🎦 Alien full movie HD download (Ridley Scott) - Thriller, Sci-Fi, Horror. 🎬
Alien
Year:
1979
Country:
USA, UK
Genre:
Thriller, Sci-Fi, Horror
IMDB rating:
8.5
Director:
Ridley Scott
Tom Skerritt as Dallas
Sigourney Weaver as Ellen Ripley
John Hurt as Kane
Ian Holm as Ash
Yaphet Kotto as Parker
Bolaji Badejo as Alien
Storyline: A commercial crew aboard the deep space towing vessel, Nostromo is on its way home when they pick an SOS warning from a distant planet. What they don't know is that the SOS warning is not like any other ordinary warning call. Picking up the signal, the crew realize that they are not alone on the spaceship when a alien stowaway is on the cargo ship.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1080 px 6955 Mb mpeg4 8394 Kbps mp4 Download
DVD-rip 668x278 px 701 Mb mpeg4 876 Kbps avi Download
Reviews
Thirty-two years on, and still exceptional.
In the crowded gallery of horror films, Alien hangs in a prominent position, high above its rivals. By virtue of its deft blend of psychology and physical horror, it lifts the genre out of the graveyard and into deepest space . While its scale models, grimy characters, and shimmering soundtrack may no longer appeal to a generation of audiences who revel in the hotchpotch storyboards of 'Drag Me To Hell', Alien still commands great respect, and rightly so. It has not lost any of its cutting edge, even after thirty-two years.

Alien's simplistic premise keeps the film tight and lean; a taut, slow-burning game of cat and mouse involving a vicious, shadowy creature whose acidic blood can melt the very girders of the ship it has invaded, and a compelling blend of the brave (Ripley), cautious (Dallas), and mechanical (Ash). There are no meaningless references to childhood memories or superfluous romance. The characters and their personalities are weathered, believable, and their mission plausible. The profit-driven search for mineral ore provides a realistic corporate counterpoint to the main story, which sees the seven crew members dragged, somewhat unwillingly, into the extraterrestrial's world. With the possible exception of Ash, they did not seek this encounter; the computers lead them to it. How each crew member responds to the situation is key; in effect, seven sub plots form, each focusing upon something different, be it a crew member's mannerisms, their way of thinking, or indeed, a violent death (Chestburster). This is Alien's greatest appeal; it provides an insight into the human mind, as psychological horror movies should. Which crew member do we, the audience, root for, admire, or resent? Who can trust who?

Sigourney Weaver, so often credited with inspiring a roll-call of female cinematic heroines, rightly earns every syllable of praise that has been heaped upon her since the film's release; Ripley's resourcefulness and courage are marvellous to behold. However, as the genuinely disturbing android Ash, Ian Holm is supreme; his reserved demeanour and considered approach masking the motives that lay hidden out of sight.

As an exercise in sound and vision, Alien is a memorable spectacle. There are many moments that are striking. The colossal hauler Nostromo, futuristic and industrial in design, dominates the screen as it crawls slowly, almost gracefully, towards Earth. The sheen of the soundtrack and the echoing calls from the freighter to 'Antarctica Traffic Control' are atmospheric to the core, while the fogbound alien planet, littered with blackened mountains and the silhouette of the hulking, derelict vessel, is hauntingly desolate. Spaces where, in modern horror films, the gaps would be filled with meaningless dialogue, are left vacant. The viewer can interpret what they see with no need for speech. Ridley Scott's vision of 'horror first, science-fiction second' was, without a doubt, fulfilled; audiences should ignore the flashing lights and controls of the spaceship and focus upon the Alien. Around which corner does it lurk? Who becomes its next victim?

Alien is a film of immense quality. It has the capacity to frighten and to deceive. It flows precisely from scene to scene with no wasted shots and most tellingly, does not stray off course by incorporating fanciful special effects or worthless roles filled by fringe characters. One spacecraft, one extraterrestrial, seven humans, and one cat is all we are given. And quite simply, anything more would have been a waste. While the genre of horror may have moved on, the art of horror is captured perfectly, here, in the blackness of space.
2011-09-19
Reasonably One of the Best Films Ever Made
Alien is directed Ridley Scott and stars Sigourney Weaver in her breakout role as Ellen Ripley, a female astronaut that belongs to a crew that receives a distress call from an unexplored planet while in space. They respond to the call by landing on the planet, and searching it. They seemingly find nothing, but, upon leaving, find an unwanted visitor aboard their ship. Once they figure out that this "alien" is superior to humans in most every way, the film becomes a battle to either kill, or at most escape, the deadly creature.

