🎦 Chinatown full movie HD download (Roman Polanski) - Crime, Drama, Thriller, Mystery. 🎬
Crime, Drama, Thriller, Mystery
IMDB rating:
Roman Polanski
Jack Nicholson as J.J. Gittes
Faye Dunaway as Evelyn Mulwray
John Huston as Noah Cross
Perry Lopez as Escobar
John Hillerman as Yelburton
Darrell Zwerling as Hollis Mulwray
Diane Ladd as Ida Sessions
Roy Jenson as Mulvihill
Roman Polanski as Man with Knife
Richard Bakalyan as Loach (as Dick Bakalyan)
Joe Mantell as Walsh
Bruce Glover as Duffy
Nandu Hinds as Sophie
James O'Rear as Lawyer
Storyline: JJ 'Jake' Gittes is a private detective who seems to specialize in matrimonial cases. He is hired by Evelyn Mulwray when she suspects her husband Hollis, builder of the city's water supply system, of having an affair. Gittes does what he does best and photographs him with a young girl but in the ensuing scandal, it seems he was hired by an impersonator and not the real Mrs. Mulwray. When Mr. Mulwray is found dead, Jake is plunged into a complex web of deceit involving murder, incest and municipal corruption all related to the city's water supply.
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A Cinematic Slug to the Gut
Of the films this reviewer has seen (and that is quite a lot) this film is one of the select few to come as near to cinematic excellence as possible. From the first shot to the infamous final line, you belong to Polanski; in his hands for the whole ride - and those hands, I think it safe to say, are the hands of a master. The film features a phenomenal cast with Jack Nicholson as Jake Gittes, the beautiful Faye Dunaway as femme fatale Evelyn Mulwray and the excellent director John Huston in an acting role as one of the most horrifying villains in the history of cinema: Noah Cross. Now this is one of those films where little of the plot can be revealed because it's all just far too complicated BUT it's also a film you aren't likely to ever forget. Ever. With beautiful cinematography, a heart- pounding story line, fantastic acting and one of the most atrociously heart-rending finales this reviewer has ever seen, this film is an absolute must. My rating 10/10
"You can't eat the Venetian blinds. I just had them installed on Wednesday."
Roman Polanski's decision to take on the film noir genre after it had given birth to so many timeless classics was a bold choice. He was diving in to a deep sea of talent and ingenuity decades after the grandmasters of film had sold their souls to Satan for the black magic necessary to take the limited and restrictive technology available at the time and make the delicious oreo visuals that made great films even greater despite something like technicolor visuals still being the fever dream of a schizophrenic whisper. But despite the Vesuvian challenge lain out before them, the people responsible for Chinatown managed to make a film so great that there's no doubt in my mind it could go toe to toe with any of the classics and end up absolutely busting its sorry face. I'm talking a good old fashioned jaw- ripping, tooth necklace making face busting. That is to say if Chinatown were faced with a "Two films enter, one film leaves" type situation, my money's on Chinatown.

