🎦 Chinatown full movie HD download (Roman Polanski) - Crime, Drama, Thriller, Mystery. 🎬
Chinatown
Year:
1974
Country:
USA
Genre:
Crime, Drama, Thriller, Mystery
IMDB rating:
8.3
Director:
Roman Polanski
Jack Nicholson as J.J. Gittes
Faye Dunaway as Evelyn Mulwray
John Huston as Noah Cross
Perry Lopez as Escobar
John Hillerman as Yelburton
Darrell Zwerling as Hollis Mulwray
Diane Ladd as Ida Sessions
Roy Jenson as Mulvihill
Roman Polanski as Man with Knife
Richard Bakalyan as Loach (as Dick Bakalyan)
Joe Mantell as Walsh
Bruce Glover as Duffy
Nandu Hinds as Sophie
James O'Rear as Lawyer
Storyline: JJ 'Jake' Gittes is a private detective who seems to specialize in matrimonial cases. He is hired by Evelyn Mulwray when she suspects her husband Hollis, builder of the city's water supply system, of having an affair. Gittes does what he does best and photographs him with a young girl but in the ensuing scandal, it seems he was hired by an impersonator and not the real Mrs. Mulwray. When Mr. Mulwray is found dead, Jake is plunged into a complex web of deceit involving murder, incest and municipal corruption all related to the city's water supply.
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Reviews
As coolly intense and exceptionally-staged as any detective story/film-noir of the 40's & 50's
Chinatown is a tremendous collaborative effort that produced one of the most memorable Hollywood pictures of the 1970's. Director Roman Polanski (his last film in America, and the first he made in America after the murder of Sharon Tate), stars Jack Nicholson & Faye Dunaway, and writer Robert Towne, all come together to create a detective story classic. At times it slows its pace down so the viewer can think along with Nicholson's character, to take in the environment as well as the situation he's in (i.e. when he goes to the empty reservoir, when he visits Noah Crosses house the first time). And the script has the perfect sense of drawing us into a story, fueled by curiosity, grit, and cynicism, and engages the viewer by its realistic dialog between the characters.

J.J. Gittes (Nicholson, in one of his best 70's performances) is in Los Angeles circa 1933 in the line of private investigator, usually dealing with people who may or may not believe that their significant other is having an affair. Evelyn Mulwray feels this may be the case with her husband Hollis, and Gittes decides to take the case. However, this draws him into a deeper case involving the city's loss of water once Hollis- a major player in the water supply controversy in the city- is found murdered. This eventually leads him to Noah Cross (John Huston), a big businessman and who also happens to be Evelyn's father. Intrigue starts to develop, as Jake's own life begins to be at risk.

As a intricate, detailed detective story the film is an above-average work, with Towne's script containing the maturity, and wicked sense of humor, of a James M. Cain or Raymond Chandler novel. When the thrills come they come as being striking. And when humanity and compassion get thrown into the mix, the film reaches a whole other plane of intelligence. The last third of the film could turn off some of the audience (depending on one's own level of belief), but it holds strong thanks to the performances. Nicholson doesn't over-step his bounds in any scene, finding the right notes in suggestive conversations. Dunaway is better than expected (though I'm not sure if it's an great performance). And Huston's Noah Cross is one of the more disturbing villains of that period in movies. Add to it some good cameos (Burt Young as a driver, Polanski playing the little guy in the infamous 'knife' scene), and a smooth soundtrack by Jerry Goldsmith, Chinatown comes out as strong piece of movie-making, and arguably one of the greatest in the crime/mystery genre.
2003-12-17
Forget It Jake; It's Chinatown.
Bolstered by strong performances from its leading cast, brilliant script by Robert Towne and taut direction by Roman Polanski, Chinatown is one of the best offerings of the mystery genre. Jack Nicholson stars as private detective, J J Gittes and gives a really composed performance and is literally present in every single scene in this film. Faye Dunaway as Evelyn Mulwray puts up another strong performance to go neck to neck with Nicholson's work. But the real star of this film is its script & direction as Polanski's steady work behind the camera & Towne's sturdy script are works of pure craftsmanship and carries no complains. An engaging drama promising a lot of surprises & uncertainty throughout its runtime which finally ends with a soul-shattering climax… that's Chinatown for you.
2013-09-09
a classic film noir from the '70s
The moment you see those opening credits in monochrome brown-sepia, you know you are in for a treat. This is a film by someone steeped in the tradition of the best film noir, and though not a style one associates with Polanski, his sense of drama and of pacing, and his painstaking care to make every shot add to the overall atmosphere, is perfectly suited. Though lacking the distinctive low viewpoints, close-ups and heavy shadows of traditional film noir, this is one of the few later films which manage perfectly to capture the atmosphere and the understated tension of the genre.