This film is widely considered one of the best horror movies of all time, and I can really see why. I can also see why some consider it one of the best films of all time. Alien is teeming with suspense, and keeps the viewer on the edge of his seat for almost the entire run time, say for some exposition in the beginning. Every time the audience gets even a subtle glimpse of the beast, each and every time there's a subtle jump, singularly due to the amazing practical effects of the alien itself.

To start with some pros, the directing is utterly fantastic, to say the least. Ridley Scott does such a good job working the camera; it makes every emotion pop right out of the screen and suck the watcher right into the movie, drawing out the tone drastically. Some of the long takes can pull forth the tension throughout the scene, or the fear that a specific character feels at the present time.

The acting is also amazing, starting with Sigourney Weaver. She gives one of the most breathtaking female performances in cinema history. Her character, Ellen Ripley, is a very strong and independent female; one in which no male is required to make her who she is, unlike most female leads today. If movies delivered more characters like Ripley, films would be better in almost every way.

The hands down best thing about this film, however, is the simplicity of the plot. One can only imagine a person pitching the idea for this film, saying "a crew of astronauts are stuck on a ship with an alien that kills them." The straightforwardness of the plot is so astounding, it makes one do a double take upon the complexity of a horror, or even action, film in the modern day. This simplicity is present in many "best films of all time," such as Die Hard (1988), or Jaws (1975). Overcomplicated plots are one of the many reasons why too many movie goers say "they don't make'em like they used to."

Overall, Alien is understandably one of the best films of all time, thanks to the characters, directing, and clarity of the plot. I'm going to give Alien an A+, or a 10 out of 10.
2016-03-05
A horror masterpiece disguised as a sci-fi film
There are few films manage to blend genres quite as successfully as Ridley Scott's 1979 masterpiece, Alien. While James Cameron's sequel was much more of an action affair, Alien marries sci-fi and horror to create a story filled with suspense and continues to terrify audiences to this day.

Though the film's setting would have you believe it's primarily a sci-fi film, it's roots are firmly in the horror genre. Many tropes of horror are recognisable during the runtime with the isolated crew of the Nostromo facing a killer that lurks in the shadows and dispatches them one by one. It's all very slasher-esque right down the final girl, Sigourney Weaver's Ripley, who manages to defeat the creature – named a Xenomorph – and escape, and if the film had been made as a straight up slasher, perhaps it wouldn't be quite as memorable as it is. This is where the sci-fi setting helps Alien distinguish itself from John Carpenter's Halloween (released the same year) and a number of other slasher films that appeared throughout the 70s and 80s. Scott presents a view of the future which has an extremely industrial aesthetic with the Nostromo appearing as a power plant floating through space, an aesthetic which differs from traditional sci-fi films and also lends itself to the horror genre very well.

Many of the other sci-fi aspects of the film feature impressive effects for 1979, with the shots of the crew's initial landing on the moon LV-426 – where they encounter the alien eggs – able to rival any modern CGI. Models and miniatures were used to capture both this and other exterior shots of spaceships which makes them appear as real as possible, and I wouldn't be surprised if Stanley Kubrick's 2001: A Space Odyssey provided some inspiration to Scott when shooting these scenes. It's not just the spaceships, however, that are impressive. When the Xenomorph is finally seen in all it's glory, it's a terrifying creation and a fantastic organic design by the late H.R. Giger which was intended to contrast the industrial aesthetic of the spaceships.

As well as the setting and the effects, the way in which Scott builds tension throughout the film is also a highlight, using the claustrophobic hallways of the Nostromo to trap his cast within the frame as the shadows pass over them. The fact that the Xenomorph itself is jet black from head to toe makes the shadowy passages of the Nostromo the perfect hiding place and as the crew make their way around the ship while Scott allows the suspense to build up, it's refreshing to see him show restraint when showing the alien, opting for a jump scare involving the ship's cat, Jones, instead.