First of all, you cannot deny that Chinatown's screenplay is absolutely immaculate. It's a known fact that when da Vinci painted The Last Supper, he had looked into the future and found his inspiration in Chinatown. By the time I reached the credits I couldn't even handle how totally and completely impressed I was by how excellent the story had been. The events were so cinematic, yet it never stopped being believable for a single solitary moment. This was a story that spent the film's entire 130 minute runtime twisting and gnarling into an incredible mystery. It was like a political thriller mixed with a horror movie. J.J. Gitties was sent through a labyrinth of despair. The man was so broken and beaten when the credits started rolling, if he was a real person I wouldn't be surprised at all to hear he had collaspsed and died from the mental exhaustion. This brings me to the ending. I wouldn't even hesitate to say this film has the best ending in the history of film. It's so satisfyingly tragic I felt like all my emotions had been emulsified into a gray caustic sludge and tossed into the ocean. The look on Jack Nicholson's face when Walsh tells him "Forget it Jake, it's Chinatown." is going to be burned into my mind forever. I thought his performance in Cuckoo's Nest was amazing, but he was just perfect in this role. This movie is the juice. The juicy juice.
a classic that improves with every viewing
Roman Polanski's wide screen, Depression era detective story is more than just another anachronistic homage to the film noir gumshoes and femme fatales of yesteryear. The serpentine labyrinth of corruption uncovered by tough but intelligent private eye Jake Gittes (Jack Nicholson) involves nothing less than the consolidation of greater Los Angeles itself, where the most tainted currency of thieves isn't money, but water. This is one of those rare productions where every element seems to fall into place, from Robert Towne's exciting, original screenplay to a definitive performance by Nicholson to John Huston's unlikely but effective portrayal of what must be one of the most depraved villains in screen memory, a man who, by his own chilling admission, "is capable of anything." Music, art direction, editing and photography are all first class, but the true test of any classic is longevity, and in this regard the film passes with flying colors by actually improving with each viewing.
Example of Masterful Film Noir!
Over the years, people have called Chinatown one of the best movies ever. I don't quite agree with that statement, but there is no denying that the movie is a masterpiece. I may not find it one of the best films all-time, but I do find it as one of the best films of 1974. This noir film hearkens back to the days where similar films were produced left and right. But starting from the 1960's, this genre slowly began to fade away. The film may come across as really taking its time to tell the story, but the thriller has lots of tension that builds up to its climatic ending. This film brought public awareness to some issues people may not have really known about. Water is a commodity for human survival and whoever controls the water, controls the money. This movie is a complex series of events surrounding the control of water and that people can die over this issue. Ah, the wonders of being a human being! The movie is a complicated follow, so don't lose yourself in any train of thought, or you might lose what will happen plot-wise. Boasting one of cinema's all-time greatest screenplays by Robert Towne and a powerful lead performance by Jack Nicholson, you are in for a fantastic time.

As I mentioned briefly, the film's plot can be complex as the film will turn down a completely different path in a heartbeat. Jake Gittes (Jack Nicholson) is a private investigator who specializes in matrimonial affairs. One day, he gets a visit from a woman claiming to be Evelyn Mulwray. She tells Jake that her husband is cheating on her and she would like Jake to investigate her claims. He does his job by taking photographs of him and he catches him with another woman. That ensues a scandal and Gittes is confronted by the real Evelyn Mulwray (Faye Dunaway). When the husband shows up dead, Gittes is led deeper and deeper in a web of deceit, lies, and murder.

This movie is given its voice by a variety of elements such as Robert Towne's fantastic screenplay or Roman Polanksi's visionary directing style. But let's not forget about the wonderful performances including the tour de force performance by screen legend, Jack Nicholson. Nicholson's performance is nothing short of excellent as he portrays Jake Gittes. I loved how the movie gave in-depth characterization to this character. Gittes may not be the nicest man in the world, but he's a man of honor and honesty. The movie is all about lies and that forms a rather bleak mental state for Gittes. All we wants to do is find the truth and move on, but that seems impossible to do with all the lies and murder. Nicholson was nominated for an Oscar for his performance, and some might say he should have won. Who can forget that scene at the river bed where he is slashed in the nose by this random creep. Faye Dunaway also delivers an amazing performance. On the outside her character makes you believe she is good, but she has some fishy motives about her. Gittes falls in love with her, but he can't take her sneaky lies. Then we have the performance of John Huston, the legendary director who plays Evelyn's father. His character, Noah Cross is the antagonist of the film one would say as he wants to use his wealth to control the water. That dinner scene between Noah and Jake is quite something. Noah and his mean, beady eyes are put to good use.

This film was directed by Roman Polanski, before he was extradited to Europe and could only make films there. This movie has him returning back to the director's chair, only a few years after the brutal murder of his wife and unborn child. I loved his sense of direction and he really captured the noir feeling you would find in the films of the 1940's. His conflict with the screenwriter Robert Towne became somewhat famous. Towne had the film end with a happy ending, but Polanksi went against that. The ending is not a happy one as we get some unfortunate deaths from the wrong people, but it was an effective ending nonetheless. No matter what, Robert Towne written one of the best screenplays of all time and that will endure for many, many years into our future.