The writing and the acting, too, is straight out of the best tradition of film noir. Robert Towne's excellent Oscar-winning script, written with Jack Nicholson in mind for the central character of LA private detective J.J.Gittes, is written entirely from Gittes' perspective (I don't believe there's a single scene in which he doesn't figure). If Bogart was the epitome of Chandler's Marlowe in the 40's, then Nicholson is a worthy successor, and I wonder whether Towne ever considered writing another screenplay around the same character. When I first saw this film when it came out, I hadn't seen Nicholson before, and I remember being just blown away (I didn't see Easy Rider until a couple of years later). Faye Dunaway and the superbly cast John Huston complete the triangle, and we only discover their relative roles in the mystery as Gittes gradually pieces the complex jigsaw together, which of course is just how it should be. The supporting actors are more than adequate, secondary to the story but never detracting from it, with Perry Lopez doing a great job as the struggling but confident lieutenant (who of course is a former colleague of Gittes).

But for me, Polanski himself is the star of this film (and I don't mean his nice little cameo part). I'm glad he wasn't tempted to shoot in black-and-white, though it wouldn't have been out of place -- the consistently washed-out colour so well delivers the sense of the heat and the desert (only the blue of the ocean and the bright lights of Chinatown itself stand out), and his choice of shot, variety of speed, and attention to detail never distract the viewer, nor detract from the acting and the unfolding tale. It's only after the film is over, when you sit back in admiration, that you realise there really wasn't a single moment when you were impatient to move on, or lost track of the plot, or felt a wrong note had been hit. I regard this, along with his recent superb version of Oliver Twist, to be his best works. And that's not an easy choice to make.
2010-11-21
Reputation outlived the replay...
So this film is not recommended? Not so fast! When noir is mixed with other genres, it is the noir that music be in the forefront, for my entertainment value. If not we have a murder mystery detective film with a dash of old school homage. The story here is both predictable as it is suspenseful and without the big screen presence of jack Nicholson may have not been anything more of a Roman Polanski diversion. The Los Angeles story is a great one to build around, but the "you don't know who you're messing around with" angle has been further exonerated from ingratiating gangster or back story horror plots decades ago and was left with a lack of follow through here. John Huston' villain carried as much weight as Marlon Brandro did in his later years. Big name, hot hair. Faye Dunaway is lost in this role after owning her strong role in Bonnie and Clyde and Network. Possibly my expectations outlived the replay.
2017-08-05
A noir masterpiece, possibly even a timeless classic...
While I don't care too much for Roman Polanski's style of direction(maybe I'll grow to like it eventually, maybe not), I can't deny that this is a truly great film. Jack Nicholson really shines through in his role, and his acting in this film perfectly fits the character... his shark smile, his voice, his tone... all of it, perfect. I always thought, when watching films with Nicholson, that he'd make a great lead in a noir film, so when I found this film and discovered that it was indeed noir, I naturally saw it as soon as possible. I found the film to have a slightly slower pace than what I would have preferred or expected, but apart from that minor detail, it was flawless. The plot is great, and thoroughly interesting and involving. The pacing, while not fast all the time, is more than acceptable. There are sequences that are really intense and exciting. The acting is great... like I said earlier, Nicholson shines through and really takes this character and makes him his own. The characters are well-written and credible. The special effects are well-done and still hold up pretty well. The dialog is very well-written and memorable. There are quite a few quotable lines, as well. The cinematography is good, and even when the plot doesn't move a lot, Polanski keeps our interest through interesting angles and sequences. I liked that there was often something subtle going on in the background, while we're focusing on what's directly in front of us. While Polanski certainly doesn't possess the attention to detail that Kubrick does, he manages to put a good bit of detail into many of the shots, and there is fairly little left to coincidence or chance, much like Kubrick. The film has a few twists that are quite good, and they come as surprises... I don't think I really saw them coming, and I doubt anyone would be able to. Of course, some might not find the twists to be that impressive, but the story stands on it's own nicely as well. This is a great movie, which should be seen by just about anyone who can take it(it's more than just casually adult in nature, even though there's not that much violence or sex in it). I recommend this film to anyone who enjoys film noir, watching Jack Nicholson in perfect shape in a role that was tailor-made for him, a good mystery, Roman Polanski's direction and just a good movie with a more adult tone that many others. 10/10
2004-12-23
Excellent film-noir
The first time I saw Chinatown I was bored out of my mind, and I fell asleep halfway through. I then woke up, two minutes before the movie ended, and thought that those two minutes were phenomenal.