Amongst the film's tension building moments, there's also iconic scenes to be found that have been parodied and referenced countless times in pop culture. Perhaps the most iconic of these involves the Xenomorph offspring bursting from Kane's chest during dinner only to flee the area immediately and begin growing into the creature we see later on. It's interesting to note that none of the cast – save for John Hurt who played Kane – knew exactly what would happen in this scene, that means when the blood sprays over them and that cute little Xenomorph pops his head out of Kane's gut to say 'hello', all the reactions caught on camera were real, a nice technique used by Scott to capture the cast's genuine reactions.

It's scenes such as this that contributed to the film's success and allowed Alien to pave the way for 3 sequels, 2 spin-offs, and a semi-prequel with another due soon. Many still claim it as a sci-fi masterpiece and it's hard to argue, yet the beauty of the film is that it's also a horror masterpiece, something which is hard to come by. Though some fans state that it's sequel, Aliens, is the superior film, there's no denying the power of the original and as a fan of horror, Scott's vision is the one favoured by me.
2016-06-05
One of the best sci-fi films of all time.
Alien (1979)

To commemorate 4/26 Alien Day I thought I'd watch this movie. I think Ridley Scott is my favorite Ridley. That's saying a lot when you know how much I enjoy Daisy Ridley as an actress. Not only that, but he's also one of my favorite directors. Easily in my top 10 if not top 5. It's a shame that he's never won and Oscar.

Alien is a staple in Sci-fi Horror. It's a hard genre to mash together and produce something good, let alone phenomenal. With the exception of the Alien series I can only name Pandorum off the top of my head that would fit into that meld of genres.

Alien also had a strong female protagonist, one that wasn't really established as the main character till the second act. It's sort of reminiscent of Samus from Metroid.

Speaking of main characters: Ripley, played by Sigourney Weaver, is easily one of the most recognizable female characters in all of science fiction. I'd only suspect that maybe Princess Leia would be more. Even if it was her first time as the leading lady she did a wonderful job that stands the test of time.

I'd be hard press to not talk about Kane, played by John Hurt, as a demonstration of not only an intense and agonizing scene, but the wonderful use of practical effects that will terrorize and also make you feel pity for him. I won't spoil this old movie, but I'm sure you all know which scene I'm talking about. If you don't you'll know by the second act.

People seem to forget that Ash was played by Ian Holm. Bilbo from The Lord of the Rings, and Priest Vito Cornelius from Fifth Element. His scene towards the end of act II reminded me of playing Alien Isolation the video game. Though it should be the other way around. Remember the first time I saw Alien was when I was nine.

John McClane will be known for his catch phrase. Darth Vader for his many quotable lines. I believe Ripley has an amazing phrase she says in the movie that out of context is not a spoiler. "I got you! You son-of-a-bitch."

Can I say that the writing in this film is off the charts. People have a real reason for being there. Each character is on their own a beacon of personality. There isn't a character that's forgotten after watching the movie recently. I couldn't even name half of the party in the Hobbit and I saw that just the other day. Just goes to show you the respect I have for character development. Thank you Dan O'Bannon and Ronald Shusett. They both worked on Total Recall, another great Sci- fi film.

Verdict: Cult Classic, must watch. If you didn't get the chance to see it in theaters today, since it was playing at the Alamo Drafhouse, make a note in next years calendar. 4-26-2017.
2016-04-26
Simplicity in Storytelling and Art Direction Makes the Film Timeless
The very reason of the huge and continuing success of this 25-year-old sci-fi classic may be the simplicity in its storytelling and its art direction, which has seemingly made the film timeless and universal.

A simple And-Then-There-Were-None type of story has no era-related influence from the late 70s, while many sci-fi films tend to mirror the world at the time they are made. Staged mostly in a closed environment inside a spaceship and briefly on an unknown planet far from Earth, the film practically has no connection to any particular culture.

The designs of aliens' colony on the planet and of the alien by H. R. Giger must have been remarkably cutting-edge back in the time; for contemporary eyes, they look rather simply beautiful. The title design at the opening is also appropriately simple: Green LED-like lights turn on one by one to form the letters of "ALIEN."

