🎦 Casablanca full movie HD download (Michael Curtiz) - Drama, War, Romance. 🎬
Casablanca
Year:
1942
Country:
USA
Genre:
Drama, War, Romance
IMDB rating:
8.6
Director:
Michael Curtiz
Humphrey Bogart as Rick Blaine
Ingrid Bergman as Ilsa Lund
Paul Henreid as Victor Laszlo
Claude Rains as Captain Renault
Conrad Veidt as Major Strasser
Sydney Greenstreet as Signor Ferrari
Peter Lorre as Ugarte
Joy Page as Annina Brandel
John Qualen as Berger
Leonid Kinskey as Sascha
Curt Bois as Pickpocket
Storyline: In World War II Casablanca, Rick Blaine, exiled American and former freedom fighter, runs the most popular nightspot in town. The cynical lone wolf Blaine comes into the possession of two valuable letters of transit. When Nazi Major Strasser arrives in Casablanca, the sycophantic police Captain Renault does what he can to please him, including detaining a Czechoslovak underground leader Victor Laszlo. Much to Rick's surprise, Lazslo arrives with Ilsa, Rick's one time love. Rick is very bitter towards Ilsa, who ran out on him in Paris, but when he learns she had good reason to, they plan to run off together again using the letters of transit. Well, that was their original plan....
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Reviews
Simply, one of the classic movies and still superb after all these years.
"Who thinks 'Casablanca' is the number one movie of all time?" That is a game many play, but I refuse to play it, because I don't think it matters. I have seen many movies over the past five decades, and 'Casablanca' is one of my all time favorites. It is set in a mysterious place at a very mysterious time, and has many mysterious figures running through the story. It has war, it has friendship, it has love, it has sacrifice. All the elements combine to form an entertaining but gripping film that always seems as fresh as the first time you viewed it.

This is perhaps my favorite Humphrey Bogart role, as Rick Blaine the exiled American who owns and operates his own gin joint. We know he isn't totally a good man, but we also sense that inside he is not a bad man at all. Mostly he just wants to do his job and be left alone. But danger lurks at the turn of every page of script.

Most SPOILERS follow. The crux of the story involves Rick, Ilsa (Ingrid Bergman) and Victor (Paul Henreid). Rick and Ilsa have a history, they parted under suspicious circumstances when she failed to meet him at the train leaving town. Now she shows up with a husband that Rick never knew she had. Victor and Ilsa want safe passage to America, and Rick holds the papers that can get them there. Still in love with Ilsa, he realizes that true love will give her what she needs, and he does. Safe passage for her and her husband.

Casablanca has quite a good ensemble cast, with stars in their own rights Claude Rains as Capt. Louis Renault, Conrad Veidt as Maj. Heinrich Strasser, Sydney Greenstreet as Signor Ferrari, and Peter Lorre as the shady Guillermo Ugarte.

The DVD is superb!!
2003-09-17
"I should never have switched from scotch to martinis."
The Petrified Forest convinced the world Bogart was a bad guy. And for years he shocked and awed the audience with roles fitting that image. The Maltese Falcon showed a new kind hero, one with an edge. Bogart, with all the right things to say and seemingly never losing his cool. Then came Casablanca and the ages. The man's – man comes with a heart. Arguably, three of his best pictures. All showing a change in a man's character and the depths of what acting is supposed to be. Maybe it was Warner Bros all along. Maybe Bogart was simply Bogart.

What can I say about this film that hasn't been said in over 60 years since its release. Is it a great film? Yes. Is it a showcase for Bogart? If not, than what else. Was Bogart the coolest guy to ever live? Absolutely. Casablanca is a different kind of love story, more likely to infect rather than effect.

She almost makes me believe it every time. When she says, "You're very kind." Bergman was more than just beautiful. And with Paul Henreid, Claude Rains, Conrad Veidt and Peter Lorre, cinema magic was created. But to me, Bogart was the greatest actor of all time. It's hard for me to believe he died almost 50 years ago. Every time I watch his films, it's like they were made yesterday. And that's why he is timeless. I'm still trying to figure him out.