When I watched this film again, I loved it, and since then, I have been praising this movie to everyone I speak to.

The film has Jack Nicholson in the main role, and he gives a fantastic performance - his best of all time if you ask me.

Our leading lady Faye D. gives a very nuanced performance, and John Huston portrays Noah Cross to perfection.

Roman Polanski directs the film, and does so brilliantly. The ending of the film is one of the most brilliantly written endings of all time, and also one of the best directed endings of all time. When the film concludes, you're left with a sinking feeling of hopelessness.

This is an excellent movie.
2015-06-18
Both a mystery and tragedy; an incredible film
Chinatown - A

What a depressing ending! But it's the ending that elevated the film's status to a masterpiece in my eyes. It started out like a simple detective story, but the plot kept turning, and it's anything but simple or conventional. Jack Nicholson gave one of the best performances of his career, and we kept finding out more and more about Faye Dunaway's character, eventually knowing, shockingly to me, why she was both fond and afraid of intimacy. No line in the script is wasted. The cinematography painted a great picture of L.A., reminding me of Collateral, and the music score is fantastic as well. It is a real thriller full of mystery, kept me guessing all the time, but also a real tragedy in a personal level. I feel bad Chinatown had to compete with Godfather II in the same year. It deserves more wins out of its 11 Academy nominations.
2004-11-14
This Is What Happens When You Find Out Who Runs Los Angeles
You have to get a little depressed when people with so much money are dreadfully unhappy!! "Chinatown" is a movie which ends up being an indelible display of how egocentric megalomania supersedes all other emotions! Such abominable behavior reflects a myriad of despicable qualities of many individuals which pertain to the abhorrent aspects of human nature. The director of this film, Roman Polanski, has had a tenuously depraved life. (Including his tragic marriage to Sharon Tate). This movie is considered to be Polanski's best film ever! "Chinatown" is based on a true story, one which inflicted a lot of suffering for the city of Los Angeles, and, the vast majority of it's citizens sometime back in the 1930's!! The intensity of agitation in this film is astounding!! Jack Nicholson's performance in this film is remarkable!! Faye Dunaway's performance as Evelyn Mulray is considered by some prominent movie critics, to be the 36th best acting performance in the history of movie making!! This does not surprise me, I felt that Faye Dunaway's performance in "Network" was the best acting performance I have ever seen!! The movie, "Chinatown" is about people who are unscrupulous and miserable!! Often times, character portrayals about people who are victims of their environment are usually depicted with the indigent or the oppressed, in the movie "Chinatown", the environmental victims were the wealthy and the powerful!! Hatefulness, callousness, not to mention the blatant disregard for hard working individuals, as well as their overall well being, all became second nature reactions with the hegemony of Los Angeles. (i.e. Noah Cross and a handful of pork barrel politicians). "Chinatown" emanates a subtle tolerance for lethal chicanery by making conspiracy, cover ups, and collusion complete and utter masterpieces of understatement. This film evokes a repugnant display of human intuition by merely divulging some simple, yet, clinically ruthless facts!! Accommodating plausibility translated to dollar signs with everyone in the film. Vindictiveness with all of these plutocratic and nefarious scoundrels in "Chinatown" ultimately relegated them to the precarious plight of having to reap what they've sown. Their recriminations became a proverbial case of too little too late. What wound up being the single most appropriate adjective for describing this film, was the cogently riveting one of POWERFUL!! At the end of this film all negative behavioral ugliness patterns propagated a disconcerting state of resonating despair. The directing in this movie is unbelievable. The acting is sensational. The cinematography and melodic genre in "Chinatown" is unprecedented, basically second to none!! Most critics rate "Chinatown" as one of the top twenty American films ever made, I agree!! One of Hollywood's best efforts to ever hit the silver screen!! Especially on account of itemizing the aggregate character assassinations of every main character in the film!!The movie "Chinatown" is AN ABSOLUTELY MARVELOUS CLASSIC OF ALL TIME!!
2008-11-08
Quite good, but over-rated seems like......
Well, having bought the DVD of this lately, I finally sat myself down and watched Chinatown w/out any commercials. Thank you AMC. Anyways-just what exactly was this 'JaaaaCK' movie/throw-back to the '40's noir flix all about? Why is it praised to the high heavens? Got me.

