjoy it more than the last.
while still fresh in my mind.......

Quite a gritty orange tinted vacation I had in the slums of Rio. I could almost taste the dust and feel the heat in some of the scenes. A bit jarring to have a story told in an order known only to the director but I dutifully followed along as it tied together and everyone connected.I'm positioned by the camera too close to faces of people in the apartment and I don't like the smell of fear and sweat. While this repetitive tale was overkill on murder and machismo,I don't complain for some reason. Perhaps in my drive-through bank and sushi world this is what I needed to see in order to understand life doesn't change in the city of god,everyone dies and childhood ends when you can walk and hold a gun.A going away party and then you die....
The Other (Sad) Side of the Wonderful City of Rio de Janeiro
The story begins in the present days, in a barbecue party in the slum of 'Cidade de Deus', with some bandits chasing a chicken. Then, a teenager called Buscapé (Alexandre Rodrigues) tells the story of the Cidade de Deus and the main characters of the movie (Zé Pequeno, Bené, Cenoura etc.), since they were kids.

This movie takes place in Cidade de Deus, a set of buildings originally built in the 60's for poor persons originated from a big flooding in Rio and from some slums. In the 60's, this area was isolated, without any infrastructure. Nowadays, with the construction boom, it is located close to Barra da Tijuca and Jacarepaguá, very valuables zones. Rio de Janeiro City is surrounded by slums, where the situation presented in the film is the reality of thousands and thousands of honest poor persons.

This movie is remarkable: the screenplay, the direction, the performance of the cast, everything works perfectly. The frantic camera looks like a documentary. Today the DVD was released in Brazil, I bought it and I have just watched it with my family.

I really can imagine the reaction of foreigners watching this sad side of Rio de Janeiro. It is strange, because a person who does not live in Rio probably may think that this movie exaggerates in some aspects. However, this is our reality. Lost bullets, robberies, violence is part of our day-by-day life. By the other hand, the same person may think that life in Rio 'stinks', and again it is not true. My city, like a golden coin, has two sides: heads and tails. If you can afford, you have wonderful places to live. But unfortunately, a great part of the population lives in slums, like the ones showed in this movie. The lack of perspective in life of the children, unemployment, ridiculous salaries, lack of education, lack of the faith, all of these factors contributes for the formation of the next generation of drug dealers and bandits. The traffic offers positions to the kids, like showed in this movie. And in the end, even when the 'grown-ups' are arrested or murdered, there is a bunch of children to occupy the spot. A sad social problem, but true. My vote is ten.

Title (Brazil): "Cidade de Deus" ("City of God")
The Three-Body Problem
Spoilers herein.

The first choice a modern filmmaker has to make is deciding who is the camera. Everything flows from that decision, inheriting already maturing visual vocabularies for each path chosen. It's very hard to be novel today: most interesting projects come from careful integration of a novel eye with a novel narrative stance - parallels, time reversals, untrusted narrators, etc. But here is something new, thanks to the creative incubator of Brazilian TeeVee commercials, one of the more vital pockets of popular art around.

In this case, we have three characters: a narrator/photographer, a dancer, and a `pusher' who literally pushes the linear logic each step at a time. Each of these is represented by a camera philosophy (and accompanying editing style) which are mixed up helter-skelter. The most obvious is the notion of the `running camera' which sometimes looks at the road or away as it moves in frenzy.

This is interspersed with a rhythmic camera. This camera (Benny's eye) is the one that permeated most: it is reasonable yet hedonistic. In the first few seconds, we are introduced to these two in masterful composition: the observing, recording chicken who subsequently runs with a following POV. This is mixed with the aggressive logic of rhythm. If opening shots are promises, this is a strong promise. Over time, the third eye is folded in, literally a folding of linear stories. Each is tightly linear until it hits a node, then goes off on a tangent or a new direction usually paralleling something already seen. Garrison Keiller is the master practitioner of this sort of storytelling; not chopped Clancey-style; not shuffled Tarantino-like; but direct until hitting a capricious nexus, then direct again.

All three are shooters. The story is irrelevant: kids killing kids, albeit sometimes viscerally. The characters are literally disposable. The experience is nominally about the place, but it is really about how we are shown the place. I do not think this will reinvent film like a few projects have (from Welles, Tarkovsky, Greenaway, Kurosawa, even recently Luhrmann) but it is a visual adventure worth taking and a fresh experience.

Ted's Evaluation -- 3 of 4: Worth watching.
Rio de Janeiro in a new light

The City of God, directed by Fernando Meirelles, is a cinematically beautiful film with a harsh plot, told through the perspective of the main character, Rocket, that takes place in a suburb of Rio de Janeiro. The film begins years in the future and tells the story as a flashback, deviating from normality. By beginning the film in such a way, our interest is peaked, we want to understand why this man is stuck in the middle of this conflict. The use of a hand-held camera during action sequences, increases the suspense and creates the feeling that we're part of the film. Not only does it create suspense, but also disorientation in a scene, which seems to be the intended effect because we become more intrigued and confused—we want to figure out what is going on. The use of camera angles aim to invoke the feelings of anger and vulnerability, when Lil Zé was fulfilling his desire to kill, the low angle makes him look menacing making us feel fear and anger towards him—especially since he's shooting down at us. However, when Lil Zé is about to get shot, a higher angle shows him to be vulnerable at the moment. In just about every scene, there are either guns or drugs present that remind us that this is the root of the problem, drugs are their solutions to get out of poverty or gain power. However, this is everyone's downfall. Unfortunately, we even see Rocket turn to this "solution," but with no success. While all these kids are essentially criminals, the story developed around them makes us feel sympathetic and grow attached to them, we hope that they will survive and leave these impoverished neighborhoods.