Even though Chinatown is a fictional movie, it's based of the Los Angeles water grab of 1908. This is a city that formed in a desert and it should be impossible for water to exist, which makes the control of the water ever more so fundamental. Towne did a great job adding his own 1930's spin to the story. This movie is undeniably a great film. The pace crawls at times, but the content of the story kept me captivated. This is not an action thriller, but it's one of those slow-burn thrillers focused on telling a top-rate story. The film fires on all cylinders because of it's wonderful acting and solid direction. But we also have a great but sad, trumpet-infused score from Jerry Goldsmith and cinematography from John A. Alonzo that captures the L.A of old in a very effective way. Let's not forget about the award-winning screenplay from Robert Towne. Nominated for 11 Oscars, this film is worth a watch. This is a fantastic thriller that relies upon excellent storytelling.

My Grade: A-
Riveting and gorgeous classic film with evocative settings , wonderful cinematography and rousing soundtrack
Fascinating mystery thriller in the Dashiell Hammet-Raymond Chandler style about an eye private who becomes involved into a complex criminal intrigue centering municipal corruption, and uncovering corruption , land sell , incest and murder . 1930 , City of Los Angeles , a private detective named Jake Gittes (Jack Nicholson) is contracted by a woman (Diane Lane , Laura Dern's mother) claiming to be a Mrs. Mulwray to spy on her husband . As Jake investigating an adultery case stumbles on to a scheme of murder that has something to do with water . Shortly after Gittes (Jake Gittes was named after Jack Nicholson's friend, producer Harry Gittes) goes to the Town Hall where he learns about ¨The Van der Lip Dam disaster¨ is a reference to the collapse of the St Francis Dam in 1928, 40 miles northwest of Los Angeles, which had been designed by self-educated engineer William Mulholland , the consequent flooding killed at least 450 people, a loss of life that remains second only to that from the San Francisco earthquake and fire in California's history . Later on , he is hired by the real Mrs. Mulwray (Femme Fatale Faye Dunaway, after Ali MacGraw was discarded as she lost the role when she divorced him for Steve McQueen, producer Robert Evans wanted Jane Fonda for the part of Evelyn Mulwray while Roman Polanski insisted upon Julie Christie ,when Christie passed on the script , then was to Faye) who appears in his office threatening to sue if he doesn't drop the issue immediately. Gittes goes on his mission anyway, slowly uncovering a vast conspiracy centering on water management, corruption , real estate, and involving at least one killing . After that , there appears a hood (Polanski who knifes Nicholson) who slits Jake's nose (it was extremely complex to shot by using a specially-constructed knife with a short hinge that they began to claim Nicholson's nose was actually cut).

It is a splendid film in noir tradition and considered to be one of the best film about this genre . This exciting movie packs mystery, tension, nail-biting scenes, strikingly suspense and colorful images . Interesting and thrilling script by Robert Towne who wrote the screenplay with Jack Nicholson in mind and deservedly won Oscar for the best original screenplay . The Chinatown screenplay is now regarded as being one of the most perfect screenplays and is now a main teaching point in screen writing seminars and classes everywhere. This was the first film of a planned trilogy about corruption in the development of Los Angeles. It was set in the 1930s and was about the water department and in the original script, no scenes took place in Chinatown at all. . The second film, The Two Jakes, was directed by Jack Nicholson in 1990 and was set in the 1940s and was about the gas company. The third film of the trilogy was about the building of the massive freeway system and was to be called "Cloverleaf", named after the famous interchange in downtown L.A., but it was never filmed. Awesome acting by Jack Nicholson ,because this film was the first of a planned trilogy, Jack Nicholson turned down all detective roles he was offered so that the only detective he played would be Jake Gittes. At the time of filming, Jack Nicholson had just embarked on his longstanding relationship with Anjelica Huston , this made his scenes with her father, John Huston, rather uncomfortable. Secondary cast is frankly magnificent such as Burt Young , John Huston , Diane Lane , Perry Lopez , James Hong , Bruce Glover , among others . Roman Polanski wanted William A. Fraker as his cinematographer, having successfully collaborated with him on Rosemary's Baby, but this notion was blocked by producer Robert Evans .Cinematographer Stanley Cortez was fired soon after production began because his classical style did not match the naturalistic style Polanski wanted for the film and proved too time consuming , Polanski had to find a replacement in only a few days and chose John A. Alonzo. Emotive as well as sensitive musical score by Jerry Goldsmith , including unforgettable leitmotif ; though Phillip Lambro was originally hired to write the film's music score but it was rejected at the last minute by producer Robert Evans, leaving Jerry Goldsmith only ten days to write and record the new score. The motion picture was stunningly directed by Polanski (Repulsion , Rosemary's baby , The pianist , Bitter moon, Frantic, Dance of vampires) . This is the last movie Roman Polanski filmed in the US and resulted to be the 15th biggest grossing film of 1974. And 2007, the American Film Institute ranked this as the #21 Greatest Movie of All Time. And ranked #2 on the American Film Institute's list of the 10 greatest films in the genre "Mystery" in June 2008 .
a classic film noir from the '70s
The moment you see those opening credits in monochrome brown-sepia, you know you are in for a treat. This is a film by someone steeped in the tradition of the best film noir, and though not a style one associates with Polanski, his sense of drama and of pacing, and his painstaking care to make every shot add to the overall atmosphere, is perfectly suited. Though lacking the distinctive low viewpoints, close-ups and heavy shadows of traditional film noir, this is one of the few later films which manage perfectly to capture the atmosphere and the understated tension of the genre.