The film doesn't look old at all after 25 years and probably will never do. This is one of great examples that simplicity attains eternity.
2005-01-31
Proof that Ridley Scott once made great movies. My favourite horror film.
With the exceptions of Gladiator and the Martian, Ridley Scott hasn't made a good film in far too long. I would never call myself a fan of Blade Runner, but Alien shows Ridley Scott as his finest.

The claustrophobic, psycho-sexual tension masterpiece that is Alien is a classic of Sci-Fi. It sparked a franchise including three sequels, two cross overs, and a prequel. It is in dozens of top 100 sci fi movies lists, and was listed as Empire's 33rd greatest movie of all time. Does the highest rated horror movie on IMDb deserve its praise?

Short answer: yes. Alien does have a handful of short-comings, such as some implausibilities including technology (the worst self destruct system of all time). These count for nearly naught. You won't be terrified by this movie, but it doesn't deny that this gripping film remains to be the perfect sci fi-horror film. While some good sci-fi horror films exist, such as Predator, The Thing and Invasion of the Body Snatchers, none have been able to replicate this movie's atmosphere and tension. Whether its the infamous Chestburster sequence, Dallas' death in the vents, or Lambert's off screen violation, there is no doubt that this psycho-sexual, claustrophobic, star wars turned R horror movie will be remembered by myself as Ridley Scott's greatest contribution to mankind. Score: 9/10 - enthralling
2015-12-22
Average spacecraft thriller.
I never was a big fan of the Alien series. Always thought that they were way too dumb. However, i've never watched the very first one; the one which started everything, the original Alien. Until today. And to be honest, i am a bit disappointed. It's a very well made film, even more for the standards of 1979, but to the story itself...well, i just don't care for it at all. Sure, the film has great visuals, the spacecraft is full of interesting details, but the story is dry. The character development is not adequate at all, and this is an aspect which i consider fundamental in any film. We don't have any deep idea of who are the persons in there, or what they were doing, or what they are going to do. Then, the thriller? Almost none. And it's not scary. To the well of the truth, almost all the times the 'scariest' moments were very predictable and even unintentionally comic.

But nice. It's a classic, right? Well, personally, i don't give a dawn. Because besides the fact that it is an extremely well made thriller with an Alien as the main villain , It has nothing more to add. Maybe it was very good back in the 70s and 80s, but not anymore. 7.3/ 10
2013-11-02
One of the best films ever made
Not much to say that hasn't been said about Alien. I am doing my small part to pump the rating up to a solid 9 where it belongs.

I saw this on the big screen during it's opening week when I was 11 in a REAL theater - huge (holding 1075 people), packed house, spring-rocking seats, 70mm film, six track Dolby...wondrous. I have watched Alien at least 50 times since and I will never grow tired of it.

The overall mood of the film is chilling and suspenseful. The detail and sheer beauty of the Nostromo's interior is stunning. I could easily watch an entire hour of slow, sweeping pans of the rooms and corridors alone. Nothing before or since has ever come close.

The special effects in Alien are fantastic by any standard. Yes, there is one scene in which someone attempts to stand something upright on a table and another where something appears to be moving on a dolly that reveal some limitations, but these are more than acceptable trade-offs for the realism of makeup versus CGI. I am sure the editors wished they had a few more takes to work with, but they did their best with the shots they had and these very minor flaws do not detract.

I would have thought that by now, CGI would be a match for "old-fashioned" silicone and makeup, but sadly no. CGI still looks fake and has never produced a single, believable, creature or superhero in all these years. Ever. I find that very sad. I don't know if it is because the technology for realism just isn't here yet or if it is simply a lack of human talent in adding in the "imperfections" that make things look real. I suspect it's a combination of both plus a lack of budget for the time it would take and I don't think we will see real-looking CGI for at least another 30 years. I wish more films today would shun CGI altogether. Models, silicone and makeup are far superior. Come on CGI effects teams - CATCH UP!

Well, that's my rant on CGI... But although the sets and effects are wonderful, Alien is not a special effects film. It is pure suspense and horror in a sci-fi setting, done to perfection.

Alright that's enough. If you are the one person alive who hasn't seen this, what are you waiting for? If sci-fi or slow suspense is not your cup of tea, so be it. It takes all kinds to make a world, but give it a shot - give it its due. Alien is truly an amazing work of art.
2014-04-01
Iconographic Horror
ALIEN received mixed reviews when it debuted in 1979--largely from science fiction critics, who accused it of being little more than a sort of Friday the 13th in Outer Space, a blood-and-gore horror flick given a futuristic twist via special effects. But while these accusations have more than a little truth, it has been an incredibly influential film--and even today, in the wake of CGI effects, it still holds up extremely, extremely well.