Overall, this was a great film that can be hard to watch. It exposes the truths of what is going on in certain parts of Rio de Janeiro, not the kind that go on a postcard. This can sometimes be forgotten as we only see the beautiful and glorified neighborhoods in films. The children of these suburbs, at a very early age, are manipulated and are pushed into the drug trade—they feel like there is no other way of life. We become more aware and realize there are bigger problems in the world, some that we may not even realize.
a mixture of brilliance and utter disturbance
this movie is pseudo-documentary meets Little Rascals meets Peter Parker meets Scarface meets Godfather meets Lord of the Flies meets so many other classics. it's not derivative at all, but it certainly makes you compare elements to the all-time greats of entertainment.

you hope for closure for our young photographer narrator but never quite get it, coming to the realization that this City of God is truly the Land of the Damned, even today subject to profound political corruption and gang violence. this isn't your Rio from the travel brochures...

it's quite sad that more people haven't seen this film while it's been out in arthouses and other cinemas around the country. i hope someone who hadn't seen the movie will read this and be spurred to at least rent it.

verdict: 10/10.
City Of God
un, don't walk, to the cinema is all I can say. This electrifying picture is part tender coming-of-age film and part gang-warfare epic from the Brazilian slum, or favela, told from the viewpoint of the children who manage to be both its underclass and its criminal overlords. It's a movie with all the dials cranked up to 11, an overwhelming, intoxicating assault on the senses, and a thriller so tense that you might have the red seat plush in front of you - or even some unfortunate's hair - gripped in both fists.

Crime has, in a nauseous reversal of liberal social thinking, almost been "designed into" the City of God, but any foreseeable conventional breakdown of law and order has evolved one or two steps further into the corruption and degradation of children. Li'l Dice, a tiny kid, plans a staggeringly audacious hold-up of a brothel, but in a fit of pique at being relegated to the status of lookout by his older comrades, returns to the scene of the crime to murder every single innocent customer and employee of the "motel" - it is a truly chilling moment of unalloyed evil.

Meirelles's storytelling rushes forward at a full, breathless tilt, swerving, accelerating, doubling back on itself, amplifying the roles and experiences of incidental characters. A bravura narrative moment reveals itself when he discloses the history of one single apartment, showing how it becomes degraded and denatured as it ceases to be a family home and becomes a drug-dealer's den. Meirelles's film flashes and sweeps around you, dizzying, disorientating, intoxicating.

His mastery of his material consists not merely in the adaptation of Paulo Lins's novel, but a direct engagement with the ghetto itself, and his triumphant recruitment of a veritable army of non-professionals is the result of an almost military raid on this dangerous territory. This is something that combines film-making with oral history. It is a compelling piece of work.
The Review for City of God
Normally Brazilian cinema is strong in good comedy but rather unhappy with respect to dramatic films. However, this film is quite different. Most of the action takes place in one of the largest and most dangerous areas of Rio de Janeiro, the so-called "favela" Cidade de Deus (favela is the name that Brazilians give to the slums, where the poorest live, in the midst of total misery). There, people live alongside with crime, knowing that it may be the last day of their lives and having few opportunities to rise in life. In fact, this is not a movie thing, this is reality. The film merely uses reality to stage a story in which two young people take different life paths: one ends up becoming a photographer and the other becomes a drug dealer. These stories are fiction but they are very similar to the lives of immense young people who live in that place. And that's the great advantage of this deeply shocking movie: we know it's all fiction but it could be true.
one of the best
I would say this is one of the best movie I ever seen. when you talk about cinematography, editing and story etc.

it amazed me how many different characters plays in this film and how well it has been structured.

one of the styles I find fascinating is that it started from character and it passes to the other. Styles its amazing. I really how like how their friends leads to different life styles. the main protagonist Rocket, when he first saw photo camera that how that turns a different path in his life. and in the last scene when he(Rocket) was stuck in-between the cops and goons. I love how the effect and transition which goes to flashback, it was really nicely done. I didn't know much Rio but after seeing movie I would say it gives me overall information about how the people in Rio.
📹 City of God full movie HD download 2002 - Alexandre Rodrigues, Leandro Firmino, Phellipe Haagensen, Douglas Silva, Jonathan Haagensen, Matheus Nachtergaele, Seu Jorge, Jefechander Suplino, Alice Braga, Emerson Gomes, Edson Oliveira, Michel de Souza, Roberta Rodrigues, Luis Otávio, Maurício Marques - Brazil, France. 📀