Here's what's good: *Jack Nicholson. Reins in his scenery chewing and gives a terrific, focused performance ala Bogie or Mitchum. I liked this a lot.

*Stylish camera-work, period detail, etc. Polanski nails it.

*Supporting work by Lopez, Huston, Dunaway and Burt Young, all fine. Huston is clearly a scary SOB no doubting it.

*Involving plot, and Towne was right--water rights and reservoirs aren't quite the same as Maltese Falcons--they're believable and mean huge $$ to those who can corner the market.

*Downbeat ending. Yah sometimes the baddies win.

What's not so good: *Quite slow. This has that '70's d-r-a-g things o-u-t pace, you do wish they'd hurry parts of it along some.

*Polanski and his knife cameo. Like bad Joe Pesci. C'mon guys.

*Hated seeing Faye get shot.

*Dull sorta film overall. You sit and wait for something to happen, and besides a few fights or near drownings, nothing much does for long periods of time save for Jack being...Jaaaaack.

Overall--***1/2 outta ****, Godfather Too was better, but the Conversation, that was the best for '74.
2005-05-17
Cynical Tale of the Corruption that Build America
Roman Polanski's 1974 Neo-Noir Chinatown is a film that helped define both the genre and the era in which it was made.

Chinatown centers on a '30s Los Angeles private investigator, Jake Gittes (who turned to the profession after being unable to work as a police officer in the corrupt environment present in his assigned district of Chinatown), who is tricked into digging up dirt on the head of the department in charge of the city's water (a hot issue as Los Angeles was experiencing a drought). When the man soon turns up dead, Jake's investigation reveals a conspiracy much larger than he had imagined. Though the conspiracy itself is intricate and intriguing, and the characters are very compelling, the real draw of the plot is in its themes. Do not go into this film too focused on the minutiae of the plot, but rather look at what the picture as a whole, and particularly its ending, is trying to say about American greed.

The acting is terrific, with three great performances by Nicholson, Dunaway, and Huston. The direction is precise and tight yet patient, allowing scenes to develop naturally while always driving the plot along. The filming feels rather restrained and almost classical for the most part, and many shots feel like they could have easily have been from a film from several decades earlier. The music too feels this way, the Jerry Goldsmith composed score evokes instantly evokes the noir films which Chinatown takes most of its cues from.

A cynical look at the greed and corruption that shaped America, Chinatown is a classic of '70s American cinema, and a must watch for any fan of film.
2015-11-04
📹 Chinatown full movie HD download 1974 - Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, John Hillerman, Darrell Zwerling, Diane Ladd, Roy Jenson, Roman Polanski, Richard Bakalyan, Joe Mantell, Bruce Glover, Nandu Hinds, James O'Rear, James Hong - USA. 📀
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