The story is well known: the crew of an interstellar craft responds to what seems a distress signal, only to encounter a remarkably lethal alien life form that boards their ship and sets about picking them off one by one. Some of the special effects are weak (the alien spacecraft and the android "revival" are fairly notorious). There is little in the way of character development, the film has a fairly slow pace, and the story itself is predictable; you can usually guess who is going to die next.

BUT. The art designs are incredible: the entire look of the film, from the commercial nature of the spacecraft to the iconographic alien itself (brilliantly envisioned by Giger) is right on the money. Director Ridley Scott encouraged his cast to ad lib from the script, and the result is a shocking sense of realism--and the somewhat slow pace of the film and the predictability of the story gives it a sense of relentless and ever-mounting paranoia that is greatly enhanced by the tight sets and camera set-ups. With its odd mixture of womb-like organics and cold mechanics, ALIEN is a film calculated to send even the most slightly claustrophobic viewer into a fit of hysteria.

The entire cast, led by Tom Skerrit and Sigorney Weaver, is very, very good--and the film abounds with memorable images and scenes ranging from John Hurt's encounter with the alien egg to Skerrit's search of the ship air ducts to Weaver's terrifying race against time as the ship counts down to self-destruct. Seldom has any film been so consistent in design, cast, direction, and out-and-out fear factor, and although certain aspects of ALIEN are open to legitimate criticism the end result is powerful enough to bring it in at a full five stars. A word of warning, however: you'll need to send the kids to bed for this one. And you'll probably be up half the night afterward yourself! Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer
2005-04-23
Hey guys I found a good movie
This suspenseful, spine-tingling movie keeps you on the edge of your seat right up to the time it's finished. When you watch this one, you feel like a good friend (by good I mean shrewd in picking movies) has brought it to your house to have a great movie night. In other words, it seems like director had seen it several times before he made it. He is that friend of yours by the way. A huge spacecraft has finished its mission and is heading back to Earth. We the crew members get up from their sleeping pods, they realize the spaceship is out of its course. Apparently it has received a signal from another planet, indicating some alien life form and set off to accomplish it secondary mission: investigating life in space. The extra- terrestrial life they find is by no mean friendly and brings horror into the ship.

It's more of a horror film than a science fiction one. I am sure you have seen those horror films in which some people are stuck in a hut in jungle and there is some nasty creature lurking to hunt them one by one. Well, now make the hut full of small rooms and send it to space. This, has provided director with a lot of close-ups which sends a shiver to your spine. It keeps you guessing when something is going to jump into the frame from an angle and kill people on board. But the brilliance of the movie is in what it doesn't show. By this, I mean unlike other horror movies you don't see people running around, crying or screaming ( not that much anyway). Also, when the astronauts find the organism, they do not celebrate nor freak out. They act vary nonchalant like they come across these things all the time. And this, has saved a lot of time and helped the director and audience focus on the story.

A lot of unnecessary scenes have been cut out. And there's your good friend Ridely, selflessly sparing you from all the fake screams and tears. At times you guess you are going to see some sentimental crying or other reactions, but it never happens. Well, crew members are scientists and not some clueless teenagers. Sometimes in comedies, actors act normally in funny situations which makes it even funnier. This technique has been applied here and if you ask me it has worked like a dream; a scary one too.

Right at the beginning of the movie, the camera is roaming in the spacecraft which seems horrifyingly deserted. While we are curious to see some people or aliens, we reach a room in which astronauts are sleeping in their pods. And when the camera approaches the room, the automatic door goes up. This, throws the audience right to the spaceship. There is another scene in which the senior commander, frustrated to find a way to kill the monster, tries to get some answer form the computer brain of the craft called Mother( discover the irony yourself). He keeps asking about the creature but the computer has insufficient knowledge. Then with all his hope gone he types: 'What are my chances?'
2015-12-11
📹 Alien full movie HD download 1979 - Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto, Bolaji Badejo, Helen Horton - USA, UK. 📀
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