The writing and the acting, too, is straight out of the best tradition of film noir. Robert Towne's excellent Oscar-winning script, written with Jack Nicholson in mind for the central character of LA private detective J.J.Gittes, is written entirely from Gittes' perspective (I don't believe there's a single scene in which he doesn't figure). If Bogart was the epitome of Chandler's Marlowe in the 40's, then Nicholson is a worthy successor, and I wonder whether Towne ever considered writing another screenplay around the same character. When I first saw this film when it came out, I hadn't seen Nicholson before, and I remember being just blown away (I didn't see Easy Rider until a couple of years later). Faye Dunaway and the superbly cast John Huston complete the triangle, and we only discover their relative roles in the mystery as Gittes gradually pieces the complex jigsaw together, which of course is just how it should be. The supporting actors are more than adequate, secondary to the story but never detracting from it, with Perry Lopez doing a great job as the struggling but confident lieutenant (who of course is a former colleague of Gittes).

But for me, Polanski himself is the star of this film (and I don't mean his nice little cameo part). I'm glad he wasn't tempted to shoot in black-and-white, though it wouldn't have been out of place -- the consistently washed-out colour so well delivers the sense of the heat and the desert (only the blue of the ocean and the bright lights of Chinatown itself stand out), and his choice of shot, variety of speed, and attention to detail never distract the viewer, nor detract from the acting and the unfolding tale. It's only after the film is over, when you sit back in admiration, that you realise there really wasn't a single moment when you were impatient to move on, or lost track of the plot, or felt a wrong note had been hit. I regard this, along with his recent superb version of Oliver Twist, to be his best works. And that's not an easy choice to make.
Wonderful Movie
I can hardly believe that this movie is 35 years old. It is so fresh and appealing; it might have been filmed yesterday.

Polanski has given a Technicolour take on the noir genre and come up trumps. There are no technical aspects with which I can take issue.

Jack Nicholson turns in a splendid performance for a Hammeresque gumshoe of the period, easily as good as Bogey or Mitchum - Sardonic, cynical, unafraid but still very human. I'm surprised he didn't do more. Whilst Faye Dunawaye makes an equally plausible take on the 'broad who is damaged goods'.

It's the usually convoluted tale of a private dick retained to investigate a missing person and then finding himself in a whole mess of hot (read cold) water. An especial challenge for Nicholson is that less than halfway through the movie, a switch-blade thug (played by Polanski himself) opens his nostril. For most of the rest of the time he is forced to play his part with this clownish, carbuncular dressing on his nose. That he still continues to offer an entirely believable performance is a measure of the great man's talent. A lot of actors would simply have refused a role that so obviously disfigured their pretty faces.

All of the other ensemble turn in sterling performances, too.

The vintage period is captured extremely well. There are some wonderful choices in motorcars.

Script is slick, witty and hard-edged, just like a good noir should be. It certainly pays to listen.

And finally, no movie is complete and many are spoiled by an inappropriate or unmemorable music score. Here again, 'Chinatown' hits just the right spot with a slow jazz number, headed by a maudlin trumpet lead. You won't forget it.