"I should never have switched from scotch to martinis." Is said to be Bogart's last words. A legend, indeed.
2006-12-06
One of the best ever!
This film works surprisingly well sixty years after its original release. The story unfolds, and as it does it genuinely sucks the viewer in. You actually care about what happens to these people.

The pictures are beautiful and the acting is superb. Bogart of cause shimmers with his unique mix of poppy eyes, heart broken righteousness, and very masculine stoutness. Yes - we have yet to see his like.

It's easy: 10/10

(ohh: By the way, all the actors are marvellous characters: From the fat, patriotic waiter, to the French police inspector – and needless to mention: Ingrid Berman!)
2003-02-03
Some Film Invents Humanity
Spoilers herein.

Bloom said of Shakespeare that he invented humanity. Films will always have less depth than poetry, but they can have a similar, profound effect on popular culture. Movies are seldom about life, but life is often about film, the few films that find the groove.

This film invented -- to a substantial degree -- what it meant to be a post-war American. It is not so much that it was perfect, but that we have remolded ourselves around it, as part of the victor's healing.

I recently saw some other Bogart films (like `Treasure'), and they amazed me in how poorly they worked. How mannered his acting seemed.

We have beautiful faces in other films, even this face (which we still have in Isabella). But nothing seems to compete for the certain archetype of passionate commitment, of pathetic yearning, of immature desire, of refugee desperation.

The interior sets -- and how they are photographed -- show a definite post `Citizen Kane' influence. In fact, one can see much of the Mercury Player flavor in these characters, particularly Greenstreet.

But you know, this film has so melded with dreams that you don't need to screen it.
2001-08-10
One word: WONDERFUL
Me and my pals were talking for a long time about hiring Casablanca. So when I saw it on the library for free, I of course took the chance to lend it!

The big day arrived - we were going to see the most classic movie of all time. And what an experience it was to se the movie. I mean, the movie was superb right from the start to the end. A MASTERPIECE! Very great performance by the actors too! A must see...

Favorite quote(s): Ilsa Lund: Play it once, Sam. For old times' sake.

Sam: I don't know what you mean, Miss Elsa.

Ilsa Lund: Play it, Sam. Play "As Time Goes By."

Sam: Oh, I can't remember it, Miss Elsa. I'm a little rusty on it.

Ilsa Lund: I'll hum it for you. Da-dy-da-dy-da-dum, da-dy-da-dee-da-dum... Sing it, Sam.

Sam: You must remember this / A kiss is still a kiss / A sigh is just a sigh / The fundamental things apply / As time goes by. / And when two lovers woo, / They still say, "I love you" / On that you can rely / No matter what the future brings---

Rick Blaine: Sam, I thought I told you never to play---

My vote: 10/10
2002-01-06
We'll Always Have Casablanca
Spoilers ahead, but then again, who isn't familiar with Casablanca, even if one hasn't seen it?

I've been watching 'Casablanca' over and over again since I bought the Special Edition DVD, and is there any film out there one can watch again and again without ever being tired of it? And does any film appeal to a broader audience? Just everything about it seems to be as close to perfection as it only can be.

But what exactly is so special about it? Is it its great genre mix, never equaled by another film? When we think of 'Casablanca' first, we remember it as a romantic film (well, most of us do). But then again, its also a drama involving terror, murder and flight. One can call it a character study, centering on Rick. And there are quite a few moments of comedic delight, just think of the pickpocket ("This place is full of vultures, vultures everywhere!") or the elderly couple on the last evening before their emigration to the US ("What watch?").