Thoroughly gripping entertainment in every aspect, no technical issues to criticise; what can I do but give it 10 stars?
Expertly crafted neo noir.
"I don't want to nail you. I want to find out who put you up to it."

A drought-stricken, late 1930's Los Angeles serves as the backdrop to this neo noir starring Jack Nicholson and Faye Dunaway. What starts out as a seemingly routine job for a private detective of shadowing a cheating spouse, balloons into a murky mystery involving murder, greed, and long-hidden secrets.

I had to watch this twice, because the first time I was a bit distracted and didn't get the full experience of the movie. These kinds of films require you to pay as close attention to the details as the detective who's the protagonist of the story, in order to fit all the pieces together. The mystery of what's going on has several layers that are slowly revealed as the story unfolds, Dunaway and Nicholson are brilliant playing off one another, and the ending is truly memorable and perfectly reinforces the theme of the movie. This is a flick that almost any fan of the genre will enjoy.
a crime drama at its best
Chinatown is a crime mystery psychological drama film; the screenplay in this 1974 classic is one that is way beyond its time and it will take years before another masterful screenplay can match the Academy Award winning screenplay of Chinatown. The screenplay was done by the Robert Towne (who you will know for his writing in the Tom Cruise Movies The Firm in 1993 Mission Impossible in 1996 and Mission Impossible II in 2000) who decide not to adapt the novel The Great Gatsby (1974) handed to him by producer Robert Evans but Towne wrote his own and Chinatown was the result of his writing.

The movie had a tragic ending with Robert Evans the producer, intending the screenplay to have a happy ending but Polanski stuck to his gun for a tragic ending, he is quoted to have said "I knew that if Chinatown was to be special, not just another thriller where the good guys triumph in the final reel, Evelyn had to die." Director Roman Polanski (who won the Oscars for Best Director for the 2002 movie The Pianist) won a Golden Globe award for Best Director for this movie, Polanski shut the whole movie from the sight of J.J. Jake Gittes (Jack Nicholson) he was in every scene of the movie and when he was knocked out the who screen went black till he woke up.

The movie plot is about a private investigator J.J. Jake Gittes (Jack Nicholson), whose main job is tailing partner's clients who are suspected to be having affairs.

He was hired by a woman to help find out if her husband Hollis I. Mulwray is having an affair, he tails him and finds him with another woman, takes pictures of them and releases them to the papers, all to get sued the next day by the woman Mulwary was with, as Gittes found out that the woman who hired him is actually a phony and that the woman he taught was Mulwray's mistress was actually Mulwray's real wife.

Polanski also appears in this movie in a cameo as the gangster who cuts Gittes' nose.

A sequel to this classic was titled The Two Jakes which was released in 1990. Jack Nicholson reprises his role as J.J. Jake Gittes and also directed the movie, with Robert Towne returning to write the screenplay. The sequel was a total failure though.

Chinatown is one of the few mystery films that will keep you on your seat till the very end as you eagerly wait to see where the entire strings tie up, as the movie composes plots and sub plots all leading to a grand and memorable ending.

The Best Neo-Noir Film!
This is a movie that pays great homage to the film-noir movies of the 30's and 40's. If this wasn't a color film with 1970's actors, I would have believed this film was made in 1940. This is certainly the best neo-noir film you could hope for. This is also the film that gave Jack Nicholson a long career in the movie business.

This film is pretty much a private detective who thinks he is investigating with an adultery case. However, that is just the beginning of all the mystery that is yet to come.

The acting is marvelous. I would expect great performances from the likes of Nicholson and Dunaway but their performances were just beyond greatness.

Another thing that stands out is the original screenplay by Robert Towne. This screenplay is perhaps why this movie is one of the best films ever made.

Overall, this is an Oscar-caliber film that is worth watching. Even if you're not a film buff, I would still check out this film. It's a bit long but you won't notice the time in Chinatown. I rate this film 9/10.
See Also
📹 Chinatown full movie HD download 1974 - Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, John Hillerman, Darrell Zwerling, Diane Ladd, Roy Jenson, Roman Polanski, Richard Bakalyan, Joe Mantell, Bruce Glover, Nandu Hinds, James O'Rear, James Hong - USA. 📀