But 'Casablanca' is not only great as a whole, it still stands on top if we break it apart and look at single lines of dialog, scenes or performances alone. Is there any other film which has more quotable dialog than 'Casablanca'? 'Pulp Fiction' is on my mind here, and 'All About Eve' and 'Sunset Blvd.' come close, too, but still I think 'Casablanca' tops everything else. And not only is the dialog great, it's unforgettably delivered, especially by Humphrey Bogart ("I was misinformed.") and Claude Rains ("I am shocked, shocked to find that gambling is going on here"). Many of scenes have become a part of film history; the duel of 'Die Wacht am Rhein' and 'La Marseillaise' is probably one of the greatest scenes ever shot (the only I can think of that would rival it for the #1 spot is Hynkel and the globe from Chaplin's 'The Great Dictator'), and the last scene is probably even familiar to the few people who've never seen 'Casablanca'. Am I the only one who is absolutely convinced that the film wouldn't have become what it is today if Rick and Ilsa would have ended up as the lucky couple?

About the performances: So much has been said about the uniqueness of Humphrey Bogart's and Ingrid Bergman's chemistry as Rick and Ilsa, about Claude Rains' terrific turn as Renault, about the scene-stealing performances by Peter Lorre (one of the 10 all-time greatest actors) as Ugarte and Sydney Greenstreet as Ferrari and about Dooley Wilson stopping the show as Sam. I'd love to emphasize here two other performances, one that is not mentioned quite as often and one which is blatantly overlooked: Conrad Veidt as Major Strasser had a really difficult task here, as his character is the only evil one, but still Strasser is not a one-dimensional character, and it took more than 50 years until another actor gave an equally (maybe even more) impressive performance as a Nazi, Ralph Fiennes in 'Schindler's List'. But why no one ever mentions S. K. Sakall, who plays Carl, the jolly waiter at Rick's Café Américain, is beyond me. He has definitely more screen time than Lorre, Greenstreet and Wilson, and probably about as much as Veidt, and he's a joy whenever he's on the screen. I simply love his reaction when the pickpocket ("Vultures everywhere!") accidentally bumps into him, or the reaction to the "What watch"-dialog. Or how he says he gave Strasser the best table, "being a German, he would have taken it anyway". His performance is simply criminally overlooked.

So is there a weakest link in 'Casablanca'? Every film, no matter how close to perfection, has a minor flaw or two, so one can find them in 'Casablanca', too, if one really tries hard. So yes, one might ask how much sense the entire mumbo jumbo about the letters of transit makes. One might point out that Paul Henreid, although his performance is certainly good, doesn't come close to the greatness of any of his co-stars. However, the film is so close to perfection that I'm almost ashamed that I'm so desperately trying to find less-than-perfect elements.

So whatever films will come, how many sequels will overflow the screen, and how much junk we will have to sit through, one thing is certain if we're desperate to see a great film: We'll always have Casablanca!
2004-03-29
Exceptional, Outstanding, Wonderful, Dominant, a Total Triumph
If all films were made like "Casablanca" it would be a perfect world. Very rarely does a film move its audience the way that this film does. The movie deals with a romance that just cannot be because of numerous circumstances. World War II is quickly turning the planet upside down and many Europeans are making their way to Casablanca to get visas to escape the Nazi regime. Paul Henreid and wife Ingrid Bergman are among the many who have made the odyssey. However, trouble springs up when they must go through Bergman's old flame (Humphrey Bogart, Oscar-nominated). More trouble arises with French military official Claude Rains (Oscar-nominated) and his strained relations with the Nazis. It is a heartwrenching film that dominates because of an outstanding screenplay, amazing direction by Michael Curtiz, and superb performances by all involved. A great movie. 5 stars out of 5.
2001-01-26
A nice surprise
Everyone, for as long as I can remember, has harped on about how good this film is. Now I'm quite a cynical person, so for a very long time I avoided it, not wanting to jump on the ever popular band wagon. Well, a while ago a happened across a cheap DVD version of it and thought (for some unknown reason) why not?

We (me and the wife) put it on one Saturday night and sat down with some wine.... ....we now have 3 Bogart films and are looking out for more.

If you don't like the sound of this film, give it a try. I was shocked at how good it was! Honestly, I couldn't have been more surprised if in The Great Escape instead of digging out they ended up building sandcastles and thinking "this is jolly good fun, lets stay here instead". It really is that good!!
2003-08-03
The finest example of American filmmaking
Casablanca has an essence that I cannot quite put my finger on.

All of the characters are captivating and the story is fresh every time I see it. The plot is dated, but that does not seem to matter. This movie is worth seeing time and time again
1999-10-08
For all-around entertainment, the best I've ever seen
CASABLANCA is the best treatment ever of the ancient theme of the love triangle. Set in World War II Casablanca, a Moroccan city under the control of the collaborationist Vichy French government, the movie starts with a news wire that two German couriers have been murdered and their letters of transit stolen. Each letter will permit one person to leave Casablanca to a neutral country.

Enter Humphrey Bogart as Rick Blaine, owner of the shady but cheerful Cafe Americaine. Rick is a cynical and hard-nosed man whose motto is, "I stick my neck out for nobody." Like many a cynic, Rick is an embittered ex-idealist, still nursing his wounds from being abandoned by his lover Ilsa (Ingrid Bergman). By chance he falls into possession of the missing letters of transit.

Enter Ilsa, who comes to Casablanca on the arm of Czech Resistance leader Victor Laszlo (Paul Henreid), a few steps ahead of the Nazi police. We now have three people and two letters of transit. Who will reach America, and who will stay in Casablanca?

I know no other movie that so perfectly balances humor, romance, and drama. The soul of good drama lies in presenting characters with hard choices, and few choices are as hard, or as illuminating of the protagonists' makeup, as the choices in CASABLANCA. All of the characters must decide what they will give up for love, for honor, and for themselves. The scenes of Rick and Ilsa's love, years ago in Paris, are some of the finest romantic scenes in cinema. And the humor, particularly in the person of Casablanca's Prefect of Police, Louis Renault, has contributed dozens of dry witticisms to our everyday language - "I am shocked! Shocked! - "The Germans wore gray, you wore blue." - "I was misinformed." - "It would take a miracle to get you out of Casablanca, and the Germans have outlawed miracles." So perfectly blended are these three major elements that you cannot point to a single shot or scene that should have been eliminated from the movie. Never try to watch only one scene from CASABLANCA; you will inevitably be absorbed until the very end of the film. It is little short of miraculous that the chaotically mismanaged shooting of this movie resulted in such a magnificent final product; it speaks volumes for luck and for Owen Marks' and Michael Curtiz' post-production editing.

I have never encountered a movie whose supporting cast was so perfectly realized. Every minor character is a fleshed-out, realistic individual, from Sasha to Carl the headwaiter to Rick's competitor Ferrari to the self-effacing criminal Ugarte. Claude Rains' Captain Renault ("I'm only a poor corrupt official") steals scene after scene, and Dooley Wilson's Sam is a refreshingly loyal, charismatic and sympathetic conception from an era when almost all black characters were rendered as demeaning stereotypes. The only character who tastes of the cliche is the villainous Major Strasser, which can be forgiven in a wartime production.

The only film I have ever seen as tautly effective as CASABLANCA is GLORY. Although the 54th Mass.'s story is arguably superior even to CASABLANCA for sheer dramatic power and acting talent, GLORY lacks CASABLANCA's wonderful humor and romance, which causes me to give the edge to Curtiz' classic as the better-rounded movie. I have yet to see CASABLANCA surpassed.

Rating: **** out of ****.
1999-08-27
See Also
📹 Casablanca full movie HD download 1942 - Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, S.Z. Sakall, Madeleine Lebeau, Dooley Wilson, Joy Page, John Qualen, Leonid Kinskey, Curt Bois - USA. 